I 

II 


MEMORIES  OF  THE  PROFESSIONAL 

AND  SOCIAL  LIFE  OF  JOHN  E. 

OWENS,  BY  HIS  WIFE 


JOHN  MURPHY  AND  COMPANY 
BALTIMORE  -  MDCCCXCII 


I'ol'YUKJHT,    1VJ2.    15Y    JolIN    MUKl'HY    ,t    Co. 


PREFACE. 


To  my  husband's  memory  I  dedicate  this  volume,  with 
the  earnest  wish  that  the  gift  of  eloquence  had  been  mine, 
empowering  me  to  render  a  more  worthy  tribute  to  a  well- 
spent  life. 

The  incentive  which  led  me  to  write  the  book  is  fully 
designated  by  its  title — "  Memories."  These  imprints  of 
happier  days,  ever  present  with  me,  have  sometimes  been 
voiced  to  our  friends;  and,  observing  how  heartily  they  wel- 
comed and  enjoyed  anecdote  or  incident  of  him  they  knew 
so  well,  and  the  enthusiasm  with  which  his  dramatic  genius 
and  fame  was  spoken  of,  I  gradually  became  impressed  with 
the  desire  to  arrange  in  readable  form  the  record  of  my 
husband's  theatrical  experience,  and  combine  with  it  little 
events  of  every-day  life.  Of  all  this,  as  his  constant  com- 
panion, I  had  thorough  knowledge,  even  though  my  ability 
to  convey  it  may  have  proved  insufficient.  I  fully  realize  that 
in  more  competent  hands  a  biography  of  John  E.  Owens 
would  have  been  brilliantly  written  and  ranked  as  a  finished 
literary  work.  I  am  not  so  presumptuous  as  to  aspire  to 
that  standard.  It  has  been  a  pleasure  to  me  to  (mentally) 
go  step  by  step  over  the  months  and  years  we  lived  together ; 

iii 

M82724 


IV  PREFACE. 

and  if  my  readers  will  indulgently  regard  that  which  I  have 
transcribed  as  something  I  might  have  talked  to  them  about 
in  my  own  home  circle,  they  will  recognize  the  intent  of  my 
true  position.  In  so  doing,  their  thoughts  may,  perhaps, 
dwell  more  upon  the  spirit  in  which  my  book  is  written  than 
the  manner  in  which  it  is  rendered.  On  this  possibility  I 
rest  my  hope,  that  happily  I  shall  receive  lenient  criticism. 

BALTIMORE,  MD.,  December  7th,  1892. 


CONTENTS. 


CHAPTER  I.  pAOE 

Birth  of  John  E.  Owens— School  days— First  theatrical  engagement 
— W.  E.  Burton— Astronomical  lectures— Season  in  Baltimore 
— Mrs.  John  Drew — D6but  in  New  Orleans,  ....  1 

CHAPTER  II. 

Visit  to  relatives  in  England— Engagement  in  Philadelphia— 
"Jakey"— Italian  Opera— A  psychologist— Purchases  Balti- 
more Museum —  Uriah  Heep  a  hit  in  New  York,  ...  30 

<  IIAPTER  III. 

Ascent  of  Mont  Blanc — Engaging  David  Garrick— Aigburth  Vale 
—Dramatic  portraits— Dion  Boucicault— "  The  schoolmaster 
abroad," 59 

CHAPTER  IV. 

A  lesson  in  French — "Solon  Shingle"— "Self" — H.  L.  Bateman 
—Debut  in  Boston— "  Caleb  Plummer"— Mrs.  John  Wood- 
Origin  of  the  popularity  of  "  Dixie's  Land,"  ....  80 

CHAPTER  V. 

New  Orleans  season  1860-61— Obtaining  a  substitute — Witty 
repartee — A  lover  of  Shakespeare — Reception  of  Solon  Shingle 
in  Xew  York — Constant  Meyer's  picture,  ....  112 

CHAPTER  VI. 

Adelphi  Theatre,  London— Appreciative  public— Liverpool  engage- 
ment—Re-appearance  in  New  York— patented  "cow-milker" 
— Owens  "the  farmer" — Visit  to  a  circus,  ....  132 

V 


VI  CONTENTS. 

CHAPTER  VII. 

Sea  voyage  to  San  Francisco—  Lawrence  Barrett—"  Grimaldi  "— 
Tour  of  mining  towns  —  Foss  —  Salt  Lake  City  —  "  War  prices 
out  of  date"  —  A  mulberry  story,  ......  161 

CHAPTER  VIII. 

Inauguration  of  an  Opera  House—  "  Owens'  Ride  "—Montreal— 
J.  W.  Albaugh  —  An  English  gardener  —  Country  vs.  City  — 
"A  man  skilled  in  fence  "—"Paul  Pry  "—Louisville—"  I  play 
this  for  low,"  ..........  185 

CHAPTER  IX. 

Comic  sequence  of  weighing  baggage  —  A  boy's  letter  —  The  bond 
of  masonry—  A  big  chandelier—"  Timothy  Toodles"—  Journey- 
ing in  an  ox  -cart  —  A  gentle  Alsacian  priest,  ....  206 

CHAPTER  X. 

New  Orleans  season  of  1874-75  —  Political  excitement  —  Towson- 
town—  "Where  is  it  ?  "—Purchase  of  Academy  of  Music, 
Charleston,  S.  C.—Perkyn  Middlewick—K  telegram—  Dr. 
Peter  Pangloss,  LL.  D.  and  A.  S.  S.,  .....  231 

(  IFAPTER  XI. 


"De  Captain's  butter  "—"T/te  Serimi*  F,,,nihj"—  Departure  for 
Australia  —  San  Francisco  en  routi  —  A  mining  investment  — 
Return  a  n  1881-82,  with  John  T.  Ford,  .  .  .  •_'.">  7 

<  HAI'TKK   XII. 

nlda"—  Kntertainin-  friends  at  Aijjlmrth  Vale—  The  1'iek- 
wick  Club—  Hrilliant  performanee  at  Harlem  Theatn  —  "A 
golden  set  "—Winter  in  (  'liarh-tmi.  S.  C.—  Will.  T.  Ken^'h— 
Illnc-  —  K.  ••.,•!!(  —  F.artli(|iiak<  —  Fileet»  •>!'  r\frti«>n  and  agita- 
tion —  SnflVrini:  —  Peaceful  and  final  sleep,  .... 


ILLUSTRATIONS. 


I'AGK. 

JOHN  E.  OWENS, Frontispiece. 

MRS.  JOHN  E.  OWENS, 4 

WILLIAM  E.  BURTON,  Comedian, 10 

JAKEY,  in  "  A  Glance  at  Philadelphia," 40 

AIGBURTH  VALE  in  1853, 66 

AIGBURTH  VALE  in  1868, 70 

SOLON  SHINGLE,  from  a  painting  by  A.  Cross,    ....      84 

JOHN  UNIT,  in  "Self," 90 

MAJOR  WELLINGTON  DEBOOTS,  in  "  Everybody's  Friend,  .  .102 
CALEB  PLUMMER,  in  "  The  Cricket  on  the  Hearth,"  .  .  .108 
LAUNCELOT  GOBBO,  in  "  The  Merchant  of  Venice,"  .  .  .122 
SOLON  SHINGLE,  from  a  painting  by  Constant  Meyer,  .  .128 
FRANK  OATLAND,  in  "  A  Cure  for  the  Heartache,"  .  .  .  144 

DR.  OLLAPOD,  in  "  The  Poor  Gentleman," 164 

PAUL  PRY, 202 

JOSHUA  BUTTERBY,  in  "  Victims," 218 

OWENS'  ACADEMY  OF  Music,  Charleston,  S.  C.,  240 

PERKYN  MIDDLE  WICK,  in  "  Our  Boys," 244 

DR.  PETER  PANGLOSS,  in  "  The  Heir  at  Law"   ....    256 

ELBERT  ROGERS,  in  "  Esmeralda," 278 

HEZEKIAH  PERKINS,  in  "  Choke's  Corners."  (Act  I.)  .  .  280 
HEZEKIAH  PERKINS,  in  "  Choice's  Corners."  (Act  II.)  .  .  282 

vii 


MEMORIES  OF  JOHN  E.  OWENS. 


CHAPTER  I. 

Birth  of  John  E.  Owens— English  and  Welsh  ancestors— School  days 
in  Philadelphia  — Early  indications  of  dramatic  talent  — Read- 
ing play -books  —  Owens  hopelessly  stage-struck  —  lie  meets  a 
kindred  spirit — Hamlet  with  comic  denouement — First  visit  to 
a  theatre — Supernumerary  at  the  National  Theatre — "speaking 
parts"— Relinquishes  theatrical  hopes—  William  E.  Burton— En- 
couraging  advice — Return  to  the  stage — Pronounced  hit — Alexina 
Fisher — Mr.  and  Mrs.  D.  P.  Bowers — "  I  am  so  confoundedly 
young  " — Astronomical  lecture — Transient  prosperity — A  stampede 
1844-45 — Season  with  Peale  at  Baltimore  Museum — Mary  Gannon 
—Mrs.  Russell  (Mrs.  John  Hoey)— Wallack—  Booth— Mrs.  John 
Drew — Charlotte  Cushman — "A  bear  on  the  Roof!" — Consequences ! 
Season  of  1846-47,  with  Ludlow  &  Smith— Debut  at  New  Orleans 
— The  pill  box  dressing  case. 

TT7HE  professional  life  of  an  artist  belongs  to  the  public. 

'       They  have  a  right  to  discuss  and  pronounce  upon 

its  merits  and  demerits,  however  unknown  to  them  may 

be  his  personal  career.     Having,  by  talent  and  devotion 

to    his   art,   achieved    fame    and    position,    he    invokes 

deserved  admiration ;  but  when  in  addition  to  this,  he 

1 


MEMORIES   OF 


eiev.-ines  Yiir-sBjf'  flbput  the  hearts  of  people  by  geniality, 
integrity,,  and  -  kind ,  deeds,  there  is  a  bond  between  the 
a ciist  Mid  the  ipufrjiei  rendering  a  natural  sequence  that 
whatever  concerns  their  favorite,  will  be  received  with  in- 
terest. Under  this  impression  I  submit  my  "  memories  " 
of  a  life,  whose  brilliant  histrionic  record  was  only 
equalled  by  the  goodness  and  sympathetic  tenderness 
known  best  to  friends  in  every-day  life. 

Many  of  the  incidents  I  shall  narrate  are  personal 
recollections  of  my  own.  Others  have  been  gathered 
from  friends  and  acquaintances.  All  are  authentic  and 
reliable,  which  I  hope  will  entitle  them  to  attention, 
even  though  I  am  well  aware  that  an  abler  pen  than 
mine  is  required  to  do  justice  to  the  work  I  have 
undertaken. 

I  do  not  make  the  faintest  claim  to  literary  merit ;  on 
the  contrary,  I  deprecate  the  criticism  that  would  meet 
my  reminiscences  on  the  plane  of  authorship. 

I  simply  desire  to  speak  of  my  husband's  career  and 
associations,  and  trust  that  for  his  sake  I  may  obtain 
indulgent  hearing. 

John  Edmond  Owens  was  born  in  Liverpool,  England, 
April  2d,  1823. 

His  father,  tin-  son  of  ap  Griffith  Owen,  of  Nant,  and 
Annie,  his  wife,  was  christened  Owen  Griffith  Owen  ; 
but  <>n  arriving  at  manhood  added  a  final  s  to  his  la-t 
name,  for  euphony.  The  family  resided  at  Aberdanm, 


JOHN   E.   OWENS.  3 

in  tho  county  of  Carnarvon,  North  Wales,  until  1809, 
when  they  removed  to  Liverpool;  Owen  G.  Owen  was 
ten  years  old  when  he  left  his  native  place.  Eight 
years  afterwards,  he  met  with  John  Anderton,  a  prom- 
inent origin  builder;  the  acquaintance  ripening  into 
friendship  resulted  in  an  introduction  to  the  home  circle 
of  the  Audertons.  They  were  all  musical  people ;  some 
of  them  having  attained  conspicuous  proficiency  as 
amateurs.  Many  pleasant  hours  were  passed  there ; 
but  gradually  the  strong  attraction  to  the  house  for 
Owen,  concentrated  in  the  eldest  daughter,  Mary  An- 
derton, whose  beauty  and  sweetness  of  disposition  ren- 
dered her  very  loveable.  After  a  somewhat  prolonged 
courtship  they  were  married.  Their  first-born  child 
was  John  E.  Owens,  destined  to  render  famous  the 
name  he  bore. 

During  the  summer  of  1828,  Owen  G.  Owens  decided 
to  make  a  home  in  America  for  himself  and  family. 
They  left  Liverpool  in  a  sailing  vessel,  and  after  eight 
weeks  voyage  landed  in  Philadelphia.  Several  relatives 
had  already  taken  up  their  residence  in  that  city.  Among 
them,  the  mother  of  Owen  G.  Owens,  who,  though  she 
had  acquired  the  English  language,  still  spoke  in  her 
native  tongue  to  those  who  understood  it.  She  became 
prominent  and  useful  in  Welsh  Societies,  and  often  acted 
as  interpreter  to  those  newly  arrived  from  Wales.  Her 
children  and  grandchildren  being  much  with  the  old 


4  MEMORIES   OF 

lady,  were  familiar  with  the  language;  and  all  his 
life,  John  Owens  would  now  and  again  at  home  use  a 
Welsh  word  or  sentence  with  perfect  accent. 

On  the  maternal  side,  John's  people  were  English ; 
some  of  them  being  clergymen  in  the  Episcopal  church, 
of  which  they  were  all  members.  His  father  became 
a  naturalized  citizen  of  America  shortly  after  arriving 
here. 

As  soon  as  the  family  were  settled  in  their  new  home, 
John's  education  was  looked  to.  He  had  the  advantage 
of  the  best  schools  in  Philadelphia,  and  at  an  early  age 
gave  evidence  of  aptness  for  intelligent  study.  Not 
content  with  simply  memorizing  his  lessons,  he  was 
always  eager  to  propound  questions  with  a  view  to 
deeper  insight  and  clearer  knowledge  of  the  subject. 
On  composition  and  "recitation  days"  especially  he 
was  a  favorite  scholar.  While  still  a  little  chap,  his 
teacher  would  place  in  his  hand  a  cane,  and  putting  spec- 
tacles on  his  nose  have  him  recite  "Pity  the  sorrows 
of  a  poor  old  man," — or  rather  ad  it — for  this  he  did 
intuitively.  Quick  of  memory,  and  fond  of  reciting, 
the  home  circle  was  not  free  from  the  boy's  bent  of 
"speaking  pieces" — apropos  of  which,  on  one  occasion, 
the  l>al>v  sister  was  iriven  to  him  to  hold.  Proud  of 
the  trust  reposed,  lie  kept  her  tightly  clasped,  until, 
through  his  mind  IM-HII  to  run  the  lines  of  "  Young 
Norval,"  to  which  he  imiiK diately  gave  voice — safely 


•-.<., 

I 


JOHN   E.   OWENS.  5 

enough  till  the  words — "Rush'd  like  a  torrent  down 
the  vale ; "  impelled  him  to  suit  the  action  to  the  word, 
and  throw  out  both  arms;  when  down  tumbled  the 
baby  sister,  whose  cries  brought  John  to  his  senses 
and  his  mother  to  the  rescue.  Fortunately,  no  injury 
beyond  fright  was  sustained. 

As  he  advanced  in  boyhood,  his  taste  for  reading  and 
study  increased,  but  not  to  the  extent  of  becoming  a 
bookworm.  Gifted  with  a  retentive  mind,  so  great  was 
the  impression  made  thereon  by  his  studies,  that  he 
could  render  full  justice  to  them,  and  yet  have  leisure 
for  enjoyment  of  boating,  gunning,  and  like  sports  to 
which  athletic  youths  incline.  Replete  with  health  and 
joyous  spirits,  and  lovingly  tender-hearted  to  those  at 
home,  he  was  as  the  good  mother  often  said,  "the 
sunshine  of  the  house." 

When  about  fourteen  years  old,  he  chanced  to  come 
into  possession  of  two  play-books  — "  Richard  the 
Third,"  and  "The  Spectre  Bridegroom."  He  read, 
and  re-read  them,  not  only  at  home,  but  they  were 
smuggled  into  school.  Masking  them  under  cover  of 
a  study  book,  he  regaled  himself  by  stealth.  This 
went  on  unsuspected  for  awhile,  but  one  day  the 
schoolmaster  surprised  the  deception,  and  wresting  the 
play-books  from  young  John,  severely  remarked  :  "  I 
will  settle  with  you  about  this,  later  on."  Deprived  of 
his  limited,  but  sole  dramatic  literature,  under  the  dis- 


6  MEMORIES  OF 

pleasure  of  Gray,  the  schoolmaster,  of  whom  ho  was 
really  fond,  the  lad  was  very  unhappy.  Deeply 
chagrined,  he  awaited  the  expected  reprimand  and 
punishment. 

Several  days  elapsed,  and  then  Gray  called  him 
aside  and  returned  the  books  with  a  mild  rebuke  for 
reading  them  in  school;  adding,  after  a  pause — "If 
you  have  any  more  play-books,  my  boy,  lend  them 
to  me."  Thus,  the  dreaded  scolding  was  not  only 
averted,  but  the  schoolmaster  and  his  pupil  became 
great  chums. 

Years  afterwards,  while  playing  a  star  engagement  in 
Pittsburg,  he  unexpectedly  met  his  former  teacher ;  now 
a  very  old  man,  and  in  poverty.  Pleased  at  the  ren- 
contre, which  brought  back  the  memory  of  his  boyhood, 
he  prevailed  upon  Gray  to  adjourn  with  him  to  a  res- 
taurant, where  they  had  a  delightful  talk  over  a  good 
dinner  and  a  bottle  of  wine.  Invigorated  in  mind  and 
body,  the  old  gentleman's  depression  vanished,  and  he 
was  for  the  nonce  happy.  Regarding  Owens  proudly, 
he  exclaimed,  "Ah!  my  boy,  your  professional  success 
is  founded  on  our  reading  play-books  together.  I  fos- 
tered the  In-lit  of  your  taste — and  sec  the  result!"  He 
witnessed  the  performance  at  night,  and  was  yet  more 
enthused.  Waiting  at  the  stage  door  to  say  "good- 
bye," In-  <|iiite  bn»ke  down  in  expressing  gratitude 
for  the  brightness  which  Owens  had  brought  into  his 


JOHN   E.   OWENS.  7 

life,  so  long  an  experience  of  gloom.  They  met  no 
more,  but  Gray  was  always  remembered  so  long  as 
he  lived. 

Strongly  attracted  to  theatrical  life,  Owens  yet  deemed 
it  almost  unattainable,  as  no  source  however  remote, 
seemed  open  to  him  to  form  the  acquaintance  of  any  one 
connected  with  a  theatre.  Despairing  of  this,  his  next 
choice  of  a  future  was  "going  to  sea" — the  outcome  of 
reading  Capt.  Cook's  voyages,  and  similar  books,  that 
inspire  such  taste  in  boys  of  brave  and  adventurous 
nature.  He  made  known  this  desire  to  his  father, 
requesting  that  a  position  as  cabin  boy  be  obtained 
for  him.  Both  parents  gave  a  decided  negative  to  this 
request.  The  father  inclined  to  the  medical  profession 
for  his  son;  and  to  further  this  intention  placed  him 
with  Dr.  Samuel  Jackson,  druggist,  Tenth  Street,  Phila- 
delphia. 

In  the  same  store  was  a  very  bright  youth,  named 
James  Woodhouse,  somewhat  John's  senior.  Soon  they 
discovered  to  their  delight,  that  they  had  a  mutual  taste 
— I  may  say  longing.  Each  desired  to  become  an  actor. 
Much  "spouting"  went  on  in  that  store  during  the 
proprietor's  absence,  for  Woodhouse  was  the  fortunate 
owner  of  many  play-books.  One  day  they  were  essay- 
ing a  portion  of  the  fifth  act  of  Hamlet.  Woodhouse 
personating  Laertes,  and  Owens,  with  a  table  cover 
draped  over  him  for  a  cloak,  striving  to  look  melan- 


8  MEMORIES   OF 

choly,  as  Hamlet.  All  went  on  to  their  satisfaction, 
until  the  "  divine  afflatus  "  reached  a  climax  and  Owens, 
with  much  gesticulation,  throwing  aside  the  "  inky  cloak  " 
— gave  the  lines  "This  is  I,  Hamlet,  the  Dane"  came 
in  violent  collision  with  a  shelf  of  bottles.  Crash  on 
crash  they  tumbled  down,  and  the  boys,  horror-stricken, 
viewed  the  shattered  fragments  before  them.  Luckily, 
their  employer  was  lenient,  and  the  penalty  of  the 
accident  fell  lightly. 

By  and  by,  James  Woodhouse  imparted  the  startling 
information,  that  he,  had  actually  stood  before  the  foot- 
lights. "  How  did  you  get  there  ? "  said  the  awe- 
stricken  Owens.  "  How  ?  Why,  as  a  supernumerary  ; 
and  so  can  you."  This  was  the  thin  edge  of  the  wedge 
to  revive  hope  in  the  heart  of  the  young  aspirant  for 
histrionic  life. 

Though  unmistakably  stage-struck,  he  had  never  been 
in  a  theatre  but  twice.  The  first  time,  was  with  his 
father;  the  bill  being  "  The  Mountaineer"  and  "  l\ol tin- 
son  Crusoe"  A  most  blissful  evening  to  the  boy, 
ail'ording  him  enjoyment  which  lasted  for  weeks  after- 
wards. Obtaining  a  book  of  the  Mountaineer,  he  read 
it  with  avidity,  over  and  over  again;  every  page  bcinu; 
to  him,  not  only  entrancing,  but  illuminated  akin  to 
reality,  from  having  seen  it  enacted.  Kdnxm  S.  (\.nner 
(who  played  Oetavian)  he  regarded  as  almost  superhu- 
man ;  and  had  the  future  been  then  predicted  that  he 


JOHN   E.    OWENS.  9 

would  he  professionally  associated  with  this  hero,  such 
a  prophecy  could  not  have  been  regarded  as  otherwise 
than  impossible  of  fulfilment. 

On  his  second  visit  to  a  theatre,  from  the  pit  of  the 
"Arch  Street,"  he  enjoyed  the  spectacle  of  "The  Forty 
Thieves"  Arriving  early,  he  obtained  a  seat  quite  near 
the  stage ;  and  as  the  play  progressed,  somewhat  regretted 
his  close  proximity  to  the  band  of  robbers.  To  his 
youthful  and  inexperienced  eye,  they  appeared  exceed- 
ingly fierce,  and  seemed  to  threateningly  scowl  at  those 
near  them  in  the  audience ;  repressing  with  difficulty  a 
desire  to  make  an  attack  upon  the  inoffensive  spectators. 
Long  years  afterwards,  in  mentioning  this  experience,  he 
used  to  laugh  at  the  thrill  inspired  by  burnt  cork  mous- 
tachios;  and  a  scowl  engendered  from  nervous  fright, 
awkwardness,  and  a  fear  of  being  recognized,  and  guyed 
by  acquaintances. 

But,  to  return  from  this  digression,  to  the  conference 
between  Woodhouse  and  Owens,  about  going  on  the 
stage.  An  advertisement  shortly  afterwards  appeared 
in  the  "Ledger,"  requiring  a  large  number  of  "supers" 
for  a  spectacle  about  to  be  produced  at  the  National 
Theatre,  by  William  E.  Burton,  the  famous  comedian, 
manager,  and  author.  Owens  presented  himself  as  an 
applicant,  was  accepted  ;  and  thus,  at  the  age  of  seven- 
teen, he  began  his  theatrical  life.  Night  after  night,  he 
managed  to  be  on  duty  unknown  to  his  parents  or 


10  MEMORIES  OF 

employer.  One  evening  he  had  quite  a  scare.  While 
advancing  in  a  procession  of  supers,  he  saw  his  father 
with  some  friends  in  a  box  near  the  stage.  Forgetting 
how  much  the  super's  dress  and  make-up  disguised 
him,  he  thought  the  time  of  discovery  had  arrived. 
To  use  his  own  words  when  relating  the  incident : 
"I  could  have  sworn  that  our  eyes  met,  and  what 
astonished  me  was,  that  no  angry  manifestations  fol- 
lowed." 

Weeks  went  on  and  the  novelty  of  being  behind  the 
scenes,  and  before  the  footlights  waned.  No  prospect 
of  advancement  appeared.  True,  he  had  now  and  then 
a  few  lines  to  speak,  but  the  result  was  not  always 
satisfactory.  As,  for  instance.  In  a  melodrama,  being 
cast  for  first  murderer,  and  another  youth  for  second 
murderer,  they  were  much  elated  with  having  "speaking 
parts  "  assigned  them ;  and  ambitious  to  make  the  most 
of  the  opportunity — overstudied. 

Their  first  dialogue,  informs  the  audience  of  intention 
to  commit  a  murder.  During  the  Third  Act,  they  again 
appear,  and  discuss  the  deed  that  has  been  done,  an<l 
their  fear  of  detection.  Owing  to  excitement,  the  lines 
in  the  Third  Act,  were  spoken  first.  Coming  off  the 
stair*',  they  <z;a/e<l  hopelessly  at  each  other.  "What 
shall  we  say  in  the  Third  Act?"  was  the  mutual  inter- 
rogation. 


WILLIAM   E.  BURTON, 
COMEDIAN. 


JOHN   E.    OWENS.  11 

Owens  met  the  emergency,  by  striving  to  bridge  over 
the  dilemma  with  interpolation;  but  his  efforts  were  only 
partially  successful.  He  was  fined  and  severely  repri- 
manded. This,  together  with  the  information  that  "speak- 
ing parts"  would  be  withheld  from  him  for  awhile, 
was  very  depressing.  Despairing  of  making  progress 
in  the  profession,  he  withdrew,  and  tried  to  concen- 
trate his  thoughts  on  the  duties  of  his  situation  at 
the  drug  store. 

One  day,  on  his  way  home  to  dinner,  he  heard  his 
name  called  from  the  opposite  side  of  the  street ;  looking 
up,  he  saw  Mr.  Burton ;  he  went  over  and  was  accosted 
thus  : — "  My  little  Owens,  I  haven't  seen  you  about  the 
theatre  for  some  time ! "  "  No,  Mr.  Burton,"  he  replied, 
"  I  don't  think  I'll  ever  make  an  actor,  so  I  keep  away." 
"Nonsense,"  said  Burton,  "you  haven't  tried  long  enough 
— must  learn  to  walk  before  you  can  run — I'd  like  to 
have  a  talk  with  you.  Can  you  come  up  to  my  house  ?  " 
"Certainly,  Mr.  Burton;  whenever  it  suits  you."  An 
appointment  was  made,  and  kept,  the  result  of  which 
was,  the  return  of  Owens  to  the  National  Theatre ;  not 
as  a  supernumerary,  but  for  speaking  parts  of  a  few  lines, 
with  promise  of  advancement. 

The  Ocean  Child  was  brought  out  at  the  National 
Theatre,  September  23,  1841,  and  Owens  cast  for  Peter 
Poultice,  the  first  part  of  importance  that  had  ever  been 
given  to  him.  He  made  a  hit.  This  prominence  being 


12  MEMORIES  OF 

mentioned  by  the  press,  revealed  to  his  parents  the  fact 
that  their  son  was  on  the  stage.  Their  surprise  was 
great ;  but  resentment  for  the  concealment  was  overcome 
by  gratification  at  his  success.  Relatives,  friends,  and 
neighbors,  were  invited  by  the  family  to  go  to  the 
National  Theatre  to  see  the  "Ocean  Child,"  and  witness 
"our  John's"  performance  of  Peter  Poultice.  The  piece 
had  a  good  run,  and  was  revived  later  in  the  season. 
The  original  cast  being  as  follows  : 

THE  OCEAN  CHILD. 

CAPTAIN  MANDEVILLE MR.  J.  B.  EGBERTS. 

(of  the  Windsor  Castle). 

CAPTAIN  STURDY  (of  the  Earl  Grosvenor) MR.  SHERMAN. 

HARRY  HELM MR.  E.  S.  CONNER. 

(an  able  sailor,  on  the  Windsor  Castle). 

DENNIS  OTROT  (his  messmate) MR.  E.  SHAW. 

KOHREK  (a  Malay  sailor) MR.  OAKEY. 

PETER  POULTICE  (an  apothecary's  apprentice) MR.  OWENS. 

JOEL  JUNK  (otherwise  Old  Davy  Jones) MR.  ARCHER. 

MARY  HELM  (Harry's  wife) MRS.  GEO.  JONES. 

Malays,  European  Sailors,  Midshipmen,  &c.,  &c. 

ACT  2. 

(After  a  lapse  of  eighteen  years). 

Sn;   \i;i  in  i:  HAMILTON MR.  J.  B.  Ror.i :KT-. 

(formerly  (1apt:iin  Mimdeville). 

CAPTAIN  WORTH YM AN MR.  W.  THOMPSON. 

(of  the  Antelope). 


JOHN   E.    OWENS.  13 

JACK  HELM  NEPTUNE Miss  ALEXINA  FISHER. 

LIEUTENANT  MANLY MB.  VANSTAVOSEN. 

WILL  CAPSTAN  (a  midshipman) MB.  BOWEBS. 

DENNIS  OTBOT  (landlord  of  the  Shamrock) MB.  E.  SHAW. 

DB.  POULTICE  (Surgeon  Dentist) MB.  OWENS. 

(Man,  Horse,  and  Cow  Doctor). 

OLD  CUBIOUS  (the  steward) MB.  ABCHEB. 

MABY  HELM  (a  maniac) MBS  GEO.  JONES. 

MABGEBY  O'TBOT Miss  H.  SHAW. 

KATE  (her  daughter) MBS.  R.  CANTOB. 

It  is  a  singular  coincidence,  that  his  first  mark  in  the 
profession,  should  have  been  made  by  the  personation  of 
an  apothecary's  apprentice,  the  position  he  then  occupied 
in  real  life.  Once  having  tasted  applause,  over  went  the 
mortar  and  pestle,  and  every  energy  was  bent  to  becom- 
ing an  actor.  Though  young,  he  was  not  unduly  elated 
by  the  praise  he  received,  but  realized  that  much  study 
was  indispensable.  He,  therefore,  severed  his  connection 
with  the  drug  store,  and  entered  with  intensity  of  purpose 
into  the  profession — to  which,  in  later  years,  he  was  so 
great  an  acquisition,  so  brilliant  an  ornament. 

His  course  was  now  onward  and  upward.  The  National 
Theatre,  this  season,  had  an  excellent  stock  company; 
among  whom  was  Miss  Alexina  Fisher,  Edmon  S.  Con- 
ner, Mrs.  Rachel  Cantor  and  others. 

Alexina  Fisher  was,  perhaps,  one  of  the  most  polished 
and  attractive  juvenile  actresses  that  ever  adorned  the 
stage.  She  afterwards  starred  successfully,  and  is  best 


14  MEMORIES   OF 

known  to  the  present  generation  as  Mrs.  John  Lewis 
Baker.  She  died  in  1887,  leaving  a  son,  John  Lewis 
Baker,  and  a  daughter,  who  is  the  wife  of  John  Drew. 
Mrs.  Rachel  Cantor  (then  an  excellent  soubrette)  in  later 
years  played  first  old  woman  acceptably.  She  travelled 
with  Laura  Keene  and  other  prominent  stars.  At  pres- 
ent, she  is  an  inmate  of  the  Forrest  Home. 

D.  P.  Bowers,  was  among  the  youngsters  of  the  com- 
pany. He  had  been  popular  as  a  "  boy  star  ; "  but  after 
retiring  from  the  role  of  a  prodigy,  wisely  determined  to 
commence  at  the  bottom  of  the  ladder,  and  strive  -for 
eminence  on  a  more  secure  and  gradual  footing.  He 
became  a  clever  light  comedy  actor.  Graceful,  easy,  and 
natural  in  whatever  character  he  assumed,  and  was  well 
known  throughout  the  country.  He  died  in  1857  at  the 
age  of  thirty-five,  leaving  a  widow  who  has  always  been 
a  favorite  with  the  public,  and  for  many  years  a  promi- 
nent star  in  the  profession  she  graces.  The  name  of 
Mrs.  D.  P.  Bowers  is  familiar  to  all,  and  her  talent  as 
a  great  actress  thoroughly  established. 

From  1841  to  1844,  Owens  played  frequently  under 
Burton's  management.  Mostly  in  Philadelphia,  but 
occasionally  in  Baltimore  and  elsewhere;  during  which 
time  many  brilliant  actors  were  associated  with  the 
company,  not  only  as  stars,  but  in  the  stock.  I  find 
a  cast  of  Hamlet  in  a  play-bill  of  December  16th,  1841  ; 
the  strength  of  which,  it  would  In-  difficult  to  surpass. 


JOHN   E.   OWENS.  15 

BURTON'S  NATIONAL  THEATRE,  PHILADELPHIA. 

HAMLET MR.  EDWIN  FORREST. 

GHOST MR.  J.  R.  SCOTT. 

LAERTES MR.  J.  WALLACK. 

HORATIO MR.  E.  S.  CONNER. 

CLAUDIUS  (King  of  Denmark) MR.  J.  B.  ROBERTS. 

POLONIUS MR.  W.  JONES. 

ROSENCRANTZ MR.  HOWARD. 

OSRICK MR.  BECK. 

GUILDENSTERN MR.  SHERMAN. 

MARCELLUS MR.  WATSON. 

FIRST  GRAVEDIGGER MR.  W.  E.  BURTON. 

SECOND  GRAVEDIGGER MR.  OWENS. 

FRANCISCO MR.  OAKEY. 

FIRST  ACTOR MR.  BOWERS. 

SECOND  ACTOR MR.  WATSON. 

PRIEST MR.  VENUA. 

GERTRUDE  (Queen  of  Denmark) MRS.  GEORGE  JONES. 

OPHELIA Miss  JOSEPHINE  CLIFTON. 

PLAYER  QUEEN MRS.  A.  KNIGHT. 

Our  young  aspirant  for  theatrical  fame  had  every 
advantage  in  daily  observation  of  so  much  genius ;  and 
the  rehearsals  as  well  as  performances  were  closely 
watched  as  a  medium  of  instruction.  His  ambition  was 
great,  but  never  overleaped  itself,  for  he  realized  how 
very  much  he  had  to  learn,  before  he  could,  in  any 
degree,  approach  the  position  for  which  he  was  striving. 

One  day  Mr.  Burton  said  to  him  :  "  I  think  you 
would  play  Zekiel  Homespun,  well — that  is,  if  you  can 


16  MEMORIES  OF 

speak  the  dialect — will  you  try  it?"  "Let  me  read  the 
part  first,  Mr.  Burton,  and  then  I  can  tell  you."  He 
took  home  the  book  of  "  The  Heir  at  Law "  which  Mr. 
Bui-ton  lent  him,  but  made  no  additional  remark;  for, 
impressed  with  the  importance  of  the  character  assigned 
him,  he  was  too  excited  to  speak.  Past  midnight  before 
Zekiel  and  he  parted  company,  and  even  when  he  fell 
asleep,  the  lines  were  in  his  mind.  Next  day  he  asked 
Mr.  Burton  to  hear  him  speak  a  sentence,  that  his  dialect 
might  be  tested.  "  Perfect,  my  boy,"  said  Burton ; 
"  now  learn  the  part."  "  I  have  memorized  the  words 
already,"  replied  Owens,  "and  I  shall  study  the  part 
and  hope  to  know  it  too." 

He  was  very  nervous  when  the  night  for  "  The  Heir 
at  Law"  arrived.  Burton,  who  played  Dr.  Pangloss, 
tried  to  inspire  him  with  confidence,  and  thus  encouraged 
he  gave  a  truly  excellent  performance  of  Zekiel,  eliciting 
warm  encomiums.  His  youthful  appearance  admirably 
suited  with  the  hearty,  healthy  country  lad  he  was  rep- 
resenting— albeit,  sometimes  the  bright  eyes  and  boyish 
face,  were  obstacles  to  his  make-up. 

One  night,  Mr.  Ferris,  a  mature  actor  whose  dressing 
room  he  shared,  found  him  almost  crying  over  unsatis- 
factory endeavors  to  ('fleet  a  resemblance  to  Bailie  Nicol 
Jarvie,  the  part  in  R<>1>  Roy  for  which  lie  was  east.  lie 
confided  his  woe,  thus — li  I  know  the  lines,  and  the  luisi- 
neaa  perfectly,  but  I  can't  look  like  the  character.  Oh, 


JOHN   E.    OWENS.  17 

Mr.  Ferris,  what  shall  I  do ;  I  am  so  confoundedly 
young!"  With  a  shrewd  dry  smile,  Ferris  replied — 
"Don't  be  worried  about  it,  time  will  cure  that,  cheer 
up!" 

"  Dr.  Ollapod  "  in  The  Poor  Gentleman  was  played  by 
Owens  at  twenty-four  hours'  notice,  and  he  was  dead- 
letter  perfect.  True,  it  did  not  equal  the  polished  rendi- 
tion of  that  character  in  his  riper  years;  but  the  per- 
formance was  creditable. 

In  the  summer  vacation  of  1840,  Owens  joined  a 
company  which  was  organized  on  commonwealth  basis, 
to  travel  through  small  towns.  Their  experience  was 
limited  and  the  treasury  even  more  infinitesimal.  Bad 
business  made  a  short  season.  In  Richmond,  Virginia, 
they  disbanded.  During  the  fortnight  they  played  there, 
Owens  became  quite  a  favorite.  His  clever,  though 
crude,  portrayal  of  the  leading  comedy,  his  ready  wit, 
and  inexhaustible  humor,  attracted  much  attention ;  and 
made  for  him,  friends,  as  well  as  admirers.  One  of  the 

prominent  citizens,  Dr.  H took  a  great  fancy,  and 

personal  liking  to  the  young  comedian ;  and  invited  him 
to  make  a  visit  to  his  home  on  Shockoe  Hill.  This 
courtesy  was  accepted ;  and  Owens  became  the  Doctor's 
guest,  after  the  disbanding  of  the  company.  Not  only 
was  the  hospitality  of  the  Doctor  and  his  family  charm- 
ingly agreeable,  but  access  to  Dr.  H 's  extensive  and 

valuable  library  was  an  additional  enjoyment.     Among 
2 


18  MEMORIES  OF 

other  books,  were  many  rare  works  on  Astronomy.  This 
having  been  a  favorite  study  with  Owens,  he  was  glad  of 
the  opportunity  to  increase  his  knowledge. 

By  and  by,  an  idea  occurred  to  him.  The  renewal 
of  theatrical  engagement  during  the  summer  was  impos- 
sible. "Why  shouldn't  he  lecture  on  Astronomy,  and 
earn  money  to  keep  him  till  the  fall  season  began  ?" 

He  consulted  Dr.  H ,  who  much  amused,  said — 

"  You  look  far  too  young  for  a  Professor  of  Astronomy 
— moreover,  everyone  will  know  you,  and  laugh,  remem- 
bering your  comicalities.  "  I  can  change  my  name,  and 
wear  green  spectacles,"  retorted  the  youngster ; — the  Doc- 
tor laughed,  entered  into  the  matter  as  a  frolic,  and 
promised  every  assistance  in  his  power; — and  so,  the 
writing  of  the  lecture  began. 

Hard  study  and  the  Doctor's  library  stood  Owens 
good  stead.  His  MS.  was  soon  written.  Seeking  the 
companionship  of  an  acquaintance,  they  joined  issue  in 
finances,  purchased  a  magic  lantern  with  astronomical 
pictures ;  and  arranged  a  partnership.  Owens  as  lecturer 
and  illustrator,  Dawes  as  door-keeper  and  general  facto- 
tum. Off  they  started  to  make  a  tour  of  the  adjacent 
villages.  Sometimes  journeying  by  stage  coach,  but  more 
frequently  on  foot  for  sake  of  economy.  Light-hearted, 
young,  and  strong  in  health,  they  thoroughly  enjoyed  the 
adventurous  freedom  of  the  project.  Their  advertisements 
and  programmes  were  written  in  a  big  round  hand,  and 


JOHN    E.   OWENS.  19 

nailed  up  in  the  grocery  store,  tavern,  and  blacksmith 
shop  of  each  village  they  visited. 

At  first,  the  entertainment  scored  a  success  with  the 
country  people ;  for  (in  those  days)  any  public  amusement 
was  a  novelty  to  them.  Professor  Roberts  (?)  wearing 
green  spectacles  and  his  hair  brushed  back,  was  of  im- 
posing appearance  as  a  lecturer ;  and  his  fluently  delivered 
discourse  interested  the  listeners.  His  assistant,  Mr. 
Smith  (?)  was  equally  acceptable.  They  made  sufficient 
money  to  meet  expenses,  and  maintain  their  dignity  by 
sojourning  at  the  tavern,  in  each  town,  and  ordering  the 
best  it  afforded.  This  pleasant  experience  was  brief. 
Slim  attendance  in  one  or  two  villages  exhausted  the 
exchequer.  From  bad  to  worse,  they  became  reduced  to 
hunger. 

When  referring  to  this  escapade,  Owens  used  to,  laugh- 
ingly, say,  that  the  sorest  temptation  of  his  life,  was,  when 
standing  before  the  cake  stand  of  an  old  darkey  woman, 
he  offered  her  his  pocket-handkerchief  in  exchange  for 
a  ginger  cake.  She  refused  and  turned  away  from  him 
— the  cakes  were  within  his  reach — hunger  gnawing  with 
the  intensity  of  twenty-four  hours'  fasting — he  could 
scarcely  refrain  from  helping  himself;  adding,  "  Indeed, 
it's  a  mercy  I  didn't  devour  the  entire  cake  stand,  old 
woman  included."  At  New  Glasgow,  the  astronomical 
enterprise  received  its  death  blow.  A  crowd  of  rustics 
gathered  in  front  of  the  hall,  impatient  to  see  "  the  show," 


20  MEMORIES  OP 

but  the  owner  of  the  building  refused  to  light  candles, 
and  open  the  door,  until  a  portion  of  the  rent  was  paid  in 
advance.  The  Professor  and  his  assistant  being  penniless, 
were  unable  to  meet  this  demand ;  and  deeming  discretion 
the  better  part  of  valor,  retreated  through  the  back  door 
to  the  hotel ;  inasmuch  as  the  prospective  audience  were 
becoming  noisy  at  the  delay,  and  murmured  threats  of 
violence  were  heard. 

Next  day  the  partners  discussed  the  situation,  and 
agreed  that  their  scheme  was  a  failure ;  although  it  had 
its  bright  side  in  the  way  of  "  great  fun."  From  the  sale 
of  the  magic  lantern,  they  realized  enough  to  help  them 
on  to  Richmond,  each  having  written  to  their  parents  for 
funds  to  take  them  thence,  home. 

For  the  season  of  1844-45,  Owens  received  three  offers 
for  the  position  of  first  low  comedian — a  situation  which 
he  strongly  desired  to  occupy,  and  of  course,  never  could 
in  Burton's  theatre,  as  that  line  of  business  belonged  to 
Mr.  Burton.  Moses  Kimball  of  the  Boston  Museum 
wrote  to  him  offering  an  engagement  for  the  position  of 
first  comedian — mentioning  as  un  inducement  the  long 
duration  of  the  season  in  his  theatre,  and  detailed  its 
comfortable  surroundings;  concluding  by  saying:  "I 
believe  the  enirairemcut  which  I  propose,  would  prove 
mutually  agreeable  ami  advantageous.  Do  me  the 
favor  to  think  the  matter  over  thoroughly  before  you 
decide." 


JOHN   E.   OWENS.  21 

Peale  of  the  Baltimore  Museum,  and  William  Shires 
of  "Shires' Gardens,"  Cincinnati,  also  desired  his  services 
for  the  season.  Moses  Kimball  claimed  that  greater  ad- 
vantage would  accrue  from  an  engagement  with  him,  but 
did  not  offer  as  much  salary  as  Peale;  who  again  was 
exceeded  in  terms  by  Shires.  The  latter,  afterwards 
became  manager  of  the  National  Theatre,  and  Pike's 
Opera  House  in  Cincinnati,  but  at  the  time  I  refer  to  he 
was  owner  and  proprietor  of  "  Shires7  Gardens,"  corner 
of  Third  and  Vine  streets,  where  the  Burnet  House  now 
stands.  The  garden  occupied  an  entire  block.  It  was 
planted  with  shade  trees,  and  beautified  with  flower  beds. 
Interspersed  through  it,  were  ice  cream  booths  and  places 
of  refreshment.  In  the  centre,  stood  a  pretty  frame 
theatre  which  was  ably  managed,  with  a  good  stock  com- 
pany supporting  stars  during  the  regular  season. 

In  the  summer  months,  day  as  well  as  night  perfor- 
mances were  given  by  the  stock  company.  Here,  is 
marked,  the  first  introduction  of  matinees  in  this  country. 
The  innovation  was  not  a  great  success  with  the  public, 
and  decidedly  unpopular  with  the  profession.  In  fact, 
the  matinee  element,  caused  Owens  to  decline  Shires'  offer. 
For  some  time  he  deliberated  between  Boston  and  Balti- 
more, but  finally  decided  in  favor  of  the  latter ;  signing 
for  the  season  with  Peale,  at  fourteen  dollars  a  week,  and 
two  benefits.  The  position  with  Moses  Kimball,  at  the 
Boston  Museum,  was  afterwards  accepted  by  William 


22  MEMORIES  OF       . 

Warren ;  and  thus  began,  as  local  favorites,  the  career  of 
two  comedians  destined  to  become  famous  to  the  world, 
and  brighten  many  lives.  Endeared  to  hosts  of  friends, 
they  were  most  beloved  by  those  who  knew  them  best. 
As  this  epoch  marked  the  dawn  of  Owens'  great  success 
in  his  profession,  the  little  theatre  where  he  attained  over- 
whelming popularity,  and  from  whence  he  emerged  as  a' 
brilliant  star,  may  claim  some  interest  with  my  readers. 
I,  therefore,  give  a  succinct  account  of  the  Baltimore 
Museum.  It  was  situated  on  the  corner  of  Calvert  and 
Baltimore  streets.  Mr.  John  Clark,  a  prominent  lottery 
broker,  purchased  the  site,  and  erected  the  building  in 
1829.  The  lower  part  was  used  for  a  banking  house; 
and  the  upper  part  rented  to  Rembrandt  Peale  for  the 
exhibition  of  curiosities,  stuffed  birds,  pictures,  &c.  Five 
years  later,  Edmund  Peale  assumed  the  management 
and  inaugurated  dramatic  entertainments  in  the  Lecture 
room. 

In  1846,  P.  T.  Barnum  bought  the  museum  from 
Edmund  Peale,  and  appointed  his  uncle,  Alonso  Taylor, 
manager.  Mr.  Taylor  lived  but  six  months  afterwards. 
At  his  deatli  the  place  was  put  in  charge  of  Mr.  Charles 
S.  Getz,  the  celebrated  scenic  artist,  whose  work  and 
talent  is  so  widely  known.  Mr.  Getz  conducted  the  place 
until  it  |>:is.-rd  into  the  possession  of  Joshua  Silsbce  (Yan- 
kee Comedian)  and  Albert  Hiimm — a  member  of  the 
musical  troupe  known  as  the  Orphean  Family. 


JOHN   E.    OWENS.  23 

On  that  little  stage  appeared  some  of  the  best  talent 
that  ever  delighted  an  audience.  Mrs.  Russell  (Mrs. 
John  Hoey),  Mary  Gannon,  Mrs.  Watts,  Miss  St.  Clair, 
Mrs.  D.  P.  Bowers,  Chippendale,  Davenport,  J.  W. 
Albaugh,  and  a  host  of  others,  won  their  first  laurels  here. 
Among  the  stars  we  find  James  Murdoch,  J.  B.  Booth 
(the  elder),  J.  W.  Wallack,  Joe  Cowell,  J.  R.  Scott, 
Charles  Burke,  Charlotte  Cushman,  Fanny  Wallack, 
Mrs.  Farren,  Julia  Dean,  Eliza  Logan,  Mr.  and  Mrs. 
Barney  Williams,  Mrs.  C.  Sinclair  Forrest,  and  many 
more. 

Of  John  Owens7  connection  with  the  Museum,  I  shall 
speak  more  in  detail  as  my  narrative  progresses.  His 
first  season  began  September  5th,  1844 ;  vaudeville  and 
farce  constituted  the  usual  dramatic  attraction.  Later  on, 
Kate  Ludlow  joined  the  company  as  a  feature  in  "  Kate 
Kearney ; "  being  noted  for  her  singing  and  dancing. 
In  November  Mr.  and  Mrs.  H.  Hunt  (now  Mrs.  John 
Drew)  played  a  star  engagement.  Mrs.  Hunt  was  a 
most  fascinating  and  talented  comedienne.  Her  Widow 
Cheerly  in  the  Soldier's  Daughter ;  Marian,  in  the  Wind- 
mill ;  Fortunio,  and  all  that  line  of  characters,  were 
wonderfully  charming. 

I  always  find  pleasure  in  remembering  them,  and  con- 
gratulate myself  that  I  had  the  privilege  of  seeing  her  in 
these  exquisite  renditions,  which  will  rank  with  the 
extremely  different  character  of  Mrs.  Malaprop  that  she 


24  MEMORIES   OF 

gives  with  such  perfection  to  the  public  of  the  present 
day.     To  descant  upon  Mrs.  John  Drew's  versatility  and 
excellence  as  an  artist  is  a  work  of  supererogation  —  akin 
to  "  painting  the  lily,  or  gilding  refined  gold." 

The  next  great  attraction  at  the  museum  was  "  Beauty 
and  the  Beast,"  prettily  gotten  up,  with  the  following 
strong  cast. 

BEAUTY  AND  THE  BEAST. 
BEAUTY  ........................................................  MRS.  J.  B.  BOOTH. 

THE  BEAST  .......................................  MR.  JAMES  L.  GALLAGHER. 

JOHN  QUILL  ..............................................  MR.  JOHN  E.  OWENS. 

SIR  ALDGATE  PUMP  .......................................  MR.  JOHN  SEFTON. 

DRESSALINDA  .....................................................  MRS.  KUSSELL. 

MAUYGOLD  ...........................................................  MKS  WATTS. 

THE  WILD  KING  .................................................  MR.  MACKLIN. 


Not  only  the  talent  of  the  dramatis  perxonu',  but  con- 
siderable musical  ability  added  thereunto,  rendered  this 
bill  sufficiently  attractive  to  draw  full  houses. 

The  Lecture  room  became  Baltimore's  fashionable  place 

of  resort,  and  Owens  the  leading  favorite  with  all.  Pop- 
ular too,  among  his  fellow  actors,  always  bubbling  with 
the  inirthfulness  which  springs  from  a  sunny  nature,  he 
found  much  amusement  in  his  surroundings;  though 
many  of  them  were  the  reverse  of  agreeable. 

I  Vale,  not  content  with  the  inanimate  curiosities  of  the 
saloon,  alone,  would  from  time  to  time  exhibit  freaks  and 

monstrosities  of  various  kinds.     Owens  was  antagonistic 


JOHN   E.    OWENS.  25 

to  this  mingling  of  theatre  and  menagerie;  but  always 
saw  the  ludicrous  side  of  the  situation.  I  have  heard 
him  laughingly  refer  to  it  thus :  "  Matters  culminated 
when  I  read  on  the  bill-boards,  a  startling  advertisement 
of  the  performance — headlines  in  immense  letters  : 

1  GREAT  ATTRACTION  ! 

JOHN  SEFTON  ! !  JOHN  OWENS  ! ! ! 

and 

A  BEAR  ON  THE  ROOF  ! ! ! ! ' 

"  I  had  been  reasonably  patient,  but  here  I  drew  the 
line.  Mentally,  I  ejaculated,  l  this  association,  even  in 
type,  is  more  than  I  can  endure/  I  remonstrated  with 
Peale,  and  suggested  that  his  aim  should  be  to  elevate 
the  drama;  and  that  certainly  could  not  be  effected  by 
placing  its  representatives  on  a  plane  with  brute  attrac- 
tions. I  made  some  impression,  and  he  promised  to 
reflect  on  what  I  said.  Meanwhile,  fate  intervened.  The 
roof  of  the  museum  did  not  afford  congenial  atmosphere 
to  the  bear.  Poor  Bruin  pined,  sickened  and  died;  and 
thus  we  were  relieved  of  a  mortifying  incubus." 

Early  in  the  autumn  of  1845,  W.  E.  Burton  managed 
the  Chestnut  Street  Theatre  in  Philadelphia.  Mr.  and 
Mrs.  Charles  Kean  being  the  first  stars.  To  strengthen  the 
support,  Owens  was  engaged  to  play  second  comedy  to 
Buiion,  in  some  of  the  pieces,  and  first  comedy  in  such  as 


26  MEMORIES   OF 

Burton  did  not  care  to  appear  in.  Also  for  the  farces; 
in  the  latter  he  was  to  be  made  a  feature. 

During  this  engagement,  Mr.  and  Mrs.  Kean  fre- 
quently made  gracious  recognition  of  the  young  actor's 
merit.  He  was  proud  of  their  good  opinion,  and  his  grati- 
fication was  unbounded  when  Mrs.  Kean,  after  the  per- 
formance of  "  The  Stranger,"  complimented  him  by 
saying,  "she  had  never  seen  the  part  of  'Peter'  so  well 
enacted,  it  being  ludicrously  comic,  yet  neat,  and  withal 
artistically  rendered."  In  December,  Owens  played  a 
star  engagement  of  one  week  at  the  Baltimore  Museum, 
but  the  rest  of  the  season  he  was  in  Philadelphia  and 
elsewhere,  under  Burton's  management,  diligently  study- 
ing, and  all  the  while  advancing  in  his  profession,  play- 
ing more  important  parts  and  with  greater  finish  and 
force. 

Among  the  oifers  received  for  the  season  1846-47,  was 
one  from  Ludlow  and  Smith,  managers  of  the  St.  Charles 
Theatre,  New  Orleans,  for  first  low  comedy  business,  at  a 
moderate  salary,  and  two  benefits.  This  position  was 
aeeepted;  after  signing  the  contract,  Owens  arranged  to 
pltiy  at  various  towns  on  his  way  down  the  river  to  New 
Orleans.  The  route  mapped  out,  commenced  with  an 
engagement  in  I'ittslmrir,  under  the  management  of  C.  S. 
Porter.  The  result  was  satisfactory — he  made  a  hit — and 
the  good  impression  increased  during  the  fortnight  of  his 
stay  there.  The  parked  house,  and  enthusiastic  audience 


JOHN  E,    OWENS.  27 

which  greeted  him  on  his  farewell  night,  not  only  grati- 
fied, but  surprised,  the  young  star. 

With  this  inspiring  beginning  to  the  journey,  he  pro- 
ceeded pleasantly  to  New  Orleans,  making  his  debut 
there  as  Sampson  Low,  in  "  The  Windmill"  on  the  even- 
ing of  November  21st,  1846.  He  was  received  with 
hearty  approbation ;  and  this  success,  so  instantaneously 
attained,  grew  and  strengthened  while  he  remained  in 
New  Orleans.  From  that  time  until  his  last  appearance 
in  the  dear  old  city,  he  was  their  favorite  and  beloved 
comedian.  The  stock  company  at  the  St.  Charles  Theatre 
this  season  was  excellent. — prominent  therein  were  Sol 
Smith,  Jerry  Merry  field  and  wife  (Rose  Cline),  John 
Weston,  C.  F.  Adams,  Proctor,  Rynar,  and  James 
Wright. 

At  this  time  "  The  Louisiana  Histrionic  Association  " 
held  exalted  position  in  New  Orleans.  They  owrned  a 
pretty  theatre  on  St.  Charles  street;  it  was  organized 
and  conducted  with  perfect  discipline — each  member  hav- 
ing his  line  of  business  allotted.  During  the  summer  the 
players  from  the  regular  theatres  were  engaged  by  the 
Histrionic  Association,  at  high  salaries,  and  many  first- 
class  stars  appeared.  Of  course,  the  amateurs  being 
devotees  of  the  drama  were  prone  to  seek  companionship 
with  the  leading  lights  thereof.  In  this  way  Owens  made 
the  acquaintance  of  Fred  N.  Thayer,  who  came  of  a  well 
known  theatrical  family ;  many  of  his  relatives  being  on 


28  MEMORIES  OF 

the  stage — prominently,  his  uncle,  E.  N.  Thayer,  so  long 
a  favorite  in  Philadelphia  and  elsewhere. 

Mr.  F.  N.  Thayer  possessed  the  requisites  of  an  accom- 
plished actor.  To  attractive  personal  appearance  he 
added  culture  and  refined  taste,  a  well  modulated  voice, 
and  strong  elocutionary  power ;  these  gifts,  prominent  as 
an  amateur,  were  fully  developed,  when,  in  1855,  he  went 
on  the  regular  stage  as  leading  man  in  Dion  Boucicault's 
company  at  the  Gaiety  Theatre,  New  Orleans.  There, 
and  in  other  cities  he  distinguished  himself;  noticeably 
in  the  role  of  Armand  Duval ;  supporting  Matilda  Heron 
in  her  great  success  of  "  Camille"  Later  on,  he  was 
chosen  by  that  famous  actress  to  play  the  part  during 
her  New  York  engagement. 

After  a  few  years  of  theatrical  life,  Mr.  Thayer  retired 
and  engaged  in  mercantile  business.  The  friendship 
formed  between  Mr.  Owens  and  Mr.  Thayer  ripened  as 
time  went  on  and  strengthened  with  frequent  intercourse. 
To  the  close  of  Mr.  Owens'  life  none  held  higher  place 
in  our  regard  than  Mr.  Thayer  and  his  family.  In 
speaking  of  the  St.  Charles  Theatre  Company,  I  omitted 
the  names  of  Mr.  and  Mrs.  George  Farren.  The  latter 
was  leading  lady;  her  talent  and  popularity  so  well 
known,  I  need  not  descant  upon. 

Mr.  Farren  used  to  relate  an  anecdote  of  Owens  which 
was  amusing  and  also  characteristic.  The  St.  Charles 
Theatre  Stock  Company  having  heard  that  Owens  was 


JOHN   E.   OWENS.  29 

an  immense  favorite  north,  were  quite  prepared  for  the 
manifestation  of  self-importance  on  the  part  of  the  "New 
Comic/'  as  they  facetiously  designated  the  recent  addition 
to  their  corps.  Mr.  Farren  said  to  them,  "  Well,  boys, 
as  the  young  man  dresses  with  me,  I  will  observe  and 
report  any  peculiarities  that  may  need  subduing."  Later 
in  the  evening,  in  reply  to  their  eager  questioning  he 
said — "  It  is  quite  a  mistake ;  our  '  new  comic '  is  by  no 
means  arrogant  or  ostentatious ;  his  deportment  is  modest 
and  quiet,  but  he  has  peculiarities,  for  his  dressing-case 
of  paints,  &c.,  consists  of  two  pill  boxes  !  "  I  once  heard 
Mr.  Farren  tell  this  story ;  and  here  he  was  interrupted 
by  Mr.  Owens  good-humoredly  ejaculating,  "I  vow, 
Farren,  that's  too  rough ;  I  deny  the  pill  boxes ; "  but 
Farren,  much  to  our  amusement,  insisted  on  the  veracity 
of  his  story,  adding,  "  The  greater  credit  to  you  for  being 
able  to  draw  from  such  limited  sources  such  wonderful 
make-ups." 


CHAPTER  II. 

Owens'  method  of  preparing  for  the  stage — A  paradoxical  manager — 
Departure  for  Europe — Visit  to  the  old  homestead  of  "Aigburth 
Vale,"  near  Liverpool — Return  to  Baltimore — The  organ  grinder 
and  the  monkey—  Epes  Sargent— Engagement  at  Arch  Street 
Theatre — "Glance  at  Philadelphia" — "Jakey"  creates  a  furore 
— January,  1849 — Owens  purchases  Silsbee's  half  of  the  Baltimore 
Museum — Marriage  of  Mr.  Owens — Methodist  prejudices — Col. 
George  P.  Kane  as  a  mediator — Italian  Opera — "We  are  mooch 
talented " — A  psychologist  astonished — "  I  want  to  ketch  on  to 
your  play-acting  tricks" — Eliza  Logan — The  Live  Indian — Mr. 
and  Mrs.  Barney  Williams — James  Murdoch — Julia  Dean — The 
Bateman  children — 1850,  Owens  sole  owner  of  the  Museum — Mor- 
ton's farces — "  Don't  make  such  good  fun  " — Brougham's  Lyceum, 
New  York— Startling  hit  as  "  Uriah  Heep  "—The  Forty  Thieves— 
"  The  rest  of  the  band  will  remain  in  the  wood." 

TT7HE   facility  and  rapidity  with  which   Mr.   Owens 

made  up  his  face  for  the  stage  was  marvellous. 

His  preparations,  including  change  of  costume,  required 

but  a  few  moments ;  my  early  experience  as  his  dresser 

was  somewhat  fraught   with  nervousness.     As  he  would 

leisurely  chat  or  read  the  evening  newspaper,  I  could  not 

refrain    fnmi   saying,   "Do   you    know   how  late  it  is? 

The  first  music  has  been  called."     "  All  right,"  he  would 

30 


JOHN   E.   OWENS.  31 

reply,  "  I  shall  be  ready,"  and  he  invariably  was.  I  soon 
learned  that  there  was  no  danger  of  a  stage  wait,  whether 
the  part  chanced  to  be  the  merry  one  of  Joshua  Butterby, 
or  poor  old  Caleb  Plummer  with  his  piteous,  deeply  fur- 
rowed face,  or  the  wizen  visage  of  miserly  old  Spruggins. 
The  latter,  perhaps,  altered  Mr.  Owens'  appearance  more 
than  any  part  he  played,  and  for  that,  I  have  seen  him 
make  up  his  face  in  five  minutes.  He  never  liked  to  be 
entirely  dressed  until  his  cue  was  near,  and  often  said,  "  I 
couldn't  feel  the  character  if  I  waited — the  excitement 
inspires  me."  In  Solon  Shingle,  he  was  always  putting 
on  his  gloves  hurriedly,  as  he  spoke  the  first  lines  with- 
out. But,  I  have  digressed,  and  must  pick  up  the  thread 
of  my  narrative  by  returning  to  Mr.  Owens7  season  at  the 
St.  Charles.  Among  the  stellar  attractions,  he  then  had 
the  opportunity  of  observing,  were  Mr.  and  Mrs.  James 
Wallack,  Mr.  and  Mrs.  Charles  Kean,  Anderson, 
Murdoch ;  association  with  whom,  could  not  fail  to  im- 
prove a  young  and  studious  actor.  In  speaking  of  the 
jolly  and  clever  manager,  Sol  Smith,  Mr.  Owens  used 
to  describe  his  personal  appearance  as  attractive  but  very 
remarkable  in  one  respect ;  the  right  side  of  his  face  had 
a  merry  expression ;  the  left,  was  of  serious  aspect.  Mr. 
Owens  would  jokingly  add,  "  the  former  was  invariably 
turned  to  whoever  he  addressed  during  good  business, 
and  the  latter  when  the  houses  were  slim ;  and  this  was 
the  only  way  in  which  Sol  Smith  could  be  double-faced  ; " 


32  MEMORIES  OF 

the  usual  acceptation  of  that  expression,  was  the  anti- 
thesis of  his  nature. 

Owens'  engagement  in  New  Orleans  closed  April  16th, 
1847,  with  a  bumper  benefit.  About  this  time  numer- 
ous cases  of  yellow  fever  had  occurred  in  the  French 
quarter  of  the  city.  That,  being  the  locality  in  which 
Owens  resided,  his  friends  became  alarmed  for  him,  though 
he  did  not  share  their  fears.  In  compliance  with  much 
importunity  on  the  score  that  he  was  not  acclimated,  he 
concluded  to  run  no  further  risk  by  remaining  in  New 
Orleans ;  so,  made  up  his  mind  for  the  pleasure  of  a  sea 
voyage,  to  terminate  with  a  visit  to  his  relatives  in  Eng- 
land. 

On  May  the  third,  he  sailed  in  the  bark  Emerald,  and 
though  delayed  by  adverse  winds,  the  trip  was  very  enjoya- 
ble. His  recollections  of  England  were  vague ;  the  most 
vivid  was  that  of  his  mother's  sister,  Aunt  Bessie  Orme, 
with  her  sweet  face,  and  gentle  ways,  and  Uncle  Orme, 
who  played  and  sung  so  delightfully,  and  always  petted 
him.  When  he  arrived  in  Liverpool,  some  of  his  childish 
impressions  became  dispelled;  Nelson's  monument  was 
puny,  in  contrast  to  his  remembrance  of  it.  The  big 
river  Mersey  greets  his  gaze  as  a  mere  stream.  Proceed- 
ing to  the  home  of  his  relatives,  at  Aigburth  Yale,  all 
memories  of  dear  Aunt  and  Uncle  Orme  were  more  than 
realized.  The  same  warm-hearted  loving  welcome  met 
him  as  in  childhood.  Many  happy  days  were  passed  at 


JOHN   E.    OWENS.  33 

the  old  homestead,  and  it  became  so  endeared  to  him  that 
he  registered  this  vow :  "  If  I  am  ever  rich  enough  to 
have  a  country  place,  I  will  call  it  '  Aigburth  Vale.' r> 
And  so  he  did,  six  years  later — improving  and  beautify- 
in  i:-  mi  estate  which  was  home  to  us  in  every  sense  of  the 
word,  so  long  as  he  lived. 

After  adieux  to  Aunt  and  Uncle  Orme  he  made  a  fly- 
ing visit  to  Paris,  then  back  to  Liverpool,  where  he  took 
passage  in  the  bark  Emerald,  bound  for  the  port  of  Balti- 
more. There  he  arrived  in  September.  The  Baltimore 
Museum  had  been  much  improved  during  the  summer, 
the  Lecture  room  having  been  altered  and  enlarged 
into  a  cosey  theatre,  with  cushioned  seats,  private  boxes, 
parquette,  and  gallery.  New  scenery,  and  decorations 
were  designed  and  executed  by  that  well  known  artist, 
Charles  S.  Getz.  When  completed,  the  theatre  was  as 
pretty  a  little  place  as  one  would  wish  to  see.  The 
Baltimoreans  attested  their  appreciation  by  crowding  the 
house  on  the  night  of  September  7th,  1847,  when  Hamni 
and  Silsbee  (new  managers)  inaugurated  the  theatre  with 
a  good  stock  company  playing  The  Honeymoon,  and  a 
farce. 

On  the  16th  Owens  began  a  star  engagement,  opening 
in  The  Poor  Gentleman  and  State  Secrets.  His  return 
was  warmly  welcomed ;  and  so  unanimous  was  the  de- 
mand of  the  public  for  a  continuance  of  his  engagement, 
that  the  management  offered  inducements  which  decided 
3 


34  MEMORIES   OF 

him  to  remain  as  a  stellar  attraction.  Apart  from  business 
considerations,  he  was  well  content  in  Baltimore,  having 
long  inclined  to  that  city  with  a  home  feeling.  After 
entering  into  a  permanent  agreement  with  Hamm  and 
Silsbee,  for  an  extended  period,  he  arranged  with  his 
father  that  the  entire  family  should  remove  from  Phila- 
delphia and  reside  in  Baltimore. 

At  this  time,  the  attractions  at  the  Holliday  St.  Theatre 
were  mostly  Shakespearean  (or  other)  tragedies.  Edwin 
Forrest  was  playing  to  enthusiastic  audiences.  But  these 
performances  being  so  diiferent  by  reason  of  their  legiti- 
mate grandeur,  in  no  way  interfered  with  the  cosey 
Museum's  comedy  and  vaudeville  entertainments.  In 
this  connection  the  remark  was  made  after  rehearsal,  one 
morning,  "our  little  place  is  always  crowded,  notwith- 
standing Forrest's  great  success."  Whereupon,  Owens 
retorted  :  "  Apropos  of  that,  I'll  give  you  a  conundrum. 
Why  are  we,  at  the  Museum,  more  fortunate  than  those 
at  the  Holliday  St.  Theatre?"  Several  guesses  being 
made,  without  solving  the  riddle,  the  perpetrator  was 
desired  to  give  the  answer ;  which  came  in  this  guise : 
"  Because,  they  have  only  one  Forrest,  great  and  grand  as 
he  is.  While  we,  have  our  little  Forrest ,  our  shady 
Bowers,  our  green  Field*,  our  lovely  Woods,  with  Dawes 
pecking  about ;  our  beautiful  Rivers,  and  always  Wr'njht 
with  us."  Thus,  introducing  the  names  of  some  of  the 
ladies  and  gentlemen  of  the  company ;  all  of  whom, 


.IOHN   E.    OWENS.  35 

heartily  enjoyed  the  joke,  except  Mr.  Fields,  who  rather 
nscnted  the  descriptive  adjective  appended  to  his  name. 

Many  new  plays  were  given  this  season,  noticeably, 
"77/c  Merchant  and  his  Clerks"  which  met  with  great 
favor  from  the  public.  Owens  personated  Kit  Cockles, 
a  jolly  ne'er-do-well,  who  among  various  occupations 
becomes  an  organ  grinder ;  whilst  his  wife,  Betty,  plays 
upon  the  tambourine,  and  collects  pennies  (more  or  less — 
generally  less)  from  the  street  crowd.  The  part  is  replete 
with  humor,  and  was  vividly  embodied.  To  make  it 
realistic,  Owens  obtained  from  a  genuine  organ  grinder, 
the  use  of  his  organ  and  monkey ;  and  received  instruc- 
tions how  to  manage  both.  He  soon  found  the  under- 
taking beyond  accomplishment — so  far  as  the  monkey 
was  concerned.  The  little  imp  was  vicious  when  trans- 
ferred to  a  stranger ;  though  docile  enough  with  his 
owner,  who,  standing  at  the  wing,  endeavored  to  control 
the  animal  by  an  admixture  of  menaces  and  profanity. 
Only  partially  succeeding — as  all  on  the  stage  were  in 
dread  of  being  bitten  by  the  chattering  beast. 

To  talk  of,  afterwards,  the  scene  was  very  funny,  but 
anything  else  but  amusing  at  the  time.  Struggling  with 
the  hand-organ,  and  fighting  off  the  monkey  in  such  a 
way  as  to  prevent  the  audience  from  being  cognizant  of 
the  contretemps  was,  as  Mr.  Owens  said,  "the  hardest 
work  he  ever  tackled."  When  the  scene  was  over,  he 
went  up  to  the  Italian,  and  remarked  :  "  There,  my  good 


36  MEMORIES   OF 

man,  is  your  property,  I  gladly  relinquish  it.  Come 
again  to-morrow  night;  bring  the  organ,  but  not  the 
monkey.  I  am  convinced  that  I  have  no  vocation  for 
managing  monkeys.  The  hand-organ  alone  is  a  gigantic 
undertaking.  I  am  sure  it  weighs  a  thousand  pounds." 
The  fellow  stared,  scratched  his  head  in  a  puzzled  way, 
and  walked  off;  not  at  all  understanding  the  covert 
humor,  for  which  he  had  been  a  target. 

The  play  had  a  good  run,  and  after  its  withdrawal,  the 
query  was  often  made  of  Owens  :  "  Why  don't  you  play 
Kit  Cockles?  it's  such  a  funny  part."  "Yes/'  he  would 
reply,  "very  funny  to  the  audience,  perhaps,  but  it's 
rather  heavy  for  me."  I  never  knew  him  to  pass  an 
organ  grinder  without  giving  him  money;  "they  earn 
it,"  he  would  say,  "for  it's  hard  work  carrying  an  organ. 
Kit  Cockles  and  I,  know  all  about  that  weighty  business." 

Owens'  contract  with  the  managers  of  the  Baltimore 
Museum,  concluded  April  22,  1848,  and  during  its  seven 
months'  duration  he  appeared  in  various  characters,  too 
numerous  to  mention.  His  versatility  has  never  been 
excelled.  With  a  voice  which  embraced  every  tone  in 
its  register,  he  was  equally  effective  in  humor  or  pathos. 
Gifted  with  personal  magnetism,  he  held  his  audience 
spellbound ;  to  laugh  with  him  in  rollicking  merriment, 
or  with  misty  eyes  respond  to  the  tenderness  of  his 
pathetic  acting.  Baltimore  was  loth  to  part  with  so  great 
a  favorite  even  for  a  short  time.  A  mouth  earlier  Owi-ns 


JOHN  E.    OWJ-N-.  37 

had  sioiu'd  with  Burton  to  star  at  the  Arch  Street 
Theatre,  in  "A  Glance  (it  Philadelphia"  a  local  drama, 
in  which  he  played  Jakey,  a  volunteer  fireman. 

Two  years  previous,  he  had  been  cast  for  a  character 
of  the  same  nature,  in  "  Change  makes  Change  ;  "  a  play 
written  for  Mrs.  Mo  watt,  by  Epes  Sargent.  The  part 
was  short  and  sketchy,  but  made  a  hit,  and  was  much 
talked  of.  The  play,  not  being  a  success,  was  soon  with- 
drawn ;  but,  Owens  remembering  the  "  fire  laddie,"  so 
favorably  received,  felt  confident  that  he  should  make  a 
mark  as  Jokey — and  he  did ;  far  beyond  his  most  san- 
guine expectations ;  creating  such  a  furore  that  the  thea- 
tre was  packed  nightly — the  sidewalks  impassable  long 
before  the  doors  were  open.  A  droll  incident  happened 
one  evening,  as  Owens  (being  rather  late)  was  hurrying 
along  Arch  street,  striving  to  elbow  his  way  through  the 
surging  crowd,  a  stout  and  rather  rough  man  savagely 
accosted  him  thus  :  "  Stop  a  pushing  of  me ;  do  you  think 
nobody  wants  to  see  Owens  but  yourself?  " 

The  original  cast,  in  Philadelphia,  gives  John  Crocker, 
as  Harry  Gordon;  T.  B.  Johnson,  as  George  Petriken  ; 
and  Mrs.  C.  Howard,  as  Lize.  After  six  weeks'  run, 
Burton  brought  the  piece  to  the  Front  St.  Theatre,  Bal- 
timore, where  it  met  with  the  same  enthusiastic  reception 
and  crowded  houses.  Returning  to  Philadelphia,  it  was 
again  played  at  the  Arch  St.  Theatre,  supplemented  with 
Jakey1  s  Marriage;  repeating  its  original  success.  Some 


38  MEMORIES   OF 

changes  in  the  cast  were  made  during  the  run  of  the  piece. 
Mrs.  J.  B.  Booth,  Mrs.  Burke,  Annie  Cruise,  alternating 
as  Lize. 

The  character  of  Jokey,  given  by  Owens,  was  so  real- 
istic, so  exactly  like  the  "  fire  boy,"  seen  then,  in  every- 
day life,  that  it  did  not  seem  at  all  like  acting.  It  was 
perfect  as  a  type  of  the  volunteer  fireman  of  that  period  ; 
and  as  artistically  true  to  nature  in  every  detail,  as  the 
most  elaborated  Shakespearean  part  he  ever  played ;  the 
same  powerful  conception  of  character  was  seen  on  this 
lower  plane,  as  he  evinced  in  Touchstone,  Launcelot  Gobbo, 
and  other  characters,  emanating  from  the  grand  master. 
On  the  15th  of  July,  1848,  the  season  closed,  with  the 
same  bill  still  in  the  meridian  of  its  drawing  power. 
"  Jakey "  brought  thousands  of  dollars  into  Mr.  Burton's 
treasury ;  not  only  retrieving  his  losses ;  but,  additionally, 
giving  him  wealth.  This  engagement  furnished  Burton 
with  the  means  to  purchase  the  property  in  New  York, 
afterwards  known  as  the  Chambers  Street  Theatre.  At 
Burton's  request,  Mr.  Owens  went  with  him  to  inspect  the 
premises,  and  give  his  opinion  as  to  the  eligibility  of  the 
site  for  a  comedy  theatre.  They  arrived  in  New  York 
after  dark,  and  Burton  proposed  that,  having  had  supper, 
they  should  wend  tln-ir  way  to  Chambers  street;  saying, 
"Why  should  \\<-  wait  till  to-morrow? — it's  a  beautiful 
moonlight  night — we  can  see." 


JOHN   E.   OWENS.  39 

Soon  they  were  on  the  premises,  and  having  stepped 
off  the  ground,  discussed  its  purchase,  the  probable  cost 
of  starting  the  theatre — in  fact,  the  investment  in  all  its 
bearings,  arriving  at  the  conclusion,  that  it  was  in  every 
way  desirable.  Thus  began  W.  E.  Burton's  Metropolitan 
management,  which  marks  an  epoch  in  dramatic  history, 
for  the  "Chambers  Street"  rapidly  ranked  as  the  leading 
theatre  of  New  York ;  superbly  producing  not  only  the  old 
comedies,  but  every  new  play  of  merit,  and  with  a  company 
of  unsurpassed  excellence.  Burton  played  the  leading 
comedy ;  his  name  was  a  tower  of  strength.  He  made 
his  first  appearance  in  America  as  Dr.  Ollapod  in  The 
Poor  Gentleman  at  the  Arch  St.  Theatre,  Philadelphia, 
September,  1834.  He  began  his  career  as  an  actor  in 
London,  appearing  at  the  Pavilion  Theatre,  Whitechapel, 
as  Wormwood  in  The  Lottery  Ticket.  Mr.  Burton  had 
much  experience  as  a  manager,  he  was  also  well  known 
in  literature,  but  his  superlative  merit  was  seen  on  the 
stage;  he  was  a  great  actor.  Captain  Cuttle  was,  per- 
haps, his  best  part;  but  in  all  that  he  did,  superior 
talent  shone  brilliantly  attractive.  He  was  coarse  at 
times,  but  his  humor  was  infectious,  and  his  command 
over  an  audience,  something  marvellous. 

But,  to  return  to  the  inception  of  the  Chambers  St. 
Theatre.  Burton  appreciated  the  fact  that  to  Owens,  he 
was  indebted  for  this  rapid  stride  to  fortune,  and  evinced 
the  same  at  the  conclusion  of  the  Philadelphia  engage- 


40  MEMORIES   OF 

ment,  by  the  presentation  of  a  massive  silver  vase  bearing 
the  following  inscription  : 

Presented  by 

WILLIAM  E.  BURTON 

to 

JOHN  E.  OWENS 

As  a  memorial  of  his  unprecedented  popularity  in 

the  character  of  Jakey,  in  the  local  Drama 

of  "A  Glance  at  Philadelphia,"  at 

the  Arch  Street  Theatre, 

Philadelphia, 

1848. 

The  summer  vacation  Owens  passed  in  New  England, 
recuperating  health  and  strength,  after  a  long  season  of 
over  ten  months'  laborious  work.  Returning  to  Balti- 
more, in  September,  he  again  signed  with  Hamm  and 
Silsbee,  for  a  star  engagement,  to  be  renewed  if  mutually 
satisfactory.  In  November,  he  retired  from  this  contract, 
in  consequence  of  disagreement  with  the  managers  ;  he 
then  rented  the  little  theatre  at  the  corner  of  Charles  and 
Haiti  more  streets  known  as  "The  Howard  Athcna'iim." 
This  he  inaugurated  \\ith  a  strong  company  headed  by 
himself.  The  public  responded  to  the  undertaking  by 
cramming  the  house  nightly. 

En  passant,  it  was  here  that  Holly  Davenport  made 
his  d.'lmt.  He  was  in  the  employment  of  S.  Kirk  ov 
Sons,  jewelers  and  silversmith-,  under  his  real  name,  A. 


MR.  OWENS  as  JAKEY 
In  "A  Glance  at  Philadelphia." 


JOHN    E.    OWENS.  41 

D.  Hoyt.  Becoming  stage-struck,  he  sought  an  introduc- 
tion to  Owens,  and  obtained  the  opportunity  to  try  his 
power.  The  experiment  was  made  as  Fred  Thornton  in 
"  The  Dead  Shot."  I  have  heard  him  say,  that  the  stage 
fright  he  experienced,  amounted  almost  to  collapse.  In 
the  scene  where  Thornton  is  brought  on,  feigning  to  be 
dangerously  wounded,  he  has  to  rise  suddenly,  and 
acknowledge  the  ruse.  When  the  cue  came,  the  un- 
fortunate debutant  was  too  frightened  to  move,  and  the 
whispered  promptings  of  the  soubrette  were  unheeded, 
until  she  stealthily  stuck  a  pin  in  him,  and  thereby 
caused  a  reaction.  Dolly  Davenport  continued  under 
Mr.  Owens'  management,  and  improved  rapidly ;  in  three 
months  he  was  playing  leading  juvenile  comedy  accept- 
ably. 

Under  the  same  management  (at  the  Baltimore  Mu- 
seum) George  Jordan,  then  a  printer,  made  his  first 
appearance  on  the  stage.  He  was  afterwards  prominent 
in  the  New  York  theatres;  and  later  on  a  favorite  in 
New  Orleans  at  La  Variete  Theatre,  while  Owens  was 
manager  of  that  famous  temple  of  the  drama.  George 
Jordan  left  New  Orleans  in  1861,  for  England;  from 
whence  he  returned  to  this  country  but  once;  then,  in 
support  of  Kate  Bateman. 

As  the  year  1848  waned,  Joshua  Silsbee  became  desir- 
ous of  retiring  from  management,  and  offered  to  sell  his 
half  of  the  Baltimore  Museum  to  Owens.  After  some 


42  MEMORIES   OF 

negotiation,  the  transfer  was  made.  The  bright,  though 
brief,  season  at  the  Howard  Athenaeum  closed  January 
1st,  1849.  Owens  returned  to  the  Old  Museum,  and 
took  the  helm ;  the  management  being  known  as  Hamm 
and  Owens ;  though  Hamm's  interest  was  entirely  mone- 
tary, he  being  without  experience  in  theatrical  affairs. 
Prosperity  smiled  on  this  enterprise,  and  the  winter  of 
1849  was  marked  with  brilliant  performances,  both  star 
and  stock. 

April  19th,  1849,  Mr.  Owens  was  married  in  Balti- 
more, after  an  engagement  of  three  years,  to  Mary  C. 
Stevens,  daughter  of  John  G.  Stevens,  Merchant,  Bowly's 
Wharf.  The  ceremony  was  performed  by  the  Rev. 
Alfred  Miller,  Rector  of  Mount  Calvary  Church.  The 
marriage  did  not  meet  with  the  approbation  of  Mr. 
Stevens ;  he  being  a  member  of  the  primitive  Methodist 
church,  and  holding  prejudices  against  a  profession  of 
which  he  really  knew  nothing.  On  the  day  of  the  mar- 
riage, whilst  he  was  seated  in  his  counting  room,  brooding 
over  the  shock  the  news  had  given  him,  Col.  George  P. 
Kane,  an  intimate  friend,  came  in,  and  approaching  him 
joyously,  said  :  "  Mr.  Stevens,  I  take  pleasure  in  con- 
gratulating you  on  the  acquisition  of  such  a  son-in-law 
as  John  E.  Owens.  Had  I  daughters,  I  would  be  proud 
if  they  were  so  fortunate  in  the  selection  of  a  husband. 
/  know  (  hvons  and  his  reputation,  well ;  he  is  a  man  who 
combines  talent  with  a  noble  nature  and  moral  integrity." 


JOHN    E.   OWENS.  43 

To  this  kindly  recognition,  the  young  couple  owed 
their  restoration  to  parental  favor.  Mr.  Stevens  had 
great  faith  in  Col.  Kane's  opinion,  and  wisely  reflected 
that  his  personal  association  with  Mr.  Owens  was  likely 
to  be  a  basis  for  truer  judgment  than  the  inherited 
prejudices  of  Methodism.  He  realized  this  fully  when 
he  became  acquainted  with  his  son-in-law.  A  strong 
attachment  sprang  up  between  them,  and  increased  as 
time  went  on.  No  son  could  have  been  more  devoted 
than  was  John  E.  Owens  to  his  father-in-law,  to  whose 
declining  years  he  was  a  comfort  and  a  blessing. 
Daughter  and  son  shared  alike,  nursing  him  through 
his  protracted  and  final  illness.  The  last  words  spoken 
were  a  loving  call  for  "my  son,  John  E.  Owens." 

I  refer  to  these  family  personalities  as  briefly  as  pos- 
sible, and  would  not  mention  them  at  all,  could  they  be 
omitted  consistently  with  the  continuity  of  my  narrative. 

In  May,  1849,  Owens  became  lessee  of  the  National 
Theatre,  in  Washington,  for  the  purpose  of  producing 
Italian  Opera  on  a  grand  scale.  The  troupe  included 
Rossi  Crossi,  Susini,  String  Amalia  Patti,  and  many  other 
luminaries  ;  together  with  a  full  chorus.  Appreciative 
audiences  attended  the  excellent  performances  given ;  but, 
unfortunately,  the  meagreness  of  numbers  gave  little 
encouragement  to  the  manager  in  his  ambitious  enterprise. 
The  expenses  incurred  were  heavy;  the  receipts,  disas- 
trously light.  After  two  weeks  of  ruinous  business, 


44  MEMORIES   OF 

Owens  brought  the  company  to  the  Baltimore  Museum, 
inaugurating  "  Grand  Opera  "  at  cheap  prices ;  thinking 
thereby  to  create  an  excitement  and  pack  the  house ;  but, 
instead  of  such  a  result,  dire  bad  business  ensued.  As 
the  same  ill  luck  continued  in  Washington,  where  the 
elder  Booth  had  followed  the  Opera  Company,  the  young 
manager  was  losing  money  right  and  left — but  he  was 
not  disheartened.  "  Buying  experience/'  he  called  his 
reverses,  and  found  a  humorous  side  to  his  misfortune. 

One  of  his  stories,  in  connection  with  that  time,  was 
about  Rossi  Crossi  (director  of  the  Opera  Company). 
With  excellent  imitation  of  the  Italian  artist,  Owens 
would  relate  the  usual  Monday  interview.  The  terms  of 
the  engagement  were :  "  a  certainty,  payable  weekly." 
Rossi  Crossi  with  much  suavity,  would  receive  a  check 
for  the  amount  and  remark :  "  I  am  mooch  desolate,  to 
to  be  oblige'  to  receive  dis  monish,  when  ze  people  do  not 
attendez  ze  Opera.  I  can  recognize  no  reason  why  we 
not  draw ;  for  I  do  assure  you,  Monsieur  Owens,  we  are 
mooch  talented."  Then,  he  would  fold  the  check,  put  it 
in  his  pocket  and  walk  away,  leaving  the  perplexed 
manager  to  financier  for  ways  and  means  to  meet  the 
iv<|iiiivment  of  a  repetition  of  the  interview,  a  week  later. 

It  is  impossible  for  me  to  narrate  this,  or  any  other 
story,  with  the  effect  it  had  when  told  by  Mr.  Owens. 
His  graphic  and  vivid  manner  of  relating  an  occurrence, 
merging  his  individuality  into  the  persons  of  whom  he 


JOHN    E.    OWENS.  45 

spoke,  gave  a  reality  to  circumstances,  and  life  to  words, 
fur  beyond  that  obtained  when  one  reads  of,  or  merely 
listens  to  a  bare  recital  of  an  incident. 

There  is  an  end  to  all  things ;  even  the  intense  disa- 
greeableness  of  losing  money  with  a  "  mooch  talented  " 
Opera  Troupe.  Five  weeks  closed  the  Italian  speculation, 
and  relieved  of  this  incubus,  Owens  resolved  never  again 
to  indulge  in  operatic  ventures.  His  experience  had  cost 
him  dearly,  but  the  lesson  was  salutary.  It  also  recalled 
a  piece  of  sage  advice,  which  Mr.  Burton  once  gave  him  : 
"  Don't  endeavor  to  control  more  than  one  theatre  at  a 
time  " — albeit,  Burton  did  not  always  stick  to  this  rule ; 
for  he  sometimes  directed  two  or  three  theatres  at  once, 
and  invariably  regretted  so  doing. 

The  dramatic  company  which  had  been  sent  to  Wash- 
ington to  support  the  elder  Booth,  returned  to  finish  out 
the  Baltimore  season.  Jakey,  and  other  popular  plays 
were  revived,  and  replenished  the  depleted  treasury.  The 
regular  dramatic  season  closed  July  4th.  A  fortnight 
later,  Dr.  Fisk  rented  the  little  Theatre  for  the  purpose 
of  giving  lectures  and  experiments  in  Psychology.  The 
Doctor  was  an  enthusiast  about  the  science,  and  his  own 
wonderful  power.  He  frequently  importuned  Owens  to 
give  him  a  private  sitting,  but  would  receive  the  laughing 
reply,  "  You  can't  psychologize  me.  /  have  quite  as 
much  power  as  you  possess."  Still,  he  persisted,  and  the 
test  came  unexpectedly.  The  lectures  were  over,  and  in 


46  MEMORIES   OF 

settling  up  business,  there  was  a  slight  monetary  discrep- 
ancy, which  each  thought  his  own  due.  "  We  will  toss 
up  for  it,"  said  Owens,  taking  a  half  dollar  from  his 
pocket.  "No,  no/7  replied  the  Doctor;  "suppose  we 
decide  it  another  way  !  Whichever  one  of  us  can  psy- 
chologize the  other,  takes  the  difference."  This  was 
agreed  upon,  and  in  the  presence  of  witnesses  the  test  was 
made.  The  Doctor  had  no  effect  whatever  upon  Owens ; 
but,  on  the  contrary,  succumbed  to  his  magnetic  power, 
and  after  sundry  satisfactory  experiments,  was  fast  asleep. 
Owens  had  frequent  applications  from  persons  ambi- 
tious to  appear  on  the  professional  stage;  as  a  rule,  he 
discouraged  such  aspirations ;  believing  them  ofttimes  to 
be  inspired  by  the  glitter  of  a  life,  whose  close  study  and 
labor  never  occurred  to  stage-struck  enthusiasts.  Occa- 
sionally something  out  of  the  usual  groove,  would  trans- 
pire, and  eventuate  in  a  droll  story  which  Owens  would 
tell  with  relish.  One  day  an  eccentric-looking  fellow 
came  to  him  and  said,  "  Mr.  Owens,  I've  been  staying  in 
Baltimore  for  two  weeks  on  a  visit,  and  all  that  while  I've 
been  haunting  the  Museum.  I  never  did  see  such  a  funny 
chap  as  you  be.  /  am  a  private  play-actor  myself,  and  I 
want  you  to  hire  me,  so  as  I  can  ketch  on  to  your  ways, 
and  astonish  the  folks  when  I  go  back  home."  "  What 
have  you  played?"  asked  Owens  (who  being  at  Insure 
just  then,  concluded  to  draw  the  man  out,  and  be  amused). 
"Well,  many  things;  but  my  best  holt  is  Temperance 


JOHN   E.   OWENS.  47 

dramas.  Put  me  whar'  you  like,  so  as  I  get  a  chance  to 
learn  your  tricks."  "  Won't  you  be  frightened  before  a 
xt  range  audience?"  "Frightened?  just  you  wait  till  I 
get  top  of  that  staging;  and  you'll  see,  I'm  middling 
easy  about  acting." 

By  way  of  a  frolic,  Owens  consented  to  give  him  a 
trial,  and  entrusted  him  with  three  lines  to  speak.  He 
rehearsed  fairly,  and  with  supreme  confidence;  but,  at 
night  failed  to  take  up  his  cue.  The  prompter  gave  him 
the  word  ;  and  regardless  of  his  imploring  "wait"  pushed 
him  on  the  stage,  but  not  a  syllable  did  he  utter.  After 
the  fall  of  the  curtain,  Owens  said  to  him:  "/  had  to 
speak  your  lines,  you  WERE  frightened  !  "  "  No,  I  wasn't ; 
I  was  all  right;  but  when  I  got  fronting  that  there 
proscenery,  something  frustrated  my  plans.  Frightened  ? 
No,  sir-ee,  not  a  bit." 

The  Museum  season  of  1849-50,  began  September  5th. 
Eliza  Logan  and  her  father  were  the  first  stars.  With 
her  name,  arises  pleasurable  recollections  of  a  finished 
artiste,  a  genial  companion,  and  a  big-hearted  woman ; 
whose  loving  nature  and  sterling  integrity  rendered  her 
peerless.  During  this  engagement,  Mr.  Logan  appeared 
in  his  great  success  of  "Aminidab  Slocum"  in  "Chloro- 
form, or  Baltimore  in  1949,"  of  which  play  he  was  the 
author.  The  title  is  suggestive  of  the  intent  of  the  piece. 
Aminidab  (under  the  influence  of  chloroform)  sleeps  for 
a  hundred  years,  and  awakes  to  find  his  surroundings 


48  MEMORIES   OF 

advanced  in  science,  inventions,  and  various  improve- 
ments. His  amazement,  and  the  misunderstandings 
therefrom,  gave  scope  for  much  humor.  The  popular 
book  written  by  Edward  Bellamy,  "  Looking  Backward," 
is  founded  on  the  same  idea,  and  though  of  greater 
importance  as  a  literary  work,  it  lacks  the  comic  element 
and  wit  of  "  Chloroform"  After  Eliza  Logan  retired 
from  the  stage,  she  gave  Mr.  Owens  the  MS.  and  sole 
right  of  the  play.  He  always  intended  to  include  it  in 
his  repertoire. 

November  19th,  1849,  a  farce  entitled,  "The  Live 
Indian"  had  its  first  representation.  It  was  originally 
written  by  W.  H.  Thompson,  a  Baltimorean,  and  sub- 
mitted to  Mr.  Owens,  with  whom  it  found  but  little 
favor.  He  frankly  told  the  author,  that,  though  the 
farce  had  merit,  it  lacked  originality ;  the  motive  being 
the  same  as  "The  Mummy."  "But,  you  might  write 
up  the  dialogue,  and  make  a  great  difference !  Put  it  in 
better  shape,"  he  added,  (<and  I  will  play  it."  Mr. 
Thompson  declined  making  alterations,  wishing  to  effect 
an  i  in  mediate  sale  of  the  MS.,  as  he  needed  money. 
Taking  this  view  of  the  matter,  Mr.  Owens  agreed  at 
once  to  give  Thompson  the  price  he  named;  and  thus 
became  owner  of  "The  Live  Indian"  The  play  was 
laid  aside  for  awhile,  until  Owens  coining  by  chance 
across  the  dust-covered  MS.,  concluded  to  give  it  another 
reading.  After  which  he  re-wrote  it,  altering  the  diu- 


JOHN   E.  OWENS.  49 

logue  to  make  it  more  effective.  Also,  introducing  another 
character — Miss  Crinoline,  a  dress-maker,  whom  he  per- 
sonated in  addition  to  Corporal  Tim,  and  The  Live  Indian. 

J/7.SV?  Crinoline  made  the  farce  a  success.  The  quick 
change  (three  minutes),  from  the  dress  of  a  gay  young 
man  to  that  of  a  fashionably  costumed  lady,  was  startling  ; 
and  (at  that  time)  a  novelty.  With  blonde  wig,  and 
stylish  dress  of  handsome  material,  he  came  on  the  stage 
so  soon  after  Corporal  Tim's  exit,  that  the  audience  were 
dazed ;  and,  until  they  became  familiar  with  the  piece, 
doubted  the  identity  of  the  two.  The  dress-maker's  scene, 
with  old  Brown  and  his  niece,  was  full  of  telling  points, 
which  evoked  roars  of  laughter.  From  this  to  the  Indian 
made  another  striking  contrast,  enlivened  by  Owens7 
inimitable  acting.  But  Miss  Crinoline  made  the  farce  a 
hit ;  without  that  introduction  it  would  have  failed.  At 
its  best,  Mr.  Owens  never  considered  that  it  possessed 
merit,  otherwise  than  a  funny  absurdity  to  contrast  with 
legitimate  pieces.  In  this  light  it  was  immensely  attrac- 
tive and  prominent.  The  minstrel  act  of  "  The  Black 
Statue"  was  copied  from  "  The  Live  Indian ; "  and  many 
other  variety  acts  sprang  into  existence  as  popular  imi- 
tations. 

Among  the  stars  of  this  season,  beside  Owens  himself, 

came  Mr.  and  Mrs.  Barney  Williams,  James  Murdoch, 

Fanny  Wallack,  Charles  Burke,  J.  P.  Adams,  and  Oliver 

Raymond  (known  as  "Toots"  Raymond,  from  having 

4 


50  MEMORIES   OF 

created  that  part  in  Dombey  and  Son),  Charlotte  Cushman, 
Couldock,  Matilda  Heron,  Bateman  children,  Julia  Dean, 
&c.,  &c.  With  strong  stellar  attraction  at  his  little 
theatre,  Owens  often  delegated  the  management  tempo- 
rarily, while  he  filled  engagements  of  a  week  or  two  in 
Philadelphia,  Pittsburg,  Washington  and  other  cities. 

January  7th,  1850,  Owens  became  sole  owner  of  the 
Museum,  having  bought  Hamm's  share  therein.  A 
noticeable  feature  of  this  season  was  the  production  of 
"  The  Ocean  Child,"  with  Owens  as  Peter  Poultice,  his 
first  theatrical  hit.  Many  new  pieces  were  given.  The 
Serious  Family  met  with  great  favor ;  Owens  as  Amini- 
dab  Sleek,  Mr.  and  Mrs.  D.  P.  Bowers,  Davenport, 
Gallagher,  the  Kembles  and  Miss  Crocker  (afterwards 
Mrs.  F.  B.  Conway)  in  the  cast.  This,  and  other  pieces, 
were  played  simultaneously  with  their  production  in  New 
York.  As  I  look  over  the  play-bills  of  each  week,  a 
bright  record  of  talent  meets  my  eye,  and  the  remem- 
brance of  the  pleasure  of  that  period  is  a  heritage  most 
valuable.  At  this  time,  J.  Madison  Morton's  farces  were 
at  the  height  of  popular  favor.  Those  who  have  seen 
Slasher  and  Crasher,  Betsey  Baker,  Poor  Pillicoddy,  &c., 
&c.,  know  how  mirth-provoking  was  the  language,  plot 
and  wit  which  they  combined.  Owens  revelled  in  the 
subtlety  and  unctuousness  of  their  humor,  and  every  farce 
went  off  uproariously.  One  night,  during  a  momentary 
lull  in  the  laughter,  a  tall  countryman  arose  in  the  par- 


JOHN    E.    OWENS.  51 

quettt',  and  with  his  hands  pressed  to  his  sides,  called  out, 
"  Stranger,  don't  make  such  good  fun ;  I'm  weak ;  for 
I've  laughed  all  over."  The  audience  gave  the  rustic  a 
round  of  applause. 

In  November,  an  oifer  was  received  from  John 
Brougham,  to  play  at  the  theatre  then  being  constructed, 
corner  of  Broadway  and  Broome  street,  New  York,  which 
was  to  be  inaugurated  January,  1851,  under  the  name  of 
"  Brougham's  Lyceum,"  and  managed  as  a  stock  theatre, 
no  member  being  made  a  feature  on  the  bills,  although 
most  of  the  company  were  stars.  Mr.  Owens  accepted 
the  offer,  and  this  was  his  debut  in  New  York.  He 
played  there  two  months,  and  became  a  leading  favorite ; 
but  his  crowning  success  was  won  in  the  part  of  Uriah 
Hcep,  for  which  he  was  cast  when  Brougham  put  David 
Copperfield  on  his  stage,  at  the  same  time  it  was  produced 
at  Burton's  Chambers  Street  Theatre.  The  two  dramati- 
zations were  essentially  different.  That  used  by  Mr.  Bur- 
ton being  arranged  by  Dr.  Northal,  and  Mr.  Brougham's 
adaptation  being  his  own  work.  A  strong  array  of  talent 
appeared  in  both.  I  subjoin  the  casts  : 

BROUGHAM'S    LYCEUM. 

JANUARY,    1851. 

DAVID  COPPERFIELD MR.  DAVID  PALMER. 

URIAH  KEEP , MR.  JOHN  E.  OWENS. 

WlLKINS   MlCAWBER MR.   JOHN    BROUGHAM. 

DANIEL  PEGGOTTY MR.  H.  LYNNE. 


52  MEMORIES   OF 

JAMES  STEERFORTH MR.  J.  DUNN. 

BETSY  TROTWOOD MRS.  VERNON. 

MRS.  STEERFORTH MRS.  DUNN. 

KOSE  DARTLE Miss  KATE  HORN. 

MRS.  MICAWBER MRS.  W.  K.  BLAKE. 

LITTLE  EM'LY MRS.  GEO.  LODER. 

AGNES  WICKFIELD Miss  MARY  TAYLOR. 

MARTHA MRS.  LYNNE. 

BURTON'S  CHAMBERS  ST.  THEATRE. 

JANUARY,    1861. 

DAVID  COPPERFIELD MR.  JORDAN. 

URIAH  HEEP MR.  JOHNSTON. 

WILKINS  MICAWBER MR.  BURTON. 

DANIEL  PEGGOTTY MR.  BLAKE. 

JAMES  STEERFORTH MR.  LESTER. 

BETSY  TROTWOOD MRS.  HUGHES. 

MRS.  STEERFORTH MRS.  HOLMAN. 

KOSE  DARTLE MRS.  KUSSELL. 

MRS.  MICAWBER MRS.  SKERRETT. 

LITTLE  EM'LY Miss  J.  HILL. 

MARTHA Miss  WESTON. 

The  character  of  Uriah  Heep  did  not  belong  to  the  line 
of  business  for  which  Owens  was  engaged.  A  villain,  and 
an  extremely  mean  one  was  Uriah  ;  in  sharp  contrast  to 
the  comic  portrayals  which  had  made  Owens  popular  in 
New  York.  But  he  determined  that  Uriah  Heep  should 
strengthen  instead  of  weaken  his  hold  upon  the  public. 
Close  study  of  the  "umble"  clerk,  resulted  in  a  wonder- 
ful creation.  The  make-up  was  perfect,  and  so  was  his 


JOHN   E.    OWENS.  53 

manner  and  gait.  In  every  detail,  he  gave  artistic  ren- 
dition of  this  obnoxious  character,  which  surprised  even 
his  warmest  admirers. 

The  press  rendered  unanimous  commendation.  Many, 
and  lengthy,  were  the  criticisms,  from  which  I  quote  only 
a  few  lines,  to  indicate  the  general  tone. 

"The  slimy,  squirming  nature  of  the  'umble  clerk 
was  powerfully  shown.  The  stage  cannot  boast  of  any- 
thing more  truthful  and  effective." 

"Owens'  embodiment  of  the  part  of  Uriah  Heep  is 
sufficient  to  establish  his  position  as  a  great  and  extraor- 
dinary actor.  It  shows  the  creative  power  of  genius,  and 
is  the  truest  representation  of  any  character  in  the  novel." 
&c.,  &c. 

During  the  run  of  David  Copperfield,  a  friend  met 
Owens  on  the  street,  and  said  :  "  John,  I  don't  like  you 
at  all  in  that  part  of  Uriah  Heep ;  not  at  all !  "  "I  am 

sorry  for  that,  E ,"  replied  the  comedian ;  "  I  value 

your  opinion  highly.  What  do  you  object  to?"  "  Every 
bit  of  it ;  but,  principally  to  the  scene  where  you  make 
love  to  Agnes  Wickfield.  When  you  attempt  to  take  the 
girl's  hand,  I  hate  you  so,  that  I'd  like  to  kill  you. 
Sneaking  hypocrite  ! "  "  My  dear  friend,"  laughingly 
said  Owens,  "  the  entire  press  of  New  York  has  not  paid  a 
higher  compliment  to  my  acting  than  you  have ;  by  thus 
identifying  me  with  the  character  I  assume.  Thank  you 
very  much,  for  your  unconsciously  encouraging  criticism." 


54  MEMORIES   OF 

Thomas  Hamblen,  manager  of  the  Bowery  Theatre, 
came  to  Owens,  after  seeing  him  play  Heep,  and  offered 
a  large  certainty  or  good  sharing  terms,  if  he  would  sign 
with  him,  to  star  in  Shy  lock,  and  Sir  Giles  Overreach. 
"  Drop  comedy,"  he  said ;  "  you  have  struck  the  keynote 
of  your  forte.  I  Ve  seen  nothing  to  surpass  this  masterly 
performance."  Though  appreciative  of  approbation  so 
alluring,  Owens  could  not  be  prevailed  upon  to  forsake 
comedy.  I  would  here  remark  that  the  engagement  at 
Brougham's  Lyceum,  was  the  first  stock  company  Owens 
had  joined  since  he  became  a  recognized  star.  All 
through  his  brilliant  career  he,  afterwards,  at  times,  made 
these  restful  breaks  from  the  fatigue  of  travelling,  or 
tedious  rehearsals  with  new  companies ;  but  it  was  always 
when  surrounded  with  prominent  artists,  never  on  any 
occasion  as  support  to  a  star.  More  than  once,  he  made 
a  New  England  tour  in  combination  with  E.  L.  Daven- 
port, William  Wheatly,  George  Ryer,  John  Gilbert,  and 
others  of  eminence.  With  an  equally  strong  association 
he  played  four  months  in  Boston,  under  the  management 
of  Jacob  Barrow.  When  lessee  of  the  Varieties  Theatre, 
in  New  Orleans,  in  ante-bellum  days,  Owens  conducted 
the  place  on  the  stock  company  system,  to  the  exclusion 
of  starring.  So  it  was,  in  the  same  theatre,  when  it  was 
known  as  the  Gaiety,  under  Dion  Boucicault's  manage- 
ment; where  Owens  \va<  regarded  as  "the  highest  salaried 
actor"  ever  known  in  this  country.  I  have  often  heard 


JOHN   E.   OWENS.  55 

him  say,  that  the  comfort  of  being  surrounded  by  talent, 
and  certainty  that  every  part  would  be  well  played,  was 
indescribable. 

The  last  of  his  restful  departures  was  made  when  he 
joined  the  Madison  Square  company,  1882-83.  These 
voluntary  releases  from  care  and  responsibility,  never 
interfered  with  his  stellar  brilliancy,  which  he  resumed 
at  pleasure.  Another  great  comedian  had  the  same 
method.  Charles  Matthews,  during  his  last  visit  to  this 
country,  played  a  stock  engagement  with  Barrow,  in  Bos- 
ton, and  also  with  Wallack,  in  New  York ;  starring  in 
other  cities  during  the  interval.  Whilst  these  stock 
engagements  were  not  so  profitable,  they  were  vastly 
more  pleasant,  and  a  luxury  worth  indulging  in  by  those 
who  could  afford  it.  But,  I  have  wandered  from  Uriah 
Heep ;  however,  there  is  but  little  more  to  say.  Owens 
remained  in  New  York  two  months,  following  up  this 
great  hit  with  others  in  legitimate  comedy.  He  returned 
to  his  own  theatre,  well  satisfied  with  his  first  Metropoli- 
tan engagement.  During  the  spring  of  1851,  David 
Copperfield  was  presented  to  the  Baltimore  public,  Owens 
repeating  his  success  as  Uriah  Heep ;  and  later  on  playing 
Wilkins  Micawber,  a  part,  by  the  way,  which  he  greatly 
enjoyed  for  its  unctuous  humor,  to  fully  develop  it 
being  just  to  his  taste. 

Following  these  Dickens  dramatizations,  came  the 
spectacle  of  the  Forty  Thieves,  with  Owens  as  Ali  Baba. 


56  MEMORIES   OF 

Rather  a  venturesome  production,  considering  the  small  - 
ness  of  the  Museum  stage.  That  able  scenic  artist, 
Charles  S.  Getz,  did  his  best  in  the  way  of  scenery  and 
effects ;  but  a  difficulty  arose,  which  appeared  formidable. 
There  was  no  space  for  forty  thieves  on  that  stage  !  Not 
foothold  for  half  the  number.  To  overcome  this  dilemma, 
an  additional  speech  was  given  to  Abdallah,  captain  of 
the  robbers.  Upon  his  entrance,  closely  followed  by  five 
robbers,  he  cries,  "halt!"  and  impressively  adds,  "The 
rest  of  the  band  will  remain  in  the  wood."  Happy 
thought!  which  quite  reconciled  the  audience  to  the 
absence  of  the  thirty-five  thieves.  Owens  was  intensely 
amused  at  the  absurdity  of  the  expression  "  the  rest  of  the 
band  will  remain  in  the  wood."  Ever  afterwards,  it  was 
used,  apropos  of  any  incompleteness  that  occurred,  either 
at  the  theatre,  home,  or  elsewhere.  For  some  weeks 
Owens  had  been  importuned  by  an  acquaintance  (a  young 
lawyer  of  Baltimore)  to  produce  a  play  written  by  him- 
self, entitled,  "Gammon  and  Backgammon."  Always 
ready  to  lend  a  helping  hand  to  aspiring  youth,  Owens 
promised  to  consider  the  request  and  if  possible  comply 
with  it.  He  read  the  manuscript,  and  realizing  that 
alterations  were  indispensable,  pruned  and  shaped  the 
play  to  make  the  most  of  its  resources.  A  strong  cast, 
thorough  rehearsals,  and  the  concentrated  efforts  of  the 
dramatis  personse  resulted  in  Gammon  and  Backgammon 
being  worked  up  into  a  success  so  far  beyond  its  merits 


JOHN   E.   OWENS.  57 

that  everyone  thought  the  author  would  be  delighted. 
On  the  contrary,  when  called  before  the  curtain,  instead 
of  making  grateful  acknowledgments,  he  denounced  Mr. 
Owens  and  the  company  for  mutilation  of,  and  general 
injustice  to,  his  play. 

The  audience  received  these  remarks  in  silence,  but  the 
moment  he  concluded  called  loudly  for  "Owens! !"  who 
immediately  appeared  and  quietly  stated,  that  "  the  piece 
had  received  far  better  treatment  from  himself  and  the 
company  than  it  deserved.  He  had  omitted  the  marriage 
service,  and  expurged  much  coarse  dialogue,  thereby 
rendering  the  play  admissible  for  representation.  Those 
who  desired  to  satisfy  themselves  on  these  points  could 
do  so  by  inspecting  the  original  manuscript  at  the  Box 
office  on  the  morrow."  All  through  this  explanation, 
Owens  was  from  time  to  time  interrupted  by  applause 
and  expressions  of  approval ;  subsequently  the  author's 
work  intact  was  examined  by  many  citizens,  with  the 
result  of  concurrence  in  Mr.  Owens'  opinion,  and  com- 
mendation of  his  position.  Thus  ended  the  dramatic 
authorship  of  a  gentleman  who  turning  his  ambition 
in  another  channel,  became  later  on  a  distinguished 
lawyer  and  a  leading  politician.  He  frequently  said, 
that  he  could  complacently  take  a  retrospective  glance 
at  his  career  except  for  "Gammon  and  Backgam- 
mon" the  folly  of  his  youth,  and  of  that  he  was 
ashamed. 


58  MEMORIES   OF 

The  first  night  having  proved  also  the  last  night  of 
the  new  play,  The  Serious  Family  and  other  attractive 
pieces  held  the  boards  until  the  date  of  the  next  star 
Julia  Dean.  An  even  run  of  prosperity  continued  until 
the  close  of  the  season,  July  5th,  1851 ;  and  the  following 
year  was  a  repetition  of  satisfactory  management,  and 
successful  starring  visits  to  neighboring  cities. 


CHAPTER  III. 

Ascent  of  Mont  Blanc — A  charming  entertainment — A  deluded  Quaker 
— "  Thee  don't  say  so  ?  " — Engaging  David  Garrick — Managerial 
changes— Baltimore  &  Ohio  Railroad  site— Owens  becomes  a  farmer 
— Description  of  Aigburth  Vale — Erroneous  idea  of  a  fertilizer — 
Dramatic  portraits — Edmund  Kean — Neagle — "  Shakespeare's  bust 
at  Aigburth  Vale  "—Charles  Street  Theatre,  season  of  1854-55— 
Edwin  Adams— Caroline  Richings— Mr.  and  Mrs.  G.  C.  Howard 
— "  Uncle  Tom's  Cabin "— "  Make  or  break  "—Owens  as  Uncle 
Tom — John  Sleeper  Clark — Replenished  coffers  and  new  laurels — 
Season  1855-56 — Gaiety  Theatre— Dion  Boucicault— Agnes  Robert- 
son— Fred.  N".  Thayer — The  Keller  troupe — Rubens'  Altar  piece — 
— Azael — Crude  geography — The  schoolmaster  abroad. 

OWENS  passed  the  summer  of  1852  in  European 
^  travel,  most  of  the  time  on  the  continent.  While 
in  Switzerland  he  made  the  ascent  of  Mont  Blanc.  The 
London  Times,  in  a  long  descriptive  article  about  the 
achievement,  remarked :  "  Mr.  John  E.  Owens  is  the 
first  American  who  has  accomplished  that  undertaking 
for  upwards  of  twenty  years."  At  the  present  day  the 
ascent  of  Mont  Blanc  is  not  so  infrequent  or  so  hazardous 
as  it  then  was.  Owens  intended  his  summer  tour  simply 
for  recreation,  but  en  route  he  met  with  so  much  that  was 
amusing  and  characteristic,  that  he  determined  to  combine 

59 


60  MEMORIES  OF 

these  experiences  with  the  greater  and  grander  ones  of 
his  tour,  and  so,  form  an  entertainment,  on  his  return  to 
America,  which  would  prove  attractive.  On  this  basis 
originated  his  "  Alpine  Rambles,"  which  met  with  such 
great  success  in  1853 ;  commencing  in  Baltimore,  thence 
to  New  York  and  Philadelphia. 

The  entertainment  was  novel,  and  also  one  of  the 
cleverest  and  most  effective  ever  inaugurated;  the  de- 
scriptive monologue  being  illustrated  by  superb  paintings, 
copied  from  drawings  taken  (under  Mr.  Owens'  direction) 
at  the  various  localities  presented.  Some  of  these  pictures 
were  painted  by  James  Hamilton,  so  celebrated  for  marine 
views,  others  by  Hilliard,  whose  landscapes  have  rendered 
his  name  prominent  among  artists,  but  the  principal  part 
of  the  work  was  executed  by  Charles  S.  Getz,  in  a  beau- 
tiful and  finished  style.  These,  combined  with  optical 
illusions,  incidental  music  and  songs,  rendered  the  effect 
entrancingly  realistic — not  at  all  like  the  usual  panoramic 
representation.  The  tour  presented,  embraced  a  rapid 
journey ;  starting  from  New  York,  per  ocean  steamer, 
visiting  England,  and  making  brief  stops  at  Dieppe, 
Paris,  Boulogne,  and  all  places  of  interest  in  Switzerland  ; 
concluding  with  the  perilous  ascent  of  Mont  Blanc  ;  then, 
returning  homeward. 

No  dry  description  of  travel  was  given,  but  graphic 
and  vivid  delineations,  and  information  delightfully 
blended  with  original  anecdote  and  humorous  impersona- 


JOHN    E.    OWENS.  61 

tion  of  his  compagnons  du  voyage;  characteristics  and 
adventures,  of  people  with  whom  he  travelled,  were 
wittily  and  brilliantly  reproduced  :  and  being  woven  into 
a  slight  plot,  interested  the  auditors,  and  made  them  feel 
that  they  quite  knew  these  chance  acquaintances.  The 
written  dissertation  is  one  hundred  and  fifty  pages ;  so  I 
give  only  a  condensed  account  of  an  entertainment  which 
is  something  to  be  remembered  through  a  lifetime,  by 
those  who  had  the  privilege  of  enjoying  it.  An  aggrega- 
tion of  fun,  fancy,  sublimity,  and  sentiment,  agreeably 
and  skilfully  intermingled  with  dramatic  effect. 

Peculiar  gifts  are  requisite  to  hold  an  audience  en- 
tranced by  one's  individual  efforts  through  an  entire 
evening;  and  this  was  achieved  by  Owens  with  his 
"Alpine  Rambles  " — as  attested  by  the  laudations  of  the 
daily  press  in  the  various  cities,  and  the  crowded  houses 
which  nightly  applauded  him.  A  ludicrous  equivoke 
occurred  while  Mr.  Owens  was  giving  the  "Alpine 
Rambles "  in  Philadelphia.  A  dear  old  uncle  of  mine, 
born  and  reared  a  Quaker,  and  still 'continuing  to  wear 
the  primitive  garb  and  broad  brim  of  that  sect,  called  to 
see  Mr.  Owens,  and  was,  of  course,  cordially  welcomed. 

After  some  pleasant  converse,  he  said :  "  John,  I  hear 
that  thee  has  quit  play-acting  for  the  present,  and  are 
telling  folks  about  thy  travels.  It  is  said  that  thy  dis- 
course is  very  interesting."  After  modestly  replying  on 
the  merits  of  the  entertainment,  Mr.  Owens,  briefly,  gave 


62  MEMORIES   OF 

the  old  gentleman  an  idea  of  the  manner  in  which  it  was 
presented ;  adding,  "  Many  people  attend,  who  do  not  go 
to  theatres,  and  I  would  like  to  see  you  and  your  family 
there.  It  will  give  me  pleasure  to  send  you  tickets." 
"  Thank  thee,  John,  very  much,  but  may  I  ask  thee ;  do 
many  friends  come  to  see  thee  ?  "  "  Yes,  indeed,"  said 
Mr.  Owens,  thinking  that  uncle  took  a  family  interest  in 
his  success.  Looking  pleased,  the  simple-hearted  soul 
rejoined,  "How  many  does  thee  think  was  there,  last 
night  ?  "  "  Well,  about  fifteen  hundred  ;  maybe  more." 
"Thee  don't  say  so,  John  !  Does  thee  really  mean  it?" 
"  Certainly,"  replied  Mr.  Owens,  at  a  loss  to  account  for 
the  astonishment  with  which  his  assertion  was  received. 
A  few  minutes  later,  the  old  gentleman  arose  to  leave, 
saying,  "  I  shall  be  glad  to  hear  thee  talk  of  thy  travels, 
John,  and  I  shall  not  feel  strange  in  thy  public  hall." 

Pondering  on  the  final  words,  Mr.  Owens  was  some- 
what puzzled  to  understand  them.  Afterwards,  it  occurred 
to  him  that  uncle  used  the  word  "friends,"  as  a  synonyme 
for  "Quakers."  Mr.  Owens,  understanding  it  in  its 
literal  sense,  had  unintentionally  included  an  entire 
audience  in  the  "  Society  of  Friends."  He  used  to  say, 
laughingly,  that  the  gentle  old  Quaker  doubtless  con- 
sidered his  new  nephew  a  deliberate  falsifier;  or,  else 
inferred  that  the  Quakers  of  Philadelphia  had  rushed  en 
masse  to  the  entertainment  during  its  early  production, 
and  thenceforth  given  it  over  to  "  the  world's  people." 


JOHN   E.   OWENS.  63 

Descanting  upon  the  "Alpine  Rambles"  I  have  gone 
somewhat  in  advance  of  my  narrative,  as  the  entertain- 
ment was  not  presented  until  January,  1853,  and  Owens 
returned  from  Europe,  October,  1852,  resuming  active 
management  of  the  Baltimore  Museum  ;  where  the  season 
had  commenced  a  month  previous,  under  delegated  super- 
vision. In  December,  1852,  Henry  C.  Jarrett  expressed 
a  desire  to  buy  the  Museum.  Owens  consented  to  con- 
sider the  proposition  made;  reflecting  that,  relieved  of 
managerial  responsibilities,  he  would  be  freer  to  give 
ample  attention  to  the  "  Alpine  Rambles  "  entertainment ; 
and  also  (later  on)  to  farther  extend  his  professional  tours. 
He  was  not  altogether  averse  to  selling  the  little  Museum, 
notwithstanding  it  had  been  both  profitable  and  pleasant 
to  him.  After  frequent  interviews  and  discussions,  the 
transfer  was  made. 

In  connection  with  the  preliminaries  thereof,  some 
amusing  episodes  occurred.  Mr.  Jarrett  calling  one  day 
at  Owens'  house,  was  accompanied  by  a  friend — possibly, 
a  silent  partner  in  the  impending  investment ;  but  not  in 
other  respects  was  he  mute.  Gazing  at  a  portrait  of 
David  Garrick,  he  asked  Owens:  "Who  is  that  fellow?  " 
"  Garrick,  the  tragedian,"  was  the  reply.  "  Garrick  ! 
Garrick !  I  never  heard  of  him ;  amount  to  much  ?  " 
"  Very  celebrated."  "  Could  Harry  get  him  to  play  at 
the  Museum  ?  "  "  No ;  that  would  be  impossible."  Mr. 
Jarrett,  by  this  time,  was  covered  with  confusion,  and 


64  MEMORIES   OF 

made  wild  endeavors  to  drown  the  voice  of  his  friend ; 
but  soon  again  he  was  heard,  eagerly  saying,  "  Oh,  Harry, 
don't  forget  to  ask  Mr.  Owens  where  you  can  hire  hands 
to  dance."  "  Yes,  yes,"  responded  Jarrett,  imploringly, 
"  please  don't  interrupt  us  again." 

Owens  made  his  final  appearance  at  the  Baltimore 
Museum  on  the  30th  of  December,  1852,  after  having 
been  its  manager  for  four  years.  His  farewell  and  com- 
plimentary benefit  packed  the  house  and  hundreds  were 
turned  away.  At  the  conclusion  of  the  performance,  in 
response  to  vociferous  calls,  he  appeared  before  the  cur- 
tain, and  in  his  speech  was  frequently  interrupted  by 
applause.  Adverting  to  having  transferred  the  Museum 
to  Mr.  Jarrett,  he  asked  for  that  gentleman  an  extension 
of  the  kindness  which  had  so  long  and  so  generously  been 
bestowed  upon  himself,  as  a  manager.  A  few  more 
words  of  heartfelt  acknowledgment,  and  the  final  "  good- 
bye "  was  spoken.  Mr.  Jarrett  took  charge  of  this  pros- 
perous little  theatre,  January  1st,  1853.  In  1856  he  sold 
the  Museum  to  Mr.  George  Zeigler ;  but  by  that  time  it 
had  lost  prestige.  The  collection  of  paintings  and  curiosi- 
ties were  purchased  by  Mr.  Charles  S.  Getz,  who  dis- 
tributed the  works  of  art  that  were  left,  among  the 
different  public  institutions  throughout  the  country. 

The  amusements  henceforth  offered  at  this  place,  were 
of  the  variety  show  and  concert  hall  order ;  and  were  not 
given  continuously.  In  1872  the  building  was  totally 


JOHN   E.   OWENS.  65 

destroyed  by  fire,  thus  obliterating  one  of  the  land- 
marks of  Baltimore;  for  the  "old  Museum"  was  fraught 
with  reminiscences  inseparable  from  many  remarkable 
events.  During  the  following  year  the  Directors  of 
the  Baltimore  and  Ohio  Railroad  purchased  the  site, 
together  with  adjacent  ground,  and  erected  a  magnifi- 
cent edifice  for  the  use  of  the  company.  I  have  already 
recorded  Owens'  enterprise  of  "  Mont  Blanc "  and 
"  Alpine  Rambles" 

In  February,  1853,  he  bought  Rock  Spring  farm — 198 
acres — six  and  a  half  miles  from  Baltimore.  He  changed 
the  name  to  "  Aigburth  Vale ; "  and,  from  time  to  time, 
added  more  acres  to  the  original  purchase,  improving  the 
farm  agriculturally,  and  building  a  mansion  which  was 
surrounded  with  ornamental  shrubbery  and  grounds  de- 
signed by  exquisite  taste  in  landscape  gardening.  In 
fact,  he  transformed  a  good  plain  farm  into  one  of  the 
most  beautiful  and  magnificent  estates  in  Baltimore 
county.  He  would  often  say,  "  Every  man  must  have 
his  hobby,  and  mine  is  harmless.  Spending  money  on 
my  country  residence  entertains  me,  and  the  improve- 
ments I  make  gives  work  to  people  who  need  it."  I 
eannot  better  convey  an  impression  of  the  place  that  was 
John  E.  Owens'  home  for  nearly  thirty-four  years — 
where  he  ended  his  life — than  by  condensing  a  description 
of  Aigburth  Vale,  contained  in  a  letter  which  appeared 
in  a  Washington  paper,  during  August,  1877. 
5 


66  MEMORIES   OF 

"  The  home  of  John  Owens  lies  to  the  north  of  Balti- 
more about  six  miles,  on  the  verge  of  the  little  village  of 
Towsontown.  You  reach  it  by  a  lovely  road,  displaying 
a  mixture  of  all  pictorial  ingredients  which  give  such 
enviable  distinction  to  Maryland  scenery.  The  greatest 
variety  of  trees,  crowded  together  with  picturesque  aban- 
don, variegate  the  perspective.  At  last,  we  reach  a  broad 
gate  which  is  pointed  out  as  Mr.  Owens'  grounds.  On 
the  left,  as  we  enter,  is  a  stretch  of  dear  meadow,  to  the 
right,  a  waving  cornfield.  Nothing  more  can  be  seen  till 
we  saunter  along  the  avenue  of  smiling  maples,  for  per- 
haps four  hundred  yards,  when  the  road  suddenly  droops 
and  bends,  and  we  stand  in  full  view  of  a  stately  manor 
house  nestling  in  the  valley  below.  Descending  by  a 
winding  path,  the  visitor  passes  through  grounds  culti- 
vated with  charming  skill,  and  laid  off  into  plats  of 
diamond  and  semicircle,  fringed  with  loveliest  parterres. 
Dainty  bits  of  country  gardening,  watched  and  defended 
by  sentinel  elms,  make  up  the  immediate  surroundings 
of  Aigburth  Vale.  Around  this  charming  scene,  at  n 
respectful  distance,  is  a  circle  of  green  hills. 

"Mr.  Owens  has  lived  here  since  1853;  loving  his 
country  home  so  well,  that  he  has  gradually  extended  it, 
until  now  he  is  monarch  of  nearly  three  hundred  acres. 
Here,  from  the  rare  June  days,  at  the  close  of  the  season, 
till  the  September  revival  on  the  hoards,  Solon  Shingle 
doffs  his  footlight  regalia,  and  plays  farmer.  'My 


JOHN   E.    OWENS.  67 

country  friends/  says  the  comedian,  with  a  droll  sense  of 
feeling  hurt,  '  call  me  a  dandy  farmer.  Bless  their  sweet 
souls  !  they  don't  realize  the  struggles  I  make  to  become 
one  of  their  craft ! '  To  indulge  in  an  agricultural  meta- 
phor, the  tale  is  rather  harrowing.  In  his  early  country 
experience  his  farm  manager  came  to  him  one  day,  and 
asked  for  thirty  dollars  to  buy  a  fertilizer.  He  got  the 
money,  and  Mr.  Owens  made  a  memorandum  of  the 
purchase.  On  his  return  from  a  starring  tour  his  thoughts 
became  violently  bucolic.  He  looked  over  his  books,  and 
took  an  inventory  of  his  stock  and  material.  Among 
other  things  he  wanted  to  know  where  that  thirty-dollar 
fertilizer  was?  'Out  in  the  field,  yonder/  was  the 
reply.  Out  sauntered  the  bucolic  Shingle  to  inspect 
the  new  farm  implement.  Finding  nothing  that  met 
his  views  of  a  fertilizer,  he  came  back  at  a  quick 
pace,  wondering  whether  the  faithless  servant  should 
be  shot  or  hung. 

" '  James,  you  want  to  show  me  that  fertilizer  now 
p —  d —  q — .'  '  Lord  !  Mr.  Owens,  how  can  you  see 
it  when  its  all  been  harrowed  into  the  ground.'  The 
crushed  comedian  whistled  his  way  back  to  the  house 
with  his  thumbs  digging  into  his  ribs. 

"  When  his  friends  call,  he  sets  out  milk  and  champagne, 
with  the  tearful  request  that  they  will  take  champagne, 
because  it  doesn't  cost  as  much ;  and  he  calculates  that 
he  swallows  a  dollar  bill  with  every  Royal  Trophy 


68  MEMORIES   OF 

tomatoe.  The  expense  of  producing  his  delicious  fruits 
would  paralyze  the  ambition  of  most  people;  but  he 
keeps  reaching  out  after  the  choicest  and  rarest  varieties. 
When  the  end  of  the  year  comes,  and  he  finds  he 
must  enter  up  the  balance  on  the  oft  side  of  his  Aig- 
burth  Vale  ledger  he  is  quite  content.  The  pastime 
is  expensive,  but  delightful.  To  say  that  his  plod- 
ding neighbors  refuse  encouragement,  would  be  unjust. 
f  Their  sympathies  appear  to  be  directed  chiefly  to  my 
hennery/  says  the  actor,  'for  they  often  write  to  me 
about  "  Egg-birth." ' 

"  The  house  is  very  large,  generously  constructed  with 
all  modern  improvements,  and  is  far  handsomer  than  any 
other  in  the  region  around.  A  piazza  runs  the  entire 
length  of  the  southern  or  principal  front,  and  the  wings 
are  tastily  finished  off  with  gables.  The  comedian's 
sanctum,  on  the  right  as  you  enter  the  wide  hall,  is  a 
large  apartment,  and  opens  into  a  cozy  smoking  room. 
Over  the  well-filled  bookcase  is  an  oil  copy  of  Droeshout's 
Shakespeare.  The  walls  are  entirely  covered  with  paint- 
ings and  engravings  of  celebrated  actors  and  authors. 
One  space  is  filled  by  the  life-size  half  figure  of  the 
comedian  as  Solon  Shingle,  by  the  painter,  Cross ;  another, 
tl  in  -('-quarter  figure  of  Dr.  Ollapod,  by  D'Almaine;  both, 
wonderfully  realistic  pieces  of  work  in  expression,  dra- 
pery and  coloring. 

"The  furniture  is  rich  and  solid,  not  gaudy.      Good 


JOHN   E.    OWENS.  69 

taste  prevails  in  all  things.  The  walls  of  the  hall  are 
hung  with  the  portraits  of  characters  once  famous  on  the 
English  and  American  boards.  To  one  of  these  the 
comedian  points  with  especial  pride  as  the  only  portrait 
ever  taken  of  Edmund  Kean.  This  dramatic  giant 
(physically  he  weighed  but  110  pounds)  had  an  anti- 
pathy to  picture  makers,  and  would  never  grant  them 
a  sitting.  When  Kean  was  playing  an  engagement  at 
Philadelphia,  the  painter  Neagle  determined  to  steal  a 
march  on  the  great  tragedian.  By  connivance  with  Mr. 
Lee,  his  manager,  the  painter  was  present  at  a  banquet, 
given  privately  to  Kean.  Lee  had  surreptitiously  brought 
the  costume  for  Richard  the  Third,  and  Neagle  was,  in 
like  manner,  supplied  with  canvas,  paints,  &c.  Under 
the  melting  influence  of  champagne,  Kean  was  persuaded 
to  make  an  exception  just  once,  under  promise  that  it 
would  only  take  a  few  minutes.  Neagle  seized  the  oppor- 
tunity and  his  brush ;  and,  as  a  consequence,  this  vivid 
likeness  of  Edmund  Kean  was  created. 

"  To  the  right  and  left  of  this  cherished  gem,  hang  the 
portraits  of  Mr.  and  Mrs.  Duff,  Macready,  Foote,  Mrs. 
Darley,  Mr.  and  Mrs.  Francis,  and  many  more ;  all  being 
the  work  of  the  celebrated  artist,  Neagle  (who,  it  will  be 
remembered,  was  the  son-in-law  of  the  famous  painter, 
Thomas  Sully).  A  great  variety  of  choice  landscapes 
hang  in  parlor,  sitting-room  and  dining-room,  represent- 
ing French,  Flemish  and  English  art,  as  well  as  our  own. 


70  MEMORIES  OF 

Take  it  all  in  all,  Aigburth  Vale  is  a  home  which  reflects 
the  refined  taste  and  generous  nature  of  its  owner.  It  is 
not  necessary  to  tell  the  members  of  the  theatrical  profes- 
sion that  John  E.  Owens,  during  his  many  years  of 
experience  and  success  on  the  stage,  has  done  very  many 
acts  of  kindness  towards  his  professional  brethren.  They 
have  a  grateful  realization  of  the  fact ;  and  they  will  have 
to  let  it  be  known,  for  he  never  will.  The  vicissitudes 
he  has  passed  through — for,  of  course,  he  has.  had  his 
share  of  them — only  give  sauce  to  his  quiet  charity  and 
relish  to  his  present  lot.  At  the  age  of  fifty-three  he  has 
'  reached  the  haven  of  happiness,  financial,  domestic,  and 
professional ;  the  richest  actor  in  America,  and  apparently 
the  most  contented  and  jolly  man.7  r' 

Speaking  of  the  dramatic  portraits  in  Mr.  Owens' 
library,  I  am  reminded  of  an  incident  relative  to  the 
bust  of  Shakespeare,  occupying  a  prominent  place  in  the 
sanctum.  Within  a  week  of  its  being  placed  there, 
among  other  guests  spending  the  day  at  Aigburth  Vale 
was  William  P.  Preston,  a  distinguished  lawyer,  of  Balti- 
more ;  and  for  many  years  an  intimate  friend  and  neigh- 
bor, his  country  home  being  near  ours.  Mr.  Preston  was 
an  art  connoisseur ;  and  during  the  after-dinner  chat, 
expressed  great  admiration  i'<>r  the  new  acquisition.  Much 
Shake-|>rare:m  conversation  ensued,  whiling  away  the 
time  delightfully.  A  day  or  two  afterwards,  Owens 
received  from  Mr.  Preston  the  following  lines  : 


JOHN   E.   OWENS.  71 

SHAKESPEARE'S  BUST  AT  AIGBURTH  VALE. 

"  In  ancient  days  in  good  old  Rome, 
Each  household  gave  its  god  a  home ; 
Then  well  may  Avon's  bard  divine, 
At  Aigburth  claim  a  hallowed  shrine. 
Here,  when  the  Thespian  fires  scarce  gleam, 
The  world's  comedian  reigns  supreme. 
With  health  and  plenty  fully  blest, 
Dispensing  comfort  to  his  guest ; 
At  festive  board,  with  dainties  crowned, 
Passing  the  social  glasses  round ; 
And,  while  the  heart  with  rapture  beats, 
Rehearsing  Thalia's  brilliant  feats. 
Long  may  he  reign ;  and  long  dispense 
His  learning,  wit,  and  common  sense. 
While  pious  cant  dare  not  assail 
The  household  god  of  Aigburth  Vale." 

The  autumn  of  1854  Owens  devoted  entirely  to  farm 
life,  making  a  visit  now  and  then  to  the  city.  Early  in 
1855  he  played  in  Baltimore,  Washington  and  Phila- 
delphia ;  cancelling  later  engagements  in  New  York  and 
other  cities,  on  account  of  the  serious  and  prolonged 
illness  of  his  wife.  The  ensuing  summer  was  passed, 
partly  at  the  Greenbrier  White  Sulphur  Springs,  Va., 
and  finished  at  his  country  home.  And  here  I  would 
remark,  that  his  rural  life  was  not  only  an  enjoyment  to 
himself,  but  productive  of  good  and  happiness  to  many. 
He  was  the  poor  man's  friend ;  administering  help  in 
such  a  delicately  adroit  manner,  that  no  sense  of  humilia- 


72  MEMORIES  OF 

tion  was  experienced  by  the  recipient  of  benefits  bestowed 
by  his  bountiful  hand.  Unobtrusively  thoughtful  of  the 
welfare  of  those  who  needed  work  or  help,  he  quietly 
relieved  want,  and  sympathetically  alleviated  suffering. 
A  contribution,  with  the  loud  blast  of  subscription  paper 
notoriety,  he  abhorred;  but  the  same  cause  he  would, 
privately,  aid  largely.  The  working  people,  of  Baltimore 
county,  regarded  him  as  their  true  friend;  and  acts  of 
kindness  were  as  essential  to  his  life  as  the  breath  he  drew. 
At  home  and  abroad,  wherever  he  has  sojourned,  many 
arise  and  call  him  blessed.  The  brightest  stars  in  his 
eternal  crown  are  the  good  deeds  so  lavishly  and  disinter- 
estedly done  on  earth. 

The  season  of  1854-55  finds  Owens  again  a  manager 
in  Baltimore,  he  having  leased  the  Charles  Street  Theatre, 
corner  of  Baltimore  and  Charles  streets.  The  Company, 
headed  by  himself,  comprised  much  talent — Mrs.  D.  P. 
Bowers,  Charles  Walcot,  Sr.,  and  his  wife,  Norton,  Colin 
Stuart,  Miss  Gaszyneske,  &c.,  &c.  The  opening  bill  was 
Tobin's  "  Honeymoon,"  and  "  Turning  the  Tables."  Only 
moderate  encouragement  met  the  new  Theatre — full 
houses  sometimes,  but  the  average  was  not  good.  The 
comic  interlude  "  VUlilclnx  and  ht/s  Dinah"  (which  he 
rc-\\  rot<-),  siiM«r  inimitably  by  Owens,  created  a  sensation, 
and  went  far  to  bring  up  the  business.  The  song  itself 
amounted  to  nothing,  but  was  made  irresistibly  funny  by 
the  quaint  manner  of  rendering  it.  The  mock  gravity 


JOHN   E.    OWENS.  73 

attached  to  the  importance  of  remembering  that  there  was 
&  front  garden  and  a  back  garden,  and  the  tragic  injunc- 
tion to  the  audience  not  to  become  confused  in  these 
localities  as  the  action  of  the  song  progressed,  together 
with  the  comic  solemnity  of  pauses  to  explain  matters 
clearly,  was  ludicrous  beyond  description. 

It  was  at  this  theatre  Edwin  Adams  made  his  first 
histrionic  mark  as  Edward  Mapleton  in  "  The  Merchant 
and  his  Clerks."  He  developed  such  force  and  emotional 
power  that  Mr.  Owens  advised  him  to  devote  attention 
to  tragedy,  feeling  sure  that  his  talent  was  great  for  that 
line  of  the  drama.  The  company  was  further  strengthened 
by  Caroline  Kichings  and  her  father,  "  Yankee  Locke," 
and  others ;  new  pieces,  well  staged,  were  tried,  but  the 
desired  result — good  business — did  not  ensue. 

In  March,  Mr.  and  Mrs.  G.  C.  Howard  and  little 
Cordelia  Howard  were  announced  in  "Fashion  and 
Famine."  The  piece  was  well  gotten  up  and  strongly 
cast,  but  proved  a  failure,  drawing  only  dismally  slim 
houses.  "  Hot  Corn  "  and  the  "  Lamplighter  "  followed, 
but  effected  no  improvement  in  the  business.  Mr.  and 
Mrs.  Howard  said  little  Cordelia  was  sick ;  no  wonder, 
so  was  the  manager  (with  depression).  The  Howards 
retired  for  awhile,  and  Owens,  supported  by  the  stock 
company,  filled  in  the  time  with  the  result  of  better 
houses  for  a  few  nights ;  but  the  change  was  only  spas- 
modic, a  cloud  of  ill-luck  seemed  to  have  settled  over  the 


74  MEMORIES   OF 

theatre,  and  the  manager  was  losing  money  hand  over 
hand. 

At  this  crisis  Owens  thought  of  the  dramatization  of 
"Uncle  Tom's  Cabin"  then  a  great  success,  north.  He 
purchased  the  right  of  the  play  for  Baltimore,  and  after 
careful  reading  of  the  manuscript,  made  some  alteration 
in  the  text  and  situations.  To  present  to  a  Baltimore 
audience  the  original  play  intact,  would,  at  that  time, 
have  been  a  hazardous  proceeding.  When  "  Uncle  Tom's 
Cabin  "  was  underlined,  Owens7  lawyer  (also  an  intimate 
friend),  William  P.  Preston,  came  to  him  and  urgently 
implored  that  he  would  forego  the  production  of  the 
piece,  saying  :  "  You  will  ruin  yourself  with  the  l  South/ 
and  get  into  all  sorts  of  trouble ;  the  people  will  tear  the 
theatre  down  or  do  you  a  personal  injury."  Though 
holding  his  friend  Preston's  judgment  in  high  esteem, 
Owens  was  not,  in  this  instance,  to  be  dissuaded  from  his 
purpose.  Desperate  cases  require  desperate  remedies ; 
and  with  the  consciousness  of  empty  coffers  the  emergency 
was  a  case  of  "  make  or  break."  The  dramatization  of 
"  Uncle  Tom's  Cabin  "  was  revised  ;  all  that  was  glaringly 
obnoxious  to  southern  sentiment  modified,  and  some  of 
the  parts  were  re- written. 

The  role  of  Marks,  the  Lawyer,  was  assigned  to  John 
Sleeper  ( 'larke,  and  he  made  a  decided  hit ;  so  pronounced 
that  he  started  out  on  his  career  upon  the  strength  of  it. 
The  part  was  crammed  with  fun  and  frolic,  and  the  result 


JOHN   E.   OWENS.  75 

\vus  immense;  the  people  laughed  so  uproariously  over 
Clark's  mishaps,  as  Marks,  that  they  lost  sight  of  the 
more  solemn  slavery  element.  Owens  played  Uncle  Tom 
(something  not  at  all  in  his  line).  He  undertook  the  part 
to  strengthen  the  bill,  and  also  to  be  on  the  spot  should 
any  trouble  take  place.  The  following  is  the  initial  cast : 

BALTIMORE. 
CHARLES  STREET  THEATRE. 

APRIL    IGTH,    1855. 

UNCLE  TOM JOHN  E.  OWENS. 

GEORGE  HARRIS COLIN  STUART. 

SIMON  LEGREE EDWIN  ADAMS. 

ST.  CLAIR G.  C.  HOWARD. 

MARKS,  THE  LAWYER JOHN  SLEEPER  CLARKE. 

GUMPTON  CUTE JOHN  O'BRIEN  (JNO.  T.  EAYMOND). 

DEACON  PERRY JOSEPH  PARKER. 

TOPSY MRS.  G.  C.  HOWARD. 

AUNT  OPHELIA MRS.  JANE  GERMON. 

ELIZA  HARRIS MRS.  PARKER. 

MARIE  ST.  CLAIR Miss  DE  VERB. 

EVA LITTLE  CORDELIA  HOWARD. 

This  was  the  first  presentation  of  "  Uncle  Tom's  Cabin  " 
south  of  Mason  and  Dixon's  line,  and  I  doubt  if  it  has 
ever  been  better  played.  Owens  made  a  tremendous  hit 
as  Uncle  Tom,  and  the  entire  play  set  the  town  wild  with 
delight  and  admiration ;  this  success  retrieved  the  heavy 
losses  of  the  season.  Owens  had  no  sectional  feeling  in 
regard  to  the  play,  and  the  Baltimoreans  accepted  it  as 


76  MEMORIES   OF 

given,  packed  the  house,  and  thus  filled  the  hitherto 
attenuated  treasury. 

The  season  of  1855-56  was  a  restful  and  delightful 
one,  passed  in  New  Orleans,  at  the  Gaiety  Theatre,  Dion 
Boucicault,  Manager;  this  (like  "Wallack's"  in  New 
York)  was  conducted  solely  with  a  stock  company,  com- 
prising John  E.  Owens,  Dion  Boucicault,  Agnes  Robert- 
son (Mrs.  Boucicault),  Jessie  McLane,  James  Brown  (the 
original  Robert  Macaire),  Mrs.  Place,  Johnston,  Frazier, 
Morton,  and  Fred.  N.  Thayer ;  the  latter  being  leading 
man.  The  old  friendship  of  1846,  between  Thayer  and 
Owens,  was  revived ;  and  henceforth  had  no  lapse  from 
close  intimacy.  Nearly  ten  years  had  passed,  since  Owens' 
first  visit  to  New  Orleans ;  but  he  now  felt  quite  at  home, 
so  cordial  was  the  welcome  extended  to  him.  His  old 
friends  had  kept  themselves  posted  as  to  his  steady  advance 
in  histrionic  fame,  and  rejoiced  at  the  position  he  had 
attained.  At  once  he  achieved  general  popularity  witli 
the  public,  both  in  legitimate  comedy  and  lighter  drama. 

Mr.  Boucicault's  aim  was  to  give  the  theatre  a  brilliant 
position  ;  the  plays  were  always  thoroughly  rehearsed  and 
faultlessly  produced  ;  lie  was  a  strict  disciplinarian,  and  his 
system  produced  satisfactory  results.  Infringement  on  the 
rules  of  the  theatre  seldom  occurred ;  although  the  com- 
pany, among  themselves,  were  much  given  to  having  "  a 
bit  of  fun,"  which  sometimes  verged  on  practical  joking. 
They  were  a  merry  set,  and  derived  amusement  from 


JOHN   E.  OWENS.  77 

slight  causes,  as  is  evinced  by  the  following  incident: 
Mr.  Thayer,  while  rehearsing  for  "John  Dobbs"  in  the 
farce  of  that  name,  remarked :  "  The  business  of  this  part 
calls  for  piano  playing ;  I  am  not  a  musician."  "  Only 
a  few  bars  needed,"  said  the  Stage  Manager.  "  Stoepel 
can  indicate  the  keys  by  having  figures  pasted  on  them ; 
strike  in  rotation  as  numbered,  and  there  you  are,  all 
right!" 

The  plan  worked  admirably  at  first,  but  on  the  third 
night,  when  Mr.  Thayer  took  his  seat  at  the  piano,  with 
self-confident  manner,  he  discovered  to  his  horror  that 
the  keys  were  quite  free  from  numbers.  It  broke  him 
up,  momentarily ;  but  rallying,  he  picked  out  "  Days  of 
Absence,"  in  faltering  tones,  and  retired  ingloriously. 
For  awhile  he  was  uncertain  as  to  the  perpetrator  of  the 
joke ;  but  reflecting  that  Owens  and  himself  were  wont 
to  play  pranks  upon  each  other,  he  taxed  the  comedian, 
who  freely  confessed,  and  made  the  amende  honorable; 
so  they  adjudged  it,  "give  and  take,"  and  cried  quits. 

The  Keller  Troupe  arrived  in  New  Orleans  from 
Havana.  At  the  Tacon  Theatre  they  had  created  a 
furore,  the  fame  of  which  had  preceded  them,  and  an 
engagement  was  speedily  made  with  Boucicault.  Their 
exquisite  tableaux  have  never  been  exceeded  in  beauty, 
grace  and  picturesqueness :  "  The  Birth  of  the  Flowers" 
"  The  Battle  of  the  Amazons,"  "  The  Shower  of  Gold," 
and  dozens  of  other  dreams  of  loveliness  were  charm- 


78  MEMORIES  OF 

ingly  and  purely  represented.  They  also  reproduced 
Rubens'  great  Altar  piece ;  three  pictures  of  the  Cruci- 
fixion, Bearing  the  Cross,  The  Ascent  of  the  Cross,  and 
The  Last  Sigh.  The  effect  of  these  representations  on 
the  audience  was  that  of  intense  solemnity.  I  am  sure  no 
irreverent  thought  intruded,  as  they  gazed  with  breath- 
less awe,  realizing  the  Bible  story  with  deeper  feeling 
than  reading  it  ever  evoked.  The  tableaux  of  "  The 
Crucifixion"  were  given  nowhere  in  America,  except  Xe\v 
Orleans;  when  the  Kellers  went  thence  on  their  tour 
through  the  country,  all  other  cities  protested  against 
what  was  denounced  by  the  majority  of  the  public  as  a 
sacrilegious  representation. 

While  the  Keller  troupe  were  at  the  Gaiety,  Mr. 
Boucicault  got  up,  magnificently,  "Azael,  or  the  Prodigal 
Son"  which  aiforded  ample  opportunity  for  superb 
grouping  and  tableaux.  Agnes  Robertson,  F.  N.  Thayer, 
and  most  of  the  Company  were  in  the  cast ;  but,  being  a 
biblical  drama,  there  was  no  comic  part  for  Owens,  so  he, 
for  the  nonce,  became  a  gentleman  of  leisure.  After 
awhile,  the  manager  grew  restless  under  this  state  of 
affairs,  and  "didn't  see  why  the  largest  salary  ever 
given  to  an  actor  should  be  drawn  for  naught ; "  so  he 
decided  to  have  Owens  sing  Vlllikim  and  hys  Dinah, 
after  the  curtain  fell  on  "Azael"  I  am  not  certain  but 
what  he  half  inclined  to  have  it  sung  between  the  acts. 
Rather  an  incongruous  entertainment !  However,  supple- 


JOHN    E.    OWENS.  79 

meriting  "Azael"  may  have  arisen  from  a  desire  to 
strengthen  the  attraction,  as  the  biblical  drama  did  not 
meet  with  much  favor,  notwithstanding  its  magnificent 
setting,  costuming,  artistic  effect  and  clever  acting. 

In  those  days  New  Orleans  was  filled  with  strangers, 
during  the  winter,  and  "Azael"  was  rather  beyond  the 
understanding  of  some  of  the  audience — if  one  might 
judge  from  remarks  overheard.  As  for  instance,  after 
the  curtain  fell  on  one  of  the  grandest  scenes,  "  Temple  at 
Jlemphis"  a  rural  party,  discussing  the  play,  agreed  that 
it  was  altogether  incorrect.  "  There  is  no  such  building 
there,"  said  one.  "  No ;  nor  do  they  dress  that  way  in 
Memphis/7  rejoined  another.  "  We  have  been  there  often 
enough  to  know  something  about  the  town."  The  school- 
master was  evidently  abroad  when  Egypt  and  Tennessee 
could  be  thus  confounded. 

At  the  termination  of  the  "  Keller "  engagement  the 
management  returned  to  the  standard  plays  and  comedies. 
The  public  responded  to  this  change  with  a  heartiness 
which  indicated  that  they  had  experienced  a  surfeit  of 
tableaux  and  spectacular  drama.  Nothing  of  marked 
nature  occurred  during  the  remainder  of  the  season,  the 
close  of  which  took  place  March  12th,  1856. 


CHAPTER  IV. 

Owens  in  Paris— A  lesson  in  French—"  Say  nothing  about  the  bridges  " 
— 1856-57 — "  Solon  Shingle  "  for  the  first  time — Original  inspiration 
of  character— Jefferson's  Rip  Van  Winkle— John  Unit — The  will 
scene— Mary  Devlin— Snow-bound  train— Two  merry  days  at 
"Strawberry  hill  farm"— "Self"  in  Cincinnati— The  prototype  of 
Unit  an  auditor — H.  L.  Bateman — March,  1858,  Owens'  de"but  in 
Boston— Julia  Bennett— Fanny  Morant—  "The  Rivals"— "The 
Queen's  Heart  "—Versatility— William  Warren— Saturday  night 
performances  inaugurated  in  Boston — Season  1858-59  in  New 
Orleans— 1859-60— Owens  manager  of  "Varieties  Theatre"— Ma- 
jor Wellington  DeBoots — E.  S.  Sothern — Realistic  properties — 
"American  Cousin  "—Christmas,  1859 — Dot— Owens'  Caleb  Plum- 
mer — A  poem — A  comedy — A  sermon — Mrs.  John  Wood — Origin 
of  the  popularity  of  "  Dixie's  land." 

YT7HE  ensuing  summer  was  varied  by  an  unpremedi- 
tated  and  brief  visit  to  Europe ;  a  few  days  being 
passed  in  London,  but  the  greater  part  of  the  time  in 
Paris.  Many  bright  anecdotes  and  incidents  were  told  on 
his  return  home ;  among  them  the  following,  afterwards 
narrated  by  a  friend,  in  these  words :  "  It  is  rare  fun  to 
hear  John  Owens  relat<-  his  interview  with  Barney  Wil- 
liams, in  Paris.  Fancy  John  having  cultivated  a  formi- 
dable suit  of  facial  hair,  and  attired  at  every  point '  a  la 
mode  de  Paris/  rapping  one  fine  day  at  the  door  of  a 
80 


JOHN    E.    OWENS.  81 

room  eligibly  located  on  the  Boulevard  des  Italiens,  and 
receiving  in  response  the  exclamation  from  within,  '  En- 
tree ! ' — of  course  in  the  purest  Parisian  (?)  accent.  Tip- 
ping the  rim  of  his  highly  polished  castor,  over  his  eyes, 
till  it  rests  on  the  bridge  of  his  nose,  and  assuming  some- 
thing of  a  swaggering  air,  John  enters ;  and  is  received 
with  the  extremest  demonstrations  of  courtesy  by  Barney, 
who  is  lying  off  in  all  the  luxury  of  morning  costume, 
sipping  his  cafe-au-lait  and  reading  Galignani.  <  Com- 
ment vous  portez  vous,  Monsieur?'  says  Barney,  turning 
to  the  visitor  without  the  smallest  suspicion,  and  with  all 
the  politeness  and  admirable  imitation  of  manner  of  the 
people  he  was  living  among ;  and  receiving  from  his 
heavily-bearded  caller  the  usual  response.  'Asseyez 
vous,  Monsieur/  added  he,  at  the  same  time  placing  his 
guest  a  chair,  and  with  the  most  marked  French  empresse- 
ment  waving  him  an  invitation  to  sit.  Owens  could  not 
carry  on  the  joke.  The  metamorphose  of  Barney  into  a 
Parisian  was  too  much  for  his  gravity.  Taking  off  his 
hat,  and  at  the  same  moment  clapping  his  host  upon  the 
back,  he  exclaimed,  in  his  natural  voice  and  manner : 
i  How  are  you,  Barney!'  '  And  is  it  you,  ye  divil?' 
said  Barney,  whose  first  impulse  had  evidently  been  to 
throw  the  poker  at  the  head  of  his  visitor,  when  he  found 
out  to  whom  he  had  been  airing  his  French.  l  And  what 
the  deuce  are  you  doing  in  this  part  of  the  world?' 
1  Studying  the  language,  my  boy,  that's  all ;  and  what  an 
6 


82  MEMORIES   OF 

"illigant"  lesson  I  have  just  had;  especially  in  the  accent 
—eh,  Barney?7" 

Having  passed  a  few  weeks  pleasantly  in  Paris,  Owens 
returned  home,  and  after  a  swift  and  agreeable  passage 
across  the  Atlantic,  arrived  at  the  pier  in  New  York. 
As  he  was  leaning  on  the  taffrail,  like  Juliet  in  the  bal- 
cony scene,  "  his  cheek  upon  his  hand,"  and  facilitating 
himself  that  he  had  reached  his  native  land  once  more  in 
safety ;  one  of  those  amiable  gentlemen  who  signalize 
themselves  by  poking  whips  in  the  faces  of  travellers,  by 
way  of  catching  their  eyes,  clambered  over  the  rail,  and 
giving  our  friend  a  gentle  slap  on  the  back,  said  :  "  Have 
a  carriage?"  Owens  being  knocked  quite  out  of  his 
revery,  and  nearly  out  of  all  the  breath  in  his  body,  by 
this  energetic  salutation,  stood  for  a  moment  speechless ; 
and  the  Coachee,  scanning  his  costume  and  the  cut  of  his 
whiskers,  evidently  began  to  think  he  was  a  Frenchman. 
Owens  perceived  this,  and  immediately  determined  to 
humor  the  idea,  and  have  some  fun  out  of  it.  "Car- 
riazhc  !  Vat  ees  ze  carriazhe  ?  "  "  Why,  the  coach — 
horses — wheels — things  that  go  round,  round,  so  !  Go 
'lang !  Crack  !  Take  you  to  hotel ! "  said  the  other, 
gesticulating  all  the  while,  and  describing  pantomimic-ally 
the  motion  of  a  carriage,  the  driving  of  the  horses,  and  so 
on.  "  Aha  !  Oho  !  Oui,  oui ;  je  comprend  !  To  ze  hotel. 
Tres  bien ;  you  sal  mak  me  come  to  ze  hotel  Metropoli- 
tang,  eh  ?  You  know  where  is  ze  Metropolitang  ?  "  "  The 


JOHN    E.    OWENS.  83 

Meetropolitern ?  Of  course!  Take  you  there  in  a  jiffy. 
Show  your  baggage!  Come  along,  Mounseer."  "Oui, 
oui !  zat  all  ver  good ;  but  how  mosh  for  take  moime'me 
et  mon  baggazhe  to  ze  hotel  Metropolitang  ?  ' '  "  Three 
dollars;  that's  all."  "Tre  dollar  !  Mon  Dieu !  Zat  is  too 
mosh  for  ze  leetle  vay  to  ze  hotel."  "  A  little  ways ! 
My  eyes !  Why,  do  you  happen  to  know,  Mouuseer, 
about  how  fur  it  is,  say?  Why,"  continued  Coachee, 
rising  in  excitement  as  he  proceeded  with  his  pantomimic 
description,  "there  aint  no  less  than  three  bridges  to 
cross,  and  ever  so  much  toll  to  pay  before  you  get  there." 
"  What  zat,  you  call  ze  bridzhe  and  ze  tol,  eh  ?  "  "  The 
bridge  ?  Why,"  gesticulating,  "  high  up,  so  !  water  run- 
ning under,  so  !  Cross  over  ;  stop  !  Pay  money  every 
time ! "  "I  tell  you  what  it  is,  Coachee,"  said  Owens, 
resuming  his  natural  voice,  "  I'll  give  you  fifty  cents." 

The  scamp  was  dumbfounded  for  a  second;  but  see- 
ing that  he  was  "  sold,"  and  if  he  rode  rusty,  he  would 
find  himself  in  an  awkward  fix ;  putting  his  hand  to  his 
mouth  and  whispering  confidentially  to  Owens,  said,  with 
a  wink  that  spoke  volumes :  "  Call  it  seventy-five,  and 
say  nothing,  you  know,  about  the  bridges!" 

Owens  began  the  season  of  1856-57  in  Philadel- 
phia, pleasantly  and  profitably;  thence  to  the  Baltimore 
Museum,  cramming  the  house  with  enthusiastic  audi- 
ences. It  was  during  this  engagement  that  he  played 
Solon  Shingle  for  the  first  time.  "  The  People's  Lawyer  " 


84  MEMOKIES   OF 

was  then  given  in  two  acts;  Robert  Howard  being  the 
prominent  part.  Owens  was  pleased  with  the  quaint 
vein  of  humor  which  characterized  Solon;  and  later  on 
made  a  study  of  the  garrulous  countryman ;  cut  the 
Drama  to  farce  length,  introduced  much  new  business, 
and  so  elaborated  the  part  and  altered  the  piece,  that  he 
copyrighted  it  under  the  title  of  "  Solon  Shingle.7'' 

It  has  been  said  that  Owens  imitated  Charles  Burke 
in  this  part.  Such  an  assertion  is  utterly  untrue.  Mr. 
Owens  never  saw  Burke,  or  anyone  else  play  "  Solon 
Shingle."  With  equal  injustice,  the  would-be  wiseacres 
assume  that  Mr.  Joseph  Jefferson  reproduced  his  brother's 
portrayal  of  "Rip  Van  Winkle;"  whereas  the  two  per- 
formances differ  widely.  Mr.  Burke  was  a  girled  artist — 
wonderfully  so ;  but  the  play  which  Mr.  Jefferson  has 
rendered  famous  has  no  similarity  to  that  in  which  Mr. 
Burke  appeared,  save  that  they  both  are  founded  on 
Washington  Irving's  story.  Neither  Mr.  Owens  nor 
Mr.  Jefferson  were  ever  imitative.  To  each  character 
assumed,  they  gave  distinctive  expression ;  original  to 
the  degree  of  inspiration,  their  genius  never  required  the 
methods  or  ideas  of  others  to  render  perfect  those  won- 
derful embodiments  which  have  established  their  world- 
wide fame. 

In  November,  1856,  Owens  signed  with  H.  L.  Bate- 
man  to  star  in  Mrs.  Sidney  Bateman's  play  of  "Self" 
This  Comedy  had  been  produced  in  New  York  with  Bur- 


MR.  OWENS  as  SOLON  SH5H6LI. 

(From  a  Painting  by   A.  Cross.) 


JOHN   E.    OWENS.  85 

ton  as  John  Unit,  and  in  St.  Louis  with  Mark  Smith  in 
the  same  part,  and  was  a  failure  in  both  cities.  Owens 
hesitated  about  undertaking  a  play  already  received  coldly 
by  the  public;  but  upon  reflection,  was  sanguine  of 
making  John  Unit  a  character  part,  and  thereby  leading 
up  to  success  for  the  piece.  He  took  for  his  model  in 
dress  and  manner  of  playing  Unit,  a  prominent  citizen  of 
Cincinnati,  and  "  like  unto  a  mirror  depicted  his  eccen- 
tricities." Those  who  have  seen  Owens  play  John  Unit, 
and  heard  the  expression  to  which  he  was  prone,  "  It 
won't  pay,  sir/'  need  not  be  told  what  a  natural  repre- 
sentation he  gave  of  the  crusty  old  banker ;  who,  beneath 
his  hard  exterior  had  a  tender  heart  for  those  who  really 
understood  him.  It  was  a  leaf  from  life,  touching  kin- 
dred chords  in  many  natures. 

John  Unit  proved  a  valuable  addition  to  Owens'  reper- 
toire, winning  for  him  new  laurels  and  establishing  success 
for  "Self" — a  success  so  entirely  identified  with  his  name 
that  he  purchased  from  H.  L.  Bateman  entire  right  to  the 
possession  of  the  Comedy.  Owens'  "John  Unit"  was  in 
fidelity  of  conception,  unsurpassed  by  anything  on  the  stage. 
His  grasp  of  the  character  was  perfect,  and  every  light  and 
shade  stood  forth  intensely  life-like.  Prominent  in  per- 
fection, the  library  scene  may  be  considered  the  gem  of 
the  part.  The  soliloquy,  after  having  made  his  will,  was 
like  the  unfolding  of  the  inner  nature  of  the  old  banker, 
giving  glimpses  of  its  asperity  and  of  its  tenderness.  The 


86  MEMORIES   OF 

ingenuous  retrospection  of  his  life — realization  that  his 
methods  had  brought  him  to  a  lonely  old  age,  recollections 
of  boyhood  and  home,  yearnings  for  family  ties,  were 
delineated  with  such  depth  of  sentiment  and  rugged 
pathos  as  to  invoke  sympathetic  response.  During  Owens' 
first  visit  to  California,  this  scene  had  intense  effect  upon 
the  rough,  red-shirted  miners  in  the  galleries.  Many  of 
them  had  been  absent  from  home  for  years,  and  the  long- 
ings for  the  associations  of  early  life  so  vividly  expressed, 
found  echo  in  their  hearts,  and  ofttimes  caused  them  to 
weep  like  children.  The  interview  with  Mary  Apex, 
which  follows  Unit's  soliloquy,  where  he  talks  with  her 
in  a  half-bantering,  half-earnest,  and  entirely  affectionate 
manner,  was  a  type  of  quaint  and  hearty  wisdom,  won- 
derfully portrayed. 

"Self"  had  a  prosperous  run  in  Baltimore,  and  the 
experience  was  repeated  in  Washington.  "  Mrs.  Apex  " 
found  a  strong  representative  in  Mrs.  Melinda  Jones, 
11  J//-.S.  Oodlwer"  in  Mrs.  Jane  Germon,  and  "  Alari/ 
Apex"  in  Miss  Mary  Devlin  (who  afterwards  became 
Mrs.  Edwin  Booth).  The  latter  lady  was  not  only  a 
talented  actress,  but  one  of  the  loveliest  and  best  women 
in  the  world.  Mary  Apex's  nature  seemed  akin  to  that 
of  the  ingenuous  girl  who  personated  her. 

After  Washington,  Richmond  was  the  next  date  to  be 
filled  by  "Self."  The  company  left  Washington  in  good 
spirits,  not  apprehending  that  the  light  snow  just  begin- 


JOHN    E.    OWENS.  87 

ning  to  fall  would  at  all  interfere  with  their  journey ;  but 
it  was  destined  to  culminate  in  a  storm,  to  be  hereafter 
spoken  of  as  "  unparalleled  in  the  memory  of  the  oldest 
inhabitants."  The  snow  steadily  increased,  involving  fre- 
quent stoppages  to  clear  the  railroad  tracks ;  and  finally 
the  storm  became  violent.  At  daybreak,  Sunday,  the  train 
had  been  snow-bound  for  several  hours.  The  engine  fires 
were  extinguished,  and  the  snow  (already  banked  up  above 
the  car  windows)  was  still  rapidly  falling.  No  sign  of 
habitation  near;  nor  could  the  passengers  form  an  idea  of 
their  location,  until  later  on,  the  church  bells  of  Richmond 
were  heard.  "  So  near,  and  yet  so  far,"  were  they. 

Having  consumed  all  eatables  that  were  on  the  train, 
the  situation  was  growing  serious  as  to  ways  and  means 
of  extrication  from  this  perilous  condition.  At  this  crisis 
a  stalwart  colored  man  said,  that  "  he  knew  all  the  sur- 
rounding country,  and  would  sally  forth  to  seek  assist- 
ance, if  his  master  would  give  consent."  This  was 
readily  obtained,  and  amidst  expressions  of  gratitude,  the 
passengers  made  up  a  purse  of  fifty  dollars,  to  be  given 
to  the  man  on  his  return.  Additionally  incited  by  this 
promised  reward,  he  plunged  into  the  snow,  which  sub- 
merged him  to  his  neck ;  and  striking  vigorously  across 
country,  was  soon  lost  to  view.  The  prospect  of  relief 
revived  the  drooping  spirits  of  the  snow-bound  passen- 
gers ;  but  as  hour  after  hour  passed  by,  without  any  sign 
of  the  return  of  the  adventurous  pioneer,  hope  waned,  cold 


88  MEMORIES   OF 

and  hunger  increased,  and  the  situation  became  alarming. 
Towards  night  the  faint  tinkle  of  bells  was  heard,  and  then 
the  far-off  sound  of  voices — the  listeners  were  almost  afraid 
to  trust  their  senses,  lest  disappointment  might  ensue — 
but  louder  and  louder  came  the  welcome  sounds  until,  in 
the  distance,  they  saw  a  wagon  drawn  by  a  team  of  six 
oxen,  preceded  by  a  snow-plow ;  the  latter  driven  by 
their  sable  deliverer,  who  had  found  a  farm  house,  and 
returned  with  a  relief  corps.  The  hospitable  farmer  not 
only  brought  food  for  immediate  necessity,  but  insisted  on 
taking  all  the  passengers  to  his  house  to  stay  until  the  road 
should  be  in  condition  for  trains  to  resume  travel. 

A  merry  party  were  packed  away  in  the  long  wagon — 
hunger  and  cold  forgotten,  as  the  farmer  started  the 
team,  and  with  a  loud  "  huzza ! "  and  bells  jingling,  off 
they  drove  for  "Strawberry  Hill,"  three  miles  distant. 
There  they  remained  two  days,  entertained  in  true  Vir- 
ginia style  by  Mr.  R.  F.  Adams  and  his  household.  It 
was  a  delightful  episode  to  the  guests,  and  also  to  their 
host  and  his  family ;  the  former  exerted  themselves  to  be 
agreeable  and  entertaining ;  to  the  latter,  this  break  in 
their  quiet  life  \vusasensationalrevelation.  The  even- 
ings were  full  of  mirth  and  laughter;  one  source  of 
amusement  to  the  guests  being  the  singing  and  banjo 
playing  of  Mr.  Adams'  colored  people,  which  was  genu- 
ine plantation  minstrelry  ;  exceeding  the  best  imitations. 
There  was  mutual  regret  when  the  time  came  for  guests 


JOHN   E.    OWENS.  89 

and  host  to  part.  The  intimation  of  remuneration  for  the 
hospitality  extended  by  Mr.  Adams,  was  rejected  by  that 
gentleman,  with  kindly  but  dignified  firmness.  Much 
hearty  hand-shaking,  and  many  cordial  wishes  attended 
the  leave-taking,  and  with  merry  laughter,  amidst  the 
babel  of  many  tongues,  the  party  drove  off  from  the  old 
farm-house,  which  they  never  forgot. 

On  their  way  to  Richmond,  the  passengers  held  a 
meeting,  organized  by  John  E.  Owens  and  H.  L.  Bate- 
man,  and  decided  to  present  a  testimonial  to  Mr.  R.  F. 
Adams,  expressive  of  their  thanks  and  appreciation  of 
his  kindness  and  lavish  hospitality.  Mr.  Adams  and  his 
family  had  been  invited  to  visit  the  theatre  towards  the 
close  of  the  engagement  of  the  "Self"  company ;  and  on 
their  arrival  in  Richmond,  were  surprised  by  the  presen- 
tation of  a  handsome  silver  service  and  tray,  of  exqui- 
site workmanship.  The  largest  piece  being  beautifully 
wrought  with  a  representation  of  a  snow-bound  train  in 
the  foreground,  a  farm-house  in  the  distance ;  and,  in  the 
middle  ground,  an  ox-team  wagon  coming  to  the  rescue. 
On  the  reverse  side,  the  following  engraved  inscription  : 

"  Presented 

by  the  passengers  who  were  detained  by  the  severe  snow  storm  of 
January  18th,  1857,  on  the  Virginia  Central  Kailroad,  to 

K.  F.  ADAMS 

as  a  token  of  their  gratitude  for  the  true  Virginia  hospitality  ex- 
tended to  them  at  his  house,  and  for  his  heroic  exertions  in  releasing 
them  from  their  perilous  and  suffering  condition." 


90  MEMORIES   OF 

Mr.  Adams  was  so  much  overcome  by  this  unexpected 
token  of  remembrance,  that  he  could  scarcely  falter  his 
acknowledgment — grasping  Mr.  Owens'  hand,  he  said : 
"  Not  only  do  I  appreciate  this  gift,  but  my  children  and 
grandchildren  will  regard  it  as  an  heirloom.1' 

From  Richmond  "  Self"  wended  its  triumphal  course 
to  Cincinnati,  where  the  prototype  of  John  Unit  fre- 
quently witnessed  the  play.  One  of  his  nephews  said 
to  Owens :  "  My  Uncle  recognizes  himself  in  the  char- 
acter ;  and  though  sensitive  about  some  points  you  make, 
he  is  well  pleased  at  the  denouement  which  elaborates 
Unit's  good  qualities  ! "  En  passant,  it  is  rather  strange 
that  the  likeness  should  have  been  admitted,  as  people 
are  seldom  conscious  of  their  own  peculiarities.  I  re- 
member an  eminent  Italian  impressario  saying  to  Mr. 
Owens  :  "  Mr.  Owens,  I  hear  that  you  have  mak'  imitate 
of  me ;  I  am  mooch  distress,  and  I  so  speak  that  you  no 
more  do  zat  same  ting."  Owens  gravely  expressed  sur- 
prise at  the  accusation,  and  "  really  could  not  imagine 
who  had  brought  such  a  charge  against  him;"  this  re- 
sponse being  given  with  the  accent  and  manner  of  the 
impressario,  who  failed  to  perceive  the  imitation  ;  though 
the  bystanders  recognized  it  with  infinite  amusement. 

While  in  Cincinnati,  Owens  and  Bateman  talked  over 
a  project  of  organizing  a  strong  "  American  Comedy 
Company,"  to  play  through  England  during  the  summer 
months.  Something  that  had  not,  at  that  time,  been 


MR.  OWENS  as' JO'HNJ  DMT  r  «      5 ' 

In  "  Self." 


JOHN  E.   OWENS.  91 

attempted.  The  more  that  it  was  discussed  the  more 
feasible  the  enterprise  seemed.  Henry  C.  Jarrett  was 
deputed  to  ascertain  if  John  Gilbert,  William  Wheatley 
and  other  eminent  artists  were  open  to  offers  ;  and  favora- 
ble replies  were  received.  Before  making  engagements, 
Mr.  Jarrett  was  dispatched  to  England,  to  personally 
investigate  the  prospect  of  securing  theatres  in  different 
cities,  commencing  in  London.  It  being  understood  that 
a  triple  partnership,  to  manage  the  dramatic  enterprise, 
should  be  organized  on  Jarrett's  return,  if  favorable  re- 
port was  brought,  justifying  the  venture.  Meanwhile, 
Owens  continued  his  professional  engagements. 

After  an  absence  of  six  weeks,  Mr.  Jarrett  returned, 
and  a  meeting  of  the  trio  was  appointed.  Verbal  re- 
sponses and  letters  from  several  English  managers  were 
most  auspicious  to  the  undertaking;  consequently,  the 
details  of  business  came  under  discussion.  Owens  sug- 
gested that  each  member  of  the  partnership  should  be 
allotted  separate  duties  and  responsibilities — giving  cer- 
tain views  based  on  his  managerial  experience;  and 
Jarrett  acquiesced  in  this  course,  which  impressed  him  as 
being  practical  and  conducive  to  their  mutual  interest; 
but  Bateman  fought  every  opinion,  step  by  step.  After 
considerable  talk,  Owens  remarked :  "  We  are  wasting 
time  going  over  the  same  ground,  Bateman ;  suppose  you 
give  us  your  views  of  an  organization  ?  "  "  Well,  I  will," 
replied  Bateman ;  and  after  a  preliminary  remark  or  two, 


92  MEMORIES   OF 

he  summed  up  the  matter  by  saying :  "  I  must  be  busi- 
ness manager,  absolutely ;  and  I  must  have  sole  control 
of  the  entire  affair,  without  dictation  from  any  one.  All 
power  and  direction  must  be  vested  in  me,  if  we  want 
success." 

"Oh,"  said  Owens,  calmly,  "that  is  your  idea,  is  it?" 
"Yes,"  said  Bateman,  "and  the  only  sensible  way  to 
carry  the  thing  through."  "Then,  gentlemen,"  said 
Owens  quietly  (rising),  "count  me  out  of  the  enterprise;" 
and  he  left  the  room.  So  little  excitement  did  he  mani- 
fest, that  Bateman  could  not  believe  the  affair  was  closed. 
Three  days  later  he  approached  Owens  with  some  ques- 
tion relative  to  preparation  for  the  "  American  Comedy 
Company  ; "  and  was  quite  startled  by  the  unmistakable 
firmness  of  the  reply  given — "  I  gave  my  ultimatum,  and 
will  not  waste  further  words  on  the  subject." 

Speaking  of  H.  L.  Bateman — he  was  a  compound  of 
good  qualities  and  objectionable  traits.  His  strong  will 
and  love  of  power  inclined  him  'to  presumptuous  and 
overbearing  conduct.  He  was  ofttimes  captious  and  fault- 
finding. Mr.  Owens,  referring  to  this  spirit  of  discontent, 
once  said  to  him :  "  I  really  think,  Bateman,  if  in  the 
next  world  you  are  fortunate  enough  to  be  placed  with 
the  sheep,  you  will  think  it  looks  pleasanter  among  the 
goats."  Bateman's  indomitable  energy  and  judgment 
eminently  qualified  him  for  a  progressive  business  man. 
The  fame  of  the  celebrated  "Bateman  Children"  (his 


JOHN  E.   OWENS.  93 

daughters)  extending,  as  it  did,  over  both  continents,  was 
greatly  enhanced  by  his  acumen  in  properly  developing 
their  talents.  Later  on,  when  Kate  Bateman,  in  early 
womanhood,  achieved  fame  in  " Leah"  and  other  parts, 
her  triumphs  were  much  increased  by  the  skilful  engi- 
neering of  her  father,  who  was  her  indefatigable  director. 

Matilda  Heron,  Parepa  Rosa,  and  other  illustrious 
artistes,  first  appeared  in  this  country  under  Bateman's 
management.  With  Tostee  in  "  The  Grand  Duchess" 
he  inaugurated  Opera  Bouffe  in  America.  The  St.  Louis 
Theatre  and  others  were,  at  different  times,  under  his 
management.  His  latest  managerial  success  was  at  the 
Lyceum  Theatre,  London.  Then  it  was  that  Henry 
Irving  (now  so  famous)  first  came  into  prominence — with 
the  great  run  of  " Hamlet"  and  "The  Bells,"  which  set 
all  London  talking  of  the  rising  star.  Socially  Bateman 
was  companionable  and  entertaining.  An  excellent  racon- 
teur, he  also  had  keen  sense  of  the  ludicrous,  and  appre- 
ciated wit  and  humor  in  others.  He  was  not  free  from 
petty  weakness,  and  this  was  evinced  by  his  sensitiveness 
about  his  Christian  name,  "Hezekiah  Linthicum."  It 
was  so  obnoxious  to  him,  that  he  invariably  made  his 
signature  H.  L.  Bateman,  and  tacitly  permitted  his  letters 
to  be  addressed  "  Henry  L.  Bateman." 

On  one  occasion,  some  little  business  disagreement 
occurred  between  Owens  and  Bateman.  A  correspondence 
ensued,  and  Bateman,  as  usual,  waxed  wrathful,  and  be- 


94  MEMORIES   OF 

came  voluminous  in  expression.  Owens  declined  further 
discussion,  but  Bateman  persisted  in  freighting  the  mail 
with  reiterative  contention.  Finally  Owens,  impressed 
with  the  absurdity  of  this  "  Much  Ado  about  Nothing," 
took  a  comical  view  of  it,  and  wrote :  "  If  you  write  to 
me  again  on  this  subject,  I  will  return  your  letter  addressed 
'  Hezekiah  Linthicum  Bateman.7 "  A  telegraphic  response 
came  —  "I  will  stop."  Thus  the  matter  was  good- 
humoredly  settled.  The  next  time  they  met,  Bateman, 
laughingly  referring  to  the  ludicrous  termination  of  their 
difficulty,  said  :  "  John,  you  wouldn't  really  have  been  so 
cruel  as  to  direct  a  letter  to  me,  i Hezekiah  Linthicum?" 
"  Indeed,  I  would,"  said  Owens.  "  I  don't  believe  you 
capable  of  such  deliberate  wickedness,"  retorted  Bateman, 
"  though  you  frightened  me  terribly  by  the  threat." 

Bateman  prided  himself,  and  justly,  too,  on  his  admi- 
rable tact  in  extricating  himself  from  a  dilemma.  His 
inventive  genius  seemed  inexhaustible.  Mr.  Owens  said 
he  never  saw  Bateman  nonplussed  but  once,  and  then  not 
utterly.  They  were  standing  on  the  steps  of  the  Burnet 
House,  Cincinnati,  when  Bateman  exclaimed  :  "  Gracious 
goodness!  here  comes  a  man  that  I  like;  a  man  who 
entertained  me  when  I  was  in  this  city  a  few  months  ago, 
and  I  have  forgotten  his  name !  but  I  do  remember  he  is 
very  sensitive  on  that  point.  John,  what  is  his  con- 
founded name?"  "I  don't  know,"  said  Owens,  evxas- 
peratingly.  By  this  time  the  gentleman  was  ascending 


JOHN   E.   OWENS.  95 

the  steps.  Bateman  rushed  to  meet  him,  shaking  hands 
cordially,  and  beaming  with  delight — hoping  to  gain  time 
by  talking  rapidly,  and  thus  recall  the  name.  Failing  to 
do  so,  he  said :  "  I've  thought  of  you  so  often ;  wanted 
to  send  you  a  newspaper  now  and  again,  but  did  not  know 
exactly  how  to  spell  your  name.  How  do  you  spell  it  ?  " 
"  S-M-I-T-H,"  was  the  response.  To  any  one  else  this 
would  have  been  total  discomfiture ;  but  Bateman  rallied, 
and  rejoined  :  "  I  was  uncertain  whether  you  used  an  i  or 
a  y,  and  most  people  are  liable  to  take  offence  at  an  inac- 
curacy of  the  kind." 

After  the  Cincinnati  engagement  Owens  proceeded  to 
St.  Louis  where  he  scored  a  triumph,  thence  to  Pittsburg 
with  like  result.  The  remainder  of  the  season  was  filled 
in  Washington,  Philadelphia  and  Baltimore.  In  the 
latter  city  he  played  several  weeks  at  the  Holliday  Street 
Theatre,  and  re-appeared  there  at  the  commencement  of 
the  next  season ;  after  which  he  made  his  usual  starring 
tour  through  the  principal  cities,  being  considered  by  all 
managers  a  strong  drawing  attraction.  On  the  2nd  of 
March,  1858,  Owens  appeared  for  the  first  time  in  Bos- 
ton. Dr.  Ollapod,  in  "  The  Poor  Gentleman"  was  the 
part  that  chronicled  his  successful  d6but.  He  was  sur- 
rounded by  a  galaxy  of  talent :  George  Jordan,  James 
Bennett,  Geo.  Ryer,  Henry  Wallack,  Williams,  Stuart, 
Norton,  Julia  Bennett,  Fanny  Morant,  Mary  Carr,  &c. 
The  performances  given  by  such  a  company  were  charm- 


96  MEMORIES   OF 

ing,  so  perfectly  studied  and  rendered  was  every  char- 
acter. 

March  24th  Owens  played  Bob  Acres,  in  The  Rivals, 
for  the  first  time,  and  made  an  immense  hit.  The 
idiosyncrasies  of  the  character  were  given  with  zest  and 
originality.  It  was  a  clear-cut  picture  of  the  country 
Squire.  His  scene  in  the  second  act,  with  Captain  Abso- 
lute, was  enthusiastically  encored ;  and  all  through  the 
Comedy  laughter  and  applause  confirmed  his  success. 
Mr.  Owens'  propensity  to  hurriedly  dress  for  the  stage, 
extended  to  his  preparation  of  costume  for  a  new  part. 
A  few  hours  before  he  was  to  appear  as  Bob  Acres  he 
sallied  forth  to  procure  some  accessory  which  was  required 
to  make  his  dress  complete.  Meeting  William  Warren, 
he  asked  where  he  would  be  most  likely  to  be  suited 
in  the  article  required.  "  Good  gracious  ! "  said  Mr. 
Warren,  "  you  don't  mean  to  say  that  you  haven't  every 
thing  ready  for  a  part  you  play  to-night,  and  a  new  part 
too  !  Why,  I  shouldn't  be  able  to  remember  my  lines  if 
I  had  to  think  about  a  dress.  It  would  upset  me  to  be 
so  hurried."  "That  very  hurry  suits  me,"  replied 
Owens,  "  the  excitement  gives  me  a  kind  of  neryousness 
which  tends  to  vivacity,  and  brightens  my  wits." 

Many  old  comedies  were  played  at  this  time,  but  "  The 
Road  to  Ruin"  was  perhaps  the  one  in  which  Owens 
gave  the  greatest  surprise  to  even  his  most  ardent  ad- 
mirers. "  >'///;//  "  is  so  entirely  wn-comic  that  much  com- 


JOHN    E.    OAVENS.  97 

ment  was  made  when  Mr.  Owens  was  announced  for  the 
part.  But,  having  made  a  study  of  it,  he  knew  he  could 
do  justice  to  its  portrayal.  The  delineation  he  gave  was 
a  gem,  and  by  its  excellence  became  the  feature  of  the 
comedy.  His  make-up  was  perfect.  The  angularity  of 
limbs,  the  stooping  shoulders,  the  semi-palsied  appearance 
of  hands,  and  the  wizen  face  were  all  marvellous  person- 
alities of  the  miserly  usurer.  The  shrewd  avaricious 
glance  which  gave  way  to  servile  obsequiousness,  in 
change  of  situation,  the  piping  voice  and  cackling  laugh 
were  each  and  all  masterly  points. 

Owens  simulated  age  with  extraordinary  accuracy,  but 
he  was  not  unmindful  that  age  has  many  phases  and 
personal  distinctive  traits;  hence,  of  the  numerous  old 
men  he  played,  no  one  resembled  the  other.  In  Solon 
Shingle  his  voice  ruralized  into  eccentricity,  and  in  Caleb 
Plummer  it  sobered  into  pathos.  His  versatility  was 
wonderful ;  he  could  be  a  young  man,  a  romping  lad,  or 
a  centenarian  with  equal  fidelity  to  nature.  "  Silky  "  and 
"  Gillman "  (the  youthful  bridegroom)  constituted  an 
evening's  entertainment  which,  in  their  contrast,  vividly 
displayed  these  remarkable  gifts ;  so  did  "  Tony  Lumpkin  " 
and  "  Spruggins"  and  numerous  other  equally  astonishing 
and  delightful  performances.  During  this  Boston  en- 
gagement, among  other  novelties  produced,  was  "  The 
Queen's  Heart"  by  Dr.  John  W.  Palmer,  of  Baltimore. 
Dr.  Palmer  was  well  known  in  literary  circles  as  the  author 
7 


98  MEMORIES   OF 

of  many  able  and  brilliant  works  in  prose  and  poetry. 
One  of  his  specialties  in  poetry  is  the  never-to-be-for- 
gotten and  thrilling  poem  of  "  Stonewall  Jackson's  Way." 

The  comedy  of  the  Queen's  Heart  possessed  self-assert- 
ing merit ;  inasmuch  as  the  plot  and  action  were  original, 
and  the  dramatis  personse  different  from  the  stereotyped 
pattern  so  often  found  in  plays.  Madame  Mondieu, 
created  by  Miss  Fanny  Morant,  was  a  superb  piece  of 
acting.  I  say  acting,  for  though  true  to  nature,  no  other 
word  can  express  how  much  this  talented  artiste  made 
of  the  part  by  look  and  gesture.  The  text  became  elo- 
quent by  the  inimitable  shrug  of  the  shoulders  with 
which  she  emphasized  its  meaning.  Owens  as  Napoleon 
Bonaparte  Aravier,  a  French  comedian,  made  a  decided 
hit,  and  strongly  depicted  the  eccentricities  of  the  loqua- 
cious comedian,  who,  under  the  guise  of  flippant  bom- 
bast, plots  to  defeat  wicked  designs  and  bring  help  to 
the  deserving.  His  rendering  of  the  semi-inebriated 
song,  "  The  Little  Brown  Man"  was  nightly  encored. 
The  "  Queen's  Heart"  won  deserved  popularity.  Later 
on  Dr.  Palmer  gave  the  play  to  Mr.  Owens,  who  in- 
tended to  include  it  in  his  repertoire,  but  always  found 
it  difficult  to  secure  a  competent  Madame  Mondieu. 

The  first  theatrical  performance  ever  given  on  Satur- 
day night  in  Boston  took  place  May  1st,  1858.  The 
play-bills  for  more  than  a  week  previous  having  the 
preliminary  announcement,  by  this  heading : 


JOHN   E.   OWENS.  99 

"SPECIAL    NOTICE. 

"  The  Legislature  of  Massachusetts  during  the  last  session,  having 
abrogated  an  old  law,  which  prevented  Dramatic  Representations 
from  taking  place  on  Saturday  evenings,  and  the  Board  of  Aldermen 
also  having  granted  the  petition  of  Mr.  Barrow  to  open  this  Theatre 
on  Saturday  evenings,  he  purposes  testing 

PUBLIC  OPINION 

by  giving  a  Dramatic  Performance  of  a  High  Order  on  Saturday  even- 
ing next." 

The  public  did  not  respond  cordially  to  the  innova- 
tion. Slim  attendance  being  the  rule  for  many  Saturday 
nights ;  but  gradually  business  increased,  and  before  the 
season  was  over,  Boston  made  no  distinction  between 
Saturday  and  other  night  performances.  Owens  remained 
in  Boston  several  months.  The  favorable  impression  he 
made  at  first  strengthened  as  his  engagement  became  pro- 
longed. Much  social  enjoyment  brightened  the  time. 
With  his  professional  associates,  and  many  friends,  he 
found  congenial  companionship.  Many  pleasant  hours 
were  spent  in  the  society  of  William  Warren.  Occa- 
sionally a  charming  re-union  and  supper  in  Miss  Amelia 
Fisher's  renowned  and  picturesque  kitchen  made  a  red 
letter  day. 

One  of  the  warmest  friendships  formed  at  this  time 
was  with  Henry  A.  M'Glenen,  now  business  manager 
of  the  Boston  Theatre.  It  strengthened  as  time  went  on, 
and  to  the  end  of  his  life  Mr.  Owens  esteemed  "  Harry 


100  MEMORIES   OF 

M'Glenen"  with  deep  regard,  and  knew  it  to  be  sin- 
cerely reciprocated.  No  truer  friend  mourned  his  loss, 
or  rendered  tenderer  tribute  to  his  memory. 

The  evening  previous  to  leaving  Boston,  Mr.  Owens 
entertained  a  few  friends  at  the  Parker  House.  As  they 
were  about  separating,  one  of  the  guests  (a  jolly  but 
impecunious  individual)  said :  "  By  the  way,  Owens,  I 
owe  you  three  hundred  dollars — perhaps  more."  "Don't 
mention  it,"  answered  the  comedian,  who,  liking  the  man 
personally  and  knowing  his  irresponsibility,  mentally 
regarded  the  money  as  a  gift,  not  a  debt.  "  Ah  !  my 
boy,  that  won't  do ;  business  is  business,  and  I  prefer  to 
settle  the  matter  before  you  leave  the  city."  Then  tak- 
ing from  his  pocket  a  slip  of  paper,  he  said :  "  Here  is 
my  I.  O.  U.,  that  will  secure  you."  At  this  Micaw- 
berish  adjustment,  a  covert  smile  pervaded  the  company, 
but  Owens  gravely  received  the  note,  and  held  it  in 
his  hand  while  they  stood  chatting,  ere  they  separated. 
Finally,  with  affected  unconsciousness,  he  twisted  the 
paper  and  used  it  to  light  his  cigar.  A  horrified  remon- 
strance arose  from  the  giver  of  the  note.  "  My  dear  boy, 
see  what  you  are  doing !  Don't  be  so  absent-minded  ! " 

"  That's  all  right,  B ,  such  a  lighter  must  needs  give 

my  cigar  a  good  flavor,  and  at  the  same  time  relieve  you 
from  the  shadow  of  responsibility." 

October,  1858,  finds  Owens  again  in  Boston,  but  only 
for  a  short  engagement,  as  he  had  signed  for  the  season 


JOHN    E.    OWENS.  101 

with  Thomas  Placide,  Manager  of  the  "  Varieties  Tnea- 
tre,"  New  Orleans.  The  original  Varieties  Theatre,  erected 
1849,  was  managed  by  Thomas  Placide  until  1854 ;  dur- 
ing that  year  it  was  destroyed  by  fire.  When  the  theatre 
was  rebuilt,  Dion  Boucicault  assumed  the  management 
and  changed  the  name  to  "Gaiete  Theatre — it  was  so 
known  for  two  years.  When  in  1858,  Placide  again 
became  manager,  he  restored  the  old  and  more  popular 
title.  This  theatre  was  situated  on  Gravier  street,  and 
owned  by  the  "Varieties  Club,"  an  exclusive,  aristo- 
cratic and  wealthy  association.  The  name  was  suggested 
by  "  La  Variete "  in  Paris.  The  theatre  ranked  as  the 
most  fashionable  in  New  Orleans.  At  that  time  song 
and  dance  and  specialty  performances  were  limited  to 
music  halls,  and  not  termed  "  variety  shows ; "  but  later 
on,  when  thus  designated,  it  became  necessary  to  change 
the  name  of  New  Orleans'  famous  theatre,  least  the  origi- 
nal title,  "Varieties,"  might  give  a  wrong  impression 
in  regard  to  its  dramatic  position. 

The  season  of  1858-59  was  conducted  on  the  stock 
system ;  a  superb  company  having  been  engaged.  The 
sterling  old  comedies  were  given,  varied  with  the  new 
pieces,  then  being  played  in  London  and  New  York. 
As  usual  with  New  Orleans  seasons,  Owens  found  this 
one  delightful  as  well  as  profitable.  At  its  close,  Pla- 
cide's  lease  having  terminated,  Owens  was  solicited  by  the 
stockholders  to  become  the  next  manager,  and  accepted  a 


102  MEMORIES   OF 

four  years'  lease,  h^g-inmag  1859-60.  Upon  the  conclu- 
sion of  the  present  season,  Owens  took  the  company  to 
St.  Louis  and  Cincinnati,  and  gave  six  performances  in 
each  city ;  so  great  was  the  furore  created,  that  the  houses 
were  packed  and  many  unable  to  obtain  even  standing 
room. 

Perhaps  there  can  be  found  no  more  brilliant  dramatic 
record  than  the  New  Orleans  season  of  1859-60.  The 
stockholders  gave  Owens  carte  blanche  in  respect  to  beau- 
tifying and  furnishing  the  Varieties  Theatre ;  and  this 
unlimited  power,  guided  by  his  judgment  and  exquisite 
taste,  resulted  in  the  Theatre  being  a  model  of  elegance 
in  regard  to  auditorium,  stage  setting  and  general  effect. 
The  dramatic  corps  selected  was  second  to  none  in  the 
country,  and  the  splendor  of  the  season  was  unparalleled. 
The  wealth,  beauty  and  fashion  congregated  in  New 
Orleans,  this  winter,  was  never  exceeded  in  that  notably 
gay  city;  the  "  Varieties  "  nightly  thronged  witli  pleas- 
ure seekers ;  and  Owens,  both  as  an  actor  and  manager, 
considered  peerless. 

Among  the  new  comedies  produced  this  season  was 
"Everybody's  Friend"  It  was  put  on  the  boards  simul- 
taneously with  its  production  in  New  York.  E.  F. 
Sothern  as  Fcuthcrley,  Sara  Stevens  as  Mrs.  Swandown, 
and  Owens  as  Major  Wellington  DtBoots.  To  the  latter 
character  Owens  brought  original  conception,  and  pla\  < d 
perfectly;  making  so  great  a  mark  that  ever  afterwards 


MR.  OWENS  as  MAJOR  WELLINGTON  DEBOOTS 
In  "Everybody's  Friend." 


JOHN    E.  OWENS.  103 

it  was  included  in  his  starring  repertoire.  Owens'  concep- 
tion of  DeBoots  was  not  as  an  eccentric  braggart,  only 
to  be  laughed  at,  but  a  man  of  excessive  vanity,  weak 
character  and  infirm  purpose.  The  self-satisfied  catchy 
little  laugh  or  chuckle,  which  he  originated  in  this  part, 
has  often  been  imitated,  but  never  reproduced  with  the 
vitality  and  infectious  mirth  wherewith  Owens  invested 
it.  The  business  introduced  was  irresistibly  droll,  but 
neat,  and,  with  an  occasional  interpolating  line,  made  the 
bombastic  Major's  character  vividly  life-like. 

And  here  I  would  remark,  that  a  tendency  to  gag  has 
been  attributed  to  Mr.  Owens  which  he  did  not  deserve 
in  the  actual  sense  of  the  word ;  it  is  true  he  was  prone 
now  and  then  to  introduce  a  sentence  not  set  down  in  the 
text,  but  it  always  fitted  so  perfectly  with  the  character 
he  was  representing  that  it  seemed  exactly  what  the 
author  would  have  consistently  written.  Exuberance  of 
spirits  never  led  Mr.  Owens  to  the  objectionable  habit  of 
making  topical  jokes,  or  allusion  to  those  surrounding 
him.  He  was  far  too  conscientious  an  artist  to  sacrifice 
the  integrity  and  illusion  of  a  play  to  raise  a  laugh,  or 
create  merriment  at  variance  with  principle  and  taste. 

Sara  Stevens  made  a  charming  Mrs.  Swandown,  and 
E.  S.  Sothern  was  admirably  suited  to  Felix  Featherley, 
which  he  played  in  his  usual  graceful,  mercurial  and 
polished  manner.  Each  of  the  cast  seemed  to  have  a  part 
that  might  have  been  written  for  their  especial  abilities ; 


104  MEMORIES   OF 

and  this  insured  a  favorable  reception  for  the  comedy. 
The  first  and  second  nights  of  its  representation  there 
was  a  bit  of  amusement  not  set  down  in  the  bill.  For 
the  scene  where  Featherley  presents  Mrs.  Swandown  with 
an  Angora  cat  (supposed  to  be  sleeping  peacefully  in  the 
covered  basket  which  he  carries),  Sothern  insisted  upon 
being  realistic,  to  the  extent  of  having  a  live  cat.  Of 
course,  puss  became  frightened  when  the  cover  was  re- 
moved, jumped  out,  and  having  made  a  bewildered 
plunge  here  and  there,  scampered  off  the  stage  amid  the 
laughter  of  the  audience.  For  the  next  night,  Sothern 
suggested  a  small  guinea  pig  as  being  less  nimble,  and 
sure  to  remain  quiet,  but  the  same  exhibition  of  stage 
fright  (?)  occurred,  except  that  the  pig  dived  awkwardly 
into  the  orchestra.  The  general  impression  prevailed 
that  these  innovations  were  not  actuated  so  much  by 
Sothern's  desire  to  be  realistic  as  by  his  propensity  for 
practical  joking. 

"  The  American  Cousin,"  in  which  Sothern  had  made 
a  hit  at  Laura  Keene's  New  York  Theatre,  the  previous 
season,  was  strongly  cast,  but  met  with  only  mod- 
erate favor  from  the  public,  and  less  from  the  press.  It 
was  at  this  time  that  Sothern  originated  the  "  Brother 
Sam  "  letter  which  he  introduced  into  the  part  of  Dun- 
dreary, and  afterwards  rendered  so  celebrated.  The 
Aim-rican  Onmn  held  tin;  boards  for  two  weeks.  On 
the  night  of  final  representation  Sothern  (as  Dundreary) 


JOHN    E.   OWENS.  105 

read  a  witty  letter  conveying  a  request  from  the  company 
for  permission  to  testify  their  admiration  by  crowning 
him  with  an  appropriate  wreath.  His  lordship  having 
expressed  gratification  and  given  consent,  the  imposing 
ceremony  was  performed,  and  the  renowned  Dundreary 
crowned  with  a  chaste  wreath  of  "  woathed  chestnutzs" 
beautifully  relieved  by  "  Oythter  Theltz"  and  " Shwimp 
Think"  " My  Lord "  made  a  brilliant  acknowledgment, 
replete  with  stammerings  and  hops.  The  audience  and 
the  artists  evidently  enjoyed  the  joke  intensely,  and  the 
majority  of  them  quite  understood  that  it  was  a  good- 
humored  rebuke  to  the  overdone  gush  of  floral  pre- 
sentations which  had  become  rather  tiresome  during  the 
season. 

Sothern's  Dundreary  is  so  much  a  part  of  stage  history 
that  everybody  knows  he  continued  to  elaborate  and  im- 
prove the  character,  until  it  became  identified  with  his 
name,  placing  him  on  a  pinnacle  of  prominence  which  he 
had  failed  to  reach  through  his  equally  clever  and  more 
legitimate  personations. 

The  great  sensation  of  season  1859-60  was  "  Dot" 
Boucicault's  dramatization  of  The  Cricket  on  the  Hearth, 
in  which  Owens  played  Caleb  Plummer  for  the  first  time. 
Careful  rehearsals  were  given,  and  also  every  attention 
to  the  stage  setting  and  transformation  scene.  The  Fairy 
Prologue  was  charming.  The  initial  performance  took 
place  on  Christmas  night  with  the  following  cast : 


106  MEMORIES   OF 

CALEB  PLUMMER MB.  JOHN  E.  OWENS. 

JOHN  PEERYBINGLE MR.  C.  W.  COULDOCK. 

TACKLETON MR.  M.  LEFFINGWELL. 

EDWARD  PLUMMER MR.  H.  A.  COPLAND. 

Dor Miss  CHARLOTTE  THOMPSON. 

BERTHA Miss  SARA  STEVENS. 

MRS.  FIELDING < MRS.  W.  A.  CHAPMAN. 

TILLY  SLOWBOY Miss  POLLY  MARSHALL. 

MAY  FIELDING Miss  ELIZA  COULDOCK. 

Polly  Marshall,  the  soubrette,  was  much  dissatisfied 
with  having  the  part  of  Tilly  S lowboy  assigned  to  her. 
The  lady  was  an  English  actress  who  had  been  a  favorite 
at  Burton's  Theatre,  New  York,  and  it  was  expected  she 
would  be  equally  popular  in  New  Orleans,  but  a  mild 
liking  was  the  extent  of  approbation  she  inspired  ;  sensi- 
tively aware  of  this  fact,  she  entreated  Mr.  Owens  to 
substitute  some  one  else  for  Tilly ,  assuring  him  that  the 
part  was  utterly  out  of  her  style,  and  to  attempt  it  would 
culminate  her  unpopularity.  Mr.  Owens  thought  dif- 
ferently, and  courteously  but  firmly  declined  to  change 
the  cast;  whereupon  the  lady  retired  from  the  interview 
in  a  distressed  and  tearful  condition.  Short-sighted  mor- 
tals we  are.  Tilly  Slowboy  proved  to  be  the  first  hit  of 
Miss  Marshall's  engagement;  she  took  the  audience  by 
storm,  and  afterwards  every  part  she  played  was  favora- 
bly received.  No  soubrette,  in  New  Orleans,  ever  held 
greater  sway  over  an  audience  than  did  Polly  Marshall. 


JOHN    E.    OWENS.  107 

Owens'  personation  of  Caleb  Plummer  belongs  to  the 
annals  of  the  stage.  It  stands  unrivalled  and  crowned 
with  well-earned  glory.  The  public,  the  press  and  his 
fellow  artists  have  conceded  to  him  the  perfection  of 
finished  art  in  this  character,  and  ranked  him  as  incom- 
parable. His  great  charm  was  unaffected  adherence  to 
nature.  He  took  Caleb  riummer  bodily  from  the  word- 
painting  of  Dickens,  and  made  him  flesh  and  blood. 
There  was  no  attempt  at  heroism  in  depicting  this  affec- 
tionate-hearted old  man  who  had  suffered  so  long  with 
cheerful  resignation  ;  it  was  simple  nature  in  all  its  purity 
and  goodness,  and  the  illusion  perfect  in  delicate  blending 
of  pathos  and  quaint  humor. 

The  "  God  bless  us  all "  of  old  Caleb  lingered  in  sweet 
influence  with  the  audience,  and  found  echo  in  the  hearts 
of  all  who  saw  and  felt  his  nature  as  embodied  by  John 
E.  Owens.  It  was  a  poem,  a  comedy  and  a  sermon. 
No  description  can  do  justice  to  his  bits  of  by-play — the 
quick  transition  from  distress  to  cheerfulness,  for  the 
blind  daughter's  sake,  caused  the  auditor  to  break  into 
laughter  while  yet  the  eyes  were  moist. 

When  depicting  tender  emotion  Mr.  Owens  had  what 
the  French  term  "  tears  in  the  voice  "  (as  well  as  in  his 
heart),  and  the  effect  was  magnetic.  It  has  been  said  of 
Owens'  personation  of  Caleb  Plummer,  that  "  it  compares 
with  Solon  Shingle  as  an  oil  painting  does  with  a  crayon 
sketch." 


JOHN    E.    OWENS.  109 

ished,  farm  and  country  life  were  forgotten,  and  he  be- 
came absorbed  in  dear  old  Caleb. 

"  Dot "  was  immensely  popular  in  New  Orleans,  and 
was  played  for  two  months — an  unprecedented  run  for 
that  city,  no  piece  having  previously  had  such  a  hold  on 
public  enthusiasm.  It  was  withdrawn  in  the  height  of 
success,  and  given  at  intervals  later  in  the  season.  Hav- 
ing made  so  great  a  mark  as  Caleb  Plummer,  Owens 
purchased  from  Boucicault  the  sole  right  and  possession 
of  his  adaptation  of  Cricket  on  the  Hearth,  entitled  "Dot." 

A  very  sad  event  occurred  towards  the  spring.  Harry 
Copland  (juvenile  man  of  the  company)  had  some  diffi- 
culty with  Mr.  Overall,  dramatic  critic  of  the  True  Delta, 
arising  from  adverse  and  personal  criticism.  The  quarrel 
eventuated  in  a  rencontre,  during  which  Copland  was 
shot.  The  arrest  of  Overall  followed,  but  he  was  released 
on  bail,  pending  Copland's  treatment  at  the  hospital 
where  he  had  been  taken  for  amputation  of  his  leg.  The 
symptoms  were  serious  from  the  first.  Copland  was  a 
manly  ingenuous  young  fellow,  and  a  great  favorite  with 
Mr.  Owens,  who  was  devoted  to  him  during  his  illness. 
Copland  craved  this  constant  presence,  and  found  much 
comfort  in  his  friendly  ministration.  At  the  final  hour 
Owens  was  with  him,  and  afterwards  drove  immediately 
to  the  Mayor's  office  and  gave  notification  of  the  fatal 
result  of  the  affray.  Overall's  re-arrest  ensued.  He  was 
tried  for  murder,  but  acquitted  on  the  plea  of  self-defence. 


110  MEMORIES   OF 

The  prosecution  made  a  strong  effort  to  secure  conviction 
on  the  charge  of  premeditated  malice  on  the  part  of 
Overall;  the  evidence  was  powerful,  but  was  rendered 
ineffectual  by  reason  of  a  peculiar  defence.  It  was  proved 
that  Copland  died  of  lock-jaw,  resulting  from  gangrene 
caused  by  verdigris  on  the  pistol  ball.  The  defense 
maintained  that  this  could  not  have  been  the  case  had  the 
pistol  been  freshly  loaded  by  Overall,  with  murderous 
intent;  hence  the  shooting  had  not  been  premeditated, 
but  the  pistol  picked  up  hurriedly  when  needed  for  self- 
defence.  On  this  plea  Overall  was  acquitted. 

After  the  regular  season  a  supplementary  summer  one 
was  inaugurated  by  the  engagement  of  Mrs.  John  Wood, 
who  fascinated  the  New  Orleans  people,  as  "  Pochalwn- 
tas,"  and  with  many  equally  charming  bits  of  acting. 
The  company  included  much  musical  talent,  which  was  a 
desirable  element  in  the  production  of  "  Pochahontas ;  " 
and  to  render  it  yet  more  attractive,  Owens  introduced  a 
drill  and  march  of  forty  female  Zouaves.  Requiring 
appropriate  music,  he  was  difficult  to  please,  as  he  wanted 
something  spirited  and  yet  not  too  martial.  Carlo  Patti 
(brother  of  Adelina  Patti),  the  leader  of  the  orchestra, 
was  called  upon  for  suggestions.  He  ran  over  various 
airs,  all  of  which  were  rejected,  and  was  growing  hopeless, 
when  he  struck  the  chords  of  Dixie,  then  a  minstrel  song 
but  little  sung.  "  That  suits,"  said  Owens,  "it  is  exactly 
what  I  want.  We  will  have  a  song  and  chorus  with  the 


JOHN   E.   OWENS.  Ill 

drill  and  march."  It  was  thoroughly  rehearsed,  and  the 
Zouave  drill  with  Dixie  chorus  took  the  town  by  storm. 
Soon  the  air  was  whistled  in  the  streets,  played  by  the 
bands,  hummed  by  everyone ;  in  fine,  became  the  sensa- 
tion of  the  times.  And  thus  originated  the  popularity 
of  "Dixie's  land,"  which  resulted  in  its  adoption  as  a 
southern  war  song. 

In  May  the  theatre  closed,  and  Owens  returned  to 
Aigburth  Vale,  his  Maryland  farm ;  passing  the  summer 
months  pleasantly  there,  except  for  an  occasional  sojourn 
in  New  York  to  make  preparations  for  the  ensuing  New 
Orleans  season. 


CHAPTER  V. 

Experience  and  executive  ability— Brilliant  inauguration  of  New  Or- 
leans season  1860-61 — States'  rights  excitement — Pittsburg  emeute 
— Great  engagement  played  in  Boston — An  interrogative  loafer — 
Witty  repartee — A  disagreeable  draft — Obtaining  a  substitute — 
Presentiment — New  England  tour — E.  L.  Davenport — John  Gilbert 
— William  Wheatley — Recreation  on  the  farm — A  lover  of  Shakes- 
peare— New  York  offer  from  George  Wood— Deliberation— Accepts 
for  six  weeks — Solon  Shingle  a  whirlwind  of  success — "  In  a  hun- 
dred days  " — Mr.  and  Mrs.  Charles  Kean — Constant  Meyer's  picture 
—Close  of  nine  months'  engagement— Phenomenal  financial  result 
— Owens  takes  steamer  for  England. 

MR-  OWENS  took  great  pride  in  his  theatre,  and 
having  now  become  a  stockholder,  determined 
that  it  should  exceed  its  former  record  for  elegance  and 
attractiveness.  He  therefore  did  not  limit  himself  to  the 
liberal  amount  authorized  by  the  board  of  directors  for 
the  renovation  of  the  theatre,  but  expended  much  of  his 
private  means  for  costly  furniture,  carpets,  &c.  When 
the  "Varieties"  opened  November,  1860,  with  a  strong 
dramatic  corps  in  keeping  with  its  surroundings,  the 
manager  was  satisfied  with  his  preliminary  labor,  and  the 
pul)lic  amazed  and  delighted  with  the  magnificence  and 
brilliancy  presented  for  their  patronage. 
112 


JOHN   E.   OWENS.  113 

Legitimate  comedy  and  all  the  new  plays  were  pro- 
duced with  that  close  attention  to  correct  costume  and 
appropriate  scenery  which  ever  marked  the  management 
of  John  E.  Owens.  These  he  held  secondary  to  dramatic 
force,  but  he  considered  them  indispensable  to  the  pre- 
sentation of  a  play,  and  his  personal  attention  was  always 
given  to  the  superintendence  of  every  detail  in  the  thea- 
tre. From  the  paint  room  to  the  stage  he  was  present 
and  directed  the  veriest  minutiaB.  Thus  executive  ability 
combined  with  judgment  and  refined  taste  rendered  his 
success  as  a  manager  Napoleonic.  "Dot"  was  revived 
and  warmly  welcomed  in  1860—61 — "  The  Romance  of  a 
Poor  Young  Man "  and  "Playing  with  Fire "  were  among 
the  novelties.  The  casting  of  the  pieces  was  simply  per- 
fect, embracing  such  talent  as  George  Jordan,  Mark 
Smith,  Charles  Bass,  Dolly  Davenport,  Charles  Thome, 
Jr.,  Myron  Leffingwell,  C.  H.  Morton,  F.  Maeder,  Geo. 
Wallack,  Charlotte  Thompson,  Annie  Graham,  Mrs.  W. 
H.  Chapman,  Mrs.  Leigh  ton  and  a  host  of  others.  The 
most  important  new  production  was  "  Jeannie  Deans  "  (or 
Hmrt  of  Mid  Lothian),  for  which  the  entire  resources  of 
the  theatre,  in  scenic  painting  and  mechanical  effects,  were 
brought  into  requisition,  and  the  strength  of  the  company 
included.  The  famous  pictures  of  the  trial,  &c.,  were 
represented  in  tableaux  effect  with  exquisite  accuracy, 
and  were  nightly  encored.  The  storming  of  the  Tol- 
booth  was  exciting  and  impressive.  This  representation 
8 


114  MEMORIES   OF 

was  appreciated  by  crowded  houses  for  nine  consecu- 
tive weeks. 

Towards  the  close  of  the  winter  much  restlessness  pre- 
vailed through  the  community,  and  the  "  States'  rights  " 
question  was  increasedly  agitated.  Opinions,  at  first 
quietly  expressed,  developed  until  the  "  cloud  no  bigger 
than  a  man's  hand,"  grew  ominously  threatening.  The 
gay  crowd  in  New  Orleans,  hitherto  on  pleasure  bent, 
became  thoughtful,  and  gave  less  time  to  amusement  and 
more  to  the  impending  crisis ;  and  the  topic  oftenest  dis- 
cussed was  "  Secession." 

My  narrative  has  no  connection  with  the  Civil  War, 
except  to  mention  it  as  it  affected  Mr.  Owens.  He  was 
a  Southern  sympathizer,  but  never  took  up  arms  against 
the  United  States.  Had  the  seat  of  war  been  in  Mary- 
land he  would  have  defended  his  home.  No  honorable 
nature  can  censure  him  for  standing  firm  to  his  honest 
convictions.  It  was  a  matter  of  principle  with  him,  in- 
volving the  sacrifice  of  prosperity,  for  he  not  only  lost 
his  property  in  New  Orleans  but  forfeited  the  three  years' 
lease  of  the  theatre,  which  proved  an  El  Dorado  to  the 
Northern  manager  who  used  the  theatre  and  its  expensive 
appointments. 

A  course  dictated  by  policy  was  foreign  to  Mr.  Owens' 
nature,  hence  he  was  willing  to  endanger  his  popularity 
rather  than  express  views  which  he  did  not  entertain. 
Quietly  resolved,  but  never  aggressive,  no  one  can  truly 


JOHN   E.    OWENS.  115 

say  that  he  was  ever  treacherous  to  the  government.  He 
played  a  short  engagement  in  Washington  and  in  Balti- 
more— a  long  interval  between  these,  on  account  of  serious 
illness  in  the  family.  Then  followed  the  Pittsburg  date, 
rendered  memorable  from  the  fact  that  he  was  not  per- 
mitted to  play.  So  great  was  the  antagonism  against 
him,  for  alleged  Southern  sentiments,  that  threats  of  per- 
sonal violence  were  rife,  and  Mr.  Owens'  friends  pre- 
vailed upon  him  to  quietly  leave  town  without  making 
any  attempt  to  fulfil  his  engagement. 

A  fortnight  later  he  was  due  in  Boston,  where  he 
nightly  packed  the  large  auditorium  of  the  Boston  Thea- 
tre ;  his  friends  and  the  public  there  not  lessening  one 
whit  of  their  cordiality  because  his  opinions  did  not  coin- 
cide with  theirs.  He  came  before  them  as  an  artist,  not 
as  a  politician,  and  they  knew  full  well  that  he  was  inca- 
pable of  dishonorable  conduct,  and  respected  him  for  his 
moral  courage  and  dignified  course  which  increased  their 
admiration  and  regard. 

After  the  War  was  over,  an  amusing  incident  occurred 
one  election  day,  when  Owens  presented  himself  at  the 
polls  to  vote.  An  effort  was  made  to  interfere  with  his 
right  of  suffrage — the  time  was  past  when  such  a  thing 
could  be  done  on  the  ground  of  Southern  sympathy. 
Owens'  vote  was  challenged  under  charge  of  "  non-resi- 
dence.'7 The  animus  was  patent ;  but  taking  the  matter 
coolly,  Owens  said :  "  I  beg  your  pardon,  I  don't  quite 


116  MEMORIES   OF 

understand  the  objection."  "Non-residence,  where  do 
you  live?"  "Well,  I  live  in  London,  Paris,  Boston, 
New  York  and  many  other  places,  but  my  home  is  here 
in  Baltimore  County,  and  here  I  vote." 

At  this  juncture  a  half-tipsy  loafer,  with  unkempt  hair 
and  soiled  attire,  lounged  in  front  of  Owens  and  said : 
"  Where  d'ye  get  your  washing  done  ?  There's  where  a 
feller  votes."  "  In  that  case,  my  friend,"  responded 
Owens,  "  I  should  say  you  never  had  a  vote  in  all  your 
life."  A  roar  of  laughter  followed  this  sally,  which  put 
even  the  antagonistic  element  in  a  good  humor.  The 
challenger  laughingly  said :  "  Go  on  and  vote,  Owens  ; 
we  give  in."  October,  1861,  Owens  was  drafted  in  the 
Union  army ;  he  received  the  notice  in  Washington,  just  as 
he  was  coming  oif  the  stage,  and  meeting  one  of  the  actors, 
while  passing  to  his  dressing  room,  remarked:  "There 
is  a  very  disagreeable  draft  here."  The  literal  young 
man  called  to  some  of  the  stage  hands :  "  Shut  that  door ; 
Mr.  Owens  complains  of  the  draft."  Whereupon  Owens 
laughed  heartily,  and  explained  the  misapprehension. 

He  speedily  obtained  a  substitute,  but  on  the  way  to 
Baltimore  the  man  vanished.  A  few  days  afterwards 
another  was  secured,  a  regular  vagabond  specimen.  De- 
termined to  hold  possession  this  time,  Owens  fitted  the 
man  out  with  good  clothing,  took  him  to  the  farm  and 
lodged  him  in  an  upper  room  of  one  of  the  cottages  on 
the  place ;  keeping  him  under  close  surveillance  for  three 


JOHN   E.    OWENS.  117 

days,  until  the  papers,  &c.,  were  arranged.  The  fellow 
was  more  than  satisfied  with  his  quarters,  and  having  his 
meals  served  to  him  three  times  a  day ;  loudly  asserting, 
that  "he  wished  it  might  continue,  as  he  never  before 
lived  so  well."  After  his  examination  and  acceptance, 
he  was  taken  to  camp ;  where  he  pocketed  his  $400,  and 
Mr.  Owens  gladly  received  his  release. 

Next  morning,  about  dawn,  Mr.  Owens  (as  was  his 
frequent  custom)  sallied  forth  with  his  dogs  and  gun,  for 
an  hour  or  two's  shooting  before  breakfast.  While  stand- 
ing on  the  portico,  he  saw  a  carriage  driving  rapidly  down 
the  road.  When  within  a  few  yards  of  the  house,  it 
stopped  under  a  huge  oak  tree;  the  driver  got  down, 
opened  the  door  of  the  vehicle,  and  lifted  out  something 
like  a  large  bundle  which  he  placed  under  the  tree.  By 
this  time  Owens  had  reached  the  spot.  He  recognized  the 
driver  as  an  employe  at  Barnum's  Hotel,  and  said : 
"Hello!  Michael,  what's  all  this  about?"  "Sure,  sir, 
and  the  young  man  has  been  on  a  bit  of  a  spree ;  he  says 
he's  your  nephew,  and  told  me  to  bring  him  out  home ; 
and  I  didn't  like  to  wake  the  family  up  before  sunrise, 
so  I  thought  I'd  lave  him  quiet  here. 

Turning  his  eyes  to  the  supposed  bundle,  Owens  saw  his 
substitute  huddled  up  in  a  drunken  stupor.  "  Michael," 
said  he,  solemnly,  "  that  person  is  not  my  relative,  he  is  a 
deserter ;  take  him  to  the  camp.  If  he  escapes,  you  are 
liable  to  be  arrested  as  an  accessory."  Michael  needed 


118  MEMORIES   OF 

no  second  bidding.  Picking  up  the  ninety-pound  sub- 
stitute, he  deposited  him  in  the  carriage,  arid  drove  off  to 
the  camp ;  where  he  was  given  into  custody. 

Owens  played  in  Cincinnati,  St.  Louis,  and  Nashville 
and  Memphis  this  winter.  Later  on  in  Boston,  from 
thence  a  return  date  in  Cincinnati.  The  Burnet  House 
was  military  headquarters,  and  Owens,  who  stopped 
there,  was  thrown  into  daily  intercourse  with  the  com- 
manders, who  sought  him  socially,  and  admired  him  pro- 
fessionally ;  not  concerning  themselves  about  his  Southern 
sentiments.  In  Cincinnati  he  closed  his  season,  but 
before  retiring  for  the  summer  to  his  farm,  consented  to 
play  for  the  benefit  of  a  friend  connected  with  Wood's 
Theatre.  This  necessitated  remaining  over  a  few  days  in 
Cincinnati,  which  he  was  quite  willing  to  do.  The 
decision  having  been  made,  I  was  astonished  when  he 
returned  from  rehearsal  and  said  to  me :  "I  want  you 
to  pack  up,  so  that  we  can  leave  here  to-night."  Noting 
my  look  of  amazement,  he  continued  :  "  I  can't  tell  you 
why,  but  on  my  way  to  the  theatre  an  overwhelming 
impression  possessed  me  to  start  for  home ;  I  could  not 
si  lake  it  off.  I  told  my  friend  that  I  was  called  home, 
and  asked  him  to  say  what  my  name  on  the  bill  was 
worth  to  him,  and  oblige  me  by  accepting  a  check  instead 
of  my  services  ;  so  that  is  all  arranged." 

Presentiments  and  forebodings  were  so  utterly  incon- 
sistent with  Mr.  Owens'  nature  that  I  could  not  realize 


JOHN    E.    OWENS.  119 

thai  he  was  actually  altering  his  plans  on  that  basis,  and 
queried :  "  Have  you  bad  news  from  home  which  you 
intend  to  break  to  me  gradually  ?  "  He  assured  me  to 
the  contrary. 

We  left  by  the  midnight  train.  Mr.  Owens  did  not 
appear  at  all  depressed,  but  bright  and  cheerful  all  the 
journey.  We  were  not  expected  at  home  till  several  days 
later,  therefore  no  carriage  was  at  the  County  station  to 
meet  us.  Mr.  Owens  procured  a  wagon,  and  we  jolted 
slowly  along.  Our  arrival  was  a  joyful  surprise.  The 
family,  at  that  time,  consisted  of  Mr.  Owens'  father  and 
mother.  They  were  both  seated  on  the  portico,  as  we 
drove  up,  and  greeted  us  with  exclamations  of  delight. 

I  don't  think  four  happier  people  existed  that  charm- 
ing summer  afternoon,  as  we  chatted  together  with  the 
blessed  sensation  of  homefelt  rest  and  peace.  A  few 
hours  later  Mr.  Owens  said  to  me :  "  Just  see  the  ab- 
surdity of  presentiments !  If  we  had  found  sickness  or 
trouble  at  home,  my  strong  impression  to  return  would 
have  been  regarded  as  a  warning.  On  the  contrary,  *  all 
is  well '  to  the  full  extent  of  that  comprehensive  phrase." 

The  next  morning,  at  ten  o'clock,  Mr.  Owens'  mother 
died  suddenly  of  heart  failure.  He  was  standing  beside 
her,  when  she  fell  back  in  his  arms  and  expired  with 
loving  gaze  fixed  upon  him,  but  powerless  to  speak.  I 
do  not  say  that  this  sad  event  was  foreshadowed ;  I  only 
tell  the  facts. 


120  MEMORIES   OF 

The  loss  of  Mr.  Owens'  mother  was  the  first  grief  of 
his  hitherto  sunny  life.  He  loved  her  with  a  devotion 
and  tenderness  which  only  a  pure  and  noble  nature  is 
capable  of.  Thoughtful  and  attentive  to  her  comfort, 
his  every  word  seemed  to  convey  a  caress  which  her 
warm  heart  cherished  and  responded  to.  They  were 
alike  in  nature,  and  worthy  of  each  other.  For  months 
after  her  death  Mr.  Owens  did  not  resume  his  profession. 
Most  of  the  time  was  passed  on  his  farm.  He  bore  his 
affliction  bravely,  but  he  suffered  intensely. 

His  first  engagement  of  1863  was  in  Boston,  from 
thence  (as  oft  before)  a  tour  of  the  New  England  towns. 
The  company  at  this  time  was  superb,  including  E.  L. 
Davenport,  Wm.  Wheatley,  John  Gilbert,  and  other  fa- 
mous names.  In  fact  the  cast  was  a  galaxy  of  stars. 
Old  comedies  were  the  leading  attraction :  "Heir  at 
Law,"  "Poor  Gentleman"  "She  Stoops  to  Conquer"  &c. 
One  of  the  most  pronounced  events  was  the  production 
of  "  Money,"  brilliantly  performed  throughout.  The  im- 
pression Owens  made  as  Graves  was  immense;  he  not 
only  elicited  triple  calls,  but  encores  after  the  most 
effective  scenes. 

A  return  engagement  was  played  in  Boston  by  this 
grand  combination  of  talent,  with  results  even  greater 
than  that  of  a  few  weeks  previous.  Boston  was  one  of 
the  cities  which  Owens  especially  loved.  He  had  there 
many  warm  and  congenial  personal  friends,  and  as  an 


JOHN   E.    OWENS.  121 

actor  was  ever  en  rapport  with  his  audience.  He  was  a 
favorite  with  Longfellow,  Holmes,  Agassiz,  Felton,  and 
others  of  that  wonderful  literary  coterie.  The  public  of 
Boston  claimed  him  for  their  own,  as  also  did  Baltimore 
and  some  other  cities.  Though  born  in  England,  Owens 
belonged  to  America.  Through  all  the  length  and 
breadth  of  this  country  the  mention  of  his  name  will 
cause  a  twinkle  of  the  eye  and  a  joyous  remembrance  of 
his  mirth-provoking  genius. 

Leaving  Boston  he  returned  to  Baltimore,  appearing 
there  in  a  round  of  his  popular  characters,  which  he 
repeated  the  following  week  in  Washington.  Much  of 
this  season  was  passed  quietly  on  the  farm,  restfully  and 
pleasantly  affording  an  opportunity  to  indulge  in  reading 
and  study,  of  which  Mr.  Owens  was  very  fond.  An 
enthusiastic  lover  of  Shakespeare,  he  was  a  close  stu- 
dent of  the  immortal  bard ;  always  discovering  fresh 
beauties  and  new  points  of  interest  in  the  most  familiar 
passages.  He  delighted  to  read  over  and  over  again 
a  favorite  speech,  and  discuss  its  intricate  yet  clear 
significance. 

In  the  copy  of  Shakespeare,  which  he  read  oftenest,  I 
find  on  the  fly-leaf  the  following  quotation  from  Dr. 
Johnson :  "  Time  which  is  continually  washing  away  the 
dissoluble  fabrics  of  other  poets,  passes  without  injury  by 
the  adamant  of  Shakespeare."  Mr.  Owens  was  not  only 
cultured  and  refined,  but  scholarly  in  his  taste.  As  a 


122  MEMOKIES    OF 

comedian  his  Shakespearean  characters  held  exalted  posi- 
tion. "  Touchstone,"  "  The  First  Grave-digger,"  "Dromio 
of  Syracuse"  "  Launcelot  Gobbo"  and  others  were  enacted 
with  the  full  quantum  of  humor,  and  yet  legitimately 
and  entirely  free  from  coarseness.  He  would  have  con- 
sidered it  akin  to  sacrilege  to  render  them  otherwise  than 
in  their  integrity. 

About  the  middle  of  June,  1864,  Owens  received  a 
letter  from  George  Wood,  formerly  manager  in  Cincin- 
nati and  St.  Louis,  stating  that  he  intended  to  open  the 
theatre,  corner  of  Broadway  and  Broome  street.  New 
York,  originally  known  as  "  Brougham's,"  and  after- 
wards as  "  Wallack's."  He  purposed  making  it  a  comedy 
theatre,  and  desired  to  have  Owens  inaugurate  it  by 
being  the  first  star.  This  place  of  amusement  had 
deteriorated  from  a  first  class  position,  having  verged  on 
entertainments  of  the  variety  show  species. 

Owens  hesitated  about  entering  into  negotiations, 
though  excellent  terms  were  offered.  Upon  stating  his 
objection  to  Mr.  Wood,  he  was  met  by  the  argument  that 
"the  reputation  of  John  Owens  would  elevate  any  theatre, 
and  stamp  its  position  as  equal  to  the  best."  He  was  not 
so  sanguine  as  the  manager,  but  at  length  upon  the  promise 
of  Mr.  Wood  to  provide  for  support,  "  a  company  capable 
of  playing  the  old  comedies  in  a  manner  acceptable  to  a 
New  York  audience,"  Owens  signed  a  contract  for  six 
weeks,  renewable  if  mutually  satisfactory. 


MR.  OWENS  as  LAUNCELOT  GOBBO 
In  "The  Merchant  of  Venice." 


JOHN    E.   OWENS.  123 

This  he  did  with  the  consciousness  that  the  circum- 
stances of  his  re-entree  before  the  New  York  public  were 
inauspicious,  as  he  would  have  to  overcome  prejudice 
against  the  theatre  in  order  to  draw  the  class  of  audience 
to  which  he  was  entitled.  That  he  accomplished  this  in 
a  superlative  degree,  and  won  continued  fame  and  enthu- 
siasm, marks  a  well-earned  histrionic  triumph  which  has 
never  been  excelled. 

August  29tb,  1865,  Owens  commenced  his  engagement 
at  the  Broadway  Theatre,  where  thirteen  years  previous 
he  had  made  his  first  success  in  New  York.  The  opening 
bill  was  "Married  Life"  and  "Solon  Shingle."  In  both 
pieces  he  made  a  favorable  impression,  but  in  the  latter 
an  overwhelming  hit ;  a  hit  which  grew  into  a  sensation, 
and  culminated  in  a  furore.  ( Crowds  packed  the  theatre 
nightly,  and  before  the  rise  of  the  curtain,  "standing 
room"  was  unattainable.  Owens'  marvelous  delineation 
of  the  old  farmer  became  the  leading  attraction  of  New 
York. 

"Solon  Shingle"  was  the  theme  everywhere.  "The 
apple  sass  case,"  "Jesso,  Jesso,"  and  other  quotations 
were  heard  on  the  streets,  in  the  cars.  Acquaintances 
meeting,  facetiously  greeted  each  other  with  :  "  Why,  Mr. 
Winslow,  how  do  you  do?"  On  all  sides  "Solon"  was 
the  reigning  excitement.  "Married  Life"  was  with- 
drawn after  the  first  week,  and  "  Victims "  substituted. 
In  this  piece  Owens  won  high  encomiums.  It  was  played 


124  MEMORIES   OF 

eleven  consecutive  weeks  ;  then  "  The  Poor  Gentleman  " 
was  produced,  and  afterwards  other  comedies ;  but  all 
the  while  Solon  Shingle  kept  steadily  on  increasing  in 
popularity,  and  achieved  the  longest  run  hitherto  known 
in  New  York,  or  any  city  in  America. 

Noting  the  hundredth  performance  of  Solon  Shingle, 
one  of  the  leading  papers  drew  attention  to  many  won- 
derful things  history  records  to  have  taken  place  in  that 
given  space  of  time ;  and  terminated  with  the  following 
paragraph  :  "  In  one  hundred  days  France  passed  through 
the  throes  of  two  revolutions — lost  a  king,  gained  an 
emperor,  and  again  bowed  to  a  king.  In  one  hundred 
days  Napoleon  left  Elba,  marched  to  the  throne  of 
France,  fought  Waterloo,  and  was  conquered.  In  one 
hundred  nights  '  John  Owens'  fought  a  fight  for  popu- 
larity single-handed  against  the  hordes  of  New  York 
theatre-goers,  and  conquered  them.  In  one  hundred 
nights  the  Broadway  Theatre  passed  from  the  position  of 
a  concert  hall  to  the  height  of  fashion.  We  take  pleasure 
in  chronicling  such  great  victories.  Solon  Shingle  will 
run  additional  hundreds  of  nights,  if  this  great  artist  so 
chooses." 

A  true  prophecy,  for  it  would  have  continued  uninter- 
ruptedly the  whole  season,  had  not  Owens,  at  the  end  of 
six  months,  become  weary  with  the  monotonous  repetition 
of  Solon,  and  suggested  to  Mr.  Wood  an  entire  change  of 
bill.  "  What ! "  said  the  manager,  "  take  a  piece  off  in 


JOHN    E.    OWENS.  125 

the  full  tide  of  success,  while  we  are  turning  people  away, 
and  actually  filling  other  theatres  with  our  overflow  ! " 
"  "Well,  all  the  easier  to  pick  up  ' Solon '  again,  when  I 
have  had  a  little  rest  from  him,"  replied  Owens.  Mr. 
Wood  finally  yielded,  when  to  these  importunities  others 
were  added  from  friends  of  Mr.  Owens  who  had  seen 
him  play  u  Caleb  Plummer"  and  were  desirous  that  New 
York  should  enjoy  this  masterpiece.  "Dot"  was  pro- 
duced early  in  March,  and  Owens'  Caleb  Plummer  proved 
to  be  a  dramatic  sensation. 

The  encomiums  lavished  upon  it  were  quite  as  numer- 
ous as  those  elicited  by  Solon  Shingle,  with  the  additional 
tribute  that  the  artist  had  "  mounted  into  an  atmosphere 
rarer  and  more  delicate  than  that  which  surrounds  Solon 
Shingle."  The  piece  was  played  a  month  to  immense 
business,  and  universally  conceded  to  be  the  most  ex- 
quisite embodiment  of  Caleb  Plummer  ever  witnessed. 

During  this  month  Mr.  and  Mrs.  Charles  Kean  arrived 
in  Xew  York.  Mr.  Owens  had  known  them  in  England, 
and  the  pleasant  acquaintance  was  now  renewed.  They 
remembered  Owens  as  a  young  actor  in  Burton's  Theatre, 
and  many  courteous  references  were  made  to  his  embryo 
talent  in  those  days,  and  much  pleasure  expressed  con- 
gratulatory of  his  present  fame. 

The  Keans  came  frequently  to  see  Caleb  Plummer. 
After  their  first  evening's  enjoyment  of  it  Mrs.  Kean 
wrote  the  following  letter  to  Mr.  Owens : 


126  MEMORIES   OF 

"METROPOLITAN  HOTEL,  March  23d. 
"JOHN  E.  OWENS: 

"  My  Dear  Sir, — Accept  the  best  thanks  of  Mr.  Kean  and  myself 
for  the  great  pleasure  you  gave  us  on  Saturday  evening.  We  laughed 
and  wept  like  children,  over  the  amusing  and  touching  simplicity  of 
old  Caleb ;  and  we  both  agreed  that  we  had  not  for  a  long  time  seen 
such  admirable  acting. 

"You  were  very  well  supported,  for  the  drama  was  well  done 
throughout.  Your  Bertha  was  very  blind  and  very  handsome.  Wish- 
ing you  a  great  success  in  London.  Believe  me,  my  dear  sir, 

"  Yours  truly, 

"ELLEN  KEAN." 

Mr.  Owens  always  prized  this  letter. 

Mr.  Kean  was  equally  enthusiastic  about  the  perform- 
ance, and  was  also  much  impressed  with  Owens'  make-up. 
"  Why,  my  dear  boy/'  he  said,  "  not  only  does  your  face 
simulate  age,  but  your  figure  is  shrivelled,  your  neck  and 
hands  are  withered,  and  your  eyes  are  dim  !  What  do 
you  do  with  your  sparkling  eyes,  and  doesn't  it  take  you 
a  long  time  to  accomplish  this  metamorphosis?"  Owens 
laughingly  replied :  "  I  allow  myself  fifteen  or  twenty 
minutes  to  dress  and  make  up."  Mr.  Kean  asked  if  it 
would  be  admissable  for  him  to  witness  the  process,  and 
received  a  cordial  assent.  An  appointment  was  made, 
and  Kean  looked  on  while  Owens,  quietly  chatting,  got 
old  Caleb  ready  for  the  stage.  When  finished,  Kean 
expressed  amazement  and  thanks  for  what  he  termed  "  an 
artistic  revelation." 


JOHN  E.   OWENS.  127 

Mr.  and  Mrs.  Charles  Kean  came  to  New  York  with- 
out an  engagement,  but  with  firm  belief  that  an  opening 
would  be  made  for  them  in  one  of  the  leading  theatres. 
No  disposition  was  evinced  to  meet  their  views.  Unfor- 
tunately all  dates  were  filled  for  the  season;  and  the  indi- 
cations were  that  they  would  have  to  abandon  the  idea 
of  playing  in  New  York.  Mr.  Owens  thought  that  these 
famous  artists  should  not  be  permitted  to  return  to  Eng- 
land without  receiving  the  honor  and  attention  to  which 
they  were  entitled  —  and  additionally  conferring  upon 
their  many  admirers  the  pleasure  of  enjoying  their  per- 
formances. He  spoke  to  Mr.  Wood,  expressing  his  desire 
to  relinquish  a  fortnight  of  his  engagement,  the  time  to 
be  placed  at  the  disposal  of  the  Keans.  Mr.  Wood  com- 
plied with  this  solicitation  to  make  a  special  opening  for 
the  Keans ;  and  offered  them  a  fortnight  engagement, 
which  they  accepted. 

Mr.  and  Mrs.  C.  Kean  were  appreciative  of  this 
courtesy  extended  to  them  by  Mr.  Owens,  and  cordially 
expressed  acknowledgment.  They  played  to  full  houses 
for  the  two  weeks ;  at  the  end  of  which  time  Owens  re- 
sumed his  engagement,  appearing  in  "  The  Live  Indian  " 
and  "Solon  Shingle."  This  bill  continued  to  be  strong 
attraction  until  the  close  of  the  season.  Solon  Shingle 
became  identified  with  Owens7  name,  so  much  so  that  he 
received  many  letters  facetiously  directed  to  "Solon  Shin- 
gle Owens"  and  "  John  E.  Owens,  care  of  Solon  Shingle" 


128  MEMORIES   OF 

&c.  I  have  in  my  possession  many  humorous  epistles  of 
the  kind,  two  of  them  very  wittily  written  by  Howard 
Paul,  in  England,  but  as  they  are  of  a  social  and  some- 
what confidential  nature,  I  do  not  incorporate  them  in 
my  narrative. 

Owens'  Solon  Shingle  was  a  finished  piece  of  character 
acting,  perfect  in  detail,  and  yet  free  from  exaggeration. 
The  power  of  the  artist  is  prominent  from  the  fact  that 
this  great  success  was  evolved  from  a  mere  sketch,  which 
his  own  genius  elaborated  and  clothed  with  vitality. 
This  marvellous  portrayal  has  formed  the  basis  for  many 
rural  dramas,  wherein  the  central  figure  is  a  palpable 
imitation  of  Owens'  original  conception  and  manner  of 
playing  Solon  Shingle  •  but  their  light  is  a  borrowed  one, 
relatively  as  bright  as  the  moon  compared  to  the  sun. 

One  performance  was  given  in  Brooklyn  for  the  benefit 
of  the  Orphans'  Asylum  there.  A  crowded  house  brought 
large  pecuniary  aid  to  the  orphans,  and  their  presence 
secured  for  them  an  unusual  enjoyment,  if  one  might 
judge  by  the  silvery  peals  of  childish  laughter. 

Several  portraits  of  Solon  have  been  taken,  prominent 
among  which  are  two  oil  paintings — a  full-length  figure, 
by  Constant  Meyer,  and  a  life-size  three-quarter  length, 
by  A.  Cross,  of  Louisville,  Kentucky.  The  former 
excelled  in  artistic  merit  and  finish,  but  the  latter  was 
equally  striking  as  a  likeness,  and  perhaps  more  charac- 
teristic. Constant  Meyer's  picture  was  on  exhibition  in 


MR.  OWENS  as  SOLON  SHINGLE. 

(From  a  Painting  by  Constant  Meyer.) 


JOHN    E.   OWENS.  129 

New  York  for  some  time,  and  attracted  much  attention. 
It  was  subsequently  purchased  by  a  wealthy  French 
gentleman,  and  is  now  in  his  private  collection  in  Paris. 
The  painting  by  Cross  was  taken  for  Mr.  Owens,  who 
considered  it  admirable.  It  found  place  in  his  library, 
the  position  it  still  maintains  among  other  treasures. 

The  celebrity  attained  by  Solon  Shingle  rendered  it 
thereafter  inseparable  from  Owens'  repertoire,  but  it  was 
by  no  means  his  favorite.  I  think  he  best  loved  Caleb 
Plummer,  and  he  was  devoted  to  the  old  comedies.  He 
gave  conscientious  work  to  all  he  did,  but  in  some 
characters  he  especially  delighted.  He  revelled  in  the 
unctuous  humor  of  Perkyn  Middlewick,  and  played  that 
jolly  butter-man  with  power  unexcelled.  A  slight  touch 
of  dialect  conduced  to  the  naturalness  with  which  he 
invested  the  part.  He  was  peculiarly  gifted  in  render- 
ing dialect,  not  only  of  nationalities,  but  the  delicate 
shading  of  localities.  The  Lancashire,  Yorkshire  and 
others  were  spoken  with  a  nicety  of  accent  that  would 
delight  those  whose  ear  and  taste  were  attuned  to  the 
accurateness  of  tones. 

May  27th,  1865,  Owens  sailed  per  steamer  City  of 
Boston,  for  England,  to  fulfil  an  engagement  of  six 
weeks,  for  which  he  had  signed  with  Benjamin  Webster, 
to  play  Solon  Shingle  at  the  Theatre  Royal  Adelphi, 
London.  He  had  hoped  for  a  week  or  two  of  leisure 
before  leaving  America,  wishing  to  pass  a  few  days  at 
9 


130  MEMORIES  OF 

home  on  the  farm,  and  also  to  have  time  for  enjoying  the 
social  companionship  of  his  friends  in  New  York.  To 
his  surprise  Mr.  Wood  refused  to  release  him  from  any 
portion  of  the  engagement  for  which  he  had  contracted. 
In  vain  was  monetary  remuneration  offered,  and  the 
surety  of  supplying  a  star  to  fill  the  unexpired  time 
pleadingly  urged. 

Mr.  Wood  was  inexorable ;  no  inducement  could  alter 
his  determination  that  "  Owens  must  play  continuously 
up  to  the  time  of  his  departure."  So  the  curtain  fell  on 
his  final  performance  within  ten  hours  of  the  sailing  of 
the  steamer.  He  had  not  the  opportunity  of  even  a 
hurried  adieu  to  his  friends.  Naturally  he  felt  vexed 
and  distressed  at  being  obliged  to  leave  in  this  abrupt 
manner.  Conduct  seemingly  so  discourteous  was  incom- 
patible with  his  nature ;  and  to  extricate  himself  from  a 
false  position  he  wrote  (on  the  eve  of  his  departure)  the 
following  card  for  publication  in  the  New  York  Herald : 

"A  CABD  FROM  JOHN  E.  OWENS  TO  THE  PUBLIC. 

"The  lengthy  period  of  my  twice-extended  engagement  at  the 
Broadway  Theatre  has  now  closed,  and  I  am  left  free  personally  to 
express,  in  terms  of  unconstrained  sincerity,  my  grateful  appreciation 
of  the  cordial  favor  and  unvarying  kindness,  and  generous  considera- 
tion with  which  my  professional  efforts  have  been  received  by  the 
public  of  New  York. 

"  Success  does  not  at  all  times  appeal  to  the  same  emotions ;  and 
though  in  my  long  and  varied  professional  experience  it  has  been 


JOHN    E.    OWENS.  131 

my  proud  fortune  to  receive  many  flattering  and  cherished  marks 
of  popular  favor  and  esteem,  yet  never  before  has  my  pride  as  an 
artist  and  my  gratitude  as  a  man  been  more  deeply  stirred  than 
by  the  kindnesses  here  lavished  upon  me;  and  I  can  but  say  that 
the  thanks  which  now  I  seek  to  convey  spring  from  the  most  earnest 
and  warmest  impulses  of  my  nature. 

"  To  the  gentlemen  of  the  critical  press,  whose  impartial  sense  of 
justice  and  of  the  true  requirements  of  art,  have  pointed  alike  their 
praises  and  their  censure,  I  rest  under  many  courteous  obligations 
which  will  be  as  pleasantly  remembered  as  they  are  now  warmly 
acknowledged. 

"  In  a  few  hours  I  shall  bid  adieu  to  the  citizens  of  New  York,  to 
gratify  in  a  distant  land  those  ambitious  longings  which  their  favor 
has  intensified  and  stimulated  anew.  But  in  the  comparatively  brief 
period  of  my  absence  my  heart  will  still  be  linked  to  them  by  the 
proudest  and  happiest  recollections,  and  by  the  cherished  hope  that 
their  esteem  may  prove  as  enduring  as  the  gratitude  of 

"The  Public's  obedient  servant, 

"JOHN  E.  OWENS. 
"NEW  YORK,  May  27th,  1865." 

The  engagement  thus  terminated  had  been  of  nine 
months'  duration,  and  for  length,  brilliancy  and  success 
was  unprecedented  in  the  record  of  New  York  theatricals. 
The  overflowing  house  which  greeted  the  star  on  the 
closing  night  attested  his  unabated  popularity.  Financi- 
ally it  was  phenomenal  in  results ;  Mr.  Owens'  personal 
emolument  being  $65,891.39. 


CHAPTER  VI. 

Adelphi  Theatre,  London — Cordial  welcome  from  manager  and  personal 
friends — Professional  antagonism — "A  wonderful  artist" — Charles 
Dickens — Charlotte  Cushman — "Solon  Shingle  a  diamond  among 
rubbish" — Liverpool  engagement — Home  again — January,  1866 — 
Re-appearance  in  New  York — An  ovation —  Uncle  Solon  Shingle  at 
Boston  Theatre — Labor  saving  machines — The  cow-milker — Non- 
progressive — 186C — Opens  season  in  Philadelphia — Western  tour — 
"I  'lowed  he  was  goin'  to  throw  knives"— They  "wanted  to  see 
Owens'  diploma" — Demoralized  farm  laborers — "We  see'd  you 
play  Solon  Shingle  last  night" — Hospitality — "John  Owens  the 
farmer,  and  John  Owens  the  actor"— Visit  to  a  circus— " Consider 
M  r.  Robinson's  feelings,  cully." 

CTHORTLY  after  Owens  arrived  in  London  "Solon 
**J  Shingle"  was  put  in  rehearsal.  Benjamin  Webster, 
manager  of  the  Adelphi,  received  the  American  come- 
dian with  cordiality,  and  manifested  every  disposition  to 
render  his  surroundings  in  the  theatre  agreeable;  and 
many  warm  friends  welcomed  him  to  London.  AVhat- 
cvcr  coldness  he  encountered  arose  from  professional 
antagonism.  To  this  phase  of  feeling  there  were  pleasing 
exceptions;  but  the  theatrical  atmosphere  was  largely 
charged  with  the  unuttered  thunder  of  "  we  don't  want 
you  here,"  and  "  we  hope  you  will  be  a  failure."  For- 
132 


JOHN    E.    OWENS.  133 

innately  this  stormy  and  disagreeable  element  did  not 
possess  the  public. 

From  the  first  night  of  Owens'  appearance  in  London 
he  made  a  favorable  impression,  which  steadily  increased 
as  his  engagement  progressed.  The  house  that  welcomed 
him  was  full,  and  not  only  fashionable,  but  intellectual 
and  discriminating.  Among  the  audience  were  Charlotte 
Cushman,  Hon.  B.  F.  Moran,  American  Minister,  Charles 
Dickens,  and  other  famous  people,  distinguished  in  lit- 
erary and  social  life.  From  Dickens,  Miss  Cushman, 
and  many  others  present,  Mr.  Owens  afterwards  received 
warm  congratulations,  and  pleasantly  written  notes  of 
commendation,  which  with  his  innate  modest  unobtrusive- 
ness  he  refrained  from  making  public.  But  he  prized 
these  kindly  words  from  such  illustrious  sources,  and 
always  kept  them.  They  are  now  in  my  possession,  and 
regarded  as  an  invaluable  heritage. 

The  English  public  were  not  familiar  with  the  special 
type  of  individuality  embodied  in  Solon  Shingle,  but  they 
recognized  it  as  a  magnificent  piece  of  character-acting; 
and  rendered  homage  to  Mr.  Owens'  talent  in  the  verdict : 
"The  worst  play  we  have  had  from  America,  but  the 
best  comedian.  The  piece  a  failure,  but  Solon  Shingle  a 
great  hit." 

Everybody  was  enthusiastic  over  Owens'  wonderful 
powers  of  delineation,  and  irresistible  humor.  The 
theatre  was  thronged  by  an  audience  delighted  with  the 


134  MEMORIES  OF 

power  of  an  actor  who  could  win  unqualified  praise, 
when  handicapped  with  such  a  poor  piece  as  "Solon 
Shingle"  Universally  the  play  was  condemned ;  but 
the  voice  of  the  public  was  forcibly  given  in  one  of  the 
leading  papers,  in  speaking  of  Solon  Shingle  as  being 
the  ruling  sensation :  "  The  man  who  found  a  diamond 
amongst  a  heap  of  rubbish  is  not  reported  to  have  talked 
much  about  the  rubbish.  The  play-goers  will  find 
Owens'  Solon  Shingle  the  diamond  in  the  dust-heap; 
the  piece  is  not  worthy  a  second  thought.  The  diamond 
has  a  bad  setting ;  but  anything  more  brilliant  than  the 
gem  itself  we  have  never  seen." 

Owens  not  only  made  a  success  in  London,  but  a 
triumphant  one.  The  fact  that  the  English  public  did 
not  accept  the  piece  with  favor,  in  no  way  deteriorated 
from  the  artist's  celebrity,  but  on  the  contrary  added 
thereto.  Before  the  six  weeks  of  his  original  contract 
with  Benjamin  Webster  had  expired,  an  offer  was  made 
to  extend  the  engagement  until  September.  This  Mr. 
Owens  consented  to  do ;  continuing  to  draw  large  and 
appreciative  audiences,  and  being  complimented  by  en- 
thusiastic calls  nightly,  encores  of  scenes,  &c. 

The  London  engagement  having  been  concluded,  Owens 
played  a  fortnight  at  "  The  Prince  of  Wales  Theatre," 
Liverpool.  From  the  opening  to  the  closing  night  was 
a  series  of  well-earned  triumphs,  responded  to  by  a  hearty 
jovial  audience  who  gave  vent  to  their  approval  witli  a 


JOHN    E.    OWENS.  135 

cordiality  that  warms  an  actor's  heart,  and  stimulates 
him  to  his  best  work.  While  in  London,  and  afterwards, 
Owens  received  flattering  offers  from  several  leading 
theatres  in  the  provinces.  These  he  declined,  as  he  had 
already  prolonged  his  absence  from  home  far  beyond  the 
time  allotted. 

Some  weeks  previous  George  Wood  wrote  reminding 
Owens  of  the  offer  for  the  following  season  at  the 
"  Broadway,"  New  York,  which  had  been  made  before 
his  departure  for  England.  Mr.  Wood  urged  that  fa- 
vorable consideration  and  an  early  reply  be  given  to  this 
offer ;  and  suggested  opening  in  November  with  "  Vic- 
tims" and  "Solon  Shingle."  Mr.  Owens  accepted  the 
offer  conditionally,  but  declined  to  commence  at  so  early 
a  date ;  naming  January  8th  as  the  time  which  would 
suit  him.  For  this  delay  he  had  more  than  one  reason. 
He  desired  to  have  a  few  days'  relaxation  at  home ;  and 
he  was  averse  to  reappearing  in  New  York  with  insuf- 
ficient rehearsals.  Moreover  he  intended,  before  playing 
Solon  again,  to  reconstruct  the  piece. 

The  English  opinion  of  its  flimsiness  turned  his 
thoughts  to  the  advisability  of  introducing  the  same 
old  Solon  to  the  public  with  improved  surroundings. 
Though  not  blindly  swayed  by  criticism,  Mr.  Owens 
always  gave  it  consideration;  and  was  quite  willing  to 
acknowledge  any  imperfection  pointed  to,  if  it  was 
apparent  to  him,  and  improvement  suggested  could  be 


136  MEMORIES   OF 

made.  His  reflections  on  the  play  of  Solon  Shingle 
resulted  in  the  creation  of  a  three-act  drama,  entitled 
"  Uncle  Solon  Shingle."  This  was  formulated  by  Mr. 
Owens,  Clifton  Tayleure,  and  others;  and  finally  re- 
vised by  Mr.  Owens. 

In  November,  1865,  Mr.  Owens  returned  from  Eng- 
land, having  been  absent  six  months  instead  of  less  than 
half  that  time,  as  originally  intended.  He  proposed 
indulging  in  a  home-rest  on  his  farm  until  his  presence 
was  required  in  New  York.  But  hosts  of  friends  and 
admirers  in  Baltimore  were  so  importunate  for  him  to 
play  in  that  city,  that  he  consented  to  do  so  for  a  few 
nights.  Opening  in  Caleb  Plummer  and  Happiest  Day 
of  My  Life,  November  26th,  he  received  a  glowing  wel- 
come. This  appreciation  continued  for  the  entire  two 
weeks,  during  which  time  he  appeared  in  various  char- 
acters. 

January  8th,  1866,  Owens  made  his  re-entree  at  the 
Broadway  Theatre,  New  York,  producing  "  Uncle  Solon 
8hiny/r."  He  was  greeted  with  a  hearty  reception, 
the  house  being  jammed,  notwithstanding  bitterly  cold 
weather — the  coldest  night  ever  known  in  that  locality ; 
thermometer  twenty  degrees  below  zero.  This  chilliness 
di<l  not  seem  to  pervade  the  sentiments  of  the  audience. 
The  enthusiasm  of  the  former  season  had  in  no  wise 
abated,  but  appeared  to  increase  as  they  renewed  their 
acquaintance  with  " Solon  Shiny! < ." 


JOHN    E.    OWENS.  137 

The  new  comedy,  though  it  was  poorly  cast,  met  with 
approval ;  nothing  being  lost  of  Solon's  eccentricities  and 
amusing  peculiarities.  Increased  interest  was  added  to 
the  old  man's  movements  from  the  fact  that  he  had 
strong  motives  for  every  action  in  this  play,  which  had 
a  plot  to  sustain  it.  A  month's  run  of  "Uncle  Solon 
Shingle  "  was  given  to  crowded  houses ;  and  so  it  would 
have  continued,  but  urgent  requests  being  made  for 
"Caleb  Piummer"  Owens,  ever  inclined  to  play  that 
part,  changed  the  bill.  After  a  pleasing  episode  of 
"  Caleb  Piummer"  the  public  clamoring  again  for  "Solon 
Shingle"  he  concluded  to  play  the  one-act  piece,  that 
he  might  give  the  younger  characters  with  it  as  a  con- 
trast: this  being  impossible  with  the  three-act  "Uncle 
Solon  Shingle"  as  its  length  precluded  a  double  bill. 
Unabated  prosperity  continued  until  the  closing  night 
at  the  Broadway,  April  28th,  1866. 

The  comedian's  next  engagement  was  at  the  Boston 
Theatre,  beginning  May  12th.  "Uncle  Solon  Shingle" 
held  the  boards  the  entire  twelve  performances,  and 
gave  promise  of  cramming  the  house  indefinitely  had 
he  been  able  to  prolong  his  stay  in  Boston,  but  he 
was  under  contract  for  Providence,  and  other  New 
England  towns.  These  dates  satisfactorily  filled  com- 
pleted the  professional  labors  of  1865-66.  This  sojourn 
in  Boston  recalls  an  incident  which  occurred  at  that 
time. 


138  MEMORIES   OF 

Mr.  Owens  was  ultra-progressive — always  kept  abreast 
of  the  times,  and  availed  himself  of  every  facility  to 
expedite  business.  His  telegraphic  correspondence  was 
in  excess  of  that  by  mail.  All  labor-saving  inventions 
received  investigation  from  him;  and  those  possessing 
merit  were  added  to  his  already  numerous  agricultural 
implements.  Reapers,  binders,  &c.,  of  the  most  approved 
patents,  abounded  at  Aigburth  Vale.  Jocosely  he  would 
say  to  me  :  "  You  are  non-progressive,  or  your  housekeep- 
ing would  be  better  supplied  with  modern  inventions ; 
but  I  won't  censure  your  ( grandmother's '  system  while 
the  results  are  so  satisfactory.  All  the  same  you  are 
non-progressive."  While  in  Boston  we  made  our  usual 
tour  of  inspection  in  Cornhill.  After  persuading  me 
to  purchase  sundry  labor-saving  kitchen  utensils,  Mr. 
Owens  had  his  attention  called  to  a  patent  cow-milker, 
which  being  explained  to  him,  found  favor  in  his  sight ; 
and  the  dealer  was  instructed  to  pack  it  with  the  nu- 
merous articles  to  be  expressed  to  Aigburth  Vale. 

Shortly  after  our  arrival  at  home,  Mr.  Owens  observed 
to  me :  "I  think  I  will  personally  test  that  cow-milker 
before  giving  it  in  charge  of  the  milking  boy ;  my  best 
opportunity  to  do  so  will  be  while  the  farm  people  are 
away  at  dinner.  I  might  as  well  experiment  to-day ! " 
Laughing  and  joking,  he  sallied  forth  at  noon,  and 
wended  his  way  to  the  cow-house ;  but  in  less  than  half 
an  hour  he  returned,  looking  much  discouraged,  and 


JOHN    E.    OWENS.  139 

hearing  upon  his  coat  evidence  of  contact  with  dust.  I 
refrained  from  questioning,  but  soon  he  remarked  :  "I 
can't  manage  this  machine  alone.  The  'sarned  cows 
switch  their  tails  so  viciously."  I  suggested  that  we 
should  make  a  combined  effort  to  prove  the  utility  of 
the  milker ;  he  assented,  and  the  next  day  at  noon  we 
went  to  the  cow-house. 

Mr.  Owens  selected  a  mild-looking  Alderney,  placed 
the  milking  stool  and  pail  for  me,  adjusted  the  patent 
milker,  and  then  holding  the  cow's  tail  in  one  hand,  with 
the  other  turned  the  crank.  The  cow  kicked  (literally 
and  figuratively)  against  the  machine.  I  was  precipi- 
tated to  one  end  of  the  cow-house,  and  Mr.  Owens  to  the 
other.  Regaining  our  feet,  we  gazed  a  second  at  each 
other,  and  then  broke  forth  into  peals  of  hearty  laughter. 

Clearing  away  all  traces  of  our  discomfiture,  we  re- 
turned somewhat  crestfallen  to  the  house.  With  a  merry 
twinkle  of  the  eye,  Mr.  Owens  said :  "  I  suppose  you 
think  this  wonderful  invention  is  a  failure  !  Nothing  of 
the  kind.  The  blame  rests  entirely  with  the  cows.  They 
are  non-progressive — like — like — yourself ! "  Whereupon 
we  had  another  hearty  laugh. 

The  cow-milker  was  never  again  tested.  Some  time 
afterwards  I  came  across  it  in  a  trunk,  the  contents  of 
which  Mr.  Owens  had  desired  me  to  catalogue ;  but  this 
article  he  had  already  classified  by  placing  upon  it  a  tag 
labelled:  "Owens'  folly." 


140  MEMORIES   OF 

The  summer  vacation  of  1866  was  passed  at  Aigburth 
Vale,  except  a  month  at  the  Virginia  Springs.  Septem- 
ber 24th  Owens  began  his  season  in  Philadelphia,  at  the 
New  Chestnut  Theatre,  W.  E.  Sinn,  manager;  Caleb 
Plummer  being  the  initial  character.  As  usual,  much 
praise  was  lavished  on  this  exquisite  and  beautiful  piece 
of  acting ;  so  perfect  that  no  trace  of  acting  was  visible, 
for  nature  and  art  were  so  charmingly  mingled  that  the 
illusion  was  complete  in  consistency  and  naturalness. 

No  one  ever  thought  of  Owens ;  he  was  merged  into 
Caleb  Plummer — his  personality  entirely  lost.  One  of 
his  greatest  charms  was,  that  he  was  never  obtrusive ; 
he  had  mastered  the  great  art  of  repose,  and  in  everything 
he  did,  the  thorough  rendering  of  the  play  was  his  object. 
At  no  time  did  he  subordinate  the  supporting  cast  to 
himself,  that  he  might  be  elevated  higher ;  on  the  con- 
trary he  was  always  desirous  for  even  the  smallest  part 
to  be  well  played,  and  receive  deserved  praise.  To  this 
end,  he  was  careful  at  rehearsal  to  be  as  helpful  as  pos- 
sible in  promoting  opportunities  for  developing  good 
points  for  each  and  every  one  in  the  cast. 

When  any  of  the  company  (especially  the  younger 
people)  played  a  part  meritoriously,  Mr.  Owens  took 
pleasure  in  seeking  them  after  performance,  and  to  his 
commendation  adding  thanks  for  the  support  they  had 
given  him.  I  have  heard  many  persons  (who  now  have 
assured  prominence  in  the  profession)  refer  to  the  en- 


JOHN    E.    OWENS.  141 

courugement  and  kindly  words  thus  given  them  by  Mr. 
Owens,  in  their  early  career.  They  valued  his  praise, 
for  he  was  equally  quick  to  detect  incompetence  or 
carelessness,  and  did  not  hesitate  to  speak  forcibly  of 
these  shortcomings. 

"Solon  Shingle"  and  the  "Live  Indian"  were  given 
the  second  week  at  the  Chestnut  Street  Theatre ;  "Solon 
Shingle  "  and  "John  Dobbs,"  the  third  week.  "  Victims  " 
and  the  "Live  Indian"  constituted  attractions  for  the 
fourth  week,  which  concluded  a  satisfactory  engage- 
ment. 

On  the  12th  of  November  Owens  appeared  at  the 
National  Theatre,  Cincinnati,  in  "Se/f"  and  "Happiest 
Day  of  My  Life"  to  what  was  pronounced  by  the  mana- 
ger "the  biggest  crowd  ever  in  that  very  big  theatre." 
The  bill  was  unchanged  for  two  weeks,  then  succeeded 
by  other  pieces  for  a  fortnight.  One  week  in  Buffalo, 
another  in  Troy,  filled  the  time  to  December  17th,  for 
which  date  he  was  booked  to  begin  an  engagement  of 
four  weeks  at  the  Broadway  Theatre,  New  York.  The 
opening  attraction  was  Solon  Shingle,  of  whom  the  public 
never  seemed  to  weary.  Solon  was  supplemented  by  The 
Live  Indian,  Forty  Winks,  and  other  short  plays.  The 
houses  kept  up  to  Owens'  original  standard  at  the 
Broadway  Theatre,  and  that  announcement,  so  pleasing 
to  a  manager's  eye,  "  standing  room  only,"  was  nightly 
indispensable. 


142  MEMORIES   OF 

From  New  York  Owens  went  to  Newark,  playing 
with  D.  W.  Waller,  who  was  managing  the  Opera 
House  with  a  first  class  company.  Four  nights  were 
pleasantly  filled  there.  January  28th  inaugurated  a 
satisfactory  week  in  Louisville,  Ky.  As  it  drew  to  a 
close  the  manager  made  a  request,  at  the  instigation  of 
the  citizens  of  New  Albany,  that  Owens  would  play  one 
night  in  that  town.  At  the  same  time  promising  to 
arrange  all  details  of  company,  scenery,  &c.  Owens  con- 
sented, and  directed  "Solon  Shingle  "  and  "Live  Indian  " 
to  be  announced  for  performance. 

The  night  arrived,  and  brought  all  one  could  wish  in 
the  way  of  numbers  and  enthusiasm.  Many  cultured 
people  were  present,  but  the  crowd  included  considerable 
rough  element.  The  town  had  been  lavishly  billed  by 
the  manager.  Some  of  the  posters  of  "The  Live  Indian  " 
being  very  showy,  attracted  much  attention,  which  led 
up  to  somewhat  of  a  mistaken  impression.  This  inad- 
vertently came  to  the  ears  of  the  star.  As  he  and  his 
agent  were  taking  supper  in  a  restaurant,  two  men  who 
occupied  a  table  near  by  began  to  discuss  the  play.  One 
of  them  seemed  jubilant,  and  declared  "the  show  was 
chock  full  of  fun."  The  other  disagreed,  and  remarked  : 
"Well,  to  tell  the  truth,  /  was  terribly  disapinted." 
"You  laughed  tarnation  much,"  rejoined  his  friend. 
"  Yes,  I  s'pose  I  did,  and  enjoyed  the  feats,  but  still  I 
warn't  satisfied  with  the  show.  From  them  thar  Indian 


•     JOHN   E.   OWENS.  143 

picters  I  'lowed  the  feller  was  going  to  throw  knives  or 
do  juggling  tricks.  I  tell  you  I  was  misled — it  warn't 
a  square  show." 

It  was  in  this  same  town  that  a  gawky  individual 
came  to  the  box-office,  and  stated  that  "  he  wanted  to  see 
Mr.  Owens'  diploma."  The  bewildered  treasurer  was 
about  to  ask  for  an  explanation,  when  the  man  added : 
"  I  want  to  get  some  seats."  With  this  flood  of  light 
upon  his  meaning,  the  diagram  of  seats  was  courteously 
submitted  for  inspection. 

The  next  date  to  be  filled  was  February  18th,  in  New 
Orleans.  Six  years  had  elapsed  since  Owens  played 
there.  The  Civil  War  which  devastated  the  South,  had 
made  marked  changes  during  the  interval ;  but  some  of 
the  old  families  yet  remained.  Their  cordial  welcome 
was  extended  to  our  comedian  as  a  favorite  actor  and  a 
cherished  friend.  In  the  new  element  of  the  community 
were  numbers  with  whom  he  had  established  popularity 
in  other  sections  of  the  country. 

This  visit  to  New  Orleans  was  at  the  solicitation  of 
Ben  DeBar,  manager  of  the  St.  Charles  Theatre,  and  it 
was  the  only  departure  Owens  ever  made  from  being 
located  at  the  "  Varieties  Theatre,"  when  playing  in  the 
Crescent  City.  DeBar  knew  that  the  re-entree  of  New 
Orleans'  favorite  comedian  would  create  a  sensation,  and 
asked  on  the  basis  of  old  acquaintance,  that  the  eclat 
should  be  given  to  his  theatre  in  preference  to  the  new 


144  MEMORIES   OF 

management  at  the  "  Varieties/'  Owens  consented,  and 
opened  his  engagement  at  the  St.  Charles  in  "Solon 
Shingle"  and  "The  Live  Indian." 

The  New  Orleans  public  had,  years  before,  given  full 
meed  of  praise  to  Solon  Shingle,  as  played  by  John  E. 
Owens ;  and  the  press  now  plumed  itself  on  having 
discerned  and  dilated  on  this  merit  in  advance  of  the 
furore  which  its  performance  had  created  in  New  York. 
The  two  weeks  at  the  St.  Charles  Theatre  bore  no  novel 
record.  I  should  but  tautologize  were  I  to  speak  of  the 
crowded  houses,  and  manifestations  of  approval  and  de- 
light. After  a  short  rest  at  home,  an  engagement  was 
filled  at  the  Holliday  Street  Theatre,  Baltimore,  with 
John  T.  Ford  as  manager ;  beginning  with  Victims  and 
Solon  Shingle — followed  by  The  Rivals,  Heir  at  Law, 
Sweethearts  and  Wives,  Ticket-of- Leave- Man,  and  other 
comedies  of  his  repertoire.  The  attendance  and  success 
was  nightly  in  accord  with  Owens'  great  popularity.  It 
was  during  this  engagement  that  an  old  acquaintance 

(Judge  S )  came  up  to  the  comedian  one  morning  at 

Barnum's,  while  he  was  breakfasting,  and  said:  "John, 
I  saw  you  play  Solon  Shingle,  Monday  night — funny  old 
man.  I  laughed  all  the  time — always  do.  But  you  play 
another  old  fellow,  (juite  diflerent,  but  even  funnier — that 
miserly  chap  who  hunts  for  a  bed,  and  tries  to  steal  a 
nap  from  the  tavern  keeper  !  What  is  hi*  name  ? " 
"  '  Spruggins,'  in  Forty  II  Y//£x,"  replied  Owens.  "Yes, 


MR.  OWENS  as  FRANK  OATLAND 
In  "A  Cure  for  the  Heartache." 


JOHN    E.    OWENS.  145 

yes ;  that's  it.  Say,  John,  why  don't  you  play  him  ¥  " 
"  I  played  the  piece  LAST  NIGHT."  "  Well,  why  don't 
you  play  him  again  f  "  "  Just  give  me  time."  "  Yes, 
yes !  John,  play  him  again"  Moving  off  to  the  door, 
the  Judge  called  back :  "  Play  him  again  John,  keep 
on  playing  him.  I  want  to  see  him  often"  Whereupon 
the  guests  at  the  table  were  much  amused,  and  Owens 
rather  embarrassed  by  this  conspicuousness  forced  upon 
him. 

While  professionally  engaged  in  Baltimore,  Mr.  Owens 
always  went  out  to  the  farm  (if  only  for  an  hour  or  two), 
on  such  days  as  no  rehearsal  occurred.  In  one  of  these 
visits  he  had  occasion  to  inspect  some  work  recently  done, 
and  to  direct  future  employment.  He  found  that  the 
work  had,  through  carelessness,  been  badly  botched.  Of 
course  he  was  indignant,  and  proceeded  to  set  forth  to 
the  men  their  shortcomings,  and  his  consequent  dis- 
pleasure. 

Instead  of  excuses,  or  looks  of  contrition  which  usually 
responded  to  such  rebukes,  the  men  seemed  to  find  diffi- 
culty in  suppressing  laughter.  Some  of  them  turned 
their  backs  and  walked  off  a  few  paces,  and  all  appeared 
demoralized.  This  conduct  enraged  Mr.  Owens,  and  he 
was  about  to  discharge  the  entire  party ;  when  one  of 
them  stepped  forward,  and  exerting  much  self-control, 
said  apologetically :  "  Indeed,  Mr.  Owens,  we  are  sorry 
the  work  is  wrong,  and  we  beg  your  pardon  for  laughing  ; 
10 


146  MEMORIES   OF 

but  we  couldn't  help  it.  We  saw  you  act  Solon  Shingle 
last  night,  and  was  a- talking  it  over  when  you  corned  up, 
and — and  (here  another  smothered  laugh) — and — please 
excuse  us,  sir ;  we  hadn't  got  over  the  funniness,  and 
couldn't  listen  just  right  when  you  began  talking  serious." 

Owens  called  up  his  gravest  demeanor,  and  bade  them 
"  in  working  hours  to  keep  their  minds  on  work ; " 
turned  away,  and  walked  to  the  house,  pursued  by  sub- 
dued giggling.  He  used  to,  laughingly,  say  that  the 
moral  of  this  incident  was  :  "  Never  allow  your  servants 
to  see  you  play  a  comic  part  if  you  wish  to  maintain 
dignified  authority." 

From  Baltimore  Owens  went  to  Washington,  playing 
a  varied  round  of  characters  at  the  National  Theatre, 
under  the  management  of  Spalding  and  Rapley ;  then 
short  engagements  in  Albany,  Utica,  and  other  New 
York  towns ;  after  which  he  filled  three  weeks  in  Boston. 
The  record  of  the  time  I  have  thus  condensed  was  satis- 
factorily monotonous,  being  an  experience  of  professional 
success,  and  pleasant  social  intercourse  with  friends ; 
agreeably  rendering  a  fitting  termination  to  the  season 
of  1866-67. 

A  portion  of  the  ensuing  vacation  was  passed  at  Brat- 
tleboro,  Vermont,  and  the  remainder  in  the  repose  of 
home  comfort  at  Aigburth  Vale ;  where,  as  usual,  friends 
from  time  to  time  enjoyed  the  hospitality  of  "Farmer 
Owens,"  and  added  to  the  pleasure  of  his  home  by  their 


JOHN    E.    OWENS.  147 

presence  under  his  roof.  Guests  he  dearly  loved  to  have, 
when  they  would  be  informally  of  the  family  circle ;  but 
company  requiring  frigid  conventionality  did  not  at  all 
accord  with  his  idea  of  companionship. 

He  liked  to  have  his  friends  sally  forth  with  him, 
and  inspect  stock,  fields  of  growing  grain,  vineyard 
and  orchards ;  and  would  wax  eloquently  in  praise  of 
country  life.  I  have  known  guests  to  catch  the  enthu- 
siasm, and  express  desire  to  buy  a  farm.  Then  Mr. 
Owens  would  look  solemn,  and  warn  them  against  such 
a  step  ;  invoking  the  amazed  query  :  "Why  not?  You 
find  everything  delightful  here,  and  such  stock,  such  crops 
must  bring  you  in  a  good  return  for  the  investment ! " 
"  Delightful  ?  yes ;  but  revenue  ?  no.  Honestly  I  tell 
you  that  if  it  were  not  for  John  Owens  the  actor,  John 
Owens  the  farmer  would  starve.  I  don't  want  it  on  my 
conscience  that  I  have  led  another  man  to  assume  the 
responsibility  (though  enjoyable  in  some  respects)  of  sup- 
porting a  farm." 

No  one  thoroughly  knew  the  true  inwardness  of  Mr. 
Owens'  broad  nature  until  they  associated  with  him  in 
his  own  house.  There  the  sunshine  of  his  presence  was 
experienced  to  its  full  extent,  making  each  visitor  feel 
"  this  is  my  home  while  I  am  here."  Mr.  Owens  was 
essentially  jovial,  and  had  ever  a  pleasant  greeting  for 
acquaintances  even  casually  met.  I  have  heard  many 
say  that  ofttimes  when  depressed,  passing  moodily  along 


148  MEMOKIES   OF 

the  street,  the  sight  of  Owens'  bright  face  and  merry 
smile  would  dispel  the  clouds,  and  make  them  cheerful 
again. 

During  August  of  this  home-rest,  much  excitement 
pervaded  the  adjacent  village  of  Towsontown,  anent  the 
arrival  of  old  John  Robinson's  Circus.  Mr.  Owens 
insisted  on  our  household  attending  the  afternoon  per- 
formance ;  and  as  we  had  at  that  time  a  young  relative, 
of  seven  years  old,  staying  with  us,  we  all  consented  to 
go,  "just  to  please  the  child."  (Strange !  how  often 
children  are  the  alleged  cause  of  grown-up  people  visiting 
a  circus.)  Mr.  Owens  took  charge  of  the  party  ;  we 
clambered  over  the  rough  benches,  and  were  comfortably 
seated  before  the  orchestra  heralded  the  "  grand  entree " 
into  the  ring.  In  less  than  ten  minutes  some  of  the 
circus  people  had  recognized  Mr.  Owens,  and  communi- 
cated the  fact  of  his  presence  in  the  audience ;  thereafter, 
from  the  clown  to  the  ring-master,  the  dialogue  was 
spoken  at  him.  Gradually  this  dawned  upon  the  con- 
gregated multitude,  and  afforded  them  much  enjoyment. 

Our  friends  and  neighbors  seemed  intensely  amused 
at  sundry  personal  and  local  hits,  and  even  more  so 
at  the  increasing  embarrassment  of  Mr.  Owens.  His 
confusion  culminated  when,  between  two  acts  of  horse- 
manship, the  door-keeper  came  in  breathlessly,  and 
casting  a  searching  glance  around  the  tent,  discovered 
Mr.  Owens.  He  made  straightway  for  him,  and  in  a 


JOHN    E.    OWENS.  149 

wheezing  (but  alas  !  audible)  voice  said  :  "  Mr.  Owens, 
here's  your  money  back.  You  hadn't  oughter  pay  to 
come  in  here ;  Mr.  Robinson  would  feel  'urt  if  we  took 
pay  from  a  big  light  in  our  pei'fesh !  So  here's  your 
money,  Mr.  Owens."  Mr.  Owens  declined  to  be  re- 
imbursed, but  was  met  with  persistent  remonstrance  in 
pleading  tones  :  "  Now,  I  just  ask  you  to  please  consider 
Mr.  Robinson's  feelings,  cully !  " 

By  this  time  the  discussion  had  attracted  concentrated 
attention ;  and  to  avoid  further  conspicuousness,  Mr. 
Owens  was  obliged  to  receive  the  money.  The  amount 
being  speedily  invested  in  peanuts,  pink  lemonade,  &c., 
for  the  child,  gorged  that  youngster  to  his  temporary 
delight  and  subsequent  illness.  When  the  first  half  of 
the  programme  was  over  Mr.  Owens  escaped  from  the 
tent,  and  returned  no  more  until  he  came  to  escort  the 
party  home.  At  night  he  sent  all  the  house  servants 
and  every  farm  laborer  on  the  place  to  the  circus.  When 
I  jestingly  asked,  "  Are  you  going  4o-night  ?  "  he  replied  : 
"  Xci-er  again  to  a  circus  in  my  own  neighborhood.  No, 
not  for  a  herd  of  Alderneys  as  a  reward." 

Mr.  Owens  dearly  loved  a  good  story,  and  if  the  point 
of  it  was  against  himself  he  seemed  to  derive  the  greater 
pleasure  from  telling  it.  Adjoining  the  boundaries  of 
Aigburth  Vale,  a  German  owned  an  acre  or  two  of  land, 
upon  which  stood  the  little  home  he  had  built.  The 
man  had  but  slight  command  of  English,  and  Owens 


150  MEMORIES   OF 

having  some  knowledge  of  German  endeavored  to  com- 
municate with  him  through  that  language ;  and  managed 
to  be  understood  so  long  as  the  subject  of  discourse  was 
lending  a  horse,  plough,  or  aught  else  to  the  German. 
The  same  intelligibility  was  not  apparent  about  a  matter 
upon  which  it  was  necessary  to  speak  often,  viz.,  the 
breaking  down  of  fences  by  the  German's  cow,  hogs, 
or  boys. 

Many  mild  exhortations  proving  ineffectual,  Owens 
discovering  one  day  a  fine  field  of  grain  trampled  down 
through  repetition  of  the  offence,  lost  all  command  of 
patience  and  temper.  Giving  full  vent  to  his  indignation, 
he  roundly  berated  the  man  with  forcible  expletives  in 
strongest  English.  The  countenance  of  the  Teutonic 
cottager  remained  placid  until  Mr.  Owens  paused  for 
lack  of  breath ;  when  he  stolidly  remarked :  "  Mr. 
Owens,  dot  ish  not  de  Sharman  language."  The  effect 
was  like  a  douche  bath.  Mr.  Owens  calmed  down,  re- 
gretting that  "  so  much  good  rage  had  been  wasted. " 

The  season  of  1867-68  commenced  in  quite  a  different 
locality  from  any  previous  one.  September  19th,  the 
comedian  appeared  at  the  Opera  House,  Leavenworth, 
Kansas,  under  the  management  of  Miss  Susan  Denin. 
Many  persons  will  remember  Susan  Denin  as  a  beautiful 
woman  and  clever  actress.  The  fame  of  the  lovely 
"  Denin  sisters  "  extended  throughout  the  country.  Susan, 
a  perfect  type  of  brunette  beauty,  and  Kate,  equally 


JOHN   E.   OWENS.  151 

enchanting  in  blonde  loveliness.  Both  of  them  were 
charming  in  manner,  and  made  hosts  of  friends,  who 
admired  them  for  their  manifold  attractions  and  their 
devotion  to  each  other.  To  this  popularity  Susan  Denin 
added  the  qualification  of  a  competent  business  woman, 
which  was  evinced  by  her  theatrical  management  at 
Leavenworth ;  and  there,  aided  by  G.  D.  Chaplin,  the 
lessee,  she  achieved  for  the  Opera  House  position  and 
success. 

Leavenworth  at  that  time  was  a  very  different  place 
from  the  enterprising  city  it  now  is.  No  unusual  occur- 
rence then  to  meet  in  one's  daily  walks  Indians  attired 
in  their  native  costume,  and  gay  with  painted  faces; 
still  many  cultured  people  resided  in  the  town  and  sub- 
urbs. At  Fort  Leavenworth,  the  military  post,  quite  a 
number  of  distinguished  officers  were  stationed,  who 
together  with  their  families  were  a  valuable  acquisition 
to  the  refined  society  of  the  town.  Thus  the  audience 
which  greeted  the  comedian,  was  not  entirely  of  the 
typical  "  far  west "  aspect.  Many  of  the  leading  citizens 
called  upon  him  to  renew  acquaintance  pleasantly  made 
elsewhere,  and  introduced  friends  of  theirs. 

Among  the  strangers  presented  was  one  whose  gentle- 
ness of  manner  and  physical  beauty  rendered  him 
conspicuous.  He  was  clad  in  huntsman  attire,  which 
well  became  his  graceful  and  athletic  figure.  The  golden 
hair  worn  in  ringlets  had  no  appearance  of  effeminacy, 


152  MEMORIES   OF 

for  the  manly  bearing  and  honest  blue  eyes  invested  him 
with  quiet  dignity.  Mr.  Owens  did  not  clearly  hear  the 
name  at  the  time  of  introduction,  but  being  strongly 
impressed  with  the  stranger,  he  questioned  Mr.  Chaplin 
next  day.  Great  was  his  surprise  at  the  reply  :  "  J.  B. 
Hickock,  known  as  '  Wild  Bill/  the  most  famous  scout 
of  the  West."  Having  knowledge  of  this  hero  of  the 
plains,  he  seemed  incompatible  with  the  quiet-mannered 
gentleman  who  had  conversed  so  courteously  for  the 
pleasant  quarter  of  an  hour. 

The  terror  of  the  country  round  to  those  who  had 
incurred  his  animosity,  "Wild  Bill"  was  chivalrous  in 
his  nature,  and  as  honorable  and  generous-hearted  as 
man  could  be;  and  without  qualification  he  hated  all 
Indians.  For  that  matter  so  did  many  people  in  and 
around  Leavenworth — apropos  of  which  an  incident. 
Owens  innocently  proposed  to  play  "The  Live  In- 
dian; "  the  suggestion  was  received  with  much  laughter. 
"  Good  gracious,"  said  Mr.  Chaplin,  "  the  sight  of  you 
in  an  Indian  dress  would  end  your  popularity  here, 
perhaps  your  life.  In  fact  I  don't  think  we  would 
get  further  than  putting  out  the  printing;  for  the 
pictures  of  the  Indian  (as  an  attraction)  would  most 
likclv  create  a  riot,  and  result  in  an  attack  on  the 
theatre.  No,  my  dear  boy,  this  atmosphere  is  not 
favorable  for  the  delineation  of  Indians;  for  that  "go 
east;  go  east,  young  man." 


JOHN    E.    OWENS.  153 

Leaving  Leaven  worth,  Owens  was  next  due  at  the 
Crosby  Opera  House,  Chicago.  Before  starting  for  that 
city  considerable  chaffing  went  on  at  the  theatre  relative 
to  the  coming  engagement,  based  on  Mr.  Owens'  assertion 
that  he  expected  to  open  to  immense  business  or  a  dis- 
gustingly small  house.  "It  is  sure  to  be  one  or  the 
other/ '  said  he.  "  Chicago  is  a  city  I  can  never  reckon 
upon ;  I  am  always  at  extremes  there."  The  chronic 
joking  continued  until  his  departure,  when  he  prom- 
ised to  telegraph  them  the  amount  of  the  gross  receipts 
of  the  first  night.  On  the  30th  of  September  he  appeared 
at  the  Crosby  Opera  House  in  Solon  Shingle  and  The  Live 
Indian,  and  the  next  day  telegraphed  the  result  to  his 
friends  in  Leaven  worth:  "House,  $1,548.90;"  quickly 
receiving  from  the  manageress  the  facetious  response : 
"  We  don't  believe  there  is  so  much  money  in  the  world." 
The  opening  bill  continued  unchanged  for  a  week,  and 
was  followed  by  Caleb  Plummet*,  Heir-at-Law,  Every- 
body's Friend,  Victims,  &c. ;  securing  appreciation  com- 
mensurate with  Owens'  genius  and  talent. 

The  next  date,  October  21st,  was  at  the  Louisville 
Opera  House,  under  the  management  of  George  F.  Fuller ; 
from  thence  to  Cincinnati  to  fill  an  engagement  of  four 
weeks  with  Samuel  Colville.  Solon  Shingle,  Victims, 
She  Stoops  to  Conquer,  Rivals,  &c.,  being  represented  in 
a  manner  which  multiplied  the  laurels  of  this  famous 
comedian.  The  last  week  of  the  engagement  was  ren- 


154  MEMORIES   OF 

dered  memorable  by  the  production  of  "  Grimaldi;  or, 
The  Life  of  an  Actress;"  Owens  having  some  time 
previous  bought  the  sole  right  of  that  play  from  Dion 
Boucicault. 

The  character  of  Grimaldi,  the  old  French  actor,  is 
difficult  to  portray  with  discrimination  and  delicacy  of 
touch,  owing  to  its  admixture  of  qualities.  The  tri- 
umphant hit  which  Owens  made  was  another  proof  of 
his  great  versatility.  His  accent  was  faultless,  and  his 
bearing  entirely  natural.  Voice  and  gesture,  though  not 
inspiration,  are  an  actor's  symbols;  and  he  used  these 
gifts  to  intensify  a  graphic  picture. 

The  divers  phases  in  the  life  of  the  poor  artist,  step  by 
step  until  he  is  seen  as  the  rich  nobleman,  were  sympa- 
thetically rendered,  and  a  distinctive  personation  given 
of  the  tender-hearted  old  man  who  was  merry,  pathetic, 
ambitious,  affectionate  and  proud,  which  held  the  audi- 
ence spellbound,  and  by  its  realism  invoked  the  tribute 
of  alternate  smiles  and  tears. 

December  9th  Owens  returned  to  the  Holliday  Street 
Theatre,  Baltimore,  for  twelve  nights,  appearing  in  his 
usual  round  of  characters ;  from  thence  to  Washington 
for  a  few  nights.  December  14th,  1866,  he  played  for 
the  "  Benefit  of  the  Association  for  the  Education  of 
Southern  Children."  The  free  use  of  the  Holliday  Street 
Theatre,  Baltimore,  being  tendered  by  Mr.  John  T. 
Ford  (the  company  and  attaches  having  volunteered  their 


JOHN   E.    OWENS.  155 

services),  the  entire  gross  receipts  were  given  to  the  cause. 
"All  that  Glitters  i*  not  Gold"  and  "The  Happiest  Day 
of  My  Life"  with  Owens  in  both  pieces,  constituted  the 
bill.  The  immense  audience  was  one  of  the  most  fash- 
ionable which  ever  filled  the  theatre,  and  the  performance 
went  off  with  eclat. 

Mr.  Owens  afterwards  received  a  courteous  letter  from 
Mrs.  Wm.  H.  Brune,  President  of  the  Association,  con- 
veying her  thanks,  and  those  of  the  ladies  of  the  Board, 
for  the  aid  extended  to  the  cause.  Mrs.  Brune's  manner 
of  appreciating  this  offering,  and  the  good  wishes  which 
she  expressed,  were  so  charmingly  conveyed,  that  her 
letter  was  not  only  highly  prized  by  Mr.  Owens  at 
the  time,  but  found  place  among  the  mementoes  he 
ever  retained  of  sunshiny  events  in  his  professional 
life. 

January  20th  inaugurated  an  engagement  of  two  weeks 
in  Philadelphia.  Commencing  with  Caleb  Plummer,  he 
found  that  the  dear  old  toy-maker  had  lost  none  of  his 
attraction,  nor  yet  his  power  to  draw  smiles  and  tears 
from  those  who  had  often  before  laughed  and  wept  with 
him.  From  Philadelphia  brief  visits  were  made  to 
Trenton,  Newark  and  Brooklyn ;  thence  to  Boston  for 
three  weeks,  where  he  repeated  the  old  comedies  "Self" 
and  "  Caleb  Plummer"  the  greater  part  of  the  time  being 
filled  with  the  latter  attraction,  which  was  always  a  great 
favorite  in  Boston. 


156  MEMORIES   OF 

After  a  tour  of  the  New  England  towns  Owens  re- 
turned to  Baltimore,  appearing  at  the  Holliday  Street 
Theatre  in  an  entirely  new  character :  "Farmer  Allen" 
in  Charles  Keade's  dramatization  of  Tennyson's  poem 
of  "Dora."  His  conception  and  portrayal  of  Farmer 
Allen  was  equal  in  finish  and  dramatic  power  to  anything 
he  ever  did.  The  imperative  nature  which  veils  (and 
even  hardens)  a  loving  heart,  which  endures  self-torture 
while  asserting  "my  will  is  law,"  was  graphically 
drawn.  The  father's  affection  for  his  son,  subordinated 
to  maintain  parental  authority  at  all  risks,  was  so  forcibly 
personified  as  to  render  "Farmer  Allen"  one  of  Owens' 
masterpieces.  The  variety  of  emotions  depicted — rage, 
grief,  remorse  and  affection — require  extraordinary  power 
to  convey  them  fully,  and  yet  free  from  exaggeration ; 
and  this  Owens  was  equal  to,  blending  and  harmonizing 
these  emotions  perfectly. 

"Dora"  was  superbly  staged;  the  exquisite  painting, 
scenic  effects  and  stage  setting  being  the  work  of  Mr. 
Charles  S.  Getz.  Three  scenes  were  given:  Winter, 
Spring  and  Summer.  All  were  gems  of  art,  but  the  last 
ad  was  super-excellent — a  wheat-field  radiant  in  the 
glow  of  the  setting  sun,  with  the  gleaners  picturesquely 
orouped.  The  incidental  music  to  "Dora"  was  effec- 
tively rendered,  especially  the  Christmas  Carols  which, 
with  fine  voices  and  choruses,  were  a  feature  of  the 
play.  A  western  tour,  including  St.  Louis,  Cincin- 


JOHN    E.    OWENS.  157 

nati,  Indianapolis  and  Cleveland,  closed  the  season  of 
1867-68. 

The  summer  vacation  was  passed  at  Aigburth  Vale  in 
luxurious  restfulness — with  two  breaks  therein  of  a  pro- 
fessional nature.  On  these  two  occasions  Mr.  Owens 
played  in  Baltimore.  Appearing  in  June  as  "  Aminidab 
Sleek7'  and  "Paul  Pry,"  for  the  annual  benefit  of  James 
L.  Gallagher,  an  intimate  friend  of  "  Auld  Lang  Syne ;  " 
and  on  July  29th  for  a  benefit  for  the  sufferers  from  a 
flood,  which  had  occurred  in  East  Baltimore,  causing 
much  affliction  and  destitution. 

October  12th,  1868,  he  began  his  season  at  Pittsburg 
as  "Major  DeBoots"  and  "Solon  Shingle."  Eight  years 
had  elapsed  since  he  played  in  that  city.  Listening  to 
the  prolonged  plaudits  of  the  audience,  no  one  could 
realize  that  aught  like  animosity  had  ever  existed  in  that 
city  against  the  comedian  whom  they  thus  delighted  to 
honor.  Mistaken  and  blinded  prejudices,  engendered  by 
the  excitement  of  the  war,  had  long  since  passed  away, 
and  the  Pittsburg  people  now  placed  Owens  in  the  posi- 
tion he  originally  held  as  their  favorite  comedian.  From 
Pittsburg  he  went  to  Cincinnati ;  and  while  there  pro- 
duced "  The  Lancashire  Lass"  appearing  in  a  new  r6le — 
"A  Party  by  the  name  of  Johnson." 

This  character  was  of  a  different  type  from  those  he 
usually  essayed,  and  strongly  evinced  his  illimitable 
histrionic  power.  The  cool  villainy  and  imperturbable 


158  MEMORIES   OF 

sangfroid  of  "The  Party  by  the  name  of  Johnson"  and 
the  vindictiveness  and  depth  of  feeling  underlying  these 
qualities  being  thrillingly  depicted.  The  scene  where  he 
exposes  the  hypocritical  character  of  Danville  was  mas- 
terly ;  the  intense  and  electrifying  tones  of  his  voice,  the 
eloquence  of  his  expressive  eyes,  conduced  to  culminate 
an  effect  which  produced  not  only  a  storm  of  applause, 
but  most  frequently  a  persistent  encore. 

I  remember  at  the  time  he  was  playing  this  part,  com- 
ments upon  the  perfection  with  which  he  rendered  the 
denunciatory  scenes,  so  rife  with  hatred  and  desire  for 
revenge,  called  forth  a  revival  of  an  old  report  that  Mr. 
Owens  was  originally  ambitious  of  becoming  a  tragedian. 
The  story  runs  that  even  his  early  success  in  comedy 
failed  to  eradicate  this  aspiration ;  his  final  cure  could 
not  be  effected  until  he  attempted  and  failed  to  play 
Richard  the  Third. 

This  rmVstatement  has  the  shadow  of  foundation.  At 
the  close  of  a  season  in  Baltimore  Mr.  Owens  announced, 
among  other  attractions  for  his  benefit,  "the  5th  Act  of 
Richard  the  Third"  knowing  it  would  be  a  sensational 
advertisement.  As  he  expected,  the  house  was  packed. 
He  affected  to  play  the  part  seriously  until  full  attention 
was  gained ;  and  then  gradually  burlesqued,  increasing 
in  fun  until  the  combat  scene  at  the  close,  for  which  he 
had  provided  (and  rehearsed  with)  a  basket  horse — in 
other  words  it  was  a  hoax,  for  he  never  intended  to  enact 


JOHN   E.   OWENS.  159 

the  character  tragically.  The  whole  thing  was  arranged 
as  a  novelty  for  his  benefit — understood  by  some  of  the 
audience,  and  laughed  at  by  all. 

Later  on  it  was  repeated  elsewhere  with  the  same 
rollicking  fun.  With  his  power  of  pathos,  and  strong 
well-modulated  voice,  Owens  could  have  shown  in 
tragedy,  had  he  so  elected ;  but  he  preferred  that  jollity 
should  predominate,  and  thus  developed  into  a  peerless 
comedian. 

After  "The  Lancashire  Lass"  was  played  in  Cin- 
cinnati, "Dora "  was  put  on  the  boards  with  exquisite 
stage  setting.  "Farmer  Allen  "  won  his  deserved  position, 
and  was  thoroughly  appreciated.  A  pleasant  week  in 
Louisville  followed;  from  thence  to  St.  Louis,  opening 
November  30th  at  the  Olympic  Theatre,  with  Spalding 
and  Albaugh.  Legitimate  comedy  was  given,  in  which 
the  star  was  strongly  supported  by  Mr.  and  Mrs.  John  W. 
Albaugh.  Then  came  " The  Lancashire  Lass"  well  cast. 
Mrs.  Albaugh  (Miss  Mary  Mitchell),  as  Kate  Garstone, 
invested  the  character  with  strength  and  depth  which 
could  not  be  excelled.  Mr.  Albaugh  was  the  author's 
ideal  of  Robert  Redburn. 

Of  Mrs.  Albaugh's  support  during  this  engagement 
nothing  was  more  acceptable  than  her  "Mary  Apex"  in 
"Self."  That  part  Mr.  Owens  often  found  difficult  to 
fitly  cast.  It  required  a  good  actress,  but  one  who  had 
judgment  and  taste  to  avoid  the  appearance  of  acting. 


160  MEMORIES    OF 

"  Mary  Apex's  "  genuine  simplicity  rendered  any  seem- 
ing effort  utter  destruction  to  the  correct  impersonation  of 
her  sweet  guilelessness.  Mrs.  Albaugh  brought  out  all  the 
salient  points,  and  yet  with  delicacy  and  ease  which  gave 
to  Mary  Apex  just  the  gentle  nature  and  firm  principle 
that  so  endeared  her  to  her  crusty  old  god-father — and  to 
the  audience.  Mrs.  Albaugh  ranked  in  this  part  as  one 
of  the  very  few  whom  Mr.  Owens  pronounced  entirely 
satisfactory  to  him. 

Two  weeks  in  Chicago  was  the  next  booking ;  after 
which  followed  a  short  engagement  at  the  Broadway 
Theatre,  New  York,  on  the  eve  of  his  departure  for  Cali- 
fornia. Opening  January  22d  in  "  Victims "  and  "Solon 
Shingle,"  which  had  been  a  favorite  bill  with  the  New 
York  public  two  years  previous,  Owens  had  the  grati- 
fication of  realizing  that  its  attraction  had  not  decreased. 
A  succession  of  crowded  and  fashionable  houses  continued 
through  the  engagement. 


CHAPTER   VII. 

Owens'  sea  voyage  to  San  Francisco— His  appearance  at  the  Cali- 
fornia Theatre — Lawrence  Barrett — John  McCullough — "Caleb 
Plummer"  and  "Grimaldi"  prominent  successes — Playing  in  the 
mining  towns — Big  Jake  H — Pleasure  tour — The  Geysers — Owens 
captivates  Foss — Whiskey  Spring,  No.  1,  2  and  3 — Fritz,  the  hunter 
—Santa  Rosa  Valley— Salt  Lake  City— Courtesy  of  Elder  Claussen 
— Season  1869-70 — Avaricious  hotel  keeper — "  War  prices  are  out 
of  date"— Mishap  at  Vicksburg— " Where's  the  ale?"— Return 
to  New  Orleans— Benefit  of  W.  R.  Floyd— Jefferson  and  Owens 
play — Crowded  house — Improvements  on  farm — A  mulberry  story 
— Good  humored  satire  and  wit. 

F7EBRUARY  12th,  1869,  Owens  started  for  Cali- 
fornia by  the  Aspinwall  and  Panama  route.  He 
was  always  fond  of  a  sea  voyage,  and  this  one  proved 
to  be  especially  delightful.  From  the  time  of  arrival 
at  Aspinwall  (or  Colon,  as  the  inhabitants  call  it),  to 
the  hour  of  entering  the  harbor  of  San  Francisco  by 
the  Golden  Gate,  was  an  enjoyable  experience.  Inter- 
mediately, the  tropical  gorgeousness  of  the  Isthmus  of 
Panama,  the  quaint  town  itself,  the  charming  exploration 
of  Acapulco  and  other  Mexican  towns,  all  combined  to 
render  the  voyage  a  holiday  excursion,  rather  than  busi- 
ness travel. 

11  161 


162  MEMORIES   OF 

Subsequent  journeys  to  California  (after  completion  of 
the  railroad)  were  made  by  that  speedier  transit ;  but, 
though  fraught  with  many  advantages,  could  not  compare 
in  comfort  and  enjoyment  with  the  steamer  route.  The 
latter  was  often  referred  to,  and  dilated  upon,  by  Mr. 
Owens  as  a  red-letter  reminiscence.  After  twenty-three 
days  of  the  pleasurable  travel,  we  arrived  on  a  gloriously 
bright  morning  at  San  Francisco — having  been  met  in 
the  harbor  by  Lawrence  Barrett  and  other  friends. 

The  engagement  which  he  came  to  fulfil  was  with 
Barrett  and  McCullough,  at  the  New  California  Theatre, 
the  first  star  appearing  at  that  theatre  under  their  man- 
agement. The  initial  bill,  March  15th  ("  Everybody's 
Friend"  and  "Solon  Shingle"),  included  the  following 
strong  cast : 

EVERYBODY'S    FRIEND. 

MAJOR  DEBOOTS MR.  JOHN  E.  OWENS. 

MR.  ICEBROOK Mu.  JOHN  McCuLLOUGH. 

FELIX  FEATHERLEY MR.  W.  F.  BURROUGHS. 

MRS.  FEATHERLEY Miss  EMILY  MELVILLE. 

MRS.  SWANDOWN Miss  FANNY  MARSH. 

MRS.  DEBOOTS MRS.  C.  R.  SAUNDERS. 

SOLON    SHINGLE. 

SOLON  SHINOLE MR.  JOHN  E.  OWENS. 

ROBERT  HOWARD MR.  W.  MESTAYKR. 

CHARLES  OTIS MR.  W.  F.  BURROUGHS. 

JOHN  ELLSLEY...  ,...MR.  JOHN  WILSON. 


JOHN    E.   OWENS.  163 

HUGH  WINSLOW MR.  E.  B.  HOLMES. 

TRIPPER MR    E.  J.  BUCKLKY. 

TIMID MR.  G.  MATTHEWS. 

CLERK  OF  THE  COURT MR.  EDWARD  MARBLE. 

JUDGK MR.  S.  W.  LEACH. 

THOMPSON MR.  F.  ROBINSON. 

JOHN MR.  J.  TORRANCE. 

MRS.  OTIS Miss  WETHERILL. 

GRACE  OTIS Miss  K.  LYNCH. 

(Many  other  strong  casts  followed  this,  notably  that 
of  "The  Poor  Gentleman,"  combining  brilliancy  of  talent 
seldom  equalled.) 

CALIFORNIA    THEATRE. 
APRIL  I5TH,  1869. 

THE    POOR    GENTLEMAN. 

DOCTOR  OLLAPOD.... MR.  JOHN  E.  OWENS. 

LIEUTENANT  WORTHINGTON MR.  JOHN  McCuLLOuGH. 

SIR  ROBERT  BRAMBLE MR.  W.  H.  SEDLEY  SMITH. 

FREDERICK  BRAMBLE MR.  LAWRENCE  BARRETT. 

CORPORAL  Foss MR.  HARVY  EDWARDS. 

HUMPHREY  DOBBINS MR.  JOHN  T.  RAYMOND. 

SIR  CHARLES  CROPLAND MR.  W.  F.  BURROUGHS. 

EMILY  WORTHINGTON Miss  EMILIE  MELVILLE. 

LUCRETIA   MACTAB MRS.   JUDAH. 

MARY  HARROWBY Miss  MINNIE  WALTON. 

Owens  was  received  by  a  crowded  house,  and  cordially 
welcomed.  Through  his  six  weeks  at  the  California  Thea- 
tre, he  continued  to  win  golden  opinions,  and  maintain 


164  MEMORIES   OF 

his  exalted  position  as  an  artist.  He  played  numerous 
parts  with  his  usual  effectiveness ;  but  of  the  many  en- 
comiums bestowed  upon  him,  those  elicited  by  his  "Caleb 
Plummer"  and  "Grmaldi"  took  precedence  in  unani- 
mously pronouncing  him  peerless  in  these  characters. 

Mr.  Owens  lingered  in  San  Francisco  awhile,  after  his 
professional  duties  ceased,  for  he  found  his  surroundings 
very  pleasant.  In  addition  to  the  approbation  of  the 
public  for  his  histrionic  merit,  he  bad  also  gained  many 
congenial  friends.  Prominent  among  these  was  Lawrence 
Barrett,  with  whom  a  friendship,  founded  on  esteem,  was 
formed,  which  grew  and  strengthened  into  affection  as 
time  went  on;  being  mutually  cherished  and  prized. 
To  the  last  of  his  life  Mr.  Owens  spoke  of  Barrett  with 
admiration,  and  in  the  faith  of  warm  regard. 

An  offer  from  Virginia  City,  Nevada,  for  twelve  nights 
was  accepted.  The  citizens  were  well  pleased  with  every 
performance,  and  the  comedian  found  entertainment  in 
this  town  and  other  mining  districts  quite  equal  to  that 
which  he  afforded  the  public  by  his  dramatic  talents. 
The  Pacific  Slope,  and  its  peculiarities,  revealed  a  new 
experience  to  him.  The  country  then  was  exceedingly 
primitive,  and  daily  observation  of  various  types  of 
humanity,  with  whom  he  met,  formed  an  interesting 
and  ofttimes  amusing  study ;  and  the  grandeur  of  the 
country — exploring  its  resources,  and  gaining  information 
thereof,  was  a  matter  of  delightful  investigation  to  him. 


MR   OWENS  as  DR.  OLLAPOD 
In  "The  Poor  Gentleman." 

(From  a  Painting  by  D'Almaine.) 


JOHN    E.    OWENS.  165 

The  theatres  in  the  mining  districts  were  decidedly 
ineligible  to  the  correct  production  of  a  play.  The  resi- 
dent managers  deemed  but  one  thing  necessary  for  their 
prosperity — securing  a  star;  the  supporting  company, 
and  other  accessories,  they  considered  of  little  impor- 
tance. Unacquainted  with  these  local  opinions,  Owens 
was  astonished  at  a  first  rehearsal  to  find  the  company  so 
limited  as  to  render  the  casting  of  his  pieces  impossible. 

Appealing  to  the  manager,  he  said  :  "  I  sent  you  my 
manuscripts  and  books,  and  was  assured  of  full  support. 
You  know  the  number  of  people  required  ;  why  are  they 
not  here?"  "No  use  getting  mad  about  it,"  replied  the 
imperturbable  manager.  "  I  didn't  read  no  books  or 
things  you  sent.  I  knowed  we  could  pick  up  people 
when  we  wanted  'em.  They'll  be  on  time,  you  bet ! " 
Determined  to  reconcile  himself  to  this  novel  situation, 
Owens  viewed  it  in  its  amusing  originality,  and  refrained 
from  further  irritation.  The  " pick-up"  people  came, 
and  though  eccentric  in  some  respects,  had  the  merit  of 
good  memories  and  strong  voices;  so  the  first  night's 
performance  was  given  to  the  satisfaction  of  a  jolly  crowd. 

The  manager  had  heard  some  one  from  San  Francisco 
speak  of  "The  Poor  Gentleman"  having  made  a  hit 
there,  and  was  urgent  to  have  that  comedy  announced 
for  the  third  night.  "  It  is  impossible,"  was  the  re- 
sponse. "We  can't  cast  it;  our  company  is  too  short 
and  weak  for  such  a  play.  And  especially,  we  lack  a 


166  MEMORIES   OF 

man  strong  enough  for  Sir  Robert  Bramble."  "  If  that's 
all  that  stands  in  the  way,"  retorted  the  manager,  "  I  can 
get  the  right  sort  of  people." 

While  Mr.  Owens  was  smoking  his  after-dinner  cigar 
at  the  hotel,  the  manager  came  up  to  him,  accompanied 
by  a  six-foot  Hercules  miner,  whom  he  introduced  thus : 
"  Here's  your  '  Robert  Bramblers/  and  "  surveying  his 
friend  with  pride,  "  I'd  like  to  know  where  you'd  find  a 

stronger    man  than  big  Jake  H !    I   told  you    I'd 

fetch  the  right  party."  Owens,  suppressing  a  smile  at 
this  literal  acceptation  of  his  objections,  received  big 
Jake  affably ;  and  entering  into  conversation  with  him, 
learned  that  the  stalwart  miner  had  at  times  been  tran- 
siently connected  with  strolling  companies,  and  was 
still  theatrically  inclined. 

An  appointment  was  made  to  meet  at  the  theatre  next 
day,  from  which  arrangement  resulted  the  engagement 
of  the  miner  for  the  part  of  Sir  Robert  Bramble.  He 
frankly  admitted  that  he  had  not  the  "  proper  fixings " 
to  dress  in ;  but  he  would  do  the  best  he  could. 
Nothing  more  dreadful  in  the  way  of  costume  can  be 
imagined  than  what  "the  best"  proved  to  be.  Coarse 
pantaloons  stuffed  into  long  rough  boots,  questionable 
coat  and  slouched  hat  were  the  equipments  in  which  the 
"  Baronet  of  the  old  school "  appeared  before  the  audi- 
ence; and  worse  yet,  his  pronunciation  was  equally 
startling.  The  line,  "  Had  I  the  patience  of  a  Job," 


JOHN    E.    OWENS.  167 

was  given  with  stentorian  force ;  but  alas !  for  miscon- 
ception, it  was  rendered  "  had  I  the  patience  of  a  job" 
thus  utterly  obliterating  all  analogy  with  the  scriptural 
character  noted  for  endurance. 

Fortunately  the  audience  were  good-natured  enough 
to  be  indulgent  to  this  and  other  inaccuracies,  and  the 
comedy  went  off  mirthfully.  Some  of  those  present  were 
unaware  of  errors;  and  the  cultured  portion  of  the 
audience  put  up  with  the  inevitable  weakness  of  the  cast, 
as  they  came  to  the  theatre  to  see  the  star,  and  expected 
no  enjoyment  in  addition  thereto. 

Concluding  his  provincial  engagements,  Owens  re- 
mained some  weeks  longer  in  California,  that  he  might 
indulge  in  a  pleasure  tour  :  beginning  with  a  flying  visit 
to  Sacramento  and  other  towns,  thence  to  the  Geysers  in 
Sonoma  County.  The  stage-coach  ride,  to  the  latter 
place,  was  ever  one  of  the  brightest  memories  of  that 
charming  holiday  jaunt.  The  novelty  of  the  mode  of 
conveyance,  the  characteristic  stage  driver  "  Foss,"  who 
had  attained  celebrity  in  his  way,  was  a  revelation ;  and 
these  specialties,  together  with  sundry  incidentals  of  the 
trip,  concentrated  more  than  the  usual  excitement  and 
pleasure  in  what,  to  most  people,  would  have  been  an 
ordinary  ride. 

The  drive  from  Calistoga  Springs  was  the  customary, 
exhilarating  summer-morning  bowling  over  a  beautiful 
country — the  effect  being  blithesome,  and  giving  to  one 


168  MEMORIES   OF 

the  "  glad  I  am  alive  "  feeling.  The  distinctive  episode 
of  the  journey  began  when  the  Calistoga  stage  came  to 
its  terminus  at  the  house  of  "  Foss,"  and  the  passengers 
were  transferred  to  the  care  of  that  famous  whip.  Mr. 
Owens  always  liked  to  recall  his  first  meeting  with  Foss, 
and  their  subsequent  fellowship. 

Standing  on  the  porch,  awaiting  the  summons  to  lunch 
(the  delicious  fragrance  of  its  preparation  whetting  one's 
appetite  with  promise  of  good  cheer),  Mr.  Owens  was 
contemplating  the  grand  scenery  around  him ;  when  a 
tall  broad-shouldered  man  passed  him,  and  stopped  before 
a  state-room  trunk,  a  few  steps  distant,  which  he  eyed 
with  unfavorable  glance.  Giving  it  a  slight  kick,  he 
asked  in  a  gruff  voice,  "  What's  this? "  " Looks  like  a 
small  trunk,"  said  Owens,  calmly.  "Whose  is  it?" 
"  Mine."  "  What's  it  here  for  ?  "  "  Going  to  the  Gey- 
sers." "Oh  no!  guess  not;  don't  take  trunks  to  the 
Geysers.  If  you  want  to  put  on  style,  better  stay  at 
Calistoga  Springs — Geysers  too  rough  for  frills."  "  Just 
suits  me,"  said  Owens,  laughingly,  "and  I  am  going 
there;  so  is  that  trunk." 

Foss  looked  searchingly  at  him,  but  seeing  that  no 
offense  was  meant,  weakened  in  his  determination,  and 
rejoined  :  "  If  I  take  that  trunk,  I  shall  have  to  put  on 
six  mustangs,  and  I  intended  to  drive  only  four,  to-day  ! " 
"  I  have  no  objection  to  six  ;  I  am  sure  you  are  equal 
to  managing  a  dozen,"  was  the  response.  Just  then  lunch 


JOHN    E.   OWENS.  169 

was  announced,  and  the  discussion  dropped ;  entire  atten- 
tion being  given  to  the  delicious  chicken,  rich  cream,  and 
other  dainties,  for  which  Foss'  meals  were  as  justly 
famed  as  for  the  appetizing  manner  in  which  they  were 
served  at  his  beautiful  cottage. 

When  the  coach  was  in  readiness  and  the  passengers 
called  to  take  their  places,  Owens  noticed,  admiringly, 
the  team  of  six  mustangs,  and  also  the  fact  that  the 
objectionable  little  trunk  was  safely  stowed  away,  to  bear 
him  company.  As  he  passed  along,  Foss  inquired  :  "  Do 
you  care  to  ride  on  the  box-seat  with  me?"  "Very 
glad  to  do  so,  if  I  don't  inconvenience  you,"  was  the 
ready  response.  "  Like  to  have  you  ;  jump  up."  Need- 
ing no  second  bidding  for  this  opportunity  to  see  the 
country  to  the  best  advantage,  and  cultivate  further 
acquaintance  with  the  eccentric  Foss,  he  was  speedily 
seated ;  and  oif  went  the  team.  No  reference  whatever 
was  made  to  "that  trunk."  Foss,  at  first  taciturn, 
gradually  relaxed,  and  finally  thawed  entirely  under  the 
influence  of  agreeable  conversation.  Anecdotes  and  inci- 
dents were  narrated,  and  the  antagonism  of  the  first 
meeting  was  magnetically  dispelled,  resolving  itself  into 
pleasant  companionship. 

Owens  delighted  in  the  rough-and-tumble  ride,  the 
magnificent  scenery,  and  the  masterly  control  which  this 
wonderful  driver  held  over  his  horses.  Foss  quickly 
perceived  this  admiration  of  his  skill,  and  was  pleased 


170  MEMOEIES   OF 

with  the  appreciation  of  an  accomplishment  upon  which 
he  prided  himself.  Much  of  the  road  to  the  Geysers 
is  steep,  narrow  and  apparently  dangerous.  While  cross- 
that  portion  of  it  known  as  "  the  Hog's  back  "  (a  mere 
ridge  overhanging  precipices  on  either  side),  some  of  the 
passengers  became  nervous,  and  made  exclamations  of 
fear.  Foss,  looking  over  his  shoulder,  glanced  at  them, 
and  remarked :  "  No,  you  wont  be  upset ;  though  I 
des'say  you  felt  the  motion  of  the  wagon  a  leetle."  Scant 
comfort,  when  one's  breath  was  nearly  jolted  out  of 
one's  body. 

Some  one  asked  :  "  Has  there  ever  been  an  accident  on 
this  road  ?  "  "  Not  when  /  drive,"  said  Foss,  "  nor  with 
my  men.  A  smash-up  did  happen  about  a  year  ago. 
A  Sacramento  galoot  was  handling  the  reins;  but  that 
fellow  wasn't  a  regular — only  a  substitute ;  he  don't 
count.  What  could  you  expect  from  a  driver  who  wore 
gloves  and  blacked  his  boots  ?  Bah  ! "  and  Foss  touched 
up  his  leader  with  an  imperative  "  g'lang  ! "  to  give  vent 
to  his  feelings. 

As  the  afternoon  lengthened  its  shadows,  the  stage 
stopped  at  a  wayside  spring  to  water  the  horses.  Foss 
then  tethered  them  to  rest  awhile,  and  signalling  Mr. 
Owens,  walked  away  a  pace  or  two,  saying  as  he  did  so  : 
"  There  is  a  cooler  spring  a  few  steps  off,  if  you'd  like  to 
refresh  yourself."  By  a  turn  in  the  chapparel,  they 
quickly  reached  the  place ;  and  from  a  hidden  nook, 


JOHN    E.    OWENS.  171 

behind  the  spring,  Foss  produced  a  bottle  and  glasses, 
tersely  asking  :  "  Do  you  ever  drink  ?  "  ""  Sometimes," 
replied  Owens.  "  Well,  try  that ;  the  Occidental  Hotel 
never  set  anything  better  before  you."  After  the  recom- 
mendation had  been  proved  true,  in  the  pledging  of 
"  good  health,"  he  remarked  :  "  This  is  whiskey  spring, 
number  1.  On  the  way  to  the  Geysers,  there  is  num- 
ber 2  and  number  3,  just  like  it.  I  don't  invite 
anyone  here,  unless  I  feel  that  they  are  of  the  right 
stripe." 

Owens  was  attracted  by  the  mixture  of  trustfulness 
and  reticence,  kindly  manner  and  curtness,  in  the  de- 
meanor of  this  singular  man.  The  remainder  of  the 
drive  was  replete  with  interest.  Alighting  at  the  Geyser 
Hotel,  Owens  unexpectedly  met  with  some  acquaintances, 
who  immediately  set  up  a  shout  of  welcome.  After 
exchanging  salutations,  he  went  in-doors  to  register ; 
and  Foss  took  the  opportunity  to  inquire :  "  Who  is 
that  man?"  "Why,  don't  you  know  him?"  replied 

Col.  G ,  of  San  Francisco,  "  that  is  John  E.  Owens, 

the  comedian."  "Well,"  said  Foss,  "I  ain't  often 
wrong  in  taking  a  man's  measure,  and  this  time  I  hit 
it  mighty  straight.  I  froze  to  him  from  the  first  ten 
minutes.  I  haven't  been  as  well  pleased  since  I  drove 
Forrest."  And  this,  by  the  way,  was  a  superlative  com- 
pliment. Forrest  was  the  standard  of  perfection  for 
Foss ;  the  pride  of  his  life  being,  that  it  had  been  said 


172  MEMORIES   OF 

he  bore  a  physical  resemblance  to  the  great  tragedian, 
whose  manner  he  was  ambitious  of  imitating. 

The  sojourn  at  the  Geysers  was  fraught  with  such 
enjoyment  and  content  to  Owens,  that  his  intended  stay 
of  two  days  was  prolonged  to  as  many  weeks.  The 
guests  were  refined  and  agreeable  people ;  and  the  daily 
life,  and  its  environments,  was  fascinatingly  wild  and 
rough,  with  the  charm  of  novelty.  The  primitive  hotel 
was  supplied  with  delicious  fish  and  game,  captured  by 
"  Fritz,"  the  hunter,  and  upon  his  good  or  ill  luck 
depended  the  dinner  hour  ;  the  time  varying  anywhere 
from  two  until  eight,  p.  M.  If  the  supplies  came  in 
early,  the  guests  dined  accordingly  ;  but  no  one  thought 
of  being  dissatisfied  when  an  improvised  lunch  was 
served,  and  dinner  delayed  indefinitely. 

Of  the  Geysers  as  a  wonder  of  nature,  everybody  is 
now  aware.  In  1869  it  was  more  difficult  of  access, 
and  excited  greater  astonishment  with  its  two  hundred 
mineral  springs,  including  every  variety  that  can  be 
named,  and  every  temperature  also ;  for  side  by  side  are 
boiling  springs  and  icy  cold  ones,  only  a  few  inches 
apart.  Exploring  the  canyons  was  a  never-failing  source 
of  interest;  equestrian  parties  to  the  Indian  Spring, 
trout-fishing,  an  occasional  bear  hunt,  for  the  gentlemen, 
the  daily  arrival  of  the  stage  (including  a  chat  with  Foss 
when  he  was  not  too  grumpy),  constituted  varied  and 
pleasant  entertainment  from  sunrise  until  sunset. 


JOHN    E.    OWENS.  173 

The  Geyser  Hotel  of  to-day  is  an  imposing  building, 
elegantly  appointed ;  but  I  doubt  if  it  resounds  with  as 
much  genuine  mirth  as  did  the  old  wooden  structure, 
with  its  canvass  walls,  whose  unconventional  guests 
enjoyed  to  the  utmost,  the  "  camping-out  style  "  of  living, 
which  characterized  the  place  at  that  time.  Leaving  the 
Geysers,  Owens'  route  lay  through  Santa  Rosa  Valley, 
which  gave  him  further  opportunity  of  stage-coach  riding. 
The  exhilaration  of  these  new  scenes  was  indescribable ; 
on  every  side  bloomed  flowers  in  rank  luxuriousness, 
and  orchards  of  oranges,  pomegranates  and  other  fruits 
abounded.  Stopping  now  and  again  at  an  inn,  to  refresh 
man  and  beast,  a  lovely  panorama  met  the  eye  at  every  turn. 

The  name  Santa  Rosa  speaks  for  itself,  but  no  words 
can  describe  the  roses  it  denotes.  In  size,  fragrance  and 
profusion  they  are  incomparable.  All  these  delights 
were  of  the  long  ago,  when  California  was  less  frequently 
visited  by  Eastern  people.  Mr.  Owens  always  liked  to 
talk  over  this  episode  in  his  life,  and  would  recount 
many  incidents  thereof,  long  after  stage-coaches  and  their 
noted  drivers — Foss,  Hank  Monk,  Yuba  Bill  and  others, 
had  passed  away ;  and  the  railroad  rendered  the  trip  to 
California  of  small  moment,  instead  of  the  undertaking 
it  was  considered  when  much  time  was  required,  and 
novelty  attended  the  journey. 

En  route  home,  a  stoppage  of  two  days  was  made  at 
Salt  Lake  City.  The  honors  of  the  beautiful  town 


174  MEMORIES   OF 

were  courteously  extended  by  Elder  Claussen,  who  acted 
as  cicerone  to  all  places  of  interest.  The  Tabernacle, 
President  Young's  house,  Masonic  Temple,  Theatre 
and  other  buildings  were  thoroughly  shown,  with  many 
pleasant  words  of  information  respecting  them.  En- 
deavors were  made  to  prevail  upon  Mr.  Owens  to  play 
a  week  or  two  at  Salt  Lake  City ;  but  he  declined  these 
flattering  oifers,  having  already  been  absent  from  home 
much  longer  than  he  originally  intended. 

It  was  the  middle  of  July  when  he  arrived  at  "  Aig- 
burth  Vale/'  but  he  did  not  feel  as  if  his  summer  vacation 
only  began  then.  The  pleasure  tour  in  California  had 
l>een  delightful  recreation,  and  the  rural  life  strongly 
recuperative. 

Shortly  after  this  return  home,  Mr.  Wm.  R.  Floyd 
came  to  the  farm,  partly  on  a  friendly  visit,  and  (as 
afterwards  transpired)  with  a  view  to  effect  a  plan 
which  he  thought  might  not  be  accomplished  by  corres- 
pondence. It  was  to  obtain  Mr.  Owens'  consent  to  play 
a  short  engagement  at  Wallack's  Theatre,  New  York,  in 
August ;  "Se/f"  being  the  comedy  suggested.  This  scheme 
was  broached  the  day  after  Mr.  Floyd's  arrival,  and  at  first 
found  no  favor ;  but  persuasion  and  strong  inducements 
finally  resulted  in  acceptance  of  the  offer.  Supported 
by  the  full  strength  of  Wallack's  company,  he  began 
his  engagement  August  the  2d,  and  had  every  reason  to 
be  satisfied  with  its  artistic  and  financial  success. 


JOHN    E.    OWENS.  175 

The  season  of  1869-70  commenced  with  a  Western 
tour,  including  Pittsburg,  Cincinnati,  Indianapolis,  Louis- 
ville and  St.  Louis,  during  which  time  good  business 
and  the  full  meed  of  appreciation  greeted  our  comedian. 
Many  interesting  incidents  of  the  sojourn  in  these  cities 
find  place  in  his  diary ;  but  as  they  are  in  the  main  a 
record  of  social  intercourse,  I  refrain  from  giving  the 
witty  and  pleasant  jottings,  lest  in  being  made  public, 
they  might  be  regarded  as  an  infringement  on  personality. 

A  disastrous  finale  marked  the  close  of  the  Western 
tour,  in  St.  Louis.  The  weather  there  was  bitterly  cold 
— almost  beyond  thermometer  register ;  and  Mr.  Owens, 
while  playing  "Caleb  Plummer"  was  so  placed  on  the 
stage  as  to  be  exposed  to  the  many  draughts  for  which 
DeBar's  theatre  was  (among  other  cfocomforte)  renowned. 
The  thin  dress  worn  for  "  Caleb "  intensified  the  ill 
effects;  and  a  heavy  cold  and  severe  cough  were  con- 
tracted. Finding  that  the  exertion  of  playing  increased 
these  ailments,  he  endeavored  to  cancel  the  last  week 
of  his  engagement,  but  the  manager  declined  to  release 
him ;  so  night  after  night  he  continued  to  play,  at  the 
risk  of  permanent  loss  of  voice  and  health. 

His  strong  will  power  enabled  him,  despite  physical 
suffering,  to  keep  up  to  the  degree  of  his  usual  perform- 
ance ;  but  when  the  engagement  was  over,  this  tension 
gave  way,  he  succumbed  to  illness,  and  was  obliged  to 
remain  in  St.  Louis  several  days,  under  medical  care. 


176  MEMORIES   OF 

This  inevitable  delay  fretted  him  exceedingly,  as  he  was 
due  at  the  Varieties  Theatre,  New  Orleans,  November 
22d,  and  naturally  desirous  to  be  there  in  advance,  for 
the  purpose  of  thorough  rehearsals.  The  manager,  Mr. 
W.  R.  Floyd,  having  been  informed  of  Mr.  Owens' 
illness,  kindly  telegraphed  him  to  refrain  from  uneasiness, 
as  the  plays  would  be  put  in  preliminary  rehearsal,  and  all 
would  be  right.  He  recuperated  rapidly,  though  still  a 
very  sick  man  when  he  started  for  New  Orleans ;  but  on 
his  arrival  there,  signified  his  intention  of  commencing 
the  engagement  on  time,  Mr.  Floyd  positively  refused 
to  allow  an  exertion  which  might  cause  not  only  suffering 
but  a  relapse  to  illness — adding  :  "  I  have  arranged 
stock  performances  for  next  week,  that  you  may  be 
entirely  relieved,  and  as  a  friend  I  insist  upon  your 
taking  care  of  your  health." 

Mr.  Owens  gladly  availed  himself  of  such  considerate 
forethought ;  and  appreciating  this  regard  for  his  health, 
he  could  not  forbear  reflecting  that  his  illness  would  not 
have  occurred  liad  his  previous  rtianager  been  as  humane 
as  Mr.  Floyd.  A  week  under  the  care  of  Dr.  Chopin 
proved  effectual  in  making  a  permanent  cure. 

November  29th  Owens  appeared  at  the  Varieties  Thea- 
tre, after  nine  years'  absence  from  that  stage — a  stage 
associated  with  his  theatrical  management  (the  most 
brilliant  ever  known  in  New  Orleans)  and  with  some  of 
his  greatest  professional  triumphs.  In  fact  "John  Owens  " 


JOHN    E.    OWENS.  177 

and  u  the  Varieties"  were  so  inseparable  in  the  minds 
of  play-goers  that  the  mention  of  one  suggested  the 
other.  He  had  reason  to  be  proud  of  his  reception. 
Despite  a  pelting  rain-storm,  the  house  was  crowded  in 
every  part;  and  deafening  applause,  together  with  up- 
roarious laughter,  proved  that  the  comedian  had  not  lost 
the  hold  upon  the  habitues  of  the  old  "  Varieties"  which 
he  maintained  in  former  years. 

The  engagement  extended  over  four  weeks,  and  in- 
cluded many  of  his  most  renowned  personations.  The 
closing  week  was  marked  by  the  production  of  "Dot" 
— always  a  favorite  play  with  New  Orleans  people,  who 
inclined  to  think  they  had  a  special  right  to  Owens' 
Caleb  Plummer,  as  it  was  on  the  Varieties'  stage  he  first 
played  the  part,  and  won  the  hearts  of  all  by  this  dra- 
matic inspiration. 

Opening  in  Mobile,  on  the  27th  of  December,  Owens 
gave  seven  performances  to  full  and  fashionable  houses. 
From  thence  to  Vicksburg,  where  he  was  due  January  3d. 
Three  railroad  accidents  en  route  (though  not  serious), 
caused  detention,  and  rendered  his  arrival  on  time  im- 
possible. The  longest  delay  occurred  at  Meriden,  Miss., 
and  involved  the  necessity  of  remaining  over  night  in 
that  uncomfortable  locality.  The  hotel  was  a  barn-like, 
cheerless  place,  with  accomodations  even  worse  than  its 
appearance.  Poor  food  badly  cooked,  unrestful  beds, 
broken  window-panes  and  uncleanliness  were  among  the 
12 


178  MEMORIES    OF 

discomforts.  The  only  alleviation  being  that  the  endur- 
ance of  these  ills  was  temporary. 

When  Mr.  Owens  was  paying  his  bill  the  following 
dialogue  took  place:  "How  much  do  I  owe  you?" 
Gazing  at  the  opposite  wall,  the  landlord  mumbled, 
"  Nine  dollars."  "  What  did  you  say  ?  "  "  Nine  dollars," 
reiterated  the  man.  "  Look  me  in  the  face,  and  tell  me 
your  charge."  Staring  up  to  the  ceiling,  the  fellow 
repeated,  "Nine  dollars."  "Come  now,  look  me  in  the 
face,  and  say  for  what  I  owe  you  nine  dollars."  The 
man  ejaculated  spasmodically,  "  Nine  dollars — dinner — 
supper  and  lodging ; "  but  looked  steadily  on  the  floor, 
"  Ah,  my  friend,"  said  Owens,  "  I  see  it  is  impossible  for 
you  to  meet  my  eye,  and  make  a  charge  like  that  for  the 
tortures  of  this  hostelry.  As  you  are  not  entirely  lost  to 
shame,  I  have  some  hope  of  your  reformation.  I  present 
you  with  nine  dollars,  and  enlighten  you  gratuitously. 
The  civil  conflict  is  over  ;  war  prices  are  out  of  date.  You 
don't  seem  to  know  that  fact.  Bye-bye ;  I  shall  remem- 
ber Meriden,  and  beware  of  a  return  to  your  hospitality." 

The  landlord  was  angry,  but  bewildered  too,  not  under- 
standing the  mock  gravity  which  Mr.  Owens  maintained 
while  speaking.  It  was  one  of  his  peculiarities  to 
always  extract  a  "bit  of  fun  "  out  of  not  only  pleasant, 
but  disagreeable  surroundings.  A  keen  sense  of  the 
ludicrous  enabled  him  to  find  amusement  where  most 
people  would  discern  only  annoyance.  These  railroad 


JOHN    K,    OWENS.  179 

detentions  were  so  prolonged  that  Owens  did  not  arrive 
in  Vicksbnrg  until  Tuesday,  8.30  P.  M.  He  hurried  to 
the  Opera  House,  where  a  large  audience  was  patiently 
waiting  for  him.  The  curtain  rose  at  nine  o'clock.  Lack 
of  rehearsal,  the  inebriation  of  the  leading  man  and  much 
confusion  behind  the  scenes  rendered  the  performance 
anything  but  smooth ;  and  at  the  fall  of  the  curtain 
the  star  felt  that  the  evening  had  been  exhaustive  both  to 
his  patience  and  physical  strength. 

The  reaction  after  vexatious  excitement  and  fatigue, 
made  him  thankful  to  get  back  to  the  hotel  for  supper 
and  a  night's  rest.  An  uncouth  and  stupid  boy  brought 
supper  to  the  room,  and  while  he  was  placing  it  on 
the  table,  Mr.  Owens  remarked  :  "  You  have  forgotten 
the  ale  I  ordered/'  "  Well,  so  I  have,"  was  the  non- 
chalant reply.  "Go  bring  it."  "Can't  get  it  this 
late ;  bar  is  closed,"  stolidly  spoke  the  boy ;  "  but," 
brightening  up,  "you  can  have  it  first  thing  in  the 
morning."  "Thank  you,"  said  Mr.  Owens,  ironically. 
"  Tell  you  what  I'll  do,"  continued  the  imperturbable 
youth,  "  I'll  bring  it  to  your  room  myself,  at  six 
o'clock ! "  "  No,  you  won't ;  not  if  you  value  your  life. 
The  person  who  knocks  at  my  door  at  that  early  hour 
surely  dies,"  responded  Mr.  Owens  in  solemn  tones. 
The  boy  being  impervious  to  a  joke,  looked  puzzled ; 
then,  in  a  frightened  way,  turned  to  me,  and  lowering  his 
voice,  asked  in  all  seriousness,  "  What's  he  mean  ?  Is  he 


180  MEMORIES   OF 

crazy?"  The  question  was  never  answered,  except  by 
hearty  laughter  ;  and  the  boy  precipitately  left  the  room. 
"  It  appears/7  said  Mr.  Owens,  "  my  fun  comes  after  the 
play,  for  an  appetizer." 

A  thorough  rehearsal  on  Wednesday  rendered  the 
performance  creditable,  and  the  remainder  of  the  week 
was  an  experience  of  like  nature,  to  crowded  houses. 
Another  engagement  in  Mobile  followed,  with  an  entire 
change  of  plays  from  those  given  the  previous  fortnight. 
Closing  in  Mobile,  he  returned  to  New  Orleans  for  a 
visit  of  pleasure  to  enjoy  the  society  of  his  friends. 

Only  one  theatrical  appearance  was  made  by  Mr.  Owens 
during  this  holiday,  and  that  was  for  the  "  Benefit  of 
W.  R.  Floyd."  A  very  strong  bill  was  presented — 
"  Ai'i'dh,  na  Pogue"  with  Floyd  in  his  famous  part 
of  "Shaun  the  lyost,"  Owens  in  "Solon  Shingle,"  and 
Jefferson  in  "  A  Regular  Fix"  Of  course  the  house  \\  as 
crowded.  It  was  not  the  first  time  that  Jefferson  and 
Owens  had  played  in  the  same  bill,  or  in  the  same  cast. 
Long  ago  the  public  had  been  favored  with  this  double 
attraction  in  "  A  Comedy  of  Errors"  "  Two  Gregories," 
"Wag*  of  Windsor,"  "Village  Lawyer,"  "Money,"  and 
other  plays. 

I  remember  the  little  piece,  "  To  Parents  and  Guard- 
ians" being  given  with  Mr.  Owens  as.  Waddilove,  and 
Mr.  Jefferson  as  Tourbillon,  a  French  tutor.  The  parts 
were  not  especially  strong  or  important,  but  they  were 


JOHN    E.    OWENS.  181 

made  so  by  capital  acting.  Both  artists  being  conscien- 
tious, believed  that  whatever  they  did  was  worth  doing 
well.  Mr.  Jefferson's  quaint  punctilious  picture  of  the 
old  Frenchman  was  a  fine  characterization.  In  the  more 
important  triumphs  of  later  years,  the  remembrance  of 
this  part  may  not  linger  with  Mr.  Jefferson ;  but  it  will 
never  be  forgotten  by  those  who  enjoyed  it. 

Mr.  Owens  was  ever  an  appreciative  admirer  of  Mr. 
Jefferson's  genius,  and  highly  prized  the  life-long  friend- 
ship which  existed  between  them.  Late  in  February 
we  left  the  Crescent  city,  returning  home  per  steamer 
by  way  of  Havana. 

A  few  days  quiet  enjoyment  on  the  farm  preceded  an 
engagement  in  Washington,  commencing  March  14th; 
after  which  he  closed  his  season,  that  he  might  have  a 
good  long  vacation  at  home.  Many  buildings  and  other 
improvements  were  added  to  his  estate  during  this  sum- 
mer. Superintending  this  work  and  enjoying  the  society 
of  guests  at  Aigburth  Vale  made  the  time  pass  pleasantly 
and  swiftly. 

One  of  Mr.  Owens'  stories  of  the  happenings  of  this 

summer  was  in  regard  to  a  call  he  had  from  Mr.  S , 

a  theatrical  agent,  and  an  old  friend.  The  gentleman 
came  out  in  the  York  Road  car ;  sauntering  up  the 
avenue,  he  reached  the  house  just  as  Mr.  Owens  was 
about  stepping  into  his  buggy  to  drive  to  the  city.  After 
salutations,  Mr.  Owens  said  :  "  I  haven't  time  to  talk 


182  MEMORIES   OF 

business,  I  am  late  for  an  engagement  in  town  now ; 
jump  in,  we  will  chat  as  we  go  along,  and  I'll  bring  you 

back    with   me."     Mr.    S declined,   and   made   an 

appointment  for  later  on.  Casting  his  eyes  up  to  a  large 
tree,  beneath  which  the  horses  had  been  hitched,  he 
remarked,  "  What  magnificent  mulberries ;  I  haven't 
seen  such  large  ones  since  I  was  a  boy."  "  Go  up  to  the 
house,"  said  Mr.  Owens,  "  and  my  wife  will  send  one  of 
the  men  to  shake  the  tree,  and  you  can  have  full  enjoy- 
ment of  the  berries."  "  No,"  said  Mr.  S ,  "  but  I 

would  like  to  climb  the  tree  and  help  myself."  "  Do  so, 
and  welcome,"  cried  Mr.  Owens,  hurriedly  jumping  into 
the  buggy  and  driving  off. 

\Vith  agility  Mr.  S reached  the  dense  branches  of 

the  tree,  and  regaled  himself  plentifully ;  but  when  ready 
to  descend,  he  saw  at  the  base  of  the  tree  several  dogs 
intently  watching  him.  Here  was  a  perplexing  dilemma  ! 
It  was  dangerous  for  him  to  come  down  ;  and  if  he  called 
for  help  he  risked  being  regarded  as  a  marauder,  as  no 
one  had  seen  him  in  conversation  with  the  master  of  the 
place.  His  only  hope  was  that  the  dogs  would  become 
weary  and  no  away,  but  they  were  too  vigilant  for  that. 
One  oi-  two  of  them  would  leave  for  awhile,  but  never 
all  at  a  time. 

When  Mr.  Owens  returned  from  the  city  (some  five 
hours  later),  as  he  wa-  walking  his  horses  slowly  beneath 
the  shade  of  the  mnlberrv  tree,  lie  heard  a  voice  from  its 


JOHN    K.    OWKNN.  183 


recesses  calling  piteously  :  "  Owens,  for  mercy  sake,  get 
me  out  of  this  ;  I'm  nearly  dead."  Looking  up,  he  saw 
Mr.  S  -  peering  through  the  foliage  with  woe-begone 
and  fruit-stained  face.  "  Great  Scott  !  you  haven't  been 
there  ever  since  I  left  !  "  "  Indeed  but  I  have  ;  and  now 
drive  away  those  dogs,  and  let  me  come  down." 

The  "  sentinels  "  were  dispersed,  and  the  weary  prisoner 
released.  An  explanation,  amidst  much  laughter,  ensued  ; 
and  Owens  insisted  on  Mr.  S  -  going  to  the  house  for 
refreshment  and  rest.  The  hero  of  this  adventure,  seem- 
ingly mindful  only  of  its  ludicrous  side,  gave  it  extensive 
publicity.  Mr.  Owens  used  to  tell  the  story  with  gusto, 
in  his  own  droll  way.  No  one  was  fonder  of  a  joke,  but 
there  was  never  any  animus  in  his  raillery. 

When  he  indulged  in  satire,  wit  and  humor,  so  tem- 
pered its  edge  that  however  keen  it  never  wounded 
or  humiliated.  He  had  a  facetious  way  of  replying  to 
questions.  One  day  (in  New  York)  I  heard  a  gentleman 
ask  him  about  a  member  of  the  company  :  "  Where  does 
G  -  live  now?"  and  receive  the  reply,  "He  thinks 
he  lives  in  Harlem  ;  but  in  reality  his  life  is  passed  in 
the  theatre,  rehearsing  and  playing,  with  the  prelude  and 
finale  of  hanging  on  to  a  strap  in  a  crowded  car,  to  and 
from  Harlem."  A  friend  mentioning  some  contemptibly 
mean  act  of  a  man  they  both  knew,  indignantly  concluded 
by  saying  :  "  He  is  a  hog  !  "  "  Try  to  be  just,"  said 
Owens  ;  "  the  comparison  is  unfair."  "  I  maintain  it  is 


184  MEMORIES   OF 

not"  was  the  vehement  rejoinder.     " Oh,  yes,  it  is,"  per- 
sisted Owens ;    "  unfair  to  the  hog" 

The  season  of  1870-71  opened  September  19th;  and 
from  that  date  until  November  26th  the  tour  was  under 
the  management  of  George  F.  Fuller,  who  furnished 
a  competent  supporting  company.  Albany,  Buffalo, 
Rochester  and  other  New  York  cities  were  included  in 
the  route,  which  also  extended  through  Pennsylvania's 
most  important  towns.  This  tour  was  a  pleasurable 
success,  with  no  especial  event  to  mark  it  different  from 
its  predecessors. 


CHAPTER  VIII. 

Effie  Ellsler — Inauguration  of  Terre-Haute  Opera  House — "  The  audi- 
ence will  wait"— "  Owens'  Ride  "—Theatre  Royal,  Montreal— 
"John  W.  Albaugh"—kn  English  gardener— 'Appy  h'aspira- 
tions — Globe  Theatre,  Boston — A  graceful  souvenir — Letter  from 
the  author  of  "The  People's  Lawyer"—"  Fighting  Bob"— Country 
vs.  City — Napoleon's  blankets — Surprising  historical  data — John 
Unit's  second  visit  to  Richmond— Encouraging  industry— "A 
man  skilled  in  fence" — Paul  Pry — A  whilom  factotum — "  The- 
ay-ters  is  low"  —  Masonic  Temple  —  Louisville  —  Old  and  new 
friends — "  I  play  this  for  low." 

NOVEMBER  28th,  1870,  Owens  appeared  at  Wood's 
to  Theatre,  Cincinnati,  then  under  the  management  of 
Barney  Macauley.  After  a  fortnight  there,  he  proceeded 
to  Cleveland  to  fill  a  week  for  which  he  was  booked  with 
John  Ellsler.  It  was  during  the  latter  engagement  that 
the  lady  cast  for  Mary  Apex  was  taken  suddenly  ill,  and 
there  being  no  understudy,  the  withdrawal  of  "Self" 
seemed  inevitable.  Fully  aware  that  Owens  was  averse 
to  changing  the  bill,  Mr.  Ellsler  suggested  his  little 
daughter  for  Mary  Apex,  saying  :  "  She  has  not  ventured 
a  speaking  part  beyond  a  few  lines ;  but  her  voice  is 
good,  and  she  has  a  quick  memory.  If  you  can  rehearse 

186 


186  MEMORIES   OF 

the  scenes  with  her,  she  may  possibly  get  through. " 
Owens  was  quite  willing  to  run  the  risk.  Miss  Effie 
(not  yet  grown)  undertook  the  part  with  much  trepida- 
tion ;  but  made  such  a  sweet  ingenuous  Mary  Apex  as  to 
score  a  triumph.  Mr.  Owens  praised  and  congratulated 
her  at  the  close  of  the  performance;  and  the  audience 
had  already,  by  unstinted  plaudits,  assured  her  of  their 
approval.  This  was  the  first  mark  made  by  Effie 
Ellsler,  in  the  profession  she  has  since  won  distinguished 
position. 

While  in  Cincinnati  a  flattering  oifer  was  received  to 
inaugurate  the  new  Opera  House  in  Terre-Haute.  He 
hesitated  about  accepting  it,-  as  he  was  wistfully  looking 
towards  home,  having  arranged  to  give  himself  two  or 
three  weeks'  vacation  at  Christmas  time.  However,  he 
finally  telegraphed  an  affirmative  for  the  four  nights 
requested.  The  management  offered  as  an  additional 
inducement,  relief  from  rehearsals;  the  company  engaged 
having  recently  played  as  Mr.  Owens'  support. 

He  left  Cleveland  in  ample  time  to  reach  Terre-Haute 
Monday  afternoon;  but  en  route  detention  occurred, 
the  mad  being  blocked  by  the  debris  from  a  collision 
of  freight  trains,  in  consequence  he  did  not  arrive  in 
Indianapolis  until  7.30,  some  while  after  the  hour  lie 
was  due  in  Terre-IIant< — seventy-eight  miles  further 
on.  Much  annoyed,  he  gave  up  all  hope  of  fulfilling 
his  promise  to  inaugurate  the  new  Opera  House;  but 


JOHN    K.    QWBN&  1  s- 

nevertheless  continued  his  journey,  having  telegraphed 
the  manager  about  the  dilemma.  At  the  first  station 
after  leaving  Indianapolis,  a  telegram  was  brought  on 
the  train  to  him  (a  response  to  his  own)  which  read  : 
"  The  audience  will  wait  for  you."  At  every  succeed- 
ing station  was  received  a  telegram  to  the  same  effect, 
variously  worded.  The  entire  ride  of  seventy-eight 
miles  was  made  while  the  audience  were  waiting  for 
the  star  of  the  evening.  Upon  arriving  at  Terre-Haute 
he  drove  rapidly  to  the  Opera  House,  and  exceeded 
even  his  own  record  for  quick  dressing.  The  curtain 
arose  at  eleven  o'clock,  and  when  "Major  De  Boots" 
stepped  on  the  stage,  a  deafening  shout  of  welcome 
arose.  The  whole  performance  went  off  with  eVlat  : 
the  Major  and  Solon  being-  applauded  to  the  echo  until 
the  fall  of  the  curtain  at  tiro  o'clock  in  the  morning, 
when  the  crowd  dispersed  in  jolly  good  humor. 

Previous  to  Owens'  arrival,  telegrams  had  been  read 
to  the  audience,  from  time  to  time,  giving  information 
that  "  Owens  was  within  seventy  miles  of  Terre-Haute," 
then  "  fifty  miles,"  then  "  thirty-three  miles,"  and  so  on. 
The  entire  episode  made  quite  a  talk,  and  was  dilated 
on  in  the  various  newspapers.  A  contributor  to  the 
Cincinnati  AVy////-./-  ^ave  a  descriptive  rhyme  of  the 
incident — a  parody  on  "Sheridan's  Ride" — of  which  I 
quote  a  portion  : 


188  MEMORIES   OF 

"OWENS'   RIDE." 

Up  from  the  ground  a  magnificent  pile 

Of  granite  and  marble  and  Terra-Haute  tile, 

Arose  with  a  grandeur  terrific,  sublime, 

As  if  wrought  by  the  touch  of  a  magical  mind; 

A  Temple  where  Thespeus  sports  in  his  play, 

West  of  the  Capital,  seventy-eight  miles  away. 

Like  a  herald  in  haste  the  news  spread  away, 
That  "Owens"  the  invincible  King  of  the  play, 
Was  engaged  to  be  here  on  opening  day, 
And  tell  unto  all  what  "Solon"  would  say; 
And  the  news  seemed  to  strike  us  all  with  dismay, 
That  "Owens"  was  seventy-eight  miles  away. 

The  first  snow  was  falling  in  dreary  December, 
When  this  house  of  the  muses,  in  all  its  splendor, 
Was  opened  to  the  gaze  of  admiring  legions, 
Who  came  from  the  nearest  and  remotest  regions; 
Well  represented  was  fashion's  array, 
To  see  "Owens"  who  was  seventy-eight  miles  away. 

The  crowd  grew  impatient,  smiles  yielded  to  frowns, 
Nowhere  could  either  of  the  managers  be  found ; 
But  a  man  always  "Early,"  with  kindness  abounding, 

./{jested  the  play  should  begin  by  refunding 
The  greenbacks  to  those  who  no  longer  could  stay 
To  see  "Owens"  seventy-eight  miles  away. 

"But  stay,"  said  a  voice — all  was  attention — 

"While  the  contents  of  a  telegram  I'll  mention." 

There  is  a  road  from  Indianapolis  town, 

A  broad-guage  railroad  leading  down; 

And  there,  through  the  flash  of  a  brilliant  head-light, 

An  engine  passed  with  an  eagle's  flight. 


JOHN    E.    OW1.N-.  189 

As  if  it  knew  the  terrible  need, 

It  stretched  away  with  the  utmost  speed  ; 

Bridges  came  and  passed  away, 

With  "Owens"  only  thirty-three  miles  away. 

Under  its  iron  hoof  the  road, 

Like  an  angry  Wabash  river,  flowed; 

And  the  landscape  sped  away  behind, 

Like  an  ocean  flying  before  the  wind. 

And  the  engine,  with  its  wild  eyes  full  of  fire, 

Is  nearing  unto  our  heart's  desire; 

It  is  snuffing  the  scent  of  "Lubin's"  spray, 

With  "Owens"  only  fifteen  miles  away. 

The  first  thing  that  "  Owens"  did,  I  think, 

Was  to  get  on  the  outside  of  a  healthy  drink. 

That  was  done ;    what  to  do  next  he  knew  well, 

For  the  audience  set  up  a  terrible  yell, 

So  he  rushed  on  the  stage  'mid  a  storm  of  huzzas, 

And  checked  the  wave  of  impatience,  because 

The  sight  of  John  Owens  compelled  it  to  pause. 

With  frost  and  with  snow  the  engine  was  gray; 

It  seemed  most  eloquently  to  say, 

"I  have  brought  you  Owens,  all  the  way 

From  Indianapolis,  to  begin  the  play." 

The  ladies  now,  all  impatience  forgetting, 
Begin  their  old  habits  with  lovers  coquetting. 
All  were  well  pleased,  and  expressed  it  en  masse, 
That  Owens  was  there  to  dispense  "apple  sass." 
And  now,  Mr.  Owens,  "how  dew  you  dew?" 
We  hope  you  will  like  us  as  we  like  you; 
And  should  you  by  chance  again  happen  this  way, 
Don't  begin  the  play — seventy-eight  miles  away! 


190  MEMORIES   OF 

The  exciting  success  of  the  first  night  extended  through 
the  remaining  three  performances ;  and  the  Opera  House 
was  prosperously  launched  on  its  dramatic  career.  Leav- 
ing Terre-Haute,  Mr.  Owens  played  a  week  in  Louisville, 
then  took  a  rest  at  home.  He  resumed  his  professional 
work  January  16th,  at  the  Park  Theatre,  Brooklyn, 
Mrs.  F.  B.  Conway  being  manageress — "  Victims  "  and 
"Solon  Shingle"  for  the  first  week,  "Solon  Shingle"  and 
"  The  Live  Indian"  the  second  week.  Snow,  sleet,  rain 
and  bitter  cold  was  the  weather  record  of  the  fortnight ; 
but  inclemency  did  not  seem  to  interfere  with  amusement 
seekers,  as  the  theatre  was  nightly  crowded  with  old 
"  Solon's  "  admirers. 

After  closing  in  Brooklyn,  dates  of  a  New  England 
tour  were  filled,  with  Clifton  Tayleure  as  manager.  This 
included  all  of  the  eastern  cities  as  far  northward  as 
Portland,  Maine ;  after  which  he  played  a  week  in 
Baltimore,  another  in  Washington,  thence  to  McVicker's 
Theatre,  Chicago.  These  were,  in  detail,  a  recurrence  of 
others  I  have  already  dwelt  upon.  From  the  west  Owens 
came  direct  home,  having  completed  his  season  1870-71. 
Scarcely  had  he  begun  to  be  settled  in  rural  pursuits 
when  he  received  an  offer  to  play  in  Montreal,  which  he 
decided  to  accept,  and  after  its  fulfilment  make  a  pleasure 
tour  up  the  St.  Lawrence,  visiting  Quebec  and  other  places. 

An  additional  inducement  to  draw  Mr.  Owens  to  Mon- 
treal was  the  fact  that  the  Theatre  Royal  was  managed 


.mi IN    K.  o\vi:.\>.  191 

for  the  summer  season  by  Mr.  John  W.  Albaugh,  who 
was  a  favorite  and  companionable  friend.  He  also  played 
the  leading  business  of  his  theatre,  which  was  an  impor- 
tant matter  to  the  comedian,  who  remembered  the  able 
support  rendered  him  by  Mr.  Albaugh  in  previous 
engagements,  prominently  so  during  the  season  of  1864, 
in  New  York,  where  he  distinguished  himself  by  polished 
and  conscientious  work  in  "  Uncle  Solon  Shingle"  "  Vic- 
tims "  and  other  plays. 

After  the  Montreal  engagement,  and  the  ensuing 
pleasure  trip,  Owens  returned  to  the  farm;  resting  and 
enjoying  the  society  of  his  friends  during  his  vacation. 
In  July  some  changes  were  made  in  employees  on  the 
place,  and  the  position  of  head  gardener  was  difficult  to 
fill.  Among  the  applicants  came  an  Englishman,  whose 
language  was  obscure  from  the  wild  and  promiscuous 
disposal  of  the  letter  h.  Not  being  able  to  understand 
his  name,  Mr.  Owens  (considerately  desiring  to  spare  the 
man  the  embarrassment  of  a  third  interrogation)  asked, 
"  how  do  you  spell  your  name  ? "  And  the  reply  was 
given  thus  :  "A  he — a  double  hell — a  hi — a  hess — a  ho 
and  a  hen — ( Ellison'  r'  Mentally,  Mr.  Owens  decided, 
"  if  this  man's  reference  is  fairly  good,  I'll  engage  him. 
I  foresee  a  fund  of  amusement  which  I  must  not  lose." 
For  the  three  years  that  Ellison  was  employed  at  Aig- 
burth  Vale,  he  was  an  inexhaustible  source  of  entertain- 
ment to  Mr.  Owens — not  in  the  way  of  ridicule,  but  as  a 


192  MEMORIES   OF 

study  of  character.  The  white  cliffs  of  Albion  were 
suggested  by  his  every  utterance;  and  combined  with 
this  was  stolid  wit  and  shrewd  good  sense.  To  hear  Mr. 
Owens  relate  some  of  their  interviews,  was  as  good  a  bit 
of  character-acting  as  one  could  have.  He  liked  this 
head  gardener  personally,  for  the  sterling  integrity  and 
mental  ability  which  entitled  him  to  general  respect. 

The  summer  weeks  flew  swiftly  by  until  Mr.  Owens 
again  returned  to  theatrical  life.  This  occurred  September 
5th,  at  the  Globe  Theatre,  Boston,  Arthur  Cheney  being 
proprietor,  and  W.  R.  Floyd,  manager.  The  ranks  of 
the  stock  company  were  filled  by  F.  F.  Mackey,  W.  E. 
Sheridan,  D.  Harkiris,  H.  L.  Daly,  J.  Jennings,  Peakcs, 
Miss  Josie  Orton,  Miss  Ada  Gilman,  Mrs.  Barry,  Mrs. 
Hunter  and  others.  Mr.  Owens  was  the  first  star  of  the 
season;  he  opened  in  Victims  and  Forty  Wink-*,  and  was 
received  with  overwhelming  cordiality. 

"The  Heir  at  Law,"  "  The  Rivals"  and  other  comedies 
followed  successfully ;  but  the  salient  feature  of  the  en- 
gagement was  "  Gi'iiiHilili."  It  set  critical  Boston  wild 
witli  admiration,  and  packed  the  theatre  for  six  consecutive 
weeks.  Owens'  personation  of  (iriinnlili  was  pronounced 
an  unexcelled  charactcri/ation — a  carefully  studied,  yet 
thoroughly  natural  piece  of  acting.  He  graphically 
pictured  the  oM  French  emigre  struggling  with  want 
and  hunger — proud,  tender,  shrewd,  and  withal  a  gentle- 
man. Every  intonation  of  the  voice,  the  raising  of  the 


JOHN   E.  OWENS.  193 

eyebrow,  the  glance  of  the  eye,  was  perfect ;  and  in  delicate 
shading  vitalized  "  Grimaldi."  Owens  had  disappeared 
as  completely  as  if  swept  from  the  face  of  the  earth  ;  the 
old  Frenchman  stood  in  his  place,  and  bore  the  audience 
with  him  through  poverty,  sorrow,  pathetic  affection — 
changing  with  prosperity  to  the  volatility  of  supreme  hap- 
piness. Boston  audiences  are  ever  discriminating;  and 
they  realized  that  this  role  was  worthy  of  the  artist's  great 
reputation,  and  regarded  it  as  a  cluster  of  dramatic  jewels. 
It  was  at  this  time  in  Boston  that  Mr.  Owens  made 
inquiry  relative  to  the  author  of  "  The  People's  Lawyer." 
The  play  had  never  been  copyrighted,  and  in  its  origi- 
nality widely  differed  from  the  "Solon  Shingle"  which 
Mr.  Owens  had  made  famous.  Though  only  indebted 
to  the  author  for  the  skeleton  upon  which  he  had  formed 
"Solon  Shingle"  he  desired,  in  view  of  his  success,  to 
tender  a  complimentary  recognition  to  Dr.  Jones.  Having 
obtained  his  address  in  Boston,  he  wrote  a  pleasant  letter, 
and  enclosed  a  substantial  souvenir.  To  this  he  received 
the  following  acknowledgment : 

"BOSTON,  September  23d,  1871. 
"JOHN  E.  OWENS,  Esq: 

•'  My  Dear  Sir, — Your  favor  enclosing  a  check  drawn  by  you  and 
payable  to  my  order,  for  '  Five  hundred  dollars/  was  duly  received. 
'The  Souvenir,'  so  gracefully  tendered,  I  accept  with  peculiar  gratifi- 
cation in  consequence  of  its  relation  to  one  of  my  earliest  efforts  as  a 
dramatist,  '  The  People's  Lawyer,'  written  nearly  two-score  years  ago. 

13 


194  MEMORIES   OF 

"You,  sir,  have  made  Solon  Shingle  famous,  prolonged  his 
stage-existence,  and  preserved  to  this  time  this  relic  of  the  dramatic 
past. 

"  My  inclination  would  lead  me  to  thank  you,  in  presence  of  the 
public,  for  your  novel  recognition  of  my  claim  to  the  authorship  of 
the  drama  in  which  Mr.  Shingle  was  first  introduced.  I  have  not 
considered  it  proper,  without  your  approval,  to  reply  to  your  note 
through  the  press. 

"I  wish,  however,  that  your  gratuitous  manifestation  should  be 
known  to  all  who  have  interest  in  the  success  of  plays  and  players. 

"  Let  me  again  repeat  my  appreciation  of  the  gift,  and  the  generous 
motive  that  suggested  it. 

"Very  truly  yours, 

"Jos.  S.JONES." 

Mr.  Owens  replied  by  assuring  Dr.  Jones  how  deeply 
he  valued  such  kind  sentiments,  but  positively  declined 
to  have  their  correspondence  published ;  concluding 
to  this  effect :  "  The  pleasure  you  express  at  the 
reception  of  the  souvenir  is  not  one-tenth  of  that  which 
I  experience  in  knowing  that  I  have  rendered  to  your 
gratification.  Let  that  content  us."  This  graceful  act 
was  never  mentioned  to  anyone  by  Mr.  Owens.  Whether 
Dr.  Jones  was  equally  reticent,  I  do  not  know.  They 
have  both  passed  into  the  spirit  land,  and  I  do  not  think 
it  amiss  now  to  relate  an  incident  which  was  creditable  to 
both,  evincing  as  it  did  the  best  feelings  of  human  nature. 

Owens  next  played  at  the  Walnut  Street  Theatre, 
Philadelphia,  to  excellent  business,  and  afterwards  at 
Booth's  Theatre,  New  York — opening  November  6th, 


JOHN    E.    OWENS.  195 

1871,  as  "  Caleb  Plummer,"  in  "Dot."  That  the  charac- 
ter!/ation  met  with  appreciative  welcome,  was  a  foregone 
conclusion.  Never  had  this  peerless  performance  elicited 
warmer  praises ;  but  the  cast  (though  comprising  much 
talent)  lacked  adaptability  to  the  parts  assigned,  and 
the  ensemble  was  unsatisfactory.  Two  weeks  of  Caleb 
Plummer ;  and  then  Victims  and  Solon  Shingle  held  the 
boards  for  the  same  length  of  time. 

To  the  details  of  setting  pieces  the  management  gave 
every  attention ;  but  nothing  could  counteract  the  fact 
that  it  was  not  a  theatre  for  comedy.  The  company  had 
been  selected  for  tragedy,  and  a  serious  element  lingered 
depressingly  in  the  atmosphere.  The  immensity  of  the 
theatre  was  more  suitable  for  declamatory  acting  than  for 
the  subtlety  of  humor,  where  the  play  of  the  features,  or 
neatness  of  action  intensifies  points.  The  month  at 
Booth's  Theatre  was  chronicled  by  the  press  as  an  artistic 
success ;  but  this  meed  of  praise,  and  the  large  pecuniary 
results  were  insufficient  to  reconcile  the  comedian  to  the 
solemnity  of  his  surroundings.  "  It  is  the  home  of  classic 
tragedy,  and  unfit  for  comedy,"  said  he.  "Lotta,"  who 
was- the  next  star,  was  similarly  impressed.  Some  of  her 
friends  described  the  theatre  as  so  antagonistic  to  fun  as  to 
render  the  merry  little  sprite  entirely  out  of  her  element. 

On  the  llth  of  December  Owens  appeared,  as  the  first 
star  of  the  season,  at  the  Varieties  Theatre,  New  Orleans, 
Lawrence  Barrett  being  manager.  During  the  previous 


196  MEMORIES   OF 

year  the  old  theatre  had  been  destroyed  by  fire,  and  a 
more  magnificent  structure  reared  in  its  stead.  Under 
the  supervision  of  Mr.  Barrett  the  new  theatre  gave 
evidence  of  the  excellent  judgment  and  refined  taste  so 
inseparable  from  that  gentleman.  The  stock  company 
was  efficient  in  talent,  and  full  in  numbers. 

Mr.  Barrett  delivered  the  opening  address  in  a  polished 
manner.  Then  followed  "Everybody's  Friend"  and 
"Solon  Shingle;"  and  the  vast  audience,  already  in  a 
good  humor,  became  exuberantly  mirthful.  This  bill, 
announced  for  two  nights,  was  by  request  continued  the 
entire  week,  thus  deferring  "  The  Rivals  "  until  Monday, 
18th  inst.  Sheridan's  witty  comedy  was  strongly  cast, 
with  Bob  Acres  as  the  central  light ;  and  that  character 
was  played  by  Owens  with  dash  and  spirit.  Rollicking 
merriment  contrasted  forcibly  with  the  abject  fear  of 
"fighting  Bob/7  when  his  cowardice  became  uncon- 
trollable. In  every  phase  artistic,  he  evoked  laughter 
and  won  unanimous  approval. 

On  Christmas  night  "Dot"  was  produced  with  Owens 
as  "  Caleb  Piammer"  The  old  toy-maker  was  ever  wel- 
come in  New  Orleans,  but  especially  at  this  season  of  the 
year,  from  the  memory  of  many  other  Christmas  times 
that  he  had  held  the  hearts  of  his  auditors.  Tin's 
retrospection  went  back  as  far  as  1860,  when  Caleb's 
timid  taj>  at  .John  Peerybingle's  door  was  answered  by 
the  hearty  "come  in  !"  of  the  carrier.  Entering  irreso- 


JOHN   E.    OWENS.  197 

lutely,  and  meekly  responding,  "  It's  only  me/7  there 
stood  old  Caleb  with  his  patient  manner.  As  he  paused 
inside  the  door,  wistfully  gazing  at  the  home  circle,  he 
was  such  a  pathetic  figure — meagre,  cold  and  simply 
humble,  that  one  felt  like  joining  in  the  cordial  greeting 
of  Dot  and  John,  that  cheerily  bid  the  old  man  "  come 
close  to  the  fire." 

Long  before  Christmas  time  many  New  Orleans  people 
would  appeal  to  the  manager:  "Give  us  t Dot' ;  the 
holidays  are  incomplete  without  Caleb  Plummer  and  his 
humanizing  tenderness.  The  play  is  Christmaslike,  and 
every  one  is  better  for  having  heard  the  cricket's  merry 
chirping." 

The  New  Orleans  engagement  having  terminated,  Mr. 
Owens  returned  home  by  steamer,  via  Havana,  and 
indulged  in  a  brief  respite  from  professional  duties  by 
enjoying  country  life;  for  since  home  and  farm  had 
become  synonymes,  he  had  grown  to  love  the  country 
at  all  seasons.  He  claimed  that  he  had  always  innately 
had  that  taste;  but  I  remember  a  long-ago  incident 
when  this  liking  was  somewhat  modified. 

Before  removing  from  the  city  to  Aigburth  Vale,  Mr. 
Owens  and  myself  accepted  an  invitation  to  visit  some 
friends  in  the  country — driving  out  Sunday  morning  and 
remaining  until  next  day.  The  hospitality,  cordial  wel- 
come and  genial  conversation  that  marked  this  visit  was 
exceedingly  enjoyable.  The  winter  landscape,  beautiful 


198  MEMORIES   OF 

with  its  garment  of  snow  and  jewels  of  prismatic  icicles, 
was  a  novelty  to  us  city  people,  and  greatly  admired. 
Indoors  the  ruddy  warmth  and  cheerful  blaze  from  the 
big  open  fire-place,  with  its  huge  hickory  logs,  sent  a 
glow  on  the  Christmas  evergreens  and  holly  which 
decorated  the  room,  making  a  charming  picture. 

The  bed-rooms  of  this  home  were  of  cottage  style ; 
and  though  exquisitely  appointed,  not  comfortable  as  the 
wood  fires  died  out.  Narrow  blankets  increased  the 
danger  of  taking  cold.  In  the  morning  Mr.  Owens 
remarked  to  me,  "  I  fear  I  have  contracted  an  influenza ; 
if  so,  I  hereafter  veto  the  country  in  winter  time — it  is  at 
the  best  in  summer,  and  ought  only  to  be  visited  then." 

While  breakfasting,  our  friends  with  attentive  solici- 
tude, "  hoped  that  a  good  night's  rest  had  refreshed  us." 
Replying  with  conventional  courtesy,  Mr.  Owens  was 
about  to  change  the  topic ;  when  he  was  interrupted  by 
our  host  observing:  "I  will  tell  you  something  very 
remarkable  about  those  blankets  you  slept  under.  They 
belonged  to  Napoleon  Bonaparte.  I  have  authentic  proof 
of  this  relic ;  they  came  into  my  possession,"  &c.,  &c. 
Of  course,  we  listened  with  interested  attention,  and 
made  the  natural  ejaculations  of  wonder  and  admiration. 

As  we  drove  to  the  city  in  a  jaded  and  sneezing  con- 
dition, Mr.  Owens  suddenly  remarked :  "  I  have  made 
a  discovery  which  will  be  valuable  to  history.  The  true 
cause  of  the  divorce  between  Napoleon  and  Josephine  is 


JOHN    E.    OWENS.  199 

now  clear  to  me — Narrow  blankets  !  A  lifetime  of  har- 
mony together  was  impossible  ! " 

Owens  played  in  Washington  and  Baltimore  during 
February  and  March,  1872,  with  the  same  pleasant 
results  that  had  heretofore  attended  his  engagements  in 
those  cities.  In  addition  to  his  popularity  with  the 
general  public,  he  had  hosts  of  friends  who  loved  to  chat 
with  him,  and  for  these  he  always  had  a  pleasant  word, 
and  ofttimes  a  merry  story.  To  chance  acquaintances  he 
was  ever  affable;  but  sometimes  his  patience  became 
sorely  tried  by  a  class  of  individuals  who  think  they 
have  a  right  (unintroduced)  to  intrude  upon  the  time  of 
an  actor,  even  to  the  interruption  of  business  or  his  social 
intercourse  with  personal  friends.  The  usual  intro- 
ductory sentence  "you  don't  know  me,  Mr.  Owens," 
was  met  serenely  at  most  times;  but  occasionally  it 
became  unbearable,  and  merited  the  reply,  "  No ;  and  I 
don't  want  to  know  you" — especially  if  followed  by 
prosy  reminiscence  and  many  questions. 

One  of  the  penalties  of  prominence  is  to  be  a  target 
for  bores,  who  sometimes  have  more  imagination  than 
memory.  A  case  in  point  occurred  one  day  as  Owens 
was  walking  up  Baltimore  street  with  a  friend.  He  was 
effusively  accosted  by  a  tottering  senile  individual :  "  I 
declare  if  that  aint  Jack  Owens !  I'm  real  glad  to  see 
you.  I've  been  away  from  this  city  these  many  years. 
How  do  you  do,  Jack?"  extending  a  tremulous  hand. 


200  MEMORIES   OF 

"  Oh,  I'm  quite  well,"  replied  the  comedian ;  "  but  I 
don't  remember  you."  "  Now,  that's  hard,"  mumbled 
the  octogenarian,  "/never  forgot  you.  Always  would 
go  to  see  Jack  Owens  play — 'old  Jack  Owens,'  as  we 
boys  used  to  call  you.  Never  shall  forget  the  first  time 
I  saw  you.  It  was  in  the  Baltimore  Museum ;  my 
nurse  took  me  when  I  was  about  six  years  old,  and —  " 
"Oh,  that  was  my  grandfather  you  saw,"  interrupted 
Owens.  "  No,  no,  no,"  insisted  the  mendacious  bore ; 
"  it  was  you,  I  remember  I —  "  "  It  couldn't  have  been 
my  father,  for  he  would  be  about  your  own  age  if  he  was 
alive — Ta !  ta ! "  laughingly  rejoined  Owens,  as  he  turned 
away  and  walked  off,  leaving  the  retrospective  humbug 
uncertain  whether  he  had  been  snubbed  or  misunderstood. 
After  the  engagement  in  Baltimore,  Owens  made  a 
brief  southern  tour ;  commencing  in  Augusta,  Ga.,  and 
closing  in  Richmond,  Va.  On  his  arrival  in  the  latter 
city  (where  he  had  not  played  since  1857),  a  committee 
of  leading  citizens  waited  upon  him  to  request  that 
he  would  favor  the  public  with  the  performance  of 
"John  Unit."  He  cheerfully  complied,  remembering 
with  pleasure  the  long-ago  success  of  "Self"  and  the 
episode  of  the  snow  storm  which  delayed  his  first  night 
in  Richmond.  Many  of  the  persons  who  witnessed  it 
then  were  among  the  audience  of  May  10th,  1872.  The 
Richmond  papers  became  reminiscent,  and  printed  the 
original  cast  and  criticisms.  After  the  curtain  fell  on 


JOHN    E.    OWENS.  201 

"Self"  Mr.  Owens  received  warm  congratulations  on  his 
success,  and  ultra  perfection  as  John  Unit.  Strenuous 
efforts  were  made  to  induce  him  to  prolong  his  engage- 
ment; but  to  these  flattering  appeals  he  was  unable  to 
respond  affirmatively,  though  tendering  his  regrets  at  his 
inability  to  do  so.  The  warm  days  had  prematurely 
commenced  in  springtime,  and  Mr.  Owens  was  desirous 
of  entering  upon  his  summer  vacation  at  home. 

I  don't  know  whether,  on  this  occasion,  it  was  rest 
he  was  impatient  to  attain,  as  the  fact  that  he  had  in 
prospect  sundry  improvements  on  the  farm,  in  the  way 
of  fencing,  ditching,  &c.,  which  he  was  eager  to  set  going. 
Nothing  delighted  him  more  than  to  have  the  place 
pervaded  with  laborers ;  and  to  give  occupation  to  those 
who  asked  for  it  was  his  constant  rule.  The  invariable 
direction  to  his  farm  manager  being :  "  Never  refuse  an 
application  for  employment.  Don't  turn  a  man  away ; 
make  work  for  him."  On  one  occasion  he  had  a  long 
line  of  fence  moved  a  few  feet  back,  and  six  months 
later  returned  to  its  original  position.  I  always  believed 
it  was  done  for  the  sole  purpose  of  giving  employment 

to  Tom  B ,  who  by  the  way,  was  a  favorite  with 

Mr.  Owens.  He  often  said,  that  Diogenes'  lantern- 
hunt  for  an  honest  man  would  have  come  to  a  speedy 
termination  had  he  met  B . 

Away  from  home  once,  Mr.  Owens  had  occasion  to 
write  to  B ,  relative  to  some  fencing ;  and  as  many 


202  MEMORIES  OF 

of  thr   same    name    lived    in    Baltimore  County,   !)«• 
puzzled  about  directing  the  letter  so  as  to  insure  its  1- 
received.     Jocosely,  he   said :    "  I'll    indicate  him  by  a 

quotation  ;"    and  wrote  "Thomas  B ,  'a  man  skilled 

in  fence/'      The  letter  was  delivered  to  the  right  man  ; 

though    B was   serenely    nnconscions    of   the    witty 

address. 

Having  enjoyed  a  delightful   snnuner  at    home.  <  > 

i  liis  next  season  in  Krooklyn  at  the  Park  Theatre. 
September  I'd,  IST'J.  During  the  vacation  he  had  01> 
gani/ed  a  company  to  support  him  in  a  starring  tour  of 
thirty-seven  weeks  ;  playing  in  one  hundred  and  thirty- 
seven  towns.  The  perfection  of  <his  undertaking  wai 

///'//   a    lahoi-ioiis  task  ;     for   it    was   in   the  early  days  of 
such  continnoim  travel,  and  unattended    with    the   present 
facililir..       Tlir    result,    however,    was    eminently    satis- 
factory.      \     well    selrHrd    eninpanv    of   marke<l    ability 
IMI. I.  i,, |     t||,.    various    plays    admirably.        The    leading 
Mrs.  John    T.   L'aymond    (known    professionally    a- 
"Marie    Gordon'1),    pro\-,d    an    immense    favorite  «-\ •.  r\ 
when.        \|'t.-r    a     I'ortuight     in     P>rooklyn,    the    eiti, 
Albany.    I'tica.   and    nthnx    in    \c\\     ^'.»rk    -t:Me  came  in 
mtatinn;      from    tlnn<<     a    tour   of   the    wrMern    t«»\\n 
lontr     (or    ('incinnati.       There    at     Pike'-    Opera     House 
he    played    the    mo^i    brilliant    tt>gag6BMIl1    of    his    many 
the  <v>ii,,ii    .it\.        The  11,-irtif  l.ttu\   /'<><>>• 
f/r/j/A  111,111,    I'/i,    AVn/Av,  .sV«v//iw;7.v  (//if/    UVjrx  and    other 


\\K,  O\\t\S   .>  :  V.  :    '^ 


JOHN    E.    OWENS.  203 

popular  comedies  from  his  extensive  repertoire  filled  the 
time  with  varied  attractions;  and  the  public  rendered 
hearty  tribute  to  his  versatility. 

By  especial  request  he  played  "Paul  Pry"  that  having 
been  a  favorite  during  his  early  engagements  in  Cincin- 
nati. Owens  was  regarded  as  one  of  the  best  Paul  Prys. 
He  gave  a  piquant  delineation  of  that  eccentric  character, 
rendering  the  full  quota  of  dry  humor  without  the 
slightest  shade  of  buffoonery.  The  play  of  features,  so 
expressive,  testified  his  marvellous  mobility  of  counten- 
ance— his  magnetic  eye-power  was  wonderful ;  and  the 
artistic  judgment  with  which  he  used  these  gifts,  rendered 
the  effect  charmingly  natural.  His  laugh  was  so  hearty 
and  genuine  that  it  was  echoed  by  all  who  heard  it. 
The  blunders  unwittingly  committed  by  Paul  Pry  were 
intensified  in  ludicrousness  by  the  surprise  he  evinced 
at  the  resentment  of  those  for  whom  he  persisted  "he 
was  doing  a  kind  act.'7  No  description  can  do  justice 
to  Owens'  portrayal  of  this  character,  or  to  the  manner 
in  which  he  vividly  brought  out  the  idea  of  the  play, 
that  Paul  Pry  was  not  the  mar-plot  of  the  piece  but 
rather  the  make-plot]  for  on  his  meddling  hinges  the 
working  out  of  events. 

While  in  Cincinnati,  going  to  rehearsal  one  morning,  the 
comedian  encountered  a  brisk  little  man,  who  greeted  him 
with  the  stereotyped  salutation,  "You  don't  remember 
me,  Mr.  Owens?"  Scarcely  waiting  for  response,  he 


204  MEMORIES   OF 

continued,  "  I  was  in  your  company  when  you  managed 
the  Charles  Street  Theatre,  Baltimore.  Don't  you  recol- 
lect when  we  made  that  big  hit  with  the  '  Comedy  of 

Errors  ? '    I  played  the  officer."     "  Oh,  it's  C ,"  said 

Owens,  laughing ;  for  he  at  last  recognized  a  whilom 
factotum  who,  on  the  occasion  referred  to,  had  been 
entrusted  with  one  line  to  speak.  Breaking  down  hope- 
lessly the  first  night,  a  tap  on  the  shoulder  was  thereafter 
substituted  for  the  few  words  (and  that  was  how  we  made 

the   hit).     "Well,    C ,"    inquired   Mr.   Owens,   "at 

which  of  the  theatres  are  you  now  ?  "  "  Oh,  I've  cut 
the  the-ay-ters,"  disdainfully  replied  the  youth,  "I  am 
in  the  book  business ;  that  is  our  establishment,  across 
the  street." 

The   large  and   handsome   store   indicated  betokened 

wealth  incompatible  with  C 's  costume.     Making  a 

margin  for  eccentricity,  Owens  congratulated  his  former 
employe  on  this  rapid  advancement  in  prosperity.  "  Yes, 
indeed,  Mr.  Owens,  I  am  indeed  much  better  off ;  I'm 
doing  fuxt  rate.  The-ay-ters  are  low,  except  for  stars 
like  you.  Well,  good-by,  sir,  I  have  to  be  on  the 
Hamilton  &  Dayton  train  by  schedule  time,  and  I've  got 
to  call  for  my  books,  peanuts  and  other  things."  The 
train-boy  hurried  away,  all  unconscious  of  the  amusement 
he  had  afforded  Mr.  Owens  by  the  denouement  of  his 
real  occupation,  so  entirely  at  variance  with  his  assump- 
tion of  mercantile  importance. 


JOHN    E.    OWENS.  205 

From  Cincinnati  Owens  went  to  Lexington  for  two 
nights,  thence  to  Louisville;  and  in  the  latter  city  he 
played  at  the  Masonic  Temple,  the  large  auditorium 
being  crowded  all  the  week.  He  was  the  recipient  of 
much  complimentary  congratulation,  both  from  his  old 
friends  and  from  strangers;  the  latter  often  using  the 
mail  only,  as  a  medium  to  convey  expression  of  their 
commendation.  Among  the  many  letters  received  from 
unknown  admirers  was  an  eminently  piquant  one,  whose 
envelope  bore  the  following  doggerel  address : 

"To  MR.  SOLON  SHINGLE, 

A  dealer  in  Produce; 
Tis  apple  sass,  he  calls  it 

(That's  apples  biled  in  juice). 
His  alias,  'John  E.  Owen,' 

An  actor  rare,  all  know. 
He  plays  De  Boots  and  Solon, 

And  I  play — this  for  low ! 
Please  leave  this  at  the  Temple, 

Where  Masons  congregate, 
In  Louisville  (Fall  city), 

In  old  Kentucky  State." 


CHAPTER  IX. 

Bleak  weather— Weighing  Baggage— Comic  sequence — "  Where's  your 
brass  band?"— A  boy's  guileless  letter— Two  winters  in  nine 
months — Illness  and  death  of  the  Hon.  Frederick  Pinkney — The 
bond  of  masonry — A  colored  brother — An  "  interrogated  "  leg — 
Season  of  1873-74— Arch  Street  Theatre,  Philadelphia— "  Joshua 
Butterby"  Presentation  Scene— A  French  valet— A  patent  boot-jack 
— "Timothy  Toodles "— The  big  chandelier— Mobile— Disaster  en 
route  to  Selma— Stranded  in  Greenville,  Ala.— A  gentle  Alsacian 
priest— Journeying  in  an  ox-cart— Montgomery— "  A  committee 
(?)  of  one" — A  recreative  fortnight  in  the  Crescent  city. 

n  FTER  Louisville  the  tour  was  westward,  and  be- 
came  fraught  with  much  fatiguing  travel.  The 
weather  was  unusually  severe,  even  for  that  inclement 
locality.  Heavy  snow-storms  often  prolonged  the  jour- 
neys; and  though  Mr.  Owens  endeavored  by  frequent 
use  of  special  trains,  and  in  many  other  ways,  to  insure 
the  comfort  of  his  combination,  it  was  impossible  to 
entirely  obviate  great  fatigue.  His  sturdy  health  and 
buoyant  nature  rendered  him  equal  to  emergencies, 
and  many  a  jest  and  laugh  arose  from  taking  a  mishap 
in  its  ludicrous  aspect.  The  flagging  spirits  of  the 
company  revived  to  a  pleasant  degree ;  and  at  night, 
206 


JOHN    E.    OWENS.  207 

before  a  brilliant  audience,  they  forgot  the  discomforts 
of  travel. 

Snow-bound  trains  made  many  delays.  The  afternoon 

before  Christmas  the  combination,  overdue  at  B , 

arrived  just  as  the  official  in  charge  of  the  baggage-room 
was  preparing  to  leave  the  station.  Hurriedly  approach- 
ing him,  Owens  said  :  "  Please  check  my  baggage  quickly 
as  possible ;  it  is  important  for  me  to  make  connection  to 
Milwaukee."  Gruffly  inquiring  "Where  is  it?"  the 
baggage  master  had  the  stack  of  over  fifty  trunks  pointed 
out  to  him,  with  the  information  that  "it  was  the 
1  Owens  Combination '  luggage."  "  You'll  have  to  pay 
extra  baggage,"  snarled  the  man.  "I  don't  think  so, 
because —  "  began  Owens,  mildly.  "  Tell  you,  yes ;  tell 
you  that  baggage  is  far  over  weight."  "  But,"  suggested 
Owens,  "if  you  will  listen  to  — "  "  No,  I  won't  listen. 
Aint  here  to  listen  to  nonsense.  I'll  weigh  that  baggage." 
"  You  are  giving  yourself  needless  trouble,  I  can  show 
you —  "  "  Don't  want  you  to  show  me  anything  ; "  and 
the  official  savagely  began  to  wrestle  with  the  trunks, 
throwing  them  one  by  one  viciously  on  the  scales. 
"  Well,  if  you  insist  on  fatiguing  yourself,  I'll  leave 
you,"  said  Owens,  retiring  to  the  waiting-room. 

After  having  remained  there  awhile,  and  becoming 
partially  thawed,  he  returned  to  the  scene  of  baeeraee 

A  »  oo    o 

weighing;  and  again  endeavored  to  expostulate  on  the 
subject,  but  could  not  obtain  a  hearing.  When  the  last 


208  MEMORIES   OP 

trunk  was  crashed  down,  the  official  made  a  memo- 
randum of  the  aggregate  weight,  and  calling  to  Mr. 
Owens,  said:  "Now,  Til  talk  to  you;  you  owe  $38.98 
for  extra  baggage.  Got  anything  to  say,  eh  ?  "  "  Yes, 
I  have;  and  I  wish  you  had  permitted  me  to  say  it 
sooner.  This,"  handing  him  a  note,  "  is  an  order  from 
the  Superintendent  of  the  road,  to  pass  all  of  my  baggage 
free  of  extra  charge." 

Inspecting  the  document,  and  finding  it  genuine,  the 
man  became  voluble  in  expletives ;  and  indignantly  de- 
manded, "  Why  didn't  you  tell  me  you  had  this  paper?" 
"Because  you  wouldn't  allow  me  to  speak,"  was  the 
reply,  in  a  comically  meek  voice.  A  sense  of  his  self- 
inflicted  labor  seemed  to  impress  the  baggage  master  as 
rather  a  grim  joke.  After  a  pause,  he  broke  into  a 
laugh,  and  said  :  "  It's  a  big  sell ;  you  come  out  ahead. 
Good  night." 

The  snow  continued  to  fall,  and  all  trains  being 
belated,  there  was  no  prospect  of  reaching  the  next 
town  for  performance.  Hope  was  now  limited  to  arriv- 
ing there,  in  time  to  secure  a  night's  rest. 

At  nine  P.  M.  the  officials  returned  to  the  station  to 
be  on  duty,  in  event  <»f  arrival  of  trains;  though  the 
violence  of  the  storm  rendered  that  occurrence  improba- 
ble. At  midnight,  the  baggage  master,  whose  incipient 
dislike  to  Owens  had  changed  to  reverse  feeling,  came  to 
him,  saying:  "There  will  be  no  travel  to-night;  I  want 


JOHN    E.    OWENS.  209 

you  to  come  up  to  my  house;  I  can  make  you  comfort- 
able, and  it  will  give  me  pleasure  to  do  so." 

Thanking  him  cordially,  Mr.  Owens  declined  the 
proffered  hospitality,  preferring  to  remain  with  his  com- 
pany in  this  mishap  of  travel — a  most  disagreeable 
experience  it  was,  as  they  passed  the  entire  night  in  the 
drearv  waiting  room.  On  every  subsequent  tour,  when 
•a  change  was  made  at  this  station,  the  baggage  master 
would  facetiously  salute  Owens  with  the  query  :  "  Any 
e.Hi-(i.  baggage  to  be  weighed  to-day?  I  am  not  in  as 
great  a  hurry  to  get  home  as  I  was  on  Christmas  eve," 
&c.,  &c.  It  was  a  chronic  joke  between  them ;  and  the 
acquaintance,  which  began  in  a  wrangle,  was  afterwards 
fraught  with  many  a  pleasant  encounter. 

The  westward  travel  continued  as  far  as  Omaha,  and 
despite  some  personal  discomfort,  was  satisfactory.  In 
the  small  towns  at  this  time  the  advent  of  a  promi- 
nent theatrical  star  was  a  novelty  which  was  variously 
responded  to ;  appreciatively  by  some,  whilst  others, 
accustomed  only  to  a  circus,  stereopticon,  or  moral  lec- 
ture, were  puzzled  as  to  the  nature  of  the  coming  enter- 
tainment. Numerous  and  diverse  were  the  interrogations, 
but  none  more  absurd  than  that  propounded  to  one  of 
the  ladies  of  the  company.  As  she  was  leaving  the 
dining  room,  the  landlord's  wife  intercepted  her,  and 
the  following  dialogue  ensued :  "  I  am  going  to  the 
show  to-night ;  what  feats  does  you  perform  ?  I  should 
14 


210  MEMORIES   OF 

say  you  was  rayther  stout  to  jump  through  hoops,  and 
just  a  leetle  too  old."  "Think  so?"  "Yes,  I  guess 
you  hev  to  take  a  back  seat  and  let  the  youngsters 
do  them  tricks  now?"  "Oh,  no,  it  "is  as  easy  to  me 
as  when  I  was  younger.  Couldn't  go  through  hoops 
and  over  ribbons  a  bit  better  then."  "  Well,  well,  I 
shouldn't  'a  thought  it;  I  mean  to  see  you  to-night 
for  certain."  "  I  hope  you  will  be  pleased,"  was  the 
merry  rejoinder.  ' 

At  one  of  the  hotels  a  citizen,  who  was  lounging  in 
the  office,  inquired  :  "  Mister,  do  you  belong  to  the  show 
that's  just  got  here?"  "No,"  said  Owens,  "the  show 
belongs  to  me."  "Well,  where's  your  horses;  where's 
your  brass  band  ? "  Eyeing  the  man  quizzically,  the 
comedian  remarked  :  "  This  is  not  a  circus,  my  friend,  and 
there  is  nothing  brazen  about  the  company ;  as  for  my- 
self I  pose  as  the  most  modest  individual  and  rely  upon 
the  public  to  discern  my  merit."  Chaffing  seemed  to 
irritate  the  questioner,  as  he  rejoinded :  "I  don't  know 
what  stuff  you  are  talking,  but  I  can  tell  you  we  expect 
a  brass  band ;  no  show  catches  on  in  this  town  without 
it;  make  no  mistake,  mister."  The  auditorium  at  night 
proved  the  individual  a  false  prophet.  Retracing  the 
route  from  Omaha,  Owens  played  in  Kansas  City  and 
other  towns  until  he  arrived  at  St.  Louis,  where  he 
opened  at  De  Bar's  Theatre,  January  20th,  1873.  The 
seven  performances  here  were  eminently  satisfactory, 


JOHN    E.    OWENS.  211 

which  was  peculiarly  gratifying  in  view  of  the  unpro- 
pitious  weather — cold,  sleet,  and  snow  prevailing. 

The  day  before  we  left  St.  Louis,  Mr.  Owens  received 
a  letter,  the  superscription  of  which  was  in  a  boyish 
hand- writing.  It  contained  a  small  photograph  of  a 
handsome  lad  and  these  lines : 

"DEAR  MR.  OWENS,— 

''I  want  you  to  see  a  boy  you  have  made  happy.  Father  says 
I'd  be  a  bother  to  you  if  I  went  to  the  hotel ;  so  I  send  my 
picture,  and  tell  you  I've  seen  you  play  ever  so  often.  I  laughed 
and  laughed — why,  I  just  hollered.  Now,  Mr.  Owens,  some  time 
when  I'm  bigger— I'm  going  on  twelve  now — will  you  give  me 
your  picture?  I'd  be  so  glad  to  get  it.  No  more  at  present  from 

Andrew  L , 

"who  lives  at  No.  —  Olive  St." 

The  naivete"  and  earnestness  of  the  boy  was  charming. 
I  don't  know  when  Mr.  Owens  was  more  pleased  with  a 
letter.  His  photograph  and  a  few  genial  words  were 
speedily  sent  in  response. 

After  six  nights  at  Memphis,  Tenn.,  Owens  proceeded 
to  New  Orleans,  where  he  appeared  at  the  Varieties 
Theatre,  February  3d,  as  "Major  DeBoots"  and  "Solon 
Shingle"  The  transition  from  the  rigor  of  winter 
(endured  for  so  many  weeks)  to  this  genial  climate  was 
delightful ;  and  the  entire  fortnight  was  an  epitome  of 
pleasant  hours  to  the  comedian,  his  personal  friends  and 
many  admirers.  Until  March  the  time  was  filled  with 


212  MEMORIES    OF 

southern  travel  from  Mobile  to  Richmond.  The  tour 
then  extended  through  the  states  of  Pennsylvania  and 
New  York;  thence  playing  the  New  England  circuit 
as  far  north  as  Portland  and  Bangor,  Maine. 

Mr.  Owens  always  inspected  the  setting  of  the  stage 
before  the  curtain  went  up,  so  as  to  be  sure  that  the 
properties,  &c.,  were  in  place.  In  one  of  the  small 
eastern  towns,  after  the  customary  precaution,  he  called 
to  a  friend  who  was  standing  at  the  wing :  "  Come 
here;  I  have  something  to  tell  you.  This  theatre  is 
remarkable;  the  management  intends  to  make  a  horse 
piece  of  Solon  Shingle.  I  have  played  old  Solon  many 
hundred  times,  and  under  various  circumstances ;  but  I 
never  thought  the  part  would  lead  me  to  the  equestrian 
drama  ! "  "  What  do  you  mean  ?  "  asked  the  puzzled 
listener.  Crossing  over  to  the  witness-box,  Owens  threw 
up  the  drapery,  and  disclosed  a  wooden  clothes-horse 
which  had  been  utilized  to  improvise  the  witness-stand. 
"There,  look  at  the  fiery  steed  !  Doesn't  it  suggest  the 
circus  ring  and  the  odor  of  sawdust?"  They  both 
laughed  at  the  "sell,"  and  Owens  rejoined,  "The  entire 
vamped  set  is  so  outrageously  dismal,  that  I  either  had 
to  fly  into  a  rage,  or  make  a  joke ;  and  I  chose  the  latter 
alternative,  even  though  I  had  but  feeble  foundation." 

The  route  recently  spoken  of  brought  to  Owens  and 
his  company  the  singular  experience  of  two  winters  in 
nine  months,  with  a  summer  intervening.  In  January 


JOHN    E.    OWENS.  213 

they  left  the  western  cities,  where  the  extreme  cold  tested 
the  limit  of  thermometers ;  proceeding  southward,  they 
basked  in  summer  temperature  for  two  months,  and  then 
journeyed  northward  to  Maine,  where  winter  reigned 
supreme — no  vehicles  but  sleighs  being  available.  Later 
on,  in  the  state  of  New  York,  this  season  drew  to  a  close. 
The  last  performance  was  given  in  Troy,  terminating  a 
tour  of  thirty-six  weeks. 

An  abridgment  of  one  week  was  caused  by  illness  at 
Aigburth  Vale — illness  unto  death  of  Mr.  Frederick 
Pinkney,  a  near  and  dear  friend  who  was  visiting  there. 
When  we  were  apprised  by  telegram  that  Mr.  Pinkney's 
case  was  hopeless,  and  liable  at  any  moment  to  terminate 
fatally,  Mr.  Owens  arranged  to  close  the  season,  and 
speedily  return  home.  So  desperate  was  this  illness 
that  he  feared  Mr.  Pinkney  might  not  survive  many 
hours.  Fortunately  he  rallied,  and  was  sufficiently 
conscious  to  affectionately  recognize  Mr.  Owens  on  his 
arrival. 

He  continued  to  fluctuate  in  strength,  sometimes  equal 
to  conversing,  but  often  oblivious  of  those  around.  It 
was  a  mournful  satisfaction  for  Mr.  Owens  to  be  near 
him  for  the  three  weeks  of  his  survival ;  at  the  end  of 
which  time  he  passed  away,  surrounded  by  his  devoted 
family  and  friends. 

Frederick  Pinkney  held  so  prominent  and  exalted  a 
position  in  life,  that  not  only  was  he  mourned  by  his 


214  MEMORIES   OF 

bereaved  family,  but  his  death  was  an  irreparable  loss  to 
his  own  city.  He  was  one  of  Maryland's  representative 
men.  A  son  of  the  Hon.  William  Pinkney,  the  illus- 
trious statesman ;  he  had  inherited  his  father's  acute  and 
comprehensive  intellect,  and  early  distinguished  himself 
in  legal  lore.  Being  of  a  retiring  nature,  he  did  not 
share  the  ambition  of  his  father  for  public  life,  but  con- 
fined himself  to  the  practice  of  law,  in  addition  to  the 
office  he  held  as  Deputy  State's  Attorney. 

His  scholarly  attainment  in  all  branches  of  science 
was  great,  his  erudition  unsurpassed ;  as  a  poet,  he  was 
unusually  gifted.  But  beyond  wisdom,  learning  and 
talent,  he  left  even  a  more  precious  heritage  of  remem- 
brance to  his  family  in  the  record  of  his  personal  char- 
acter, which  was  manly,  pure  and  unimpeachable.  The 
devoted  affection  of  his  domestic  life  was  equal  in  force 
to  the  acumen  evinced  with  sagacious  jurisdiction  in 
discharge  of  his  public  duties. 

Mr.  Owens  passed  the  remainder  of  the  summer  at 
Aigburth  Vale.  His  presence  at  home  was  always  a 
delight,  not  only  to  his  family,  but  most  welcome  to 
those  employed  on  the  farm.  They  were  pleased  by  the 
interest  he  manifested  in  the  work  which  had  been  done 
during  his  absence;  and  the  fact  that  he  listened  to  every 
detail,  increased  tln-ir  satisfaction.  Moreover,  from  the 
farm  manager  down  to  the  herding  boy  each  held  the 
firm  belief  that  "the  master"  cared  for  their  personal 


JOHN    E.    OWENS.  215 

joys  and  sorrows ;  and  they  came  to  him  for  advice,  sure 
of  ready  sympathy  and  (if  needed)  assistance. 

A  marked  trait  in  his  nature  was  consideration 
for  the  feelings  of  his  inferiors.  I  remember  one  day 
when  he  had  been  in  the  city  since  early  morn;  as  he 
drove  up  to  the  house  one  of  the  farm  hands  met  him 
when  he  alighted  from  the  carriage  and  said  :  "  Oh,  Mr. 
Owens,  I'm  thankful  you've  gotten  back.  Please  come 
to  see  my  boy  Dave,  and  tell  me  what  to  do  for  him. 
He  has  had  a  fall,  and  I'm  afeared  his  leg  is  interrogated. 
I've  rubbed  it  with  merriment,  but  it's  no  good — he  cries 
all  the  time."  Some  one  standing  by  broke  into  laughter 
at  these  malapropisms.  Mr.  Owens  rebuked  this  sharply, 
adding :  "  There's  nothing  amusing  in  a  man's  distress, 
or  the  boy  having  dislocated  his  leg.  Go  for  a  doctor 
instead  of  grinning  over  suffering."  Then  turning  to 
the  anxious  father,  he  said :  "  Come,  we  will  go  to  Dave 
and  stay  with  him  till  the  doctor  arrives." 

There  was  an  old  colored  man  on  the  farm  who  had 
been  a  servant  in  our  family  for  many  years.  He  was 
devoted  to  Mr.  Owens,  not  only  for  the  kindness  he 
received,  but  under  the  fancied  impression  that  the  bond 
of  free  masonry  existed  between  them ;  the  latter  delusion 
Mr.  Owens  encouraged,  because  it  amused  him  to  hear 
Luther  talk,  and  gratified  the  old  man  to  know  that 
he  could  come  to  "  Marse  John  "  with  his  troubles  and 
ask  advice.  I  have  heard  him  say  to  the  other  farm 


216  MEMORIES   OF 

people :  "  We  just  passes  the  signs  and  l  Marse  John ' 
knows  almost  before  I  axes  what  I  wants.  Dat's  de 
good  of  being  brudder  masons." 

The  old  fellow,  years  before,  had  a  legacy  of  a  piece 
of  land  with  a  little  house  on  it ;  but  his  title  was  dis- 
puted by  the  heirs-at-law,  and  litigation  ensued.  The 
dignity  of  "a  lawsuit"  was  a  matter  of  great  pride  to 
him,  and  rendered  him  somewhat  important  with  his 
associates  ;  but  still  he  was  anxious  to  come  in  possession 
of  his  land.  Mr.  Owens  tried  to  arrange  matters  for 
him,  but  athe  law's  delays"  seemed  insurmountable. 
One  day  he  came  from  town  (where  he  had  asked  per- 
mission to  go  "  to  look  after  my  lawsuit "),  and,  radiant 
with  delight,  he  sought  Mr.  Owens,  exclaiming  :  "  Marse 
John,  Fve  seed  my  lawyer,  and  sure  as  you  is  bawn  he'll 
fix  things  for  me  now." 

"Tell  me  all  about  it,  Luther."  "Well,  sah,  I 

went  to  Lawyer  B 's  office;  thar'  was  a  gemlan 

thar'  with  him ;  and  he  'sensed  hisself  so  as  to  talk 
to  me,  cos  he  knowed  I  had  to  ketch  a  car.  Then 
he  talked  to  me;  same  old  story  ;  wot  *  he  wos  sorry,  but 
my  case  would  have  to  be  put  oil'  lurin.'  I  just  said, 
worry  nsportful  but  worry  positive:  '  It's  done  been  put 
off  too  many  times  a'ready  ;  if  there  aint  something  done 
soon  I'll  fling  de  papers  among  de  jury.'  I  tell  you  he 
was  skeered !  He  got  werry  red  in  de  face,  and  made 
believe  to  laugh.  The  other  gemlan  come  over  to  him 


JOHN    E.   (>U  FAS.  217 

and  says  :  '  For  mercy  sake,  B ,  hurry  up  that  case ; 

if  the  old  man  does  what  he  says  he  will  the  court  will 
be  broken  up !  then  what's  to  become  of  the  country  ? ' 
Yes,  Marse  John,  I  skeered  'em  awful,  and  they  das'sent 
keep  me  out  of  my  rights  now." 

"  Marse  John  "  had  almost  as  much  difficulty  to  control 
his  amusement  as  had  the  lawyer,  but  took  care  not  to 
wound  Luther's  feelings  by  rendering  it  perceptible.  He 
gave  him  words  of  good  cheer,  but  cautioned  him  not  to 
be  too  hopeful  of  settlement. 

When  the  summer  rest  of  1873  was  over,  Owens 
resumed  his  professional  work,  supported  by  his  own 
company ;  opening  at  the  Arch  Street  Theatre,  Phila- 
delphia, in  "  Victims"  and  "Solon  Shingle"  The  delicious 
humor  of  the  comedian  was  never  more  thoroughly 
enjoyed.  To  render  Joshua  Butterby  and  Solon  Shingle 
salient  creations,  could  only  be  possible  with  a  man  of 
absolute  genius.  In  less  competent  hands,  Butterby 
might  have  degenerated  into  buffoonery.  To  elaborate 
the  coxcomb's  peculiarities,  and  present  the  character 
with  all  its  unconscious  idiosyncrasies,  was  a  triumph  of 
art.  The  presentation  to  Minerva  Crane  was  one  of  the 
best  comic  situations  ever  seen,  and  ably  handled ;  or  in 
other  words,  "  Owens  was  Butterby  throughout  the  entire 
play." 

Possibly,  but  few  reflected  how  much  had  been 
achieved  in  making  "  Victims  "  a  success.  The  comedy 


JOHN    E.    OWENS.  219 

me  to  instruct  this  man  in  regard  to  costumes,  &c.,  so 
that  he  could  be  utilized  in  event  of  my  absence  through 
sickness,  or  other  contingency. 

At  the  close  of  the  week  I  was  called  home  to  remain 

over  Sunday.  Having  thoroughly  drilled  De  R 

about  the  dress  and  properties  for  "Butterby"  and 
"Solon"  I  hoped  that  all  would  be  right.  Returning  on 
Monday,  I  went  direct  to  the  theatre  to  arrange  costumes 
for  change  of  bill.  I  found  the  Frenchman  in  the  dress- 
ing-room, and  asked :  "  Did  you  have  everything  right 
Saturday  evening?"  " Parfaitement,  Madame.  True, 
I  forget  to  give  Monsieur  ze  spectacle  for  So-lon  ;  but  of 
himself  he  remember,  before  ze  entrez,  and  did  return  for 
zem.  Not,  Madame,  dat  ze  leetle  zing  like  unto  such  trifle 
would  make  differance  to  so  great  actor.  He  would  say 
somesing  to  turn  him  off."  I  could  not  repress  a  smile  at 
this  blissful  ignorance  of  the  importance  of  properties 
evolving  the  action  of  the  play.  I  quietly  remarked : 
"  You  are  right ;  he  would  have  said  something  " — men- 
tally adding,  "  something  that  would  have  startled  you." 

As  weeks  rolled  on  the  factotum  grew  to  be  such  an 
ardent  admirer  of  Mr.  Owens'  acting  that  he  hung  about 
the  wings  of  the  stage  and  was  a  chronic  hindrance  to 
everyone  behind  the  scenes ;  he,  moreover,  became  stage- 
struck,  purchased  play-books,  and  grew  absorbed  in  them 
to  the  exclusion  of  all  occupation.  Worse  yet,  he  took 
to  drink,  and  assigned  as  an  excuse  that  "  he  didn't  care 


220  MEMORIES   OF 

to  live  if  he  couldn't  be  an  actor."  After  much  patient 
endurance  he  was  discharged. 

A  few  days  afterwards  a  package  was  received,  and 

with  it  a  note  from  De  R ,  the  latter  written  in 

broken  English,  and  of  the  wildest  tenor.  Depths  of 
grief  to  begin  with  ;  followed  by  a  request  for  the  loan  of 
five  dollars,  to  take  him  to  his  dying  son ;  followed  up  with 
the  matter-of-fact  statement :  "  I  present  to  you  a  patent 
boot-jack  ;  in  ze  future  I  will  explain  him.  P.  S. — I  wait 
below  for  ze  money,  and  ze  train  leave  in  an  hour." 

For  a  moment  after  reading  this  effusion  Mr.  Owens 
hesitated  between  anger  and  amusement,  but  finally  laughed 
at  the  absurdity  and  sangfroid  of  the  writer,  saying  :  "  I 
think  the  fellow  is  either  crazy  or  a  fraud ;  but  I  may  as 
well  give  him  the  money ;  perhaps  he  really  has  a  dying 

son."  So  he  went  down  stairs  and  sent  De  R to  the 

alleged  train,  and  no  more  was  ever  heard  of  him. 

After  the  conclusion  of  the  engagement  in  Philadel- 
phia, two  prosperous  weeks  were  filled  at  Pike's  Opera 
House,  Cincinnati,  with  "  The  Heir  at  Law?  "  The 
Poor  Gentleman"  "  Sweethearts  ami  HV/Y.s,"  and  other 
comedies,  together  with  "  Solon  Shingle "  and  several 
farces.  Among  the  latter  "  Toodles  "  was  in  great  favor. 
In  the  character  of  "  Timothy  Toodles"  Owens  w:is  *m 
generis.  Long  ago  he  had  received  the  high  commen- 
dation of  comparing  favorably  with  William  E.  Burton 
(who  was  the  original  Toodles  in  this  country).  Avoid- 


.JOHN     K.    OWENS.  221 

ing  the  broadness  which  marred  the  effect  of  that  great 
actor's  rendition  of  the  part,  he  adhered  to  his  own  concep- 
tion. His  drunken  scene  was  original,  and  excruciatingly 
funny,  but  devoid  of  coarseness.  With  the  finest  instinct 
for  humor,  he  never  permitted  anything  coarse  or  vulgar  to 
find  place  in  language  or  situations  of  the  parts  he  played. 
Returning  to  Baltimore,  he  appeared  at  Ford's  Grand 
Opera  House  for  a  week,  thence  to  Washington,  dupli- 
cating the  performances  and  success;  after  which  he 
made  a  tour  through  the  State  of  New  York.  In  the 
cities  business  was  excellent,  and  audiences  appreciative ; 
but  in  the  smaller  towns  the  houses  were  not  uniformly 
good.  In  one  of  these  places  (where  expectations  of 
manager  and  star  were  unfulfilled)  the  weather  was  dis- 
mally rainy,  the  hotel  unbearable ;  aggregating  a  feeling 
of  general  dissatisfaction.  Mr.  Owens,  while  changing 
to  his  street  costume,  said :  "  Well,  it  is  a  one-night 
stand,  let  it  go  and  be  forgotten."  He  never  dwelt  on 
disagreeable  matters,  and  did  not  like  to  have  them  dis- 
cussed. As  we  were  quitting  the  theatre  his  agent  came 

forward  to  meet  him,  saying  :  "  Mr.  H ,  a  prominent 

citizen  of  this  town,  requests  to  be  introduced  to  you." 
I  knew  that  Mr.  Owens  was  not  in  a  mood  for  conver- 
sation ;  but  the  gentleman  had  advanced,  and  the  inevi- 
table introduction  took  place.  Of  course,  Mr.  Owens 
(though  annoyed)  was  polite;  but  the  coolness  of  his 
courtesy  increased  as,  with  mistaken  zeal,  Mr.  H 


'22*2,  MEMORIES   OF 

indulged  in  stupid  retrospection  and  fulsome  praise  of 
the  comedian's  acting,  adding  that  "  he  himself  once  had 
an  idea  of  going  on  the  stage."  By  and  by  Mr.  Owens 
began  to  extract  amusement  from  the  interview,  and 
became  sarcastic  in  a  humorous  way.  Utterly  uncon- 
scious of  the  shafts  aimed  against  him,  Mr.  H con- 
tinued his  meandering  remarks,  verging  into  regrets  that 
the  house  had  not  been  crowded,  and  lamenting  that  the 
engagement  had  occurred  at  such  an  inauspicious  time. 

"  Ah !  I  begin  to  understand,"  said  Owens,  "  Mr. 
Brown  raffles  a  turkey  to-night  ?  "  "  Oh,  no,"  was  the 
eager  response.  "Well,  then,  Mrs.  Robinson  gives  a 
party ;  I  am  sure  there  must  be  some  counter-attraction 
in  town."  "That's  just  it,"  innocently  rejoined  Mr. 
H .  "  Local  election  excitement ;  that  is  what  inter- 
feres with  amusement,  but  please  don't  give  us  the  go  by ; 
try  us  another  time."  This  imperturbable  earnestness  of 
manner  quite  conquered  the  irritability  of  the  comedian  ; 
he  merged  into  a  genial  mood,  and  made  himself  so 
agreeable  that  the  interview  terminated  pleasantly. 

A  successful  fortnight  at  the  Park  Theatre,  Brooklyn, 
was  followed  by  a  tour  westward  through  Ohio,  Indiana 
and  Illinois,  arriving  in  Chicago  for  an  engagement 
beginning  January  18th,  during  which  time  he  pre- 
sented many  of  his  famous  characters.  All  were  appre- 
ciated, but  none  received  greater  praise  than  his  portrayal 
of  "  Caleb  Plummer."  In  Chicago,  as  elsewhere,  this 


JOHN    E.    OWENS.  223 

was  a  favorite  part,  and  so  closely  associated  with  Owens, 
that  in  its  consistency  and  fidelity  to  nature,  he  was 
recognized  as  peerless  and  inimitable.  Through  Wis- 
consin, Minnesota  and  Kentucky,  the  principal  towns 
were  visited,  and  though  the  travel  proved  tiresome  at 
times,  it  had  its  bright  side  of  pleasant  happenings,  and 
good  business  results.  Inevitable  discomforts  are  easily 
borne,  when  one  has  a  light  heart  and  good  health  ;  and 
the  happy  faculty  of  brightening  the  tedium  by  a  good 
laugh  at  amusing  or  absurd  occurrences  of  daily  life. 

Arriving  at  midnight  in  one  of  the  towns,  Owens  had 
the  gratification  of  finding  that  the  small  hotel  was,  at 
least,  clean  and  neat.  Next  morning,  he  went  out  for 
a  drive,  the  surrounding  country  being  picturesque  and 
beautiful.  Before  leaving  the  hotel,  instructions  were 
given  to  have  the  room  put  in  order  during  his  absence. 
At  one  P.  M.  he  returned,  much  exhilarated  by  the  drive, 
and  proceeded  to  his  room  to  write  important  letters,  but 
found  the  place  still  in  disorder.  Having  no  bell,  the  only 
resource  was  a  loud  call  for  the  chambermaid,  who  lazily 
sauntered  down  the  hall,  inquiring,  "  wot's  up  ?  " 

When  the  situation  was  explained  to  her,  she  rejoined  : 
"Oh,  that's  the  fuss.  Well,  I'll  do  the  room  after 
awhile."  "  But,"  remonstrated  Mr.  Owens,  "  the  day  is 
half  gone ;  I  wish  to  write,  and  I  can't  sit  down  in  such 
disorder!"  This  appeal  was  met  by  a  burst  of  tears, 
with  loud  wailing  and,  between  sobs,  ejaculations  of: 


224  MEMORIES   OF 

"  I  can't  a-bear  to  be  scolded :  I  ain't  used  to  work. 
My  pah,  he  got  burnt  out,  or  I  shouldn't  be  here  now. 
/  ain't  no  common  chambermaid."  "I  believe  you; 
you  are  a  very  uncommon  one,"  and  sotto  voce,  "  I 
hope  there  are  none  like  you."  "  Don't  cry  any  more." 
Suddenly  drying  her  tears,  she  said :  "  Say,  Mister,  noiv 
you're  talking  straight ;  and  if  you'll  give  me  two  passes 
for  the  show,  I'll  fix  these  things  in  a  jiffy."  "All 
right,"  said  Mr.  Owens,  beating  a  hasty  retreat  to  escape 
details  of  how  "  pah  got  burnt  out  of  house  and  home ; 
and  we  gals  had  to  go  to  work,"  &c. 

In  another  town  a  new  hotel  had  just  been  completed, 
the  size,  furnishing  and  appointments  of  which  were 
many  years  in  advance  of  the  locality.  No  famous  star 
had  yet  appeared  in  this  town ;  and  the  announcement 
of  Owens  created  a  great  excitement,  not  only  in  the 
town,  but  the  country  around  it.  The  proprietor  of  the 
hotel  (a  former  citizen  of  New  York)  was  delighted  to 
have  him  for  a  guest,  and  assigned  to  his  use  the  best 
room  in  the  house;  remarking,  as  he  handed  the  key: 
k'  I  want  you  to  notice  the  chandelier;  I  am  rather  proud 
of  it." 

When  the  porter  brought  the  trunks  to  the  room,  he 
paused  a  moment,  an<l  with  upward  gaze,  exclaimed  : 
"  I  don't  suppose  New  York  City  has  a  chandelier  equal 
to  that."  The  chambermaid  seemed  awe-stricken  that 
anyone  should  occupy  a  room  dec< > rated  with  such  a 


JOHN    E.    OWENS.  225 

chandelier;  and  when  her  attention  was  called  to  the 
lack  of  towels  and  the  scarcity  of  blankets,  she  failed 
to  recognize  the  possibility  of  discomfort  where  that 
chandelier  could  be  contemplated.  The  dinner  was 
unsatisfactory ;  but  request  for  food  more  palatable  was 
ignored  by  the  waiter  remarking :  "  You  is  in  39,  I 
believe,  wid  de  big  chandelier.  Reckon  you  never  seed 
anything  like  it  before!"  The  fireman  failing  to  start 
the  fire  properly,  thought  he  apologized  fully  by  the 
assertion :  "  I  was  just  looking  at  that  chandelier." 

In  fine,  it  was  considered  an  adequate  recompense  for 
all  manner  of  discomforts.  This  pertinacity  grew  so 
ludicrous  as  to  be  amusing  to  Mr.  Owens;  but  preferring 
comfort  to  splendor,  he  asked  to  have  his  room  changed. 
The  amazement  of  the  proprietor  cannot  be  described — he 
exclaimed :  "  What !  don't  like  that  room  with  the  big 
chandelier  ?  I  am  surprised."  "  My  friend,  its  mag- 
nificence demoralizes  all  who  approach  it.  I  need  towels, 
fire  and  other  every-day  comforts,  and  to  secure  these, 
will  gladly  dispense  with  any  amount  of  crystal  and  gas." 
The  proprietor,  with  a  puzzled  manner,  said :  "  You're 
always  getting  off  some  joke;  all  the  same  I'll  change 
your  room  to  42 — but,"  with  a  sigh,  "I  gave  you  the 
best  in  the  house,  and  I  did  think  you'd  appreciate  the 
big  chandelier." 

Proceeding  southward,  Owens  played  a  week  at  Mem- 
phis giving  a  change  of  bill  nightly,  thence  to  Mobile  for 
15 


226  MEMORIES   OF 

seven  performances.  Many  "  theatre  parties  "  came  over 
from  New  Orleans,  thus  bringing  pleasant  intercourse 
with  old  friends.  Bright  skies  and  summer  temperature 
prevailed  until  Saturday,  when  a  heavy  rain  set  in.  The 
company,  under  the  charge  of  Theodore  Hamilton  (busi- 
ness manager),  left  the  city  after  the  final  performance ; 
taking  the  midnight  train  for  Selma,  Alabama,  where  per- 
formance was  announced  for  Monday  following.  During 
the  afternoon  telegrams  had  been  received,  stating  that 
all  reserved  seats  were  sold,  and  a  jammed  house  would 
greet  the  star  on  his  first  appearance  in  Selma. 

Mr.  Owens  had  promised  some  friends  to  remain  in 
Mobile  until  Sunday  evening.  The  rain  increased  in 
violence  throughout  the  day,  flooding  the  streets,  so  that 
it  was  with  difficulty  we  could  drive  to  the  station  at 
eight  P.  M.  Arriving  there,  the  prospect  for  the  journey 
was  discouraging.  All  through  the  night  the  train  made 
frequent  stoppages,  owing  to  inundation.  At  seven  A.  M. 
the  difficulty  of  progress  culminated  with  a  crash.  The 
engine  had  passed  over  a  submerged  culvert,  but  the 
tender  jumped  the  track,  and  all  the  cars  except  tin- 
two  sleepers  were  smashed  to  fragments.  Fortunately 
most  of  the  passengers  had,  an  hour  earlier,  exchanged 
to  the  Pullman  cars,  as  the  water  was  pouring  in  the 
windows  of  the  day  roaches. 

With  insecure  bridges  on  either  side,  to  advance  or 
proceed  was  equally  dangerous.  After  remaining  twenty- 


JOHN    E.    OWENS.  227 

four  hours  in  this  stranded  coiulit  i«  »n,  the  passengers  piloted 
l>y  the  conductor,  braved  the  rain,  and  walked  back  to 
Greenville,  Alabama.  The  disagreeableness  of  this  four 
miles'  trump  through  mud  and  over  dilapidated  bridges, 
from  which  the  flooring  had  been  partly  washed  away,  re- 
quired nerve  and  strength.  But  anything  was  better  than 
sitting  by  the  roadside.  When  the  weary  pedestrians 
arrived  at  Greenville,  the  plain  hotel  seemed  to  them  a 
palatial  refuge  from  temporary  hardship  and  fatigue. 
Three  days'  delay  ensued,  telegraphic  wires  being  down, 
communication  with  the  outer  world  was  impossible. 

Among  the  passengers  was  an  Alsacian  priest,  whose 
knowledge  of  the  English  language  was  limited.  He 
attached  himself  to  Mr.  Owens,  courteously  requesting  to 
be  seated  by  him  at  the  table — gently  explaining :  "  I 
can  receive  ze  word  zat  you  speak ;  but  I  no  comprenez 
ze  rapide  talk  wiz  ze  mutter."  Ways  and  means  of  pro- 
ceeding on  the  journey,  of  course  led  all  conversation ; 
and  theories  were  advanced,  more  or  less  impracticable. 
When  the  opinion  of  the  Alsacian  priest  was  asked,  he 
invariably  looked  at  Mr.  Owens  with  a  beaming  smile, 
and  replied  :  "  I  sail  do  whatever  zis  gentleman  do." 
Mr.  Owens  afterwards  laughingly  said  "  he  had  never 
expected  to  attain  the  high  position  of  mentor  to  a  holy 
Father." 

On  the  fourth  day  conductor  Howard  gave  the  welcome 
tidings  that  a  resumption  of  our  journey  was  possible  for 


228  MEMORIES   OF 

those  who  were  willing  to  encounter  rough  travel.  Most 
of  the  passengers  declined,  preferring  to  wait  until  com- 
fortable transit  could  be  had.  The  Alsacian  priest,  a 
Hebrew  drummer,  Mr.  Owens  and  myself  were  all  who 
bore  the  conductor  company  an  hour  later.  A  wagon 
drawn  by  oxen  jolted  the  party  over  seven  miles  to  a 
junction ;  there  exchanging  to  a  hand-car,  propelled  by 
relays  of  laborers  on  the  railroad,  they  crossed  the  crib- 
bing and  trestles  of  the  dilapidated  road  until  a  station 
was  reached,  where  travel  was  resumed  with  all  the 
comforts  of  a  well-appointed  train. 

All  this  time  Mr.  Owens  was  in  ignorance  of  the 
movements  of  his  company ;  knowing  only  that  his 
detention  had  entailed  upon  him  heavy  pecuniary  loss. 
Arriving  in  Montgomery,  he  found  the  company  waiting 
there,  and  learned  that  the  immense  audience  in  Selma 
had  been  dismissed,  after  which  the  company  proceeded 
to  Montgomery,  where  they  gave  two  performances  with 
meagre  results.  He  never  fretted  over  mishaps,  or  allowed 
them  to  dwell  in  his  memory.  Quickly  relegating  the 
Greenville  disaster  to  the  past,  it  was  not  spoken  of 
anain,  save  to  mention  .some  amusing  occurrence  of  the 
four  days'  isolation. 

A  continuance  of  the  southern  trip  extended  to  Atlanta, 
Augusta,  Savannah,  Macon  and  Columbus,  Ga. ;  and  then 
tin1  season  of  thirty  works  terminated.  During  the  final 
performance,  a  card  was  brought  to  the  dressing- 


JOHN    E.    OWENS.  229 

room,  bearing  the  name  of  an  old  acquaintance,  and  a 
pencilled  line:  "Can  I  see  you,  just  for  a  moment?" 
To  which  query  Owens  appended  the  reply,  "  Yes,  if  the 
moment  (?)  is  limited  to  sixty  seconds."  The  gentleman 
was  ushered  in,  and  after  a  cordial  greeting,  he  said : 
"  I've  been  trying  to  come  up  with  you  for  three  days. 
Misinformed  as  to  your  route,  I  went  to  the  wrong  towns  ; 
but  here  I  am  at  last,  and  bent  on  accomplishing  my 
mission.  My  dear  boy,  I  am  ambassador,  committee  or 
aught  else  you  may  term  it  from  the  powers  that  be — 
Charles  Howard,  lessee  of  the  Varieties  Theatre,  New 
Orleans,  and  the  public  of  the  same  city ;  all  being 
desirous  to  prevail  on  John  E.  Owens  to  manage  the 
theatre  next  season." 

"Why  this  pilgrimage?  I  have  already  giving  a 
negative  reply  to  Howard's  letter  offering  me  that 
position."  "Yes,  I  know  that,  but  I  am  freighted 
with  many  arguments  and  much  eloquence  to  change 
your  decision."  "Can't  talk  to  you  now.  Your  sixty 
seconds  have  vanished  long  ago.  That's  my  cue — 
see  you  after  the  play — good-bye,"  said  Owens,  hur- 
riedly leaving  the  room.  The  interview  was  resumed, 
and  subject  discussed  at  supper.  Urgent  persuasion 
finally  gained  hearing  so  far  as  consent  to  go  on  to  New 
Orleans  for  a  visit,  and  meanwhile,  reflect,  before  utterly 
rejecting  the  managerial  proposition.  A  fortnight  was  de- 
lightfully passed  in  the  Crescent  city,  and  the  final  decision 


230  MEMORIES   OF 

was  made  to  accept  the  alluring  terms  to  become  manager 
of  the  Varieties  Theatre  for  the  season  of  1874-75. 

Leaving  New  Orleans,  by  steamer  for  New  York,  Mr. 
Owens  remained  in  the  latter  city  several  days,  partly  for 
recreation,  but  more  especially  that  he  might  take  pre- 
liminary steps  towards  forming  a  first  class  company. 
The  summer  vacation  at  Aigburth  Vale  was  broken  by 
frequent  trips  to  New  York  on  the  same  business ;  never- 
theless, much  delightful  home  rest  and  intercourse  with 
friends  was  enjoyed. 


CHAPTER  X. 

Preliminary  Season  of  1874-75— Auspicious  opening  of  Varieties  Thea- 
tre— " School  for  Scandal" — Owens  as  Sir  Peter  Teazle— John 
McCullough— Political  excitement— General  Phil  Sheridan— En- 
gagement in  Galveston,  Texas — Provincial  pride — Evoking  indig- 
nation—  The  town  of  "  Kateyfow  "  —  Chance  meeting  on  cars — 
"  Towsontown "  —  "There  is  no  such  place" — Owens  purchases 
Academy  of  Music,  Charleston,  S.  C. — John  M.  Barron — October 
sport — Hunting  dogs — Fever  and  ague — A  mouse  story — "  Perkyn 
Middeurick"  at  Ford's  Opera  House  —  Christmas  jollity  —  "Our 
Boys  "  in  Brooklyn— Claude  Burroughs— Harry  Murdoch— Season 
1876-76,  westward — A  heavy  coupon — Visit  to  Lawrence  Barrett's 
Cohasset  home — A  new  play — A  telegram — Second  visit  to  California 
— "  Doctor  Peter  Pangloss,"  LL.  D.  and  A.  S.  S. 

YT7HE  dramatic  company  organized  for  the  season  of 
1874-75,  included  E.  F.  Thorne,  Chippendale, 
Laura  Don,  Ada  Oilman  and  many  other  talented 
artists.  Before  proceeding  to  New  Orleans,  Owens 
supported  by  this  company,  played  at  Mrs.  Drew's 
Arch  Street  Theatre,  Philadelphia,  opening  August  29th 
with  "  Victims "  and  " Solon  Shingle"  the  same  bill  in 
which  he  had  appeared  at  this  theatre  the  first  night  of 
the  previous  season.  The  satisfactory  results  were  equally 
coincident.  A  varied  programme  filled  the  second  week. 

231 


232  MEMORIES   OF 

In  this  preliminary  season,  Brooklyn,  Boston,  Wash- 
ington and  Baltimore  were  also  included,  and  in  each 
city  the  personations  of  the  great  comedian  were  appre- 
ciatively enjoyed. 

"  The  School  for  Scandal"  was  the  comedy  selected 
for  the  opening  of  the  New  Orleans  theatre.  Close 
attention  having  been  paid  to  accurate  costumes,  stage 
setting,  and  thorough  rehearsals,  the  initial  performance 
took  place  November  4th.  Owens'  name  being  a  tower 
of  strength,  led  the  cast  as  "  Sir  Peter  Teazle,"  that  the 
full  force  of  the  company  might  be  utilized  to  fill  the 
other  characters.  He  assumed  the  part  of  "  Sir  Peter  " 
for  this  reason  only ;  not  being  drawn  to  it  with  a 
feeling  of  inspiration  or  desiring  to  achieve  a  triumph 
in  its  representation. 

Possessing  keenness  as  well  as  quickness  of  perception, 
he  could  not  fail  to  bring  into  prominence  any  char- 
acter he  assumed ;  therefore  biB(tSir  Peter  Teazle"  was 
an  excellent  performance.  It  did  not  reach  the  brill- 
iancy of  his  famous  characters,  but  came  quite  up  to  his 
exportation.  Having  attained  its  object  in  successfully 
inaugurating  the  season  with  a  comedy  which  included 
the  entire  company,  Owens,  after  the  week  allotted  to 
the  "School for  Scandal"  resumed  his  especial  repertoire, 
and  as  usual  found  tin-  public  appreciative.  Later  on  he 
indulged  in  a  rest,  and  announced  " Clancart y"  which 
had  for  weeks  been  in  process  of  preparation  ;  then  came 


JOHN    E.    OWENS.  233 

"Belle  Lamar"  by  Dion  Boucicault,  and  several  of 
Bartley  Campbell's  comedies. 

Guided  by  managerial  experience  and  good  judgment, 
he  had  purchased  the  rights  to  these  and  other  plays. 
All  through  his  life  he  bought  many  original  plays, 
absolutely;  some  with  a  view  of  adding  them  to  his  per- 
sonal repertoire,  others  to  be  available  in  his  managerial 
capacity.  After  reading  a  play,  if  he  deemed  it  possessed 
merit,  he  purchased  it  for  possible  future  use ;  not  nar- 
rowed down  by  the  pressure  of  needing  something  new 
at  the  moment.  Thus  thousands  of  dollars  were  invested 
in  manuscripts,  which  are  now  in  my  possession.  Some 
of  them  he  used,  but  even  those  not  tested  had  the  stamp 
of  his  approval. 

In  addition  to  the  strongly  attractive  stock  company 
which  had  been  engaged  for  this  New  Orleans  season, 
many  prominent  stars  appeared.  Lawrence  Barrett,  John 
McCullough,  Emmett,  and  others,  alternated  with  the 
stock  performances.  The  theatre  opened  with  every 
prospect  of  a  great  season ;  but  its  career  was  gradually 
overshadowed  by  much  political  excitement.  A  state  of 
unrest  had  been  brewing  since  the  Pitt-Kellogg  embroil- 
ment, and  ultimately  developed  strong  antagonistic  parties. 
The  influence  on  the  theatres  was  slightly  felt  at  first, 
but  increased  with  various  phases,  and  culminated  when 
General  Phil  Sheridan  and  his  staff  were  stationed  in 
New  Orleans,  and  martial  law  declared.  This  and  the 


2'34  MEMORIES   OF 

"  armed  banditti "  accusation  roused  the  indignation  of 
southerners;  whilst  the  northern  element  in  the  city 
were  equally  hot-headed  in  asserting  their  views  of  the 
situation. 

The  Rotunda  of  the  St.  Charles  Hotel,  and  other  public 
places,  were  thronged  by  those  who  excitedly  discussed 
the  political  crisis.  Amusements  occupied  but  little 
thought.  The  floating  population  constituted  the  main 
attendance  at  the  theatres;  and  the  effects  of  political 
engrossment  became  increasedly  apparent  in  the  audi- 
torium, and  in  the  depleted  receipts  of  the  box-office. 
Adelaide  Neilson  arrived  to  fulfil  her  engagement  at  the 
St.  Charles  Theatre,  but  failed  to  appear.  She  speedily 
discovered  that  the  climate  (or  the  political  atmosphere) 
made  her  ill;  and  cancelling  the  date  left  for  less  tur- 
bulent localities.  At  the  Varieties  Theatre  attractions 
which,  under  usual  circumstances,  would  have  insured 
crowded  houses,  failed  to  draw  even  moderately  well. 

In  January,  Owens  played  in  Galveston,  Texas ;  and 
would  have  been  entirely  satisfied  with  his  engagement 
there  except  for  the  intense  cold  weather,  caused  by  a 
"norther,"  which  prevailed  during  the  latter  part  of  the 
time;  however,  (as  he  remarked)  "it  is  well  to  have 
experience  of  every  peculiarity  of  one's  country. "  This 
was  his  first  professional  visit  to  Galvestou.  The  place 
had  much  improved  since  he  stopped  there  en  route 
to  another  town  some  years  before.  At  that  time  he 


JOHN    E.    OWKNS.  235 

inquired  of  the  proprietor :  "  Why  don't  you  have  bells 
in  the  rooms,  and  carpets  on  the  floors?  "  "  Good  gracious ! 
sir,"  responded  the  landlord,  u  we  dare  not  do  it.  We 
should  lose  our  custom.  Even  now  we  have  complaints 
and  discontent  about  i  putting  on  too  much  style.7  " 

This  position  seemed  to  define  the  general  patronage 
as  comprising  a  rough  element ;  which  was  further  veri- 
fied by  some  of  the  rules  on  the  printed  placards  in  the 
bedrooms :  "  The  proprietor  will  not  be  responsible  for 
pistols  or  bowie  knives,  except  when  placed  in  the  office 
safe.  If  left  under  the  pillow,  they  are  at  the  owner's 
risk.  Guests  are  requested  to  remove  their  boots  and 
spurs  before  retiring,"  &c.  The  town  had  made  rapid 
strides  since  then ;  but,  though  dearly  loved  by  native 
born  citizens,  it  was  not  alluring  as  a  permanent  abode, 
in  the  view  taken  by  a  casual  visitor. 

Its  magnificent  beach,  pre-eminent  for  great  width, 
inspired  admiration,  and  its  enterprise  commanded  appro- 
bation ;  but  the  climate  and  other  drawbacks  deteriorated 
from  its  attractiveness  to  strangers.  Viewing  matters  in 
this  light,  Owens  unintentionally  gave  serious  oifence  to 
a  representative  citizen  of  Galveston.  Approaching  the 
comedian  in  an  effusive  way,  he  said :  "  Mr.  Owens, 
you've  played  a  splendid  engagement  here.  We  like 
you,  sir ;  yes,  sir,  we  like  you.  I  was  born  in  this  city, 
and  here  have  I  lived ;  and  I  can  safely  say  that  no  star 
ever  made  a  greater  impression  than  yourself."  Owens 


236  MEMORIES   OF 

affably  acknowledged  the  compliment  tendered ;  and 
the  gentleman  continued  :  "  You  ought  to  settle  here — 
we  will  build  you  a  theatre.  Make  this  your  home  !  " 

Involuntarily  came  the  exclamation,  "God  forbid!" 
thereby  invoking  stormy  indignation,  and  voluble  asser- 
tions of  the  superiority  of  "  cultured  Galveston  "  to  New 
York  and  all  other  cities.  The  peroration  being :  "  All 
the  world  may  concede  eminence  to  an  actor,  but  his 
position  is  not  established  until  he  has  passed  the  ordeal 
of  a  Galveston  audience,  and  gained  their  approval." 
Without  discussing  this  point  Mr.  Owens  quelled  the 
storm  of  words  by  disclaiming  intention  of  giving  offence ; 
explaining  that  his  home  was  so  entirely  satisfactory  that 
any  suggestion  to  change  it  was  objectionable. 

The  New  Orleans  season  terminated  April  3d;  and 
immediately  afterwards  Owens,  supported  by  the  com- 
pany, played  in  some  of  the  smaller  southern  towns,  as 
well  as  the  more  prominent  ones — closing  in  Charleston, 
S.  C.,  latter  part  of  May.  During  such  a  tour  it  is 
always  a  desideratum  to  book  Saturday  where  one  can  be 
comfortably  lodged  for  the  Sunday  rest.  The  second 
week  closed  in  a  town  where  the  best  hotel  was  located 
in  the  railroad  station  ;  but  the  noise  of  incoming  and 
outlining  trains  was  patiently  endured  for  the  sake  of 
good  fare  and  attention  received.  An  unusually  compe- 
tent waiter  served  us  at  table,  and  eagerly  recalled  his 
identity  by  the  reminder  :  u  I  waited  on  you  at  de  ole  Saint 


JOHN    E.    OWKNs.  237 

Charles,  in  X'Orlrans,  sah!"  Mr.  Owens  responded 
pleasantly,  and  for  the  sake  of  manifesting  interest,  asked  : 
"Do  you  have  many  trains  to  cater  for  on  Sunday?" 
"Knteyfow!  Kateyfow!"  replied  the  perplexed  darkey, 
"  I  really  don't  think  dat  town  is  on  dis  line  of  road,  sah  ! " 
"  Perhaps  not,"  said  Mr.  Owens,  drily  ;  "  but  I  am  glad 
I  asked  you,  because  now  I  know  my  premises." 

Business  all  through  the  southern  circuit  was  excellent. 
The  perfect  rendition  of  the  plays  by  a  strong  and  well 
rehearsed  company,  giving  additional  zest  to  the  enjoy- 
ment of  the  performances. 

While  Owens  was  playing  in  Charleston,  S.  C.,  Mr. 
John  Chadwick  strongly  urged  him  to  purchase  the 
Academy  of  Music  in  that  city.  Mr.  Chadwick  had 
been  owner  of  the  property  for  several  years.  He  paid  a 
large  sum  for  it,  and  subsequently  spent  many  thousands 
in  alterations  and  improvements  upon  the  building.  He 
still  considered  it  a  good  investment,  but  having  exten- 
sive business  interests  in  St.  Petersburg,  Russia,  where 
his  family  resided,  he  was  desirous  to  place  all  his  capital 
there,  and  permanently  locate  in  Russia.  Strong  mana- 
gerial proclivities  inclined  Owens  favorably  to  becoming 
the  owner  of  the  Academy  of  Music ;  but  in  view  of  the 
magnitude  and  importance  of  the  purchase,  he  required 
time  for  reflection.  Mr.  Chadwick  was  well  content  with 
the  promise  given,  "  to  think  the  matter  over." 


238  MEMORIES   OF 

Homeward  bound  from  Charleston,  the  comedian  met  a 
party  of  New  York  friends  who  had  been  passing  the 
winter  in  Florida.  They  intended  stopping  over  in  Rich- 
mond, and  were  urgent  to  have  him  tarry  with  them ;  to 
this  he  said  "  nay  " — but  invited  the  party  to  spend  a 
day  at  Aigburth  Vale  when  they  reached  Baltimore. 
The  suggestion  was  received  with  pleasure.  "I'll  meet 
you  in  the  city ;  let  me  know  when  you  are  due  there. 
My  address  is  '  Towsontown,  Baltimore  County.' ' 
(t  Quizzing  again/'  remarked  one  of  the  party,  "  I  never 
heard  of  Towsontown — don't  believe  there  is  such  a 
place ! "  "  Nor  I ! "  "  Nor  I ! "  ejaculated  a  chorus  of 
voices.  "  Oh,  what  dense  ignorance  ! "  was  the  retort, 
with  an  assumed  injured  manner,  "  Towsontown  is  famous  ! 
so  well  known  that  my  letters  to  Baltimore  are  sometimes 
directed  :  '  Baltimore,  near  Towsontowu  ! ' '  This  was 
hailed  with  a  shout  of  laughter  and  the  reiteration  of: 
"  Don't  believe  there  is  such  a  place." 

The  car  door  opened  at  this  juncture  and  a  gentleman 
entered,  who  happily  was  known  to  the  entire  party  ;  at 
once  Owens  seized  him,  and  in  imploring  accents,  said  : 

"  Major  P ,  come  to  my  rescue,  and  the  vindication 

of  my  veracity  and  hospitable  intentions.     Is  there  or  is 
there  not  a  village  known  as  Towsontown  ?  "    "  Certainly 

there  is,"  attested  Major  P ,  "  I  have  relatives  there  ; 

and  can  personally  vouch   for  its  being  a  beautiful  and 
delightful  town.  But  why  am  I  thus  abruptly  questioned?" 


JOHN     K.    o \VEN8.  239 

An  explanation,  amid  much  laughter  and  joking,  ensued. 
The  name  of  our  post-office  town  was  often  a  source  of 
fun  with  Mr.  Owens'  friends.  He  frequently  received 
letters,  addressed  :  Towzytown,  Puseytown,  Tansytown, 
Tolly  town,  &c.,  &c. 

During  the  month  of  June,  some  correspondence  was 
held  with  Mr.  Chadwick,  relative  to  the  purchase  of 
the  Academy  of  Music ;  and  in  July,  they  met  in 
Charleston,  for  the  final  settlement  of  the  business. 
Investigation  of  title,  drawing  up  of  papers  and  every 
detail  of  purchase  was  entrusted  by  Mr.  Owens  to  Messrs. 
Buist  &  Buist,  a  firm  whose  fame  as  counsellors  is  only 
equalled  by  their  brilliant  record  as  scholars  and  social 
magnates.  On  July  25th,  1875,  Mr.  Owens,  by  making 
a  large  cash  payment,  became  owner  of  the  valuable  prop- 
erty that  thenceforth  was  known  as  "  Owens'  Academy 
of  Music."  Immediate  arrangements  were  made  to  have 
it  thoroughly  equipped  for  the  following  season.  Sparing 
no  expense,  the  work  progressed  rapidly ;  and  when  the 
theatre  was  opened  in  September,  it  well  merited  the 
encomiums  lavished  upon  it. 

From  that  time  it  has  continued  to  rank  as  one  of  the 
handsomest  theatres  between  Baltimore  and  New  Orleans. 
Ably  managed,  the  best  attractions  have  been  offered  to 
the  public  of  Charleston ;  thus  meriting  the  position 
conceded  to  it  as  a  standard  theatre.  For  two  seasons 
Mr.  Frank  Arthur  was  resident  business  manager  of 


240  MEMORIES   OF  % 

Owens'  Academy  of  Music.  He  possessed  considerable 
energy  and  ability,  but  he  proved  to  be  a  very  unde- 
sirable employe ;  and  his  connection  with  the  Academy 
terminated  disastrously  for  Mr.  Owens,  even  though  the 
theatrical  engagements  had  been  largely  successful. 

In  the  autumn  of  1877,  Mr.  John  M.  Barron  was 
installed  as  business  manager,  and  by  excellent  judgment 
and  close  attention,  he  maintained  the  first-class  record  of 
the  theatre.  Mr.  Barron  was  thorough  in  everything  he 
undertook.  Comfort  and  neatness  behind  the  scenes  was 
as  carefully  considered  as  the  completeness  and  effective- 
ness of  the  stage  and  auditorium,  or  aught  else  subject  to 
public  comment  only.  Mr.  Barron  previously  held  a  sim- 
ilar position,  for  several  years,  with  Mr.  J.  H.  McVicker, 
at  his  famous  theatre  in  Chicago.  He  left  there  to  resume 
his  profession  as  leading  man  in  a  dramatic  company. 
Mr.  Barron  had  charge  of  Owens'  Academy  of  Music  for 
seven  years.  The  severance  of  his  connection  with  it 
arose  from  the  fact  that  (in  1884)  the  owner  desired  to 
rest  from  playing,  and  was  yet  unwilling  to  remain 
entirely  idle ;  therefore  assumed  personal  management  of 
his  theatre. 

Mr.  Barron  kept  the  Academy  in  exquisite  order,  and 
was  thoroughly  conversant  with  every  business  detail. 
He  spoke  fluently  of  its  antecedents.  The  drop-curtain 
of  the  Academy  was  painted  by  Maynard  Lewis,  with 
close  attention  to  the  beautiful  perspective  and  atmos- 


OWENS'  ACADEMY  OF  MUSIC, 
CHARLESTON,  S.  C. 


JOHN    E.    OWENS.  241 

pheric  effects,  for  which  that  great  artist  was  famous. 
Mr.  John  (-luulwick  paid  one  thousand  dollars  for  the 
curtain,  delivered  in  New  York,  and  received  the  worth 
of  his  money. 

After  returning  from  Charleston,  Owens  passed  the 
summer  at  Aigburth  Vale;  prolonging  his  holiday  for 
the  October  shooting.  And  to  participate  in  this,  he 
invited  some  friends  who  like  himself  were  ardent  sports- 
men. It  is  hard  to  decide  which  was  enjoyed  most  by 
the  host  and  his  guests — the  outdoor  excitement  with  guns 
and  dogs,  or  the  jovial  chats  at  table  and  in  smoking- 
room.  From  ten  years  of  age,  Mr.  Owens  had  been  fond 
of  gunning  and  devoted  to  dogs.  When  a  boy,  a  friend 
of  his  father  often  took  him  out  gunning,  and  culminated 
his  happiness  by  lending  him  an  old  gun.  The  day  he 
was  actually  able  to  buy  a  new  gun  marked  a  proud 
moment  in  his  life. 

Owning  fine  hunting  dogs  was  a  passion  with  Mr. 
Owens,  and  the  training  of  them  a  great  pleasure.  I 
recall  a  rather  droll  incident  apropos  of  this  taste.  While 
playing  in  Grand  Rapids,  a  gentleman  of  that  city  gave 
him  a  pointer  puppy  of  pure  pedigree.  He  apprecia- 
tively accepted  the  gift,  thinking  that  the  care  of  the 
dog  would  be  satisfactory  and  brief,  as  the  season  was 
drawing  to  a  close.  The  new  acquisition  was  named 
after  the  town  of  his  nativity,  but  abbreviated  to  "  Raps." 
Mr.  Owens'  liking  for  him  increased  daily,  and  he  was 
16 


242  MEMORIES   OF 

eager  to  get  home  and  train  the  puppy  for  a  hunter.  A 
few  days  before  the  close  of  the  tour,  an  offer  was 
received  to  play  two  weeks,  further  west,  on  good  sharing 
terms  or  fifteen  hundred  dollars  certainty  per  week.  He 
remarked  to  me  :  "I'll  have  to  think  that  over ;  I  don't 
mind  playing  a  fortnight  longer,  but  what  will  I  do 
about  my  dog  ?  He  ought  to  be  at  home  and  in  training." 
"  Postpone  his  education/7  I  jokingly  suggested,  "  if  that 
is  all  interfering  with  signing  the  contract."  The  comic 
side  of  the  objection  seemed  to  strike  him,  and  laughing 
heartily,  he  dictated  a  message  accepting  the  offer. 

All  of  Mr.  Owens'  dogs  were  fond  of  him,  but  some 
of  them  gave  such  wonderful  evidences  of  affection  and 
remembrance  that  it  is  with  difficulty  I  refrain  from 
mentioning  a  few  of  these  remarkable  proofs  of  canine 
intelligence.  I  am  only  restrained  by  the  consciousness 
that  dog  stories,  like  fish  stories,  are  apt  to  be  incredu- 
lously received ;  and  mine,  though  strictly  true,  might 
share  the  fate  of  those  which  are  manufactured.  Long 
bct'oiv  purchasing  the  farm  Mr.  Owens  was  a  member  of 
tw<»  ducking  clubs  on  the  Maryland  shore.  A  capital 
shot,  he  cared  more  for  the  sport  than  he  did  for  making 
a  big  game  bag.  The  few  days  spared  now  and  again 
from  business  were  inspiriting,  and  the  recreation  health- 
ful ;  except,  indeed,  when  by  tarrying  too  long  in  the 
blinds,  malarial  influence  asserted  its  sway  in  the  form  of 
chills  and  fever. 


.loi ix   K.  <>WFA>.  243 

I  remember  a  severe  attack  of  this  kind,  wliieli  was 
treated  with  medicine  containing  much  quinine,  "to  be 
given  in  small  quantities."  Mr.  Owens  concluded  to  use 
(or  rather  //i/x-use)  his  own  judgment  by  trebling  the 
doses  and  lessening  the  interval  between  them ;  conse- 
quently, he  became  flighty  during  the  night ;  being  aware 
of  the  cause  I  was  not  alarmed,  but  quietly  agreed  to 
any  assertion  he  made.  In  the  morning,  standing  beside 
him,  inquiring  what  I  should  order  for  his  breakfast,  he 
suddenly  remarked:  "There  is  a  mouse  in  this  bed." 
Deeming  this  a  vagary  from  the  lingering  effects  of 
quinine,  I  soothingly  replied  :  "  Yes.  so  there  is."  He 
indignantly  exclaimed  :  "Tain  not delirious ;  I  tell  von 
there  w  a  mouse  in  this  bed."  "  Yes,"  continued  I  (intent 
on  humoring  the  fancy),  "  there  was  a  mouse  there,  but 
it  has  gone."  Becoming  quite  angry,  he  said  :  "It  is  here 
no\v  ;  I've  caught  it,  and  I'll  convince  you."  Meeting  my 
indulgent  manner  with  a  glance  of  triumphant  merri- 
ment, he  took  my  hand  and  placed  in  it — a  live  mouse ! 

With  a  shriek,  I  rushed  to  the  middle  of  the  floor  and 
sprang  on  a  chair.  Mr.  Owens  laughed  until  he  cried  ; 
and  presently  I  joined  in  the  hilarity.  Later  in  the  day 
he  said  to  me:  ''The  excitement  about  the  mouse,  and 
the  hearty  laugh  it  evoked,  threw  me  into  a  perspiration, 
and  broke  my  fever;  and  now  I  am  quite  well.  'Throw 
physic  to  the  dogs' — but  no;  don't  distress  the  good 
beasts  with  ijuinine." 


244  MEMORIES   OF 

November  15th,  1875,  Mr.  Owens  began  his  next 
season,  opening  in  "Self"  at  the  National  Theatre,  Wash- 
ington. The  succeeding  week  was  filled  with  the  same 
bill  at  the  Academy  of  Music,  Baltimore ;  Mr.  John  T. 
Ford  having  engaged  that  theatre  for  six  nights,  his  own 
Opera  House  having  other  attraction.  At  the  latter 
house  Owens  appeared,  November  29th,  in  "  Our  Boys" 
this  being  the  first  time  he  had  essayed  the  part  of  Perkyn 
Middlewick.  At  once  the  character  pleased  him,  and  the 
jolly  butterman  never  found  a  better  representative. 

His  supporting  cast  had  strong  points;  noticeably, 
Mrs.  Jane  Germon,  as  Aunt  Clarissa;  Harry  Lee,  as 
Charles  Middlewick;  M.  Lannegan,  as  the  Baronet,  and 
Miss  Eugenia  Paul,  as  Belinda.  The  witty,  crisp  dia- 
logue and  the  strong  situations  were  fully  developed, 
thus  scoring  a  triumph  for  the  play.  Owens  conceived 
Middlewick  as  a  man  of  intelligence  and  sensitive  feel- 
ings, with  bluntness  and  vulgarity  held  in  check  on  the 
right  side  of  coarseness.  His  blunders  in  polite  society 
(the  inevitable  sequence  of  ignorance)  transpired  without 
apparent  acting.  Wounded  pride,  anger  and  that  ten- 
derness which  was  a  fibre  of  Middle  wick's  really  great 
nature,  were  port  ray  CM  I  with  touching  effect.  In  this 
Intermingled  the  shading  of  racy  humor,  inseparable  from 
the  naturalness  of  the  good-hearted  English  parvenu. 

"  Our  Boys "  filled  the  week  (and  the  theatre)  satis- 
factorily ;  closing  the  engagement  with  John  T.  Ford, 


MR.  OWENS  as  PERKYN  MIDDLEW1CK 
In  "  Our  Boys." 


JOHN    E.    OWENS.  245 

December  4th.  After  which  Mr.  Owens  remained  at 
home  through  the  Christmas  holidays,  enjoying  the  rest 
and  the  society  of  some  invited  friends — friends  whose 
visits  to  Aigburth  Vale  were  to  them  and  their  cordial 
host  something  to  look  forward  to  and  remember  as  red 
letter  records  in  the  calendar.  The  humorous  stories, 
jolly  laughter  and  witty  repartee  lingered  long  in  their 
memory. 

Resuming  professional  work  January  3d,  1876,  at 
the  Brooklyn  Theatre,  the  opening  bill  was  "  Our 
Boys"  Shook  and  Palmer,  managers,  furnished  an 
excellent  supporting  company,  among  whom  were  Miss 
Maud  Harrison,  Mrs.  Farren,  Claude  Burroughs,  Harry 
Murdoch  and  other  favorites.  The  Brooklyn  public 
unanimously  pronounced  the  character  of  Perkyn  Middle- 
wick  to  be  especially  suited  to  Owens'  style  of  eccentric 
comedy ;  and  decided  that  it  was  destined  to  be  associated 
with  his  name.  This  opinion  became  firmly  established 
not  only  in  Brooklyn,  but  wherever  he  played  Pwkyn 
Middlewick.  The  clear-cut  personation  bore  evidence  of 
infinite  artistic  ability  and  careful  study. 

"  Our  Soys"  in  prosperous  run,  was  intended  to  fill 
the  fortnight  in  Brooklyn,  but  so  many  requests  were 
made  for  "  Caleb  Plummer "  that  the  manager,  in  com- 
pliance with  general  desire,  annnounced  "Dot"  for  the 
last  two  nights  of  the  engagement.  Said  a  gentleman,  in 
Brooklyn,  "Owens,  whenever  your  name  is  heard,  we 


246  MEMORIES   OF 

begin  to  hunger  for  dear  old  Caleb.  The  thought  of 
that  part  is  inseparably  linked  with  you,  and  it  holds 
exalted  rank  among  the  perfect  things  which  have  been 
accomplished  by  dramatic  art  and  impulse." 

March  21st  inaugurated  an  engagement  at  McVicker's 
Theatre,  Chicago ;  thence  to  St.  Louis  for  two  weeks, 
and  next,  a  like  period  at  the  Walnut  Street  Theatre, 
Philadelphia.  The  Centennial  was  in  its  iucipiency 
during  the  latter  engagement,  and  Mr.  Owens  anticipated 
recreation  from  the  inspection  of  wonders  from  many  lands. 
Unfortunately,  the  announcement  of  the  opening  of  Cen- 
tennial Hall  was  premature,  and  early  respondents  were 
disgusted  by  the  commercial  aspect  of  numerous  packing 
boxes,  with  their  contents  hidden  away ;  the  din  of 
hammers,  and  the  incompleteness  of  the  entire  a  flair. 
However,  after  the  summer  vacation  the  disagreeableness 
of  this  experience  was  obliterated  by  spending  several 
days  of  September  on  the  Centennial  grounds,  and  fully 
investigating  its  wonderful  resources;  and  thus  overcom- 
ing prejudices  of  the  first  unfavorable  impressions,  he 
came  away  fully  imbued  with  patriotic  pride  in  the 
"Great  Centennial  Fair." 

A  western  tour  inaugurated  the  season  of  lS7<)-77 — 
the  financial  success  making  amends  for  trivial  discom- 
fort. It  was  not  always  possible  to  "see  the  players  well 
bestowed"  in  the  hotels  where  they  must  abide  awhile. 
From  the  rural  districts  adjacent  numbers  flocked  to  enjoy 


JOHN    E.    OWENS.  247 

"  a  good  show ; "  and  though  less  appreciative  than  the 
denizens  of  the  town,  they  were  loud  in  praise  and 
applause.  Many  ludicrous  happenings  came  within  one's 
notice.  I  remember  an  inexperienced  rustic  entering  the 
box-office  with  his  dulcinea  (both  uncomfortably  con- 
scious of  wearing  best  clothes)  ;  with  a  "  good  mornin' " 
to  the  ticket  agent,  he  continued :  "  Me  and  Sarah  wants 
to  see  the  show  to-night;  can  you  keep  good  places  for 
us  if  I  pays  for  them  now?"  Giving  an  affirmative 
reply,  the  agent  presented  the  box-sheet,  asking  :  "  What 
seats  do  you  prefer?"  "  Isaiah,  get  the  best,"  interrupted 
Sarah.  Orchestra  seats  being  suggested,  they  were  marked 
off  and  paid  for,  but  still  the  couple  lingered ;  the  young 
man  nervously  fingering  the  coupons  which  had  been 
given  him.  "Can  I  do  anything  else  for  you?"  blandly 
inquired  the  agent,  as  he  noticed  embarrassed  whisperings 
passing  between  the  two.  "Well,  yes,"  said  Isaiah, 
"  weVe  got  to  go  round  right  smart  number  of  places 
to-day,  and  we  can't  carry  this  big  ticket  with  us  handy 
(pointing  to  the  box-sheet).  Will  you  please  take  care 
of  it  for  us  till  we  come  to-night  ?  "  With  well-assumed 
gravity  the  agent  assented ;  and  furthermore  promised 
that  he  would  give  instruction  whereby  the  small  tickets 
alone  would  secure  their  seats.  Isaiah  and  Sarah,  with 
many  "thank  'ees,"  retired;  much  relieved  that  they  were 
not  obliged  to  "tote"  that  big  ticket  round  town  while 
they  did  their  shopping. 


248  MEMORIES   OF 

The  small  western  towns  have  one  great  charm  ;  their 
vicinity  abounds  in  lovely  drives,  and  good  horses  can 
usually  be  had  at  the  livery  stables.  The  exhilarating 
autumn  air  adds  additional  enjoyment  to  this  healthful 
recreation,  and  gives  to  a  professional  tour  the  flavor  of 
a  pleasure  trip.  In  October  Owens  played  at  St.  Louis, 
then  Louisville,  presenting  "Our  Boys"  in  addition  to 
his  usual  plays.  The  piece  took  firm  hold  on  the  public, 
and  the  comedian  was  unanimously  congratulated  on  his 
splendid  characterization  of  Perkyn  JUiddlcwick.  His 
method  was  as  delightful  as  his  personality,  and  each 
were  of  the  highest  order.  He  next  filled  two  week>  at 
the  Brooklyn  Theatre;  for  the  three  concluding  per- 
formances of  which  "Our  Boys"  was  given  with  a 
strong  cast,  and  this  being  a  return  engagement,  its 
brilliancy  was  all  the  more  complimentary  to  the  star. 

After  six  weeks  embracing  Elmira,  Syracuse  and  other 
N'ew  York  towns,  supported  by  the  stock  company  of 
"  J.  Clinton  Hall,"  Owens  began  an  engagement  at  the 
Opera  House  of  that  manager  in  Rochester,  X.  V., 
December  4th.  This  was  destined  to  be  interrupted  by 
a  terrible  calamity,  the  burning  of  the  Urooklyn  Theatre. 
Unlike  the  usual  rumor  of  disaster,  news  of  this  con- 
flagration was,  at  first,  reported  as  mainly  destructive  to 
property.  While  reading  of  it,  a  thankful  feeling  arose 
in  every  heart  that  human  life  had  not  been  sacrificed. 
Hence,  the  shock  was  all  the  greater,  when  the  startling 


250  MEMORIES   OF 

Returning  home,  Owens  signed  a  contract  with  John  T. 
Ford  for  a  southern  tour ;  pursuing  which,  he  arrived  in 
Charleston,  S.  C.,  March  9th.  This  was  his  first  appear- 
ance in  that  city  since  he  had  become  owner  of  the  Academy 
of  Music.  When,  as  Perkyn  Middlewick,  he  stepped  upon 
the  stage,  he  was  received  with  deafening  applause  and 
cheers.  Modestly  expecting  a  mildly  cordial  recognition, 
he  was  quite  taken  by  surprise  at  such  an  overwhelming 
manifestation  of  the  kindly  feeling  of  the  Charlestonians. 
Beyond  his  gratification  was  a  deeper  sense,  which  led 
him  to  understand  that  the  enthusiasm  indicated  that 
he  was  now  regarded  as  being  identified  with  Charleston ; 
to  tli is  he  rendered  responsive  feeling,  and  increasingly 
regarded  "  the  city  by  the  sea "  with  a  home  feeling. 

The  plays  given  at  this  time  were  "  The  Rivals" 
"  MfH'i'ied  Life,"  "Heir  at  Law,"  "Poor  Gentleman," 
together  with  sundry  after-pieces,  "  Happiest  Day  of  My 
Life,"  "  The  fyitjiir,"  "Solon  S/ri)i</lt>,"  Ac.  The  entire 
engagement  was  an  ovation  of  which  the  comedian  had 
cause  to  feel  proud.  Savannah,  Macon,  Atlanta  and 
other  southern  towns  came  in  pleasant  sequence;  and 
turning  northward  again,  the  route  lay  through  Ten- 
nessee, Indiana  and  Ohio.  Owens  having  renewed  his 
eiu:aii-ement  with  .John  T.  Ford,  played  in  Michigan  and 
Canada  ;  closing  at  Hamilton,  Ontario,  late  in  April. 

However  much  one  delights  in  the  fascination  of  the 
theatrical  profession  and  the  plaudits  of  the  public,  a 


JOHN    K.   OWENS,  -!~>1 

re>pite  from  excitement  and  mental  and  physical  strain 
is  ofttimes  an  agreeable  change.  The  repose  of  home 
was  a  delightful  transition  from  the  bustling  life  of  the 
previous  eight  months. 

( )ne  of  the  most  enjoyable  events  of  this  vacation  was 
a  visit  to  Lawrence  Barrett,  at  Cohasset.  The  ten  days 
passed  at  this  ideal  home  were  charming  beyond  expres- 
sion. Mr.  Barrett  and  his  family  contributed  to  the 
enjoyment  of  their  guests  in  every  way,  without  seeming 
effort  of  entertaining.  Resources  were  endless — yachting, 
fishing,  driving,  and  last,  but  not  least,  conversation. 
Thus  condensing  in  our  brief  visit  more  genuine  pleasure 
than  could  be  reasonably  expected  in  thrice  the  time.  A 
strong  attachment  existed  between  Barrett  and  Owens, 
and  it  was  of  life-long  duration. 

In  additition  to  personal  regard,  Mr.  Owens  greatly 
admired  Barrett's  talent,  indomitable  energy  and  moral 
qualities.  He  considered  the  exalted  position  which  this 
conscientious  artist  had  attained,  fairly  won ;  and  his 
untiring  and  liberal  efforts  to  promote  the  advancement 
of  the  stage,  something  that  entitled  him  to  the  admiration 
and  gratitude  of  the  entire  theatrical  profession.  When- 
ever Barrett  essayed  a  new  part,  the  interest  of  Owens  as 
to  the  result  was  second  only  to  that  of  the  tragedian. 
I  remember  when  Barrett  produced  " Pendragon"  in 
New  York,  he  incidentally  mentioned  in  a  letter,  his 
nervousness  at  the  approaching  event.  We  were  at  home 


252  MEMORIES   OF 

then,  and  Mr.  Owens  consulting  a  New  York  paper, 
said :  "  It  is  to-night  that  Barrett  brings  out  his  new 
play.  I  thought  it  was  to  be  later,  and  intended  writing 
to  him ;  however,  I  will  telegraph."  He  then  dictated 
to  me  (his  amanuensis)  the  following  message : 

"LAWRENCE  BARRETT,  New  York  City, — 

"May  your  success  to-night  be  as  instantaneous  as  the  lightning 
which  flashes  the  good  wishes  of  your  friends  from  Aigburth  Vale. 

"JOHN  E.  OWENS." 

I  kept  a  copy  of  this  impromptu  telegram,  for  it  impressed 
me  as  being  a  concentration  of  earnest  good  wishes, 
unaffectedly  expressed.  Mr.  Owens  thought  of  his  friends 
from  the  heart,  and  if  he  thought  aloud,  the  words  were 
just  such  as  endeared  him  to  them. 

The  season  of  1877-78  began  in  Pittsburg  with 
"  Barneastle  and  Reform"  a  five-act  comedy  by  a  Chicago 
journalist.  If  I  remember  right,  his  original  authorship 
of  this  piece  was  in  the  form  of  a  story  which  appeared 
in  the  Chicago  Inter-Ocean.  Afterwards  he  dramatized 
it,  and  sent  the  manuscript  to  Mr.  Owens,  requesting  a 
careful  reading,  as  tho  play  had  been  written  especially 
with  a  view  of  his  creating  the  leading  part. 

" Barncastle  and  Reform"  had  good  points,  which 
decided  Mr.  Owens  to  give  it  a  trial.  The  character  he 
assumed,  Ebenezer  Barnca§Uet  was  that  of  an  impecunious 
individual  known  in  slang  term  as  "  ji  dead  beat."  On 


JOHN    E.    OWENS.  253 

tlu1  basis  nf'atlivtcd  familiarity  with  distinguished  people, 
he  imposed  upon  the  credulous  by  borrowing  money,  and 
in  various  ways  utilizing  them  to  his  own  advantage. 
Unscrupulous,  untruthful,  but  with  quick  wit  maintain- 
ing the  semblance  of  a  gentleman,  this  impostor  was  a 
strongly  drawn  character. 

The  action  of  the  play  transpires  in  Washington,  and 
some  of  the  situations  gave  Barncastle,  in  his  pretended 
position  of  political  influence,  scope  for  humorous  effects. 
Owens  gave  an  admirable  portrayal  of  this  adventurer. 
The  pomposity  and  brazen  effrontery  were  clever  bits  of 
acting,  and  the  Virginia  dialect  assumed,  was  perfect. 
Roars  of  laughter  and  much  applause  evinced  the  keen 
enjoyment  of  the  audience.  Owens  carried  the  piece 
through,  but  even  his  efforts  could  not  compass  its  success. 
Five  acts  of  "Barncastle  and  Reform"  proved  tedious. 
Condensation  and  reconstruction  might  have  saved  it,  but 
the  author  would  not  take  this  view  of  his  play ;  so, 
after  a  further  trial  in  Brooklyn  and  Louisville,  the  piece 
was  shelved,  much  to  the  author's  disappointment,  who 
said  to  Owens  :  "  I  firmly  believed  that  your  superb  con- 
ception and  acting  of  the  leading  part  of  my  play  was 
destined  to  make  me  a  famous  dramatist," — receiving 
the  reply :  "  The  comedy  cannot  survive  unless  a  free 
use  of  the  pruning  knife  vitalizes  it." 

Closing  in  Brooklyn  October  13th,  Owens  indulged 
in  a  holiday,  part  of  the  time  in  New  York  and  the 


'2~)-\  MEMORIES   OF 

remainder  at  home.  November  26th  he  opened  in  "»SW/" 
at  Robinson's  Opera  House,  Cincinnati,  Barney  Macauley, 
manager.  The  weather  was  bitterly  cold,  and  a  chronic 
record  of  snow  and  sleet;  and  except  Thanksgiving 
matinee  and  night  the  attendance  was  not  large.  Whether 
this  was  owing  to  the  unpopularity  of  the  theatre  or  the 
inclemency  of  the  weather,  lie  could  not  determine ;  but 
that  the  public  were  not  alienated  from  him  was  clearly 
demonstrated  by  subsequent  big  engagements  in  Cincin- 
nati— on  a  scale  with  all  prior  ones  in  that  city. 

Newark,  Trenton  and  sundrv  New  England  towns 
were  next  visited  with  agreeable  results;  concluding  in 
Fall  River,  January  5th.  Two  weeks  later  Mr.  Owens, 
supported  bv  his  own  company  (which  he  had  meanwhile 
organized),  played  return  engagements  in  all  of  these 
towns;  the  repertoire  being  limited  to  " Dot"  (Cricket 
nn  the  Hearth)  and  "Our  />"//*."  The  dramatic  corps 
WHS  selected  with  a  view  to  making  a  strong  cast  Ibr 
these  especial  pieces.  An  admirable  performance  was 
of  both  plavs.  (  'n/<-/>  I'/umincr  and  Perkyn  Mi<l- 
were  most  enthusiastically  received.  The  former 
seemed  in  each  city  to  meet  with  increased  favor. 

The  character  of  ( 'aleb  was  never  obtruded,  but  <  hvciis' 
pcr-oiiatioii  of  it  was  none  the  less  a  conspicuous  creation. 
The  return  trip,  including  towns  recently  vi>ited,  termi- 
nated with  six  nights  in  Brooklyn.  On  March  llth 
he  began  an  enoaoement  of  two  weeU  at  the  Standard 


.JOHN    K.  OWENS, 

Theatre,  Xew   York;    the  brilliancy  of  which  made  an 
appropriate  finale  of  a  successful  tour. 

Since  Owens'  visit  to  California  in  1869,  he  had  fre- 
quently received  offers  to  play  in  San  Francisco ;  but 
other  contracts  prevented  his  acceptance.  Having  pleasant 
remembrance  of  California,  he  determined  to  make  a  brief 
visit  there  before  settling  at  home  for  the  summer.  He 
therefore  booked  for  a  fortnight  at  the  California  Theatre, 
San  Francisco,  which  was  then  under  the  management  of 
John  McCullotigh,  opening  April  1st,  1878,  as  "  Caleb 
Plummer."  Admirable  talent  distinguished  the  stock 
company  ;  but  the  performances  of  some  of  the  characters 
was  unmistakably  mechanical.  Apparently,  they  were 
unsuited  to  the  ability  or  taste  of  those  in  the  cast.  The 
effect  of  the  play  as  an  entirety  was  marred  ;  but  no 
adverse  surroundings  could  chill  old  Caleb's  hold  upon 
the  emotions  of  the  audience.  This  masterpiece  of  the 
artist,  standing  midway  between  the  tragic  and  comic  con- 
fines, evoked  the  unanimous  tribute  that,  "of  all  his  histri- 
onic triumphs,  Caleb  Plummer  was  the  crowning  glory." 

The  second  week  was  filled  with  "Self,"  "Our  Boy*" 
and  "Heir  at  Law"  All  were  well  received  ;  but  especial 
commendation  was  rendered  to  Dr.  A//////W,  that  per- 
sonation being  in  sharp  contrast  with  the  other  char- 
acters. This  human  encyclopedia  of  learning,  with  his 
apt  quotations  and  the  facial  expression  that  gave  them 
point,  was  a  polished  performance.  The  pedantic  and 


256  MEMORIES    OF 

obsequious  tutor  was  depicted  with  subtlety  of  humor 
which  delightfully  developed  his  peculiarities.  Said  a 
gentleman  who  witnessed  it  for  the  first  time,  "I  have 
seen  Owens  in  many  parts,  but  in  none  of  them  is  he 
alike.  There  is  a  different  voice  in  each  play,  a  different 
face,  a  different  laugh,  a  different  pair  of  legs ;  in  fact, 
a  different  man  altogether."  A  few  nights  in  Virginia 
City,  Nev.,  one  or  two  nights  in  Sacramento  and  the 
smaller  towns  completed  this  professional  visit  to  the 
Occident.  Afterwards  six  weeks  of  recreative  travel 
were  enjoyed. 

Though  fraught  with  enjoyment,  this  excursion  lacked 
the  keen  zest  of  his  first  visit  to  California.  The  pro- 
gressive spirit  through  the  intervening  decade,  though 
valuable  in  consummating  improvements,  had  in  its 
rapid  strides  obliterated  the  attractive  peculiarities  of 
various  sections  of  the  state.  Characteristics  were  merged 
into  commonplacedness,  and  stage-coaches  were  only  a 
reminiscence.  Whilst  this  was  a  matter  of  self-gratulation 
to  the  residents,  transient  visitors  selfishly  regretted  the 
change  that  rendered  California  less  unique.  But  no 
march  of  improvement  could  alter  the  perfect  climate  and 
beautiful  fairy-land  of  flowers.  These,  together  with  the 
grand  scenery,  formed  an  inexhaustible  source  of  delight 
to  Owens  on  his  pleasure  tour,  for  as  such  he  regarded 
this  visit  to  California;  the  professional  engagement 
being  an  interlude  of  secondary  importance. 


MR.  OWENS  as  DR.  PANGLOSS,  LL.  D.  and  A.S.S. 
In  "The  Heir  at  Law." 


CHAPTER   XI. 

Astonishing  disclosure—"  De  Captain's  butter  "—Owens'  inimitable 
manner — An  unfaithful  steward — Season  1878-79 — "The  Serious 
Family"  revived — "A  Double  Knot" — Quick  transit  to  Toronto — 
"Dot"  at  Abbey's  Park  Theatre,  New  York— An  Australian  offer 
—Summer  at  home — The  interlude  of  "  Pinafore  "— "  For  svreet 
Charity's  sake  "—Departure  for  Australia,  September  19th,  1879— 
San  Francisco  en  route — " Higgins"  in  "Doctor  Clyde" — A  mining 
investment — Good  judgment — A  complication  of  ill  luck — Engage- 
ment in  Portland,  Oregon — Owens  returns  east — Opens  at  Fifth 
Avenue  Theatre,  New  York — Enthusiastic  "  welcome  home "  in 
Baltimore — Season  of  1881-82,  under  management  of  "John  T. 
Ford" — "  Some  of  the  first  ladies  in  Norfolk  " — A  wrathful  janitor. 

RETURNING  from  California  in  July,  the  remainder 
*  of  the  summer  was  passed  at  Aigburth  Vale,  in 
home  rest.  Among  the  guests  during  this  vacation  was 
a  gentleman  whom  Mr.  Owens  had  met  some  years  pre- 
vious in  Indianapolis ;  subsequent  visits  to  that  city  had 
ripened  the  acquaintance  into  friendship.  Their  first 
meeting  had  its  origin  in  an  absurd  occurrence.  The 
Bates  House  long  ago  was  noted  for  its  execrable  table 
of  unpalatable  viands,  uninvitingly  served.  Mr.  Owens 
by  liberally  feeing  the  waiter  impressed  upon  him  the 
necessity  of  obtaining  the  best  the  hostelry  afforded,  and 
17  257 


258  MEMORIES   OF 

above  all  things  inveighed  against  the  bad  butter.  As  a 
pleasant  result  of  this  exhortation  we  were  served  with 
delicious  butter  for  two  days,  and  then  the  rank  article 
again  appeared.  "  Sam,"  said  Mr.  Owens,  "  I  can't  stand 
this  axle-grease ;  you  gave  us  good  butter  for  two  days, 
why  can't  you  continue  to  do  so  ?  "  "  Well,  Massa,  dat 
was  de  Captain's  butter."  "What  do  you  mean?" 
"  Just  dis  heah,  de  Captain  live  here  all  de  time,  and  he 
buys  butter  for  his  own  self.  I  bin  a  just  cuttin'  off  a 
bit  for  you  ;  but  now  de  Captain  done  locked  it  up,  and 
I  can't  find  whar  he's  hid  it." 

The  serene  simplicity  of  the  darkey  while  making  this 
explanation  cannot  be  described ;  nor  yet  can  Mr.  Owens' 
consternation  when  informed  that  his  waiter  had  been 
stealing  butter  for  him.  Ascertaining  "de  Captain's" 
full  name,  he  immediately  sought  him  to  make  amends 
for  having  been  the  unconscious  instigator  of  petty 
theft.  The  interview  was  a  success,  if  one  might 
judge  from  the  hearty  laughter  which  pervaded  it. 
"  De  Captain "  proved  to  be  a  whole-souled  and  com- 
panionable man.  During  his  visit  to  Aigburth  Vale  he 
insisted  on  his  host  telling  the  origin  of  their  acquaint- 
ance to  a  party  of  gentlemen ;  supplementing  the  story 
with  the  jocose  remark  :  "  But  I  have  had  my  revenge 
here,  enjoying  free  run  of  the  dairy ;  and  many  pleasant 
hours  have  come  to  me  through  peculation  of  fde 
Captain's  butter.'" 


JOHN    E.    OWENS.  259 

While  narrating  this,  or  any  of  Mr.  Owens'  stories,  I 
instinctively  wish  that  I  could  reproduce  his  manner  of 
telling  an  occurrence.  Clearly,  in  thought,  I  can  see  the 
twinkle  of  the  eye,  the  merry  twitching  of  the  mobile, 
sensitive  mouth,  even  before  he  began  to  speak.  These, 
and  the  vivid  character  with  which  he  invested  the  most 
trivial  point,  no  description  can  convey.  My  hope  is 
that  those  who  knew  him  in  private  and  professional  life 
will,  by  what  I  write,  grasp  an  outline,  and  recall  some- 
thing of  his  method  and  manner.  My  pen  and  ink 
picture  must  needs  be  far  inferior  to  the  reality.  I  strive 
to  give  the  likeness  from  life ;  but  my  mental  camera  is, 
I  fear,  a  diminutive  Kodak  in  size  and  force. 

I  am  conscious  of  the  same  inefficiency  when  I  attempt 
to  delineate  the  traits  of  Mr.  Owens'  character.  They 
were  naturally  and  unreservedly  manifested  to  me  in 
daily  life,  and  increasedly  evoked  my  admiration  and 
reverence.  But  I  hesitate  even  now  to  dilate  upon  his 
grand  nature,  knowing  that  he  shrank  from  praise  and 
the  publicity  of  kindness  extended  to  others.  After  he 
passed  into  the  spirit-land,  I  received  from  many  persons 
letters  expressive  of  gratitude  to  John  Owens,  for  helpful 
service  rendered  in  time  of  need.  I  was  cognizant  of 
some  of  these  kind  acts ;  but  the  knowledge  of  many  of 
them  came  to  me  thus,  in  letters  from  strangers. 

The  attributes  of  Mr.  Owens'  character  were  noble  and 
well  balanced.  His  celebrity  as  an  actor  and  popularity 


260  MEMORIES   OF 

as  a  man,  he  prized  with  honest  pride ;  but  fame  and 
adulation  did  not  evolve  the  slightest  tendency  to  vanity. 
Unostentatious  by  nature,  the  greatest  of  his  manifold 
theatrical  successes  never  inspired  conceit  or  self-assertion 
of  manner,  for  he  was  as  unpretentious  then  as  when 
roaming  over  the  farm  and  talking  to  the  laborers  about 
rural  affairs.  His  judgment  was  clear,  and  attempted 
imposition  was  always  manifest  to  him  ;  but  a  generous 
disposition  rendered  it  impossible  for  him  to  withhold 
kindness  from  those  in  trouble,  even  though  their  mis- 
conduct had  brought  them  to  dire  straits.  At  the  risk 
of  his  own  interest,  he  extended  a  helping  hand  to  save 
the  reckless.  Often  it  has  been  said  to  him :  "  Don't 
waste  time  and  money  on  that  fellow,  he  is  incorrigible ; " 
but  disregarding  this  caution,  he  would  quietly  endeavor 
to  give  aid  and  incite  a  desire  for  the  recovery  of  self- 
respect. 

A  strong  case  in  point  occurs  to  me.  A  young  man 
made  application  for  a  position,  unaware  that  Mr.  Owens 
had  the  slightest  knowledge  of  his  antecedents.  The 
request  was  met  with  the  candid  response :  "  I  know 
your  record.  How  can  I  trust  a  dishonest  man  ?  "  "  Try 
me,  sir,"  said  the  suppliant ;  "  I  was  only  a  boy  at  the 
time  I  went  astray,  and  was  sorely  tempted.  I  have 
repented,  and  am  striving  to  earn  an  honest  livelihood." 
"  I  will  give  you  chance  to  reclaim  yourself,"  replied 
Mr.  Owens.  "  You  shall  have  the  situation  you  ask 


JOHN    E.    OWENS.  261 

for;  and  I  put  you  on  your  honor  to  do  justice  to 
yourself  and  me."  A  few  months  afterwards,  an  old 
acquaintance  said  :  "  Why  do  you  keep  that  man  in  your 
employ  ?  He  is  a  born  thief,  and  an  ingrate.  I  know 
it  from  personal  experience."  "  I  am  aware  of  what  he 
has  been,"  was  the  reply,  "  but  he  is  trying  to  live  it 
down.  It  seems  hard  that  a  man's  life  should  be  blighted 
if  he  strives  to  retrieve  the  past."  "  Chimerical  Owens  ! " 
laughingly  ejaculated  his  friend.  "You  will  find  you 
are  handling  bad  material  for  reform." 

Unfortunately,  the  result  was  discouraging  to  philan- 
thropy. The  protege,  after  two  years  of  apparently  irre- 
proachable conduct,  embezzled  several  thousand  dollars, 
and  decamped.  Mr.  Owens  was  indignant  at  this  abuse  of 
his  confidence ;  but  whilst  the  dishonesty  and  ingratitude 
led  him  to  be  more  cautious,  it  did  not  prevent  extension 
of  kind  acts  subsequently,  to  others. 

The  season  of  1878-79  began  September  23d,  at  Ford's 
Opera  House,  Baltimore.  "  Our  Boys "  and  other  pro- 
nounced successes  were  admirably  cast,  and  thoroughly 
enjoyed  by  large  audiences.  On  Saturday,  in  compliance 
with  much  solicitation,  "  The  Serious  Family  "  was  pro- 
duced. Owens,  as  Aminidab  Sleek,  revived  the  delight 
of  his  admirers,  who  a  score  of  years  previous  had 
applauded  this  performance,  then  in  the  zenith  of  popu- 
larity. To  the  young  people  it  was  new,  and  their 
appreciation  of  its  merits  was  equally  evident. 


262  MEMORIES    OF 

When  it  was  underlined  and  in  preparation,  the  come- 
dian hurrying  home  from  a  lengthy  rehearsal  was  hailed 
by  an  acquaintance  (a  physician  of  the  city),  who  driving 
up  to  the  sidewalk,  said  :  "  I  want  to  tell  you  how  glad  I 
am  that  you  are  to  play  Aminidab  Sleek.  It  was  the 
first  part  I  ever  saw  you  in,  and  I  shall  delight  in 
renewing  the  recollection  of  the  old  Museum  days. 
Baltimore  is  your  debtor  for  many  happy  hours.  I  tell 
you,  Owens,  you  are  a  public  benefactor."  The  recipient 
of  this  compliment  made  brief  recognition,  and  endeavored 
to  terminate  the  interview ;  but  the  M.  D.  exclaimed  : 
"Hold  on  a  bit.  You  have  often  brightened  my  life 
and  dispelled  depression  by  your  matchless  humor.  I 
want  to  testify  my  gratitude  by  some  special  attention." 
"  That  is  quite  unnecessary,"  was  the  response.  "  But  I 
insist.  Jump  in  my  carriage  and  drive  with  me  to  the 
Alms  House,  and  I'll  show  you  some  remarkable  small- 
pox cases  out  there ;  a  most  interesting  study,  I  assure  you." 

Declining  this  invitation,  Owens  mildly  suggested  that 
"  his  dinner  was  more  attractive  to  him  just  now,  and  less 
dangerous  than  medical  investigation."  "Ah,  I'm  sorry 
you  won't  go.  I  know  you  have  scientific  tendencies; 
and  I'm  really  afraid  you're  not  likely  to  have  another 
opportunity  of  seeing  such  a  variety  of  small-pox  cases." 
With  surprise  and  disappointment,  the  doctor  drove 
off;  leaving  Owens  quizzically  amused  at  this  idea  of 
"complimentary  attention." 


JOHN    E.    OWENS.  263 

The  Baltimore  engagement  being  ended,  it  was  dupli- 
cated in  Washington  under  the  same  management.  After 
a  few  days'  rest  at  home,  his  tour  was  resumed  with  a 
supporting  company  organized  by  J.  W.  Norton  and 
T.  Davey.  Detroit  was  the  initial  town  of  this  route ; 
from  thence  through  Michigan,  Minnesota,  Wisconsin 
and  Iowa — arriving  at  Omaha,  Neb.,  November  llth. 
Three  nights  there,  a  week  in  St.  Louis,  and  another  in 
Louisville,  Ky.,  completed  this  engagement. 

An  incident  in  one  of  the  Wisconsin  towns  where  Mr. 
Owens  played,  so  truly  reflects  his  chronic  good  humor 
and  dry  wit,  that  I  cannot  refrain  from  mentioning  it, 
even  though  it  was  a  trivial  occurrence.  The  first- 
class  (?)  hotel  of  the  town  was  situated  about  a  block  from 
the  station.  The  morning  we  were  leaving,  Mr.  Owens 
remarked  to  me :  "I  am  thankful  we  are  turning  our 
faces  towards  Chicago  and  plenty,  and  so  escaping  starva- 
tion in  this  house."  Just  as  we  had  descended  the  long 
flight  of  steps  from  the  hotel,  a  cabman  approached, 
eagerly  asking:  "Have  a  cab,  sir?"  "What  for?" 
queried  Mr.  Owens,  assuming  a  perplexed  expression  of 
countenance.  "  Take  you  to  the  depot,  sir."  "  Oh  !  no, 
thank  you,"  was  the  response  in  an  innocently  simple 
manner.  "  We  have  only  been  two  days  in  this  hotel, 
and  are  still  strong  enough  to  walk  half  a  block — don't 
we  look  so?"  "Sir,  I — "  stammered  the  cabman. 
"Now,  that  gentleman,"  confidentially,  indicating  a 


264  MEMORIES   OF 

feeble  old  man  coming  out  of  the  door,  "  looks  as  if  he 
had  been  a  guest  here  for  two  or  three  weeks ;  he  needs 
your  cab,  and  will  be  glad  to  have  it,  I  am  sure.  Good 
morning." 

During  the  western  tour,  Owens  gave  a  varied  reper- 
toire, and  received  the  usual  laudations.  His  artistic 
methods,  mercurial  temperament  and  inexhaustible  fund 
of  humor  made  each  and  every  one  of  his  personations 
acceptable.  One  of  his  admirers  remarked  :  "  It  is  not 
only  that  I  like  to  have  a  good  laugh ;  but  I  believe  a 
town  is  better  after  a  visit  from  Owens.  His  magnetic 
mirth  smooths  asperities,  and  puts  life  in  a  bright 
aspect."  Concluding  in  Louisville,  with  "A  Double 
Knot"  on  Saturday,  November  29th,  the  next  date  was 
Toronto,  Canada,  December  2d.  Rather  a  long  jump, 
even  now ;  but  then,  travel  had  not  been  perfected  to 
the  degree  of  such  rapid  transit  as  at  present.  It  still 
means  a  fatiguing  journey  when  we  say  "  the  star  closed 
in  Louisville,  Kentucky,  on  Saturday,  and  conducted 
rehearsal  Monday  morning  in  Toronto."  "  The  Heir  ut 
Law"  and  "Tootl/i*"  inaugurated  the  week — Dr.  Pan- 
7/ox.s  and  Timothy  Tootle*  winning  golden  opinions. 
Other  comedies  making  a  change  of  bill  nightly,  gave 
«-"pe  for  versatility. 

Returning  home,  after  a  brief  rest  he  played  a  week 
in  Baltimore,  another  in  Philadelphia.  .January  _!<>th, 
1879,  he  opened  at  tin-  Park  Theatre,  New  York,  in 


JOHN    E.    OWENS.  265 

fulfilment  of  a  contract  for  one  month  with  H.  C.  Abbey, 
"Dot"  (Cricket  on  the  Hearth]  the  attraction.  The 
manager  staged  the  play  appropriately  and  beautifully, 
new  scenery  having  been  especially  and  elaborately  pre- 
pared. The  original  fairy  prologue  of  this  (Boucicault's) 
adaptation  was  effectively  presented.  The  stock  company 
included  C.  W.  Couldock,  Sara  Stevens,  Minnie  Palmer, 
Ada  Oilman  and  other  noted  artists.  The  two  first- 
mentioned  names  will  be  recognized  as  connected  with 
"  Dot "  in  its  earliest  triumphs. 

Such  auxiliaries  with  Owens'  Caleb  Plummer,  rendered 
the  success  of  the  piece  a  foregone  conclusion.  The  old 
toy-maker  was,  as  heretofore,  tenderly  and  perfectly 
delineated.  The  eloquence  of  many  pens,  the  loving 
admiration  of  many  hearts  have  rendered  tribute  to  this 
soulful  and  artistic  picture  far  in  excess  of  my  power 
of  description.  "  Victims"  and  "Solon  Shingle"  were  given 
towards  the  close  of  this  engagement,  with  the  full  quota 
of  rollicking  merriment  of  Butlerby,  and  quaint  eccen- 
tricity of  Solon  Shingle.  The  entire  month  was  a  record 
of  brilliant  performances,  largely  appreciated.  A  week 
in  Brooklyn  concluded  the  comedian's  season  of  1878-79. 

While  in  New  York,  Mr.  Owens  received  an  offer  to 
play  in  Australia  for  six  months,  commencing  the  ensuing 
summer.  Taking  this  offer  into  consideration,  the  terms, 
&c.,  inclined  him  to  give  a  favorable  reply ;  but,  before 
signing  the  contract,  circumstances  transpired  which 


266  MEMORIES   OF 

caused  him  to  alter  his  views.  He  therefore  declined  the 
offer  for  the  time  specified ;  but  by  no  means  relinquished 
the  idea  of  playing  in  Australia.  The  usual  happy  sum- 
mer vacation  began,  but  was  pervaded  with  an  unsettled 
feeling,  as  correspondence,  relative  to  the  Australian 
tour,  continued,  and  decision  might  at  any  time  be  made 
to  start  on  the  journey. 

An  interlude  occurred  in  July,  when  some  of  the  leading 
citizens  of  Baltimore  interested  themselves  to  get  up  a 
benefit  for  a  charitable  and  patriotic  cause  ;  the  attraction 
to  be  the  (then  craze)  comic  opera  of  Pinafore;  pro- 
vided Mr.  Owens  would  be  the  star  of  the  evening,  as 
Sir  Joseph  Porter.  When  the  request  was  made  of  the 
comedian,  he  laughingly  replied :  "  Like  Fusbus, '  I  haven't 
got  a  singing  face' — Opera  is  not  in  my  line."  "Ah !  but 
your  voice  is  good,  and  your  name  a  sure  drawing  card. 
Remember  this  is  for  charity,  and  the  musical  critics  will 
not  be  ultra  exacting."  "All  right,  I  am  ready  to  help 
the  cause ;  I  will  play  Sir  Joseph,  and  as  to  the  musical 
score — do  the  best  I  can  with  it."  July  llth,  was  the 
date  appointed  for  the  benefit. 

Mr.  Owens  studied  the  character  thoroughly,  but  had 
only  two  rehearsals.  The  Academy  of  Music  was  densely 
packed  by  an  audience  in  holiday  mood;  but  I  doubt  if 
they  enjoyed  the  Opera  more  than  Mr.  ( )\\ ens  did.  From 
the  first  furore  in  New  York,  when  Pinafore  was  played 
at  live  theatres  simultaneously,  he  was  enthused  with  its 


JOHN    E.    OWENS.  267 

satirical  humor.  He  played  Sir  Joseph  Porter  with  a 
keen  relish,  and  from  his  tremendous  reception  until 
the  fall  of  the  curtain,  the  entire  house  was  en  rapport 
with  him,  taking  all  the  points  instantaneously.  He 
rendered  the  music  fairly  well ;  not  of  course  on  the  plane 
of  the  perfect  vocalization  of  Miss  Annis  Montague,  Mrs. 
C.  Richings  Bernard,  and  others  of  professed  lyric  ability, 
in  the  cast.  The  receipts  of  the  entertainment,  yielded 
two  thousand  dollars  to  the  charity  for  which  it  was  given. 

In  August,  Mr.  Owens  decided  to  go  to  Australia,  and 
also  to  combine  with  that  expedition  a  pleasure  trip  around 
the  world.  Preparations  at  once  began,  to  put  business 
and  home  affairs  in  such  shape  as  to  insure  their  smooth 
running  during  our  absence;  the  length  of  which  wras 
intended  to  be  one  or  two  years.  A  state-room  was  engaged 
in  the  steamer  to  sail  from  San  Francisco,  September 
29th,  and  arrangements  for  our  departure  were  rapidly 
completed.  September  19th,  1879,  we  left  Baltimore; 
everything  was  auspicious  for  the  undertaking.  Mr. 
Owens  seemed  even  brighter  in  spirits  than  his  usual 
cheery  mood. 

Arriving  at  Sacramento,  two  telegrams  were  delivered 
to  him — offers  to  play  in  San  Francisco  en  route.  Nega- 
tive replies  were  returned.  At  another  station,  three 
hours  later,  reiterated  importunities  were  wired  him, 
meeting  the  same  response.  Two  managers  awaited  his 
arrival  at  Oakland,  and  accompanied  him  to  'Frisco,  but 


268  MEMORIES   OF 

he  declined  to  discuss  their  propositions ;  merely  stating 
that  "  in  two  days  he  should  start  for  Australia,  and 
at  present,  he  was  weary  with  a  long  railroad  journey/' 
and  so  dismissing  the  matter,  proceeded  to  the  Palace 
Hotel  for  a  comfortable  rest. 

In  the  evening,  the  subject  was  urgently  renewed ; 
and  finally,  Mr.  Owens  consented  to  remain  over,  if  his 
state-room  could  be  exchanged  for  one  in  the  steamer 
sailing  a  month  later.  Unfortunately,  this  was  arranged, 
and  subsequent  developments  merged  the  month's  post- 
ponement of  the  Australian  voyage  into  its  abandonment. 
Owens  began  an  engagement  at  the  Standard  Theatre, 
San  Francisco,  October  6th,  and  played  his  usual  round 
of  characters.  He  also  produced  the  comedy  of  "  Dr. 
Clyde"  for  which  he  had  secured  rights  from  the  author, 
Sidney  Rosenfeld ;  and  afterwards  he  purchased  the  play 
for  his  sole  ownership. 

The  comedy  made  a  favorable  impression,  and  the 
part  of  Jlif/f/in*  enacted  by  Owens,  was  pronounced  a 
great  creation.  His  conception  of  the  Doctor's  factotum 
(or  office-boy)  ever  eager  to  display  (fancied)  medical 
knowledge,  was  full  of  humor  and  neat  points.  It  was 
replete  with  good  situations;  and  in  managing  a  ludi- 
crous position,  lie  was  without  a  rival.  So  much  was 
conveyed  by  a  glance  of  the  eye,  quaintness  of  delivery, 
and  yet  with  repose  of  manner  that  accentuated  the 
naturalness  of  the  mirth-inspiring  words. 


JOHN    E.   OWENS.  269 

Soon  after  Mr.  Owens  arrived  in  San  Francisco,  efforts 
were  made  to  interest  him  in  a  gold  mine  (already  incor- 
porated) which  was  situated  in  Arizona.  Not  being  of  a 
speculative  disposition,  he  at  first  gave  but  little  attention 
to  the  subject ;  but  gradually  became  sufficiently  interested 
to  make  investigation.  Appearances  indicated  to  him, 
and  to  those  who  were  more  experienced  in  such  matters, 
that  the  investment  was  desirable.  But  not  content  to 
rest  on  evidence  of  reliable  testimony  and  specimen  ore, 
he  went  to  Arizona,  accompanied  by  two  friends  who 
were  celebrated  mining  experts.  The  trio  thoroughly 
inspected  the  mine,  and  found  that  it  equalled  the  repre- 
sentation given  of  it. 

Mr.  Owens  personally  chipped  off  several  large  pieces 
of  the  ore,  and  immediately  sealed  them  up  in  a  box, 
which  remained  in  his  posession  until  he  placed  it  on  the 
assayer's  table  in  San  Francisco.  These  specimens  being 
tested,  ranked  with  the  richest  ore  ever  assayed  in  Cali- 
fornia. On  this  encouraging  basis,  he  purchased  stock, 
and  finally  became  owner  of  two-thirds  of  the  mine. 

The  Australian  engagement  and  tour  around  the  world 
was  indefinitely  postponed,  and  a  temporary  residence  in 
San  Francisco  substituted,  with  a  view  of  exercising  a 
personal  supervision  to  expedite  development  of  the  mine. 
For  awhile  everything  indicated  fulfilment  of  sanguine 
hopes;  but  adverse  fate  brought  a  change.  Delay  in 
the  arrival  of  the  mill  and  machinery  at  the  mine, 


270  MEMORIES   OF 

culpable  neglect  of  employes,  and  other  unforeseen  circum- 
stances gradually  involved  the  enterprise.  In  fact,  so 
great  were  the  complications  that  Mr.  Owens  concluded 
to  withdraw  from  the  business,  being  unwilling  to  lose 
further  time  and  money  in  pursuing  the  speculation. 

Even  while  thus  deciding,  he  continued  in  the  belief 
that  a  fortune  could  be  realized  from  the  mine,  if  ample 
means  were  judiciously  rendered  for  its  development. 
His  opinion  proved  to  be  correct  four  years  later,  when 
a  syndicate  of  wealthy  capitalists  put  the  mine  in  running 
order,  and  realized  from  it  millions  annually. 

I  have  spoken  at  length  on  this  subject  that  I  may 
remove  an  impression  resting  with  some  persons  that 
Mr.  Owens  was  duped  by  salted  ore  and  mining  sharpers. 
He  was  by  far  too  level-headed  to  have  been  thus  vic- 
timized. Though  he  never  profited  by  his  investment, 
much  satisfaction  accrues  from  the  fact  that  his  judgment 
of  its  value  was  corroborated  by  the  golden  harvest 
reaped  by  others. 

In  the  spring  of  1881  Owens  returned  east.  I  have 
omitted  to  say  that,  during  the  winter  of  that  year, 
he  filled  another  theatrical  engagement  at  the  Standard 
Theatre,  San  Francisco,  the  salient  feature  of  which  was 
the  production  of  a  new  comedy,  "  That  Man  from  Cat- 
taraugm"  This  play,  from  the  German  of  "  The  Cattle 
Dealer  of  Upper  Austria,"  was  translated  and  adapted 
for  Mr.  Owens  by  a  prominent  member  of  the  San  Fran- 


JOHN    E.   OWENS.  271 

cisco  press.  The  star  part  was  that  of  the  cattle  dealer, 
an  honest,  ingenuous,  warm-hearted  countryman,  of  vig- 
orous intellect  and  marked  business  methods.  An  old 
man,  but  diametrically  opposite  to  garrulous  Solon  Shingle, 
or  tender,  self-effacing  Caleb  Plummer.  The  character 
was  replete  with  bluff  humor,  and  yet  had  its  affectionate 
side.  In  light  and  shade  it  was  an  exquisite  creation ; 
and  general  opinion  gave  the  verdict  that  "  it  fitted  Owens 
like  a  glove/7  and  was  to  him  another  leaf  of  laurel. 

The  comedy  entire,  made  a  hit,  necessitating  tjie  use  of 
that  agreeable  notice — "  Standing  room  only."  The  sup- 
porting cast  was  excellent,  especial  praise  being  awarded 
to  Mr.  Joseph  Arthur,  who  as  Stockman,  the  broker, 
achieved  prominence  for  the  individuality  of  character 
with  which  a  small,  but  strong,  part  was  invested. 

In  February,  Owens  commenced  an  engagement  in 
Portland,  Oregon ;  "  That  Man  from  Cattaraugus,"  was 
the  opening  bill.  An  immense  and  enthusiastic  audience 
greeted  the  star  on  his  first  appearance,  and  never  was 
an  actor  more  generously,  courteously,  and  warmly  wel- 
comed. The  new  comedy  made  a  sensation  ;  "  Dr.  Clyde" 
"  Self"  "  Our  Boys"  and  other  plays  followed,  and  were 
applauded  to  the  echo.  These  personations  marked  a 
series  of  triumphs.  Every  available  seat  was  engaged 
long  in  advance.  The  excitement  and  enthusiasm  was 
unparalleled  in  the  record  of  dramatic  engagements  in 
Portland.  The  fame  thereof,  spread  to  the  neighboring 


272  MEMORIES   OF 

towns.  Managers  near  by  came  to  arrange  dates  with 
Owens  for  their  theatres,  and  from  more  distant  places 
telegrams  and  letters  arrived  proposing  terms. 

A  tour  was  suggested  onward  to  British  Columbia, 
and  returning  by  a  different  route.  This  would  have 
proved  lucrative  and  also  afforded  delightful  travel ;  but 
Mr.  Owens  did  not  feel  free  to  accept,  as  he  had,  before 
leaving  San  Francisco,  signed  contract  with  C.  R.  Gardner 
to  appear  at  the  Fifth  Avenue  Theatre,  New  York,  in 
March.  He,  however,  telegraphed  requesting  a  postpone- 
ment of  his  New  York  engagement,  but  was  refused ; 
being  strictly  honorable,  it  never  occurred  to  him  to 
cancel,  and  thus  he  sacrificed  thousands  of  dollars  to 
keep  faith  where  honor  was  non-responsive. 

The  Portland  engagement  closed  on  the  10th  of  Feb- 
ruary ;  its  financial  results  were  great,  and  the  pleasant 
visit  to  Oregon,  fraught  with  social  reminiscence  ever 
prized.  Returning  to  San  Francisco,  Mr.  Owens  remained 
there  a  few  days,  and  then  proceeded  to  meet  his  New 
York  date.  "Thai  Man  from  Cattaraugux"  was  the 
piece  for  which  he  was  booked. 

Of  this  New  York  episode  I  have  little  to  say.  Many 
details  arise  in  my  memory,  but  I  refrain  from  putting 
them  into  words.  Difficulties  at  once  began  in  regard 
t<>  the  company  which  Mr.  Gardner  had  engaged,  and 
also  about  other  matters  for  which  he  was  responsible, 
thus  engendering  his  animosity.  A  play,  which  else- 


JOHN   E.    OWENS.  273 

where  had  packed  theatres  and  turned  people  away,  was 
here  a  failure. 

After  three  weeks  in  New  York,  Mr.  Owens  played 
in  the  adjacent  towns;  next  in  Philadelphia,  where 
he  received  a  cordial  welcome ;  thence  to  Baltimore. 
The  ovation  on  his  return  home,  after  an  absence  of 
eighteen  months,  was  simply  indescribable.  His  reception 
lasted  for  several  minutes,  and  was  mingled  with  cheers. 
This  seemed  likely  to  be  of  indefinite  duration,  had 
he  not  broken  it  up  by  insisting  on  speaking  the  first 
lines  of  his  part.  He  afterwards  said  to  me  :  "  If  I  had 
permitted  my  reception  to  keep  on  a  second  longer  I 
should  have  been  unable  to  speak,  I  was  so  deeply 
touched  by  this  welcome  home." 

At  the  fall  of  the  curtain  the  applause  was  uproariously 
renewed,  and  continued  until  Owens  appeared  and  spoke 
a  few  words  of  heartfelt  appreciation  for  the  cordial  good 
will  manifested  towards  him.  "  That  Man  from  Catta- 
raugus"  was  the  opening  bill,  and  at  once  became  a 
favorite.  "  Dr.  Clyde  "  and  some  of  the  old  pieces  filled 
the  week,  which  as  an  entirety  was  marked  with  brilliant 
eclat.  The  summer  at  home  was  ideal  in  happiness  and 
restful  enjoyment.  Old  friends  gathered  around  us  at 
Aigburth  Vale,  and  content  reigned  supreme. 

On  the  29th  of  August  Mr.  Owens  began  the  season  of 
1881-82,  at  Ford's  Opera  House,  Baltimore  ;  thence  a 
southern  tour  of  many  cities,  extending  to  Pensacola, 
18 


'274  MEMORIES   OF 

Florida.  After  leaving  Baltimore  the  September  weather 
was  unusually  warm,  and  unfortunately  the  time  was 
filled  in  theatres  where  the  dressing-rooms  were  small. 
In  one  situated  on  the  ground  floor,  Mr.  Owens  requested 
me  to  leave  the  shutters  partially  open,  thinking  he  was 
secluded  from  observation.  But  he  quickly  perceived 
male  and  female  figures  sitting  on  a  fence,  gazing  into  the 
room.  Indignantly  closing  the  shutters,  he  remarked  : 
"  To  be  stifled  seems  inevitable ; "  and  calling  the  janitor, 
directed  him  to  "order  those  people  to  go  away,"  wrath- 
fully  adding :  "  It  is  the  most  impertinently  low-bred 
conduct  I  ever  saw — bad  enough  for  men  and  boys,  but 
even  worse  for  women."  "  Well,  now,  see  here,  Mr. 
Owens,"  remonstrated  the  janitor,  "  I  don't  want  you  to 
say  that,  'cause  them  ladies  is  some  of  the  first  ladies  in 
Norfolk." 


CHAPTER  XII. 

Yule-tide  at  home — " Esmeralda" — "You  are  the  man  for  Elbert 
Rogers" — Entertaining  friends  at  Aigburth  Vale — The  Pickwick 
Club— Season  of  1883-84—"  Cooke's  Corners  "— Hezekiah  Perkins- 
Owens  shelves  the  new  play — "Major  DeBoots"  and  "Solon 
Shingle"  heartily  welcomed — Brilliant  performance  at  Harlem 
Theatre,  New  York — "A  golden  set" — Summer  at  Greenbrier, 
White  Sulphur  Springs,  Va.— Winter  in  Charleston,  S.  C.— Will.  T. 
Keogh — Return  home  by  steamer — Illness — Mistaken  choice  of  a 
physician — Dr.  W.  C.  Van  Bibber  called  for  consultation — Rescue 
— A  blissful  summer — Charleston  earthquake — Mr.  Owens  goes  to 
the  stricken  city — Effects  of  exertion  and  agitation — The  clouds 
gather — Patient  suffering — Peaceful  and  final  sleep. 

YT7HE  southern  tour  of  1881  was  a  counterpart  of  many 
A  previous  ones  in  the  same  localities,  where  Owens 
was  ever  a  superlative  favorite.  No  adverse  comment 
occurred  except  at  Talladega,  Ala.,  where  he  was  booked 
for  the  first  time.  After  inspecting  the  so-called  theatre, 
he  declined  to  play ;  assuring  the  owner  of  the  build- 
ing that  "he  never  played  in  halls,  destitute  of  scenery, 
gas,  and  other  indispensable  appliances  for  theatrical 
performances ; "  but,  at  the  same  time  signified  his 
willingness  to  pay  the  rent  and  other  expenses  that  had 
been  agreed  upon. 

275 


276  MEMORIES   OF 

This  arrangement  was  entirely  satisfactory  to  the  pro- 
prietor, but  some  of  the  inhabitants  were  not  so  easily 
propitiated;  their  disappointment  at  not  seeing  "Solon 
Shingle  "  merged  into  indignation,  and  they  threateningly 
asserted  that  "  Owens  would  be  sorry  for  the  day  he  put 
such  an  insult  on  Talladega — he'd  rue  it,  that  he  wou  Id ! 
When  shows  was  printed  in  papers,  and  their  picters 
stuck  up  on  walls,  the  people  had  a  right  to  them — 
perhaps  the  law  might  have  something  to  say,  &c." 
These  impulsive  words  were  probably  the  safety  valve 
for  chagrin,  and  did  not  arise  from  ill  feeling  to  the 
star,  as  most  of  the  speakers  thereof,  went  on  the  train 
next  day  to  see  him  play  in  Selma.  An  extension  of 
this  engagement  with  Mr.  John  T.  Ford  included  a 
return  trip  through  Tennessee,  Ohio,  and  other  states, 
and  terminated  November  26th,  1881. 

The  following  month  was  passed  at  home,  and  the 
Christmas  season  fully  enjoyed.  During  this  interval 
he  organized  a  company  for  four  weeks'  travel  through 
the  Pennsylvania  towns.  An  inefficient  business  agent 
and  the  illness  of  the  stage  manager  trebled  Mr.  Owens' 
labors.  At  the  end  of  the  month  he  felt  the  effect  of 
these  combined  duties  to  have  been  severely  exhausting 
in  mental  and  physical  stress ;  and  therefore  determined 
to  rest  for  the  remainder  of  the  season. 

A  little  while  after  his  return  home,  some  theatrical 
friends,  from  New  York,  said  to  him :  "  Owens,  that 


JOHN    E.    OWENS.  277 

play  of  "  Esmeralda"  now  on  the  Madison  Square  Theatre 
boards,  has  an  old  man  in  it  who  would  be  something 
wonderful  in  your  hands.  You  ought  to  secure  the 
right  of  that  play  outside  of  New  York."  Later  on 
others  said  to  him  :  "  You  are  the  man  for  that  part ; " 
and  the  same  suggestion  met  him  in  sundry  newspaper 
articles.  He  concluded  to  run  on  to  New  York  and  see 
the  piece. 

He  was  by  no  means  enthused  with  the  play  of 
"  Esmeralda "  nor  with  Elbert  Rogers,  but  thought  he 
could  make  the  latter  prominent.  He  regarded  it  as  a 
desirable  acquisition  in  the  light  of  an  easy  part  that 
would  be  a  restful  change  from  his  usual  comedy  char- 
acters and  double  bills.  The  proposition  to  purchase 
rights  for  "  Esmeralda  "  was  refused  by  the  management ; 
but  they  eulogistically  descanted  upon  Mr.  Owens'  adap- 
tability for  the  part,  and  made  him  an  offer  to  join  the 
company  and  play  Elbert  Rogers  in  New  York.  This 
was  promptly  declined ;  but  after  considerable  discussion 
he  consented  to  reflect  upon  the  matter. 

The  Madison  Square  Theatre  was  conducted  with  a 
stock  company  which  included  several  stars.  Mr.  Owens, 
weary  with  the  fatigue  and  responsibility  of  managing, 
finally  concluded  to  accept  the  desirable  terms  submitted 
to  him,  and  signed  a  contract  for  the  remainder  of  the 
season.  He  began  in  February,  making  an  immense  hit 
as  Elbert  Rogers.  So  thorough  an  artist  could  not  fail  to 


278  MEMORIES   OF 

turn  any  character  into  something  quaint,  beautiful  or 
mirthful,  and  bring  it  into  prominence  by  his  assumption 
of  it.  The  popularity  his  personation  of  Elbert  Rogers 
attained,  grew  and  strengthened  with  the  public. 

His  engagement  at  the  Madison  Square  Theatre  was 
pleasant  and  non-laborious.  Being  within  easy  access  of 
home,  sundry  happy  Sundays  were  passed  there ;  ofttimes 
accompanied  by  a  party  of  friends,  who  were  his  guests 
from  the  time  they  left  New  York  until  their  return  to 
that  city.  Mr.  Owens'  hospitality  was  lavish,  and  to  the 
minutest  detail  he  delicately  and  thoroughly  attended  to 
the  enjoyment  of  his  guests.  "  A  prince  of  good  fellows  " 
in  social  life  at  large,  he  was  also  a  perfect  host  at  home. 
His  position  at  the  Madison  Square,  being  free  from 
care,  gave  him  much  leisure,  as  well  as  relieving  the 
strain  of  hard  work  which  heretofore  had  devolved 
upon  him.  He  was  so  comfortably  situated  that  he 
yielded  to  the  pleading  of  the  management,  and  continued 
another  season  with  the  company. 

This  was  a  year  of  travel,  but  not  of  fatigue.  The 
route  was  through  the  usual  cities  of  Owens'  former 
tours,  and  everywhere  he  was  greeted  with  enthusiasm. 
Perhaps  in  New  Orleans  the  greatest  ovation  was  ren- 
dered to  him,  being  manifested,  not  only  by  applause 
and  cheers  at  the  theatre,  but  by  myriads  of  friends  in 
private  life,  eagerly  competing  who  should  shower  the 
most  attention  upon  him.  Though  he  was  deeply  touched 


MR.  OWENS  as  ELBERT  ROGERS 
In  "  Esmeralda." 


JOHN    E.    OWENS.  279 

by  the  evidence  of  such  enduring  attachment,  he  per- 
sistently declined  feasting  and  fetes,  and  enjoyed  the 
society  of  his  friends  in  a  quiet  way. 

The  daily  offering  of  many  flowers,  which  brightened 
his  rooms  in  the  hotel,  also  spoke  of  old  associations,  and 
was  pleasant  incense  to  the  heart,  and  lovely  to  the 
sight.  New  Orleans  people  thought  of  Mr.  Owens  as 
their  own  comedian.  Many  of  his  masterpieces  were 
perfected  there,  during  his  former  years  of  management 
of  the  "Varieties."  At  that  time  his  genial  humor, 
sparkling  wit,  and  noble  nature,  drew  to  him  a  large 
circle  of  friends.  Essentially  cordial,  he  was  the  centre 
of  an  extensive  and  intelligent  coterie,  and  time  intensi- 
fied the  impression  then  made;  this  was  evinced  by 
the  spontaneous  welcome  now  extended  to  him. 

He  visited  all  the  haunts  of  former  days — the  "  Chal- 
rnette,"  "  Pickwick,"  and  other  clubs ;  there  enjoying 
much  pleasant  intercourse  with  friends  of  yore.  The 
Pickwick  Club  sent  an  exquisitely  beautiful  stand  of 
flowers  of  immense  size,  symbolically  arranged ;  accom- 
panying this  testimonial  was  the  following  note : 

PICKWICK  CLUB,  NEW  ORLEANS,  December  14th,  1882. 
"JOHN  E.  OWENS,  ESQ.: 

"  Dear  Sir, — We  desire  to  show  you  how  kindly  we  appreciate  your 
presence  here  among  your  old  friends,  who  have  witnessed  your  great 
triumphs  in  characters,  which  have  been  living  ideals,  through  your 
eminent  ability  as  an  actor. 


280  MEMORIES   OF 

"  We  recognize  the  same  powers  now  exhibited  in  your  personation 

of  Elbert  Rogers,  and  we  are  glad  that  your  heart  is  as  warm,  your 

eye  as  bright,  and  your  wit  as  keen  as  in  the  days  of  '  Auld  Lang  Syne.' 

"  With  the  best  wishes  of  all  your  old  friends  composing  this  Club, 

"  I  am  yours  very  truly, 

"JAMES  G.  CLARK, 

President." 

A  copy  of  the  reply  to  this  note  has  been  furnished  me  by 
a  prominent  member  of  the  "  Pickwick  Club."  For  this 
favor,  I  am  indebted  to  Mr.  T.  L.  Bayne,  of  New  Orleans, 
a"  renowned  lawyer  and  courtly  gentleman,  whom  Mr. 
Owens  regarded  with  esteem  and  friendship.  I  subjoin 
the  letter,  and  am  strongly  tempted  to  give  Mr.  Bayne's 
eloquent  lines  which  accompanied  it. 

"ST.  CHARLES  HOTEL,  NEW  ORLEANS,  December  15th,  1882. 
"JAMES  G.  CLARK,  ESQ.: 

"Dear  Sir, — How  shall  I  express  my  thanks  for  the  kind  note  and 
beautiful  flowers,  conveying  as  they  do  a  cordial  welcome  from  the 
'  Pickwick  Club/  and  the  remembrance  of  '  Auld  Lang  Syne.' 

"Your  assurances  of  esteem  and  friendship,  and  your  good  opinion 
of  me,  both  personally  and  professionally,  touch  my  heart,  and  are 
very  precious  to  me. 

"I  will  not  attempt  to  put  in  words  how  deeply  I  feel  your  kind- 
ness; but  as  long  as  I  live,  I  will  ever  remember  my  warm-hearted 
friends  of  the  'Pickwick  Club.' 

"Hoping  that  there  are  many  bright  days  of  social  intercourse  for 

us  in  the  future, 

"  I  am,  regardfully  yours, 

"JOHN  E.  OWENS." 


MR.  OWENS  as  HEZEKIAH  PERKINS 
In  "Cooke's  Corners."— Act  l. 


JOHN    E.    OWENS.  281 

This  visit  to  New  Orleans  was  not  only  charming  at  the 
time,  but  remained  so  as  a  treasure  of  memory.  It  was, 
alas  !  a  final  adieu  to  that  city  and  its  people. 

The  "Esmeralda"  season  concluded  June  10th,  at 
Rockville,  Ind.  Mr.  Owens  deferred  his  return  home, 
proceeding  at  once,  with  his  wife,  to  Hot  Springs,  Arkan- 
sas, that  she  might  be  relieved  from  the  suffering  of 
rheumatism.  The  stay  at  these  springs  was  prolonged 
until  August,  thus  rendering  the  summer  at  home  very 
brief.  Mr.  Owens  had  positively  declined  urgent  per- 
suasion to  remain  another  season  with  the  "  Enmeralda  " 
company ;  and  no  inducement  offered  could  shake  his 
determination.  The  separation  transpired  amicably  ;  and 
though  much  disappointment  was  expressed  by  the  man- 
agement, friendly  feeling  existed  ever  afterwards. 

Some  months  previous,  a  new  play  had  been  submitted 
to  Mr.  Owens,  but  did  not  entirely  meet  his  approval. 
Later  on  the  author  altered  the  piece,  and  solicited  a 
second  reading.  An  appointment  was  made,  and  the 
play  had  another  hearing.  After  suggesting  some  further 
improvements  to  which  the  author  acceded,  he  consented 
to  personate  the  leading  part.  This  with  the  under- 
standing that  a  first-class  supporting  company  was  to  be 
provided,  and  all  details  of  business  attended  to  by  the 
manager ;  for  in  that  capacity  the  author  purposed  to  act. 
In  this  way  it  was  agreed  that  the  star  should  be  entirely 
relieved  of  every  responsibility  save  that  of  playing. 


282  MEMORIES   OF 

Rehearsals  began  in  November,  and  the  comedy  of 
"  Cookers  Corners "  was  produced  first  at  Wilmington, 
Del.,  thence,  Newark,  and  through  the  state  of  New 
York.  The  play  was  unsatisfactory  when  staged ;  the 
effect  did  not  equal  expectation  made  from  reading  the 
manuscript;  and  the  company  falling  far  short  of  the 
"  first-class  "  standard  promised  by  the  manager.  Liking 
the  part  of  HezeUah  Perkins,  and  reflecting  that  the  play 
could  be  built  up  and  the  company  strengthened,  Mr. 
Owens  continued  to  fulfil  his  engagement.  All  of  this 
might  have  been  accomplished  in  the  hands  of  a  com- 
petent manager;  but  weakness  and  inexperience  were 
incapable  of  carrying  out  the  ideas  suggested. 

The  inevitable  result  was,  that  though  Owens  received 
highest  commendation  for  his  creation  of  "  Hezekiah  Per- 
kins" he  declined  to  be  burdened  with  the  weight  of 
incompetency  attending  "  Cookers  Corners ; "  therefore, 
shelved  the  piece  and  returned  to  his  former  repertoire. 
With  a  reorganized  company,  he  appeared  at  the  Arch 
Stm-t  Theatre,  Philadelphia,  in  "  Everifhtxli/'x  Friend," 
and  "Solon  Shingle"  playing  with  his  accustomed  vim 
to  a  responsive  house.  Two  nights  in  New  Brunswick, 
and  four  in  Providence  filled  the  ensuing  week. 

At  the  matinSe  Mr.  Owens  was  sick,  but  no  evidence 
thereof  was  apparent  to  the  audience ;  nor  at  night,  when 
the  plays  went  off  gloriously.  After  performance  he 
continued  very  sick,  but  decided  to  leave  for  New  York 


MR.  OWENS  as  HEZEKIAH  PERKINS 
In  "Cooke's  Corners."— Act  2. 


JOHN    E.    OWENS.  283 

by  the  midnight  train,  that  he  might  have  a  full  day's 
rest  on  Sunday  before  commencing  in  Harlem,  which 
was  the  next  booking.  Arriving  at  the  Sturtevant  House 
early  Sunday  morning,  we  were  comfortably  located  in 
the  rooms  we  had  occupied  the  previous  winter;  thus 
adding  a  home  feeling  to  a  restful  one.  Mr.  Owens 
refused  to  see  a  physician  until  he  had  tried  repose, 
and  simple  remedies  for  relief.  After  a  quiet  sleep  of 
several  hours  he  felt  much  better,  and  so  continued 
through  the  day;  retiring  at  night  in  the  full  belief 
that  his  indisposition  was  rapidly  vanishing.  But 
towards  morning  he  grew  ill,  and  a  hemorrhage 
from  the  stomach  supervened.  Dr.  Quackenboss,  who 
was  immediately  summoned,  greatly  lessened  my  anxiety 
by  the  assurance,  that  this,  in  all  probability,  would 
relieve  the  liver  and  avert  congestion.  He  strictly  inter- 
dicted resumption  of  professional  engagements ;  impres- 
sively dwelling  upon  the  necessity  of  perfect  rest  for 
a  fortnight,  and  the  danger  of  exertion  at  this  critical 
juncture. 

Mr.  Owens  acquiesced  in  the  mandate,  but  later  in 
the  day  suggested  the  possibility  of  playing  a  portion 
of  the  week.  I  implored  him  not  to  think  of  doing  so  ; 
but  on  Tuesday  he  decided  to  fill  the  remaining  nights 
of  the  Harlem  booking,  saying  to  me :  "I  never  broke 
faith  with  the  public,  and  will  keep  that  record,  if  I 
can."  With  superhuman  effort  he  went  through  the 


284  MEMOKIES   OF 

performance,  and  under  excitement  played  "  Major  De- 
Boots"  and  "Solon  Shingle"  with  his  usual  brilliant 
humor  arid  perfection  in  those  personations,  but  the 
reaction  next  day  was  severe.  Dr.  Quackenboss  was 
indignant,  and  alarmed  at  Mr.  Owens'  persistence;  but 
he  used  every  means  to  build  up  his  strength  in  response 
to  the  appeal — "  Get  me  through  this  week,  and  I  will 
be  an  obedient  patient ;  go  home  and  rest  for  a  month." 

The  Harlem  Theatre  was  well  filled  each  night,  and 
on  Saturday  there  was  an  overflowing  house;  as  the 
shouts  of  laughter  penetrated  the  dressing-room,  they 
jarred  upon  me,  in  my  great  distress  lest  my  husband 
should  suffer  from  the  exertion  he  was  making.  At  the 
fall  of  the  curtain  he  responded  to  a  vociferous  call,  but 
merely  bowed  in  acknowledgment  of  the  compliment; 
some  friends  who  were  among  the  audience  called  to  see 
us  next  day,  and  were  surprised  to  find  Mr.  Owens  ill. 
They  said  it  was  the  general  comment  as  the  audience 
dispersed — "Owens  is  in  fine  spirits,  he  never  played 
that  bill  better."  This  was  his  last  theatrical  appear- 
ance ;  and  it  was  "  made  in  a  golden  set,"  as  brilliant  as 
the  noontide  of  his  fame. 

His  place  in  the  drama,  is  not  likely  to  be  filled. 
Seldom  does  an  actor  possess  his  power  to  run  the  entire 
gamut  of  the  passions,  combining  with  it  the  richness 
and  variety  of  intonations  to  vividly  convey  every 
emotion.  •  Thoroughly  in  love  with  his  art,  experience 


JOHN   E.   OWENS.  285 

gave  him  a  deeper  insight  into  the  philosophy  of  humor ; 
and  time,  mellowing  mirth,  intensified  its  raciness. 

Mr.  Owens  had  booked  for  a  season  to  continue  until 
May;  he  cancelled  two  weeks  of  it,  pending  his  ex- 
pected recuperation.  After  his  return  home,  though 
acute  illness  lessened,  chronic  liver  trouble  continued, 
and  rendered  the  renewal  of  professional  work  impossible. 
In  a  few  months  he  had  improved  very  much ;  and  the 
baths  and  water  of  White  Sulphur  Springs,  Va.,  (where 
he  passed  the  summer)  completed  his  restoration  to  health. 
Returning  home  in  September,  he  concluded  to  decline 
all  offers  for  the  ensuing  theatrical  season,  having  de- 
cided to  fulfil  an  intention  he  had  deferred  from  year 
to  year — that  of  personally  managing  his  own  theatre 
in  Charleston. 

This  arrangement  enabled  him  to  spend  the  winter 
in  a  southern  climate,  and  combine  pleasurable  restfulness 
with  moderate  occupation.  He  engaged  Will.  T.  Keogh,  a 
resident  of  Charleston,  as  assistant  manager.  Mr.  Keogh 
had  been  connected  with  the  Academy  of  Music  when  a 
mere  lad,  being  nightly  employed  as  a  distributer  of  pro- 
grammes. After  his  school  days  finished,  he  was  given  a 
situation  in  the  box-office,  while  Mr.  John  M.  Barron  was 
business  manager.  Energetic,  industrious,  and  quick  of 
apprehension,  he  attracted  Mr.  Owens'  favorable  atten- 
tion ;  but  no  promotion  being  possible  at  that  time,  young 
Keogh  associated  himself  with  the  "  Hess  Opera  Co."  for 


286  MEMORIES   OF 

advance  work.  Remaining  in  that  capacity  for  two  sea- 
sons, he  returned  to  the  Academy  of  Music  in  1884 — 
being  selected  from  many  applicants  for  the  position  of 
assistant  manager;  Mr.  Owens  discerningly  foreseeing 
that  Keogh's  aptness  and  conscientiousness  would  render 
justice  to  the  duties  required,  and  stand  him  in  good 
stead  for  the  lack  of  experience  in  one  so  young. 

The  result  fully  justified  this  confidence.  Under  Mr. 
Owens'  guidance  Will.  Keogh  developed  intelligent  execu- 
tive ability,  which  formed  the  basis  for  excellent  business 
habits.  This  pleased  Mr.  Owens ;  and  with  his  appro- 
bation was  combined  personal  esteem  and  regard  for  his 
protege,  who  warmly  reciprocated  the  sentiment.  The 
position  of  "Assistant  Manager"  continued  to  be  filled 
by  Mr.  Keogh  during  Mr.  Owens'  lifetime ;  after  which 
he  became  lessee  of  "Owens'  Academy  of  Music,"  and 
has  ably  maintained  its  record  as  a  first-class  theatre. 

The  theatrical  season  1884-85  of  the  Academy,  with 
the  owner  at  the  helm,  was  a  magnificent  success;  un- 
equalled in  financial  and  other  respects.  The  delightful 
climate  of  Charleston  admirably  suited  Mr.  Owens; 
and  the  charming  winter  and  spring,  with  pleasant 
associations,  were  so  attractive  that  we  lingered  there 
until  late  in  May.  The  weather  grew  very  warm,  and 
it  was  decided  that  our  return  should  be  by  steamer,  via 
New  York;  stopping  over  in  the  latter  city  a  few  days 
before  settling  at  home  for  the  summer. 


JOHN    E.    OWENS.  287 

A  sea  voyage  had  ever  been  enjoyable  and  invigorating  ; 
but  on  this  occasion  an  attack  of  dyspepsia  interfered  with 
the  usual  experience,  and  for  the  first  time  in  Mr.  Owens' 
life  he  was  sea-sick.  So  extremely  was  he  depleted  that, 
on  arriving  in  New  York,  he  felt  unequal  to  the  few 
days'  recreation  he  had  planned.  Resting  a  day,  he  pro- 
ceeded home;  but  deeming  his  indisposition  transient, 
did  not  call  in  medical  aid.  Probably  he  would  have 
done  so,  had  our  family  physician,  Dr.  T.  H.  Wingfield, 
been  alive ;  but  that  dear  friend  had  passed  into  the  spirit- 
land  some  months  before  our  return.  Mr.  Owens  mourned 
this  loss  of  a  personal  friend,  and  felt  the  need  of  his 
professional  skill  as  sickness  continued.  At  length  an 
acquaintance  persuaded  him  to  consult  a  new  physician, 
represented  to  be  a  specialist  in  dyspepsia.  This  step 
proved  to  be  a  fatal  mistake ;  for  under  the  treatment  of 
this  alleged  proficient,  he  gradually  grew  worse,  until  he 
became  alarmingly  ill. 

Finally  the  case  was  pronounced  to  be  "  internal  cancer — 
incurable."  Having  faith  in  the  physician,  his  decision 
was  believed  by  me,  and  received  as  a  death  knell. 
After  four  months  of  this  agonizing  delusion,  something 
occurred  which  caused  me  to  doubt  the  infallibility  of 
the  attending  M.  D.  I  requested  a  consultation,  and 
selected  Dr.  W.  C.  Van  Bibber.  The  result  was  total 
annihilation  of  the  cancer  diagnosis.  Like  the  glory  of 
sudden  sunshine  and  warmth  breaking  through  total 


288  MEMORIES   OF 

darkness  came  Dr.  Van  Bibber's  assurance  that  "Mr. 
Owens'  illness  was  curable."  Not  the  slightest  symptom 
of  cancer  existed.  Liver  and  stomach  trouble  had  been 
the  cause  of  sickness;  this  was  the  true  diagnosis,  and 
subsequently  substantiated. 

Mr.  Owens'  strength  had  been  seriously  impaired  by 
four  months'  lavish  administration  of  anaesthetics ;  but 
his  iron  constitution  enabled  him  to  survive  this  treat- 
ment, which  would  have  proved  fatal  to  a  less  vigorous 
man.  Under  the  care  of  Dr.  W.  C.  Van  Bibber,  he 
steadily  improved,  and  by  the  spring  was  quite  well.  A 
happy  summer  was  passed  at  Aigburth  Vale,  and  the 
dreadful  past  relegated  to  oblivion,  or  only  remembered 
as  a  horrid  nightmare,  where  suffering  contrasted  darkly 
with  the  present  brightness  of  thankful  hearts. 

The  glory  of  the  summer  was  on  the  wane.  Mr.  Owens 
having  received  propositions  to  play  during  the  coming 
season,  was  considering  the  same,  when  all  business 
engagements  were  set  aside  by  the  tidings  of  the  earth- 
quake in  Charleston;  it  was  a  shock  in  every  sense  of 
the  word,  involving  monetary  loss  in  addition  to  solici- 
tude for  friends  in  Charleston.  As  soon  as  access 
was  attainable  to  the  city,  he  proceeded  there  to  make 
personal  inspection.  His  impressions  were  given  in  the 
following  telegram  which  I  received  from  him :  "Calamity 
more  serious  than  pen  or  picture  has  described.  No 
words  can  depict  the  desolation." 


JOHN    E.    OWENS.  289 

At  once  he  set  about  having  the  Academy  of  Music 
repaired.  Its  massive  strength  had  rendered  it  better 
able  to  meet  the  shock  than  many  of  the  other  public 
buildings  ;  but  still  it  was  greatly  defaced.  The  repairs, 
frescoing,  CYC.,  were  immediately  put  in  hand;  and 
regardless  of  expense  the  theatre  was  speedily  restored 
to  its  condition  of  safety  and  beauty.  The  early  book- 
ings could  not  be  met ;  but  before  the  renovation  was 
completely  finished,  the  season  began,  and  Mr.  Owens 
arranged  to  have  the  receipts  of  the  first  entertainment 
given  to  the  earthquake  sufferers.  He  had  previously 
offered  the  ball-room  (a  portion  of  the  Academy  that  was 
uninjured)  as  a  hospital  for  the  disabled,  or  a*  refuge  for 
the  houseless  otherwise  unprovided  for. 

After  his  return  home,  he  estimated  the  pecuniary 
involvement  that  had  accrued  from  the  earthquake ;  and 
then,  to  the  utmost  dollar  he  could  spare,  sent  a  check  to 
Mayor  Courtenay  for  the  "  earthquake  fund,"  with  a  few 
lines  expressive  of  sympathy,  and  regretting  that  his  own 
losses  from  the  calamity  prevented  the  sum  being  as  large 
as  his  inclination  dictated.  In  reply  came  this  graceful 
acknowledgment  from  Mayor  Courtenay  : 

'•(  ITY  OF  CHARLESTON, 
"EXECUTIVE  DEPARTMENT,  October  1,  1886. 

"DEAR  MR.  OWENS, — 

"There  is  before  me,  as  I  write,  a  little  slip  of  paper,  with 
numerals  and  an  autograph  which  will  convert  it  into  currency ; 

19 


290  MEMORIES   OF 

and  this  will  ultimately  tighten  the  roof,  strengthen  the  foundation 
and  restore  to  comfortable  use  some  needy  sufferer's  home  wrecked 
by  the  earthquake.  This  is  your  offering,  which  is  accepted  with 
thanks  and  appreciation. 

"  In  an  extensive  reading,  I  have  this  distinctive  recollection — 
that,  be  it  fire  or  pestilence,  or  the  elements  that  causes  destruction  to 
life  and  property ;  the  profession  to  which  you  belong  always  lead  in 
the  offerings  of  kindness  and  charity,  and  old  ocean  does  not  bound 
their  benefactions.  In  many  places  dramatic  entertainments  have  been 
most  successfully  given,  and  large  sums  realized  for  the  sufferings 
caused  by  our  mysterious  calamity.  The  gifted  Irving  signals  from 
London,  and  the  renowned  Booth  sends  his  check  to  a  stricken 
family  here. 

"  And  so  the  record  runs  through  all  the  years,  and  so  it  will 
continue  to  be  made  in  the  years  to  come ;  and  with  it  too  we  have 
received  something  above  currency  value — it  is  the  felt  pulsations  of 
warm  hearts,  which  cheers  and  strengthens  all. 

"  In  accepting  your  offering,  our  people  will  at  once  recognize  the 
kindly  voice  and  the  goodness  of  heart  of  "Farmer  Shingle,"  and  will 
wi-h  that  all  good  fortune  attend  him  in  life. 

"Very  truly  yours. 

"  WILLIAM  A.  COURTENAY, 

"  Mayor. 
".Jons   K.  OWKNS,  ESQ." 

The  visit  to  Charleston,  with  its  inevitable  excitement 
and  agitation,  the  over-exertion  of  every  hour  of  his 
stay  there,  had  injurious  effect  upon  Mr.  Owens'  health. 
When,  months  before,  Dr.  Van  I  Jibber  rescued  him 
from  imminent  peril,  an  unusually  strong  constitution 
enabled  him  to  rally,  and  respond  to  medical  skill ;  but 


JOHN    E.    OWENS.  -  291 

tlu-  effects  of  treatment  arising  from  the  former  mistaken 
diagnosis,  had  impaired  the  organs  of  life,  and  rendered 
him  less  resistant  to  fatigue  and  harassment.  As  a 
sequence,  he  was  extremely  ill  in  October.  Strong  will 
power  aided  him  to  overcome  this  attack,  and  be  up  and 
about  assuming  direction  of  daily  matters. 

Whatever  sickness  afflicted  Mr.  Owens,  was  borne, 
not  only  heroically,  but  with  a  gentle  patience  perfectly 
marvellous.  His  own  suffering  was  never  so  hard  for 
him  to  bear,  as  the  thought  of  the  anguish  it  caused.  A 
noble  and  unselfish  nature  was  evinced  in  this,  as  well 
as  every  other  phase  of  his  life.  Recuperating  from 
illness,  he  took  up  the  various  threads  of  business,  and 
the  propositions  for  professional  engagements  were  again 
under  consideration.  Once  more  we  were  encouraged  to 
believe  that  he  had  thoroughly  and  firmly  regained 
his  health.  This  blessed  experience  of  happiness  soon 
vanished. 

On  the  morning  of  December  4th,  1886,  he  arose  early, 
in  the  happiest  mood,  and  after  breakfast  took  a  walk 
about  the  farm,  preparatory  to  going  to  the  city.  The 
extreme  coldness  of  the  weather  decided  him  to  defer  his 
drive  until  midday.  Like  a  thunder-clap  in  a  clear  sky 
came  a  terrible  change.  A  sudden  hemorrhage  from  the 
stomach  occurred.  For  many  hours  life  was  in  jeopardy  ; 
but  gradually  improvement  gave  hope — almost  certainty 
of  recovery. 


292  MEMORIES. 

Thus  the  symptoms  continued  until  the  morning  of  the 
7th  hist.,  when  he  fell  into  a  calm  sleep  which  it  was 
thought  would  refresh  him.  From  that  sleep  he  never 
awoke.  His  spirit  passed  into  the  other  land,  leaving  its 
bright  reflex  on  the  tranquil  and  smiling  face  of  its 
earthly  tabernacle. 

Of  this  time  I  am  unequal  to  speak  in  detail.  The 
mortal  remains  of  John  E.  Owens  rest  in  Greenmount 
Cemetery  beside  those  of  the  dear  mother  he  loved  so 
devotedly.  His  genius  and  talent  have  given  him  endur- 
ing fame ;  but  even  more  effulgent  are  his  deeds  of 
humanity,  sympathetic  kindness  and  tender  helpfulness 
that  are  recorded  in  many  hearts.  They  may  not  be 
blazoned  forth  to  the  world  in  trumpet  tones ;  but  they 
rise  as  fragrant  incense  to  the  shrine  of  his  memory,  and 
from  them  are  distilled  heavenly  dew  that  keeps  fresh 
and  pure  the  remembrance  of  his  life  on  earth. 


THIS  BOOK  IS  DUE  ON  THE  LAST  DATE 
STAMPED  BELOW 


AN  INITIAL  FINE  OF  25  CENTS 

WILL  BE  ASSESSED  FOR  FAILURE  TO  RETURN 
THIS  BOOK  ON  THE  DATE  DUE.  THE  PENALTY 
WILL  INCREASE  TO  SO  CENTS  ON  THE  FOURTH 
DAY  AND  TO  $1.OO  ON  THE  SEVENTH  DAY 
OVERDUE. 


OCT    4   1946 


JUP     1960 


1998 


LD  21-100m-7,'40(6936s) 


THE  UNIVERSITY  OF  CALIFORNIA  LIBRARY 


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